Isis, the Birth Goddess & Lots of Bricks

Some of Cairo’s red-brick buildings; they’re ubiquitous in Cairo—and every town and city we saw while there.

Egypt is a land of bricks. From the ancient sun-dried mudbrick temple enclosures to modern Egyptian apartments, everything was and is made of bricks. (And, modernly, supplemented by concrete.)

It’s because there never were many trees and the native ones aren’t very suitable for large building projects. Even anciently, building wood was imported.

So bricks were and are still the answer. the ancient Egyptians encountered bricks on the way into life, during life, and on the way out of life.

Ancient brick housing

The ones they encountered on the way into and out of life were special. There were magical.

On the way into life, there were four bricks, stacked in pairs, that served to elevate a birthing mother so that when her child emerged beneath her, the baby could easily be caught in the hands of the midwife. (According to midwives even today, a squatting or sitting posture is preferable to the supine position in which most modern Western women give birth, generally resulting in a faster, easier delivery.)

Isis giving birth while squatting on birthing bricks and supported by Divine midwives
Giving birth while squatting on birthing bricks and supported by Divine midwives

On the way out of life, there were the four talismanic bricks that were placed in niches in the four sides of a burial chamber. These bricks were decorated with amuletic figures: in the east, the Anubis jackel; in the south, a flame; in the west, the djed pillar of Osiris; and in the north, a mummiform male figure. All of them protected the deceased.

Doubtless, the talismanic bricks that surrounded the body of the deceased in the tomb were meant to assist in rebirth into the next life, just as the birthing bricks assisted in a child’s birth into physical life.

A set of the magical bricks with the amuletic figures atop them
A set of the magical bricks with the amuletic figures atop them

The Goddess most closely associated with the birthing bricks is Meskhenet, Protectress of the Birthing Place. The bricks were called  meskhenut (pl.) after Her. Meskhenet is depicted either as a woman-headed birthing brick or as a woman with a distinctive curling headdress that has been identified as a stylized cow’s uterus. She protects mother and child during the dangerous process of birth, She foretells the child’s destiny as the baby is born, and She is among the Deities of rebirth Who witness the judgment of the deceased in the Otherworld.

Meskhenet as the personified birthing brick
Meskhenet as the personified birthing brick; the bricks were also called “meskhenets”

With Isis’ own connection to both birth and rebirth, you will probably not be surprised to learn that Isis is closely associated with Meskhenet. At Osiris’ temple complex at Abydos, four Meskhenets serve as assistants to Isis in the great work of rebirth done there. At Hathor’s temple complex at Denderah, a combined form of Isis and Meskhenet (Meskhenet Noferet Iset or Meskhenet the Beautiful Isis) is one of the four Birth Goddesses of Denderah. And in the famous story of the birth of three kings found in the Westcar papyrus, both Isis and Meskhenet are among the four Goddesses Who assist in the kings’ births.

Strangely, here pharaoh Seti I wears Meskhenet's distinctive headress
Strangely, here pharaoh Seti I wears Meskhenet’s distinctive headdress of the “horns” of a cow’s uterus

Both tomb bricks and birthing bricks were protective. In an inscription from the temple at Esna, Khnum, the God Who forms the child’s body and ka on His Divine potter’s wheel, places four Meskhenet Goddesses around each of His various forms “to repel the designs of evil by incantations.” As Birth Goddess, Meskhenet is associated with the ka as well. A papyrus in Berlin invokes Her to “make ka for this child, which is in the womb of this woman!”

We have a few surviving spells that were used to charge the birthing bricks. They were used to repel the attacks of enemies to the north and south of Egypt and may indicate that the birthing bricks, like the tomb bricks, were connected with the directions.

And here’s another tidbit showing parallels between the magical tomb bricks and birthing bricks. In an Egypt Exploration Society article by Ann Macy Roth and Catherine H. Roehrig, the authors point out an interesting gender-reversed aspect of these magical bricks.

Discovered in 2005, this is the only example of an ancient Egyptian birthing brick that has yet been found
Discovered in 2001, this is the only example of an ancient Egyptian birthing brick that has yet been found

You may recall that four Sons of Horus are the Gods Who protect the four canopic jars that contain the internal organs of the mummy. These four Gods are, in turn, guarded by four Goddesses. In Tutankhamun’s tomb, the Goddesses are Isis, Nephthys, Selket, and Neith. Roth and Roehrig suggest that we may be able to explain the amuletic figures associated with the tomb bricks in a similar, though opposite, manner. If the four meskhenets are personified as four Goddesses Who protect the birthing place, perhaps the four figures on the tomb bricks—the God Anubis, a mummiform male, a Divine pillar associated with Osiris, and a flame, the hieroglyph for which is rather phallic—may be considered Divine Masculine Powers Who protect the four Meskhenet Goddesses, just as four Goddesses protect the four Sons of Horus.

A recreation of the scene on the mudbrick birthing brick above

It is worth noting that these magical bricks were made in the same way as were the traditional mudbricks of Egypt. They were fashioned from the fertile Nile clay and sand, mixed with straw, which may be associated with Isis as Lady of the Fertile Earth, then they were dried in the brilliant heat of Isis-Re, the Radiant Sun Goddess. And, of course, as a Divine Mother Herself, Isis is connected with every aspect of human and animal fertility, from conception to birth, as well as the protection of the children as they grow.

As we have a south-to-north flowing river here in Portland, I might see if I can get some Portland “Nile” mud to create four miniature mudbricks. Then I could magically charge them by naming them “Meskhenet Noferet Iset” and placing them in the four quarters of the temple—or even outside, one on each side of the house. They might provide some very fine magical protection.

Two Meskhenet Goddesses as birthing bricks awaiting the judgement so that They may assist in the deceased woman's rebirth
Two Meskhenet Goddesses as birthing bricks awaiting the judgment so that They may assist in the deceased woman’s rebirth

The Meaning of May Day

The cross-quarter day between the Spring Equinox and the Summer Solstice is celebrated as the festival of the Queen of Heaven, often known as May Day. The name Maia/May comes from a root that gives us words like "majesty", "magic" and "might". It also gives us "maid" – the feminine name for humanity as a whole. This is the month in which Our Lady's sacrifice and triumphant resurrection spread out into the middle world, the world of maid, as She takes Her place at the summit of Her Mother's creation. Read more about May Day and the Queen of Heaven

The Meaning of May Day

The cross-quarter day between the Spring Equinox and the Summer Solstice is celebrated as the festival of the Queen of Heaven, often known as May Day. The name Maia/May comes from a root that gives us words like "majesty", "magic" and "might". It also gives us "maid" – the feminine name for humanity as a whole. This is the month in which Our Lady's sacrifice and triumphant resurrection spread out into the middle world, the world of maid, as She takes Her place at the summit of Her Mother's creation. Read more about May Day and the Queen of Heaven

An Egyptian Rite for Making Offering to Isis

I often find it easier to keep up my spiritual practice when I have something “set,” something specific, to do. Like a small ritual that I’ve pretty much got memorized. Is that true for you? If so, then today I’d like to share with you just such a small ritual. This one is an offering rite. It is adapted from the Daily Ritual in the Egyptian temples. (If you have your new copy of Offering to Isis, a version of it is in there. Here’s a version you can use, and of course, adapt, as you choose.)

I’ve called this one the Adma Iset, “Offering to Isis.” Adma is one of the (many) Egyptian words for an offering rite. I preferred the sound of this one compared to some of the others, so I adopted it. Based on Egyptian temple rites, this ritual is adapted for a single person instead of a temple-full of folks.

The Gesture of Adoration

The Adma Iset

Ritual Tools: A cup or other vessel of pure water; a censer with charcoal and incense; fire starter for incense; an offering (this can be anything you choose: milk, beer, flowers, a poem, a dance); a small reed mat (such as a table place mat); a shallow tray of sand large enough to place one foot in; a bundle of fresh plants for sweeping the sand. These last two are optional, but are adapted from things they actually did in Egyptian temples. You can do this rite at your altar; I will assume you have a sacred image of Isis on your altar.

Ritual Preparation: Prepare your offering as needed; set the small reed mat on the floor before the altar; place the tray with sand and the fresh plants conveniently to the side.

Purification  & Consecration

Sit comfortably before your altar, breathing slowly, clearing your mind. When you are ready, rise, approach the altar of Isis, and bow politely.

Ritualist: (Raising your hands in a gesture of adoration) Isis is all things and all things are Isis.

Take up the cup and elevate it.

Ritualist: (To the Purifying Powers) O, You Souls of Night, Water Dwellers, Purifiers, You of the Pure Water from the Sycamore Tree of Isis, I have come for you. By the Blood, by the Power, by the Magic of Isis, establish yourselves within this vessel!

Lower the cup to heart level. Visualize blue light coming into your body from above, let it move through your body into the earth, then bring it back up into your heart, then into the cup as you vibrate.

Ritualist: (Vibrating) ISET MU [EE-set MOO; Egyptian: “Isis of Water”]!

Circle your ritual space, sprinkling water, then sprinkle yourself.

Ritualist: (Speaking while walking) Isis is pure. The temple is pure. The temple is pure. I am pure. I am pure with the Purity of Isis. I am pure with the Purity of the Goddess. (Repeating until you return to the altar; then repeat as needed until you feel the truth of your statement.)

Ritualist: By the Magic of Isis, it is so!

A priest purifying and consecrating

Return cup to altar, take up censer and elevate it.

Ritualist: (To the Consecrating Powers) O, You Souls of Day, Fire Dwellers, Consecrators, You of the Pure Breath from the Mouth of Isis, I have come for you. By the Blood, by the Power, by the Magic of Isis, establish yourselves within this censer!

Lower the censer to heart level. Visualize red light coming into your body from above, let it move through your body into the earth, then bring it back up into your heart, then into the censer as you vibrate.

Ritualist: (Vibrating) ISET ASH [EE-set AHshh; Egyptian: “Isis of Fire”]!

Circle your ritual space, censing it and then yourself.

Ritualist: (Speaking while walking) Isis is consecrated. The temple is consecrated. The temple is consecrated. I am consecrated. I am consecrated with the Fire of Isis. I am consecrated with the Flame of the Goddess. (Repeating until you return to the altar; then repeat as needed until you feel the truth of your statement.)

Ritualist: By the Magic of Isis, it is so!

Entering

Opening the Shrine

Face the altar and make the Gesture of Adoration.

Ritualist: Isis is upon Her Throne. The spirits awaken! They awaken in peace for they know that I have come to make offering unto this Great Goddess.

Put your palms together and extend your arms straight out in front of you. Slowly open your arms as if opening a heavy curtain. This is the gesture of Opening the Shrine. Place the tray of sand before the sacred image and step in it to leave a footprint in the sand.

Ritualist: The sacred doors are opened to me. The light goes forth. It guides me on a fair path to the place where the Great Goddess is. I approach Your shrine, O Isis.

Offering to the Uraeus Goddess

Take up the censer and elevate it.

Ritualist: (Addressing the Uraeus serpent form of Isis) The Sacred Eye is powerful. Lady of Flame, Great One Who is between the horns of the Sunshine Goddess, accept this perfume and let me enter in peace.

Place the censer in your dominant hand, resting on your upturned palm. Bring that hand to your heart. Breathe in and visualize light glowing around the censer. Slowly swing your arm outward toward the image of the Goddess. Visualize the light flowing from the incense smoke to Her sacred image. This is the Gesture of Giving. Return the censer to its place.

Invoking the Goddess

Priestess (or queen) invoking

Stand before the sacred image. Place your palms together in front of you as if preparing to applaud. Bring them apart to a comfortable distance, remaining thumbs up. To make the Gesture of Invocation, move the tips of your fingers towards you in a ‘come to me’ gesture. Do this slowly and gently as you speak the invocation below.

Ritualist: Iu en-i. Iu en-i (Eeoou-en-EE; Egyptian: “Come to me”). Come to me, come to me, Beautiful, Great One—Isis of Many Names, Great of Magic, Great Mother, Great Goddess. Come to me, come to me! (Vibrating) ISIS. ISIS. ISIS.

See within your heart the light of the Goddess. Feel it glowing with sun-bright warmth and beauty.

(Speaking to the Goddess) Fair is Your coming to Your temple, Isis. Beautiful is Your appearance in my heart.

Place your hand upon your heart, breathe in, and on the out-breath, move your hand toward the altar and send that light into the sacred image of Isis.

Making Offering

Offering incense

You may continue to stand or be seated at this time.

Ritualist: My body being on Earth, my heart being awake, my magic being in my mouth, O Isis, I make offering unto You.

Take up your offering. With open heart, speak aloud why you have chosen to give that particular offering for the Goddess.

If your offering is physical, use the Gesture of Giving (above) to offer it to Isis. If it is not, visualize a symbol representing it in your palm as if it were physical. Breathe in, visualize light around the offering, then on the out-breath, move your hand toward the altar and see that light transfer to the sacred image of Isis. Then, if your offering is performative, perform the offering (e.g. read the poem, dance the dance).

The Reversion of Offerings (optional section)

Standing, make the Gesture of Adoration toward the sacred image of Isis. Close your eyes and visualize the Goddess tracing an ankh symbol over the offering you have given. It glows with the power of Life, the power of Her Divine Ka. She breathes a blessing into it. She breathes a blessing into you. Breathe Her breath and be blessed.

Ritualist: The offering is reverted. Its blessing comes to me. Its blessing goes out into the world. Its beauty endures forever.

Note: Offerings such as food and drink, once reverted, may be consumed by you and your household. Non-consumable offerings may be kept on Isis’ altar or kept in some other convenient place nearby.

Closing the Temple

When you are ready, take up the bundle of plants and sweep away the footprint in the sand. Make the Gesture of the Closing of the Shrine (the opposite of Opening the Shrine above).

Ritualist: I have flourished on water. I have grown on incense. I have climbed up on sunbeams. O Isis, give me Your hand for I have made offering unto You.

Be in peace, Isis, be in peace. Amma, Iset (AH-ma, EE-set; Egyptian: “Grant that it be so, Isis”).

The Adma is finished. Exit the ritual space or remain in meditation as desired.

Be in peace, Isis, be in peace. Amma, Iset.

Isis & Her Manifestations

More from the Temple of Isis at Dendera.

In this one small, mostly destroyed temple, there are many Deities speaking.

They are everywhere, on every wall. Many are well known, like Tefnut and Hathor and Thoth; some more obscure. The king—always said to be beloved of Isis and Ptah—is ubiquitous as well as he makes many different offerings of many different kinds. And, as this is the temple of the birth of Isis, She Who is First Born Among the Goddesses, there is much rejoicing in this small temple.

For example, the Goddess Merit, the Enchantress Who is here called “Lady of the Throat,” uses Her beautiful throat and voice to arouse joy and bring intoxication; She also leads the dances for Isis. Isis Herself is Mistress of Intoxication Who Arouses joy, Whose Heart is Satisfied with Revelry. Nuet declares that She “makes every person rejoice to see You [Isis].” Hor-Ihy, a combination of Isis’ son Horus with Hathor’s son Ihy, plays the sistrum “for the Mistress of the Sistrum-Temple, Isis the Great, Mother of the God.” The Gods dance for Her. The Goddesses are joyful for Her. The women play the tambourine for Isis the Luminous One. Hathor, Mistress of the Sweet Breath, sings for Her.

We can be pretty sure that the Egyptians were engaging in some word play here—word play that is intended to reveal mysteries. If you look at the transliteration (writing the hieroglyphs in “latin” or “roman” letters; with the addition of some special characters) of Bast’s name and Isis’ name, you will see that the letters for Isis are within the name of Bast: B3st and 3st. The “3” here does not really represent a three, but is one of those special characters; it is sometimes called aleph, from Hebrew, because it is a consonant that is also “sort of” a vowel, as aleph is in Hebrew. For simplicity’s sake, we are usually told to pronounce it like an English long “a,” (ah). But it isn’t really an a. It’s a glottal stop. Here’s how that works in Isis’ Egyptian name.

Two forms of Isis from Dendera: anthropomorphic and in Her Ba form

So, what the Egyptians were telling us is that Bast and Isis are linked because from within the name Bast, Isis is revealed. This is expressed by writing that B3 n 3st [Ba/soul of Isis] it is said of Her name.” But “ba” in Egypt isn’t really what we usually mean by “soul” though that is a conventional translation. The concept of the ba is much, much more complicated—and I’ll post on that sometime, but not today.

But in short, ba is one way that a Deity can express Themselves. Ba is an active manifestation of a Deity. So a better way to think about it would be that Bast can be a manifestation of Isis. Or that Isis can express Herself as Bast. This is very much in line with the very fluid way Egyptian Deities can flow into or become each other or express Themselves as each other.

In the final line of this section of the inscription, it says B3t, or Baet, is Her—in this case, Isis’—name “from ancient times of the Deities until now.” This is not a reference to the Cow Goddess Bat or Ba-et. Instead, it is an expression of Isis’ immense power. The ba-power of a Deity made manifest is often written in the plural, bau, though often treated as a singular. The plurality not only intensifies the power, but also recognizes that the Deity is not limited to a single manifestation of power. For example, wind is the bau of Shu. The stars are the bau of Nuet. And both have other bau as well.

Thus to be the Goddess Baet, Whose very Name—from ancient times until now—IS this ba-power, is to be powerful indeed. We learn about Isis’ bau in other inscriptions at Dendera as well. She is said to be the One “Whose bau is great.” In fact, “Her bau is greater than all the Gods.” As a Baet Goddess, She shares this great might with only few other Goddesses, such as Hathor, Neith, and Nephthys. As a Baet Goddess, She shows Her power on earth, where humankind bows to it, and in the heavens, where She is B3t em pt, the Mighty One in the Sky.

On another wall of Her temple, at least a dozen Deities “open the New Year” for the Daughter of Nuet, Isis the Goddess. We even have the founding date for the current temple: July 16, 54 BCE. That was the day of the heliacal rising of the Star of Isis, Sirius, and—the temple records—that for a brief time that morning, both moon and sun were seen in the sky. So both Re and Osiris were there to greet Isis at the foundation of Her Horizon or Akhet Temple. It is so called, no doubt, due to its orientation to the east and the rising of Her Star, as well as the regenerative power of the liminal space of the Akhet.

And that Isis was born as

This must also be word play, for Isis is born with the colors of the Black Land and Red Land shown forth in Her Divine form and so She rules over both; She rules over all things.

Indeed, even from before Her birth, Isis was destined to rule.

Isis is Queen of Upper and Lower Egypt and She rules the Two Lands “from the bricks of birth.” She is the ruler of cities and sanctuaries; indeed She is the Venerable One Without Equal, the Regent Who Governs the Universe.

Just as Isis’ own birth is celebrated in this temple, so Her birth-giving to Horus is also celebrated. Isis is called “the Primordial, the First to Give Birth Among the Goddesses, the One with the Beautiful Face, Whose Milk is Sweet.”

I’ve just scratched the surface here. There’s definitely more. Next time, we’ll look into some of the birth-associated texts and images to see what we can learn there.

‘Offering to Isis’ a look inside

I’m excited to let you know that I received my publisher’s copies of Offering to Isis. And I’m so happy; it is gorgeous. Take a look at this unboxing video to see a little of the interior. And for more details about what’s in it, here’s a post on that.

Oh, and one thing I forgot in the video is that it comes with a sewn-in ribbon to mark your place and stitched binding for durability.

If you’d like your own copy of this beautiful, numbered, limited-edition book, visit Miskatonic Books!

The Veil of Isis

This work is by Ludovic Pinelli; you can purchase a print here.
Egyptian woman with headdress

The Veil of the Goddess

A coin with the image of Ptolemaic Queen Berenike II of Egypt with head veil

The phrase “the Veil of Isis” is so common that we might not question where it came from. But perhaps we should. For one thing, ancient Egyptian women generally weren’t veiled so it would be odd to see a Goddess depicted so. Oh, there were headdresses aplenty, but not concealing veils.*

By Ptolemaic times, under Greek influence, we do see veils as head coverings come into use, though they seem more decorative than anything else. Both Greek and Roman images of Isis often include a veil covering the back of the head and hair.

Sais is a delta city

The phrase, Veil of Isis, comes to us from our Greek friend, Plutarch in his essay On Isis and Osiris. In it, he is talking about Egyptian Mysteries. He tells his readers that when the new pharaoh was crowned, he became privy to hidden Egyptian philosophy and notes that the Egyptians’ knowledge of their Deities “holds a mysterious wisdom.” To illustrate his point, he notes a certain seated statue of the Goddess of the Egyptian city of Sais. He says She is Athena “whom they [the Egyptians] consider to be Isis also.” She would, of course, be Neith, the Lady of Sais, Who was indeed assimilated to both Athena and Isis.

The statue bore an inscription: “I am all that was, and is, and shall be, and no mortal hath ever Me unveiled.” It speaks to the all-encompassing power and mystery of the Goddess.

A Roman image of Isis, with veil

If there was such an image, we have not yet found it. Since Plutarch was writing in the 2nd century CE and the Ptolemies came in long before that, about 300 BCE, it is possible that the image of Neith-Athena-Isis could have been veiled—at least with the decorative-type veil we see in images of some Ptolemaic queens.

Proclus, a Greek philosopher writing in the 5th century CE, also quotes the inscription and adds another line: “The fruit that I have brought forth the Sun has generated.” He doesn’t mention Isis, but rather Neith-Athena and speaks in terms of the Goddess being involved in creation processes, both visible and invisible.

There are a few other ancient references to the veil of Isis. The Greco-Egyptian magical papyri refer to it on several occasions. In one, the magician invokes Isis and asks Her to remove Her veil in order to reveal the future and “shake destiny.” By revealing the Mysteries beneath Her veil, the magician hoped that the Goddess Who was worshiped as Lady of Fate and Fortune could not only predict, but could change or “shake” destiny.

Science unveiling a multi-breasted Nature

Even after the end of the open worship of the Pagan Deities in the Mediterranean, Plutarch and other Greek philosophers continued to be studied. Because of Plutarch’s mention of the inscription in relation to Isis, the idea of the veil of Isis formulated more and more strongly and eventually passed into the annals of the Western Esoteric Tradition. The unveiling of the Goddess became a symbol of the revelation of esoteric secrets, sometimes specifically the revelation of Egyptian secrets.

European esotericists of many kinds came to use the metaphor of the Veil of Isis for the hiding or revealing of their own secrets. By this time, Isis was identified with the Goddess Nature, Who hides Her secrets from those who seek to understand Her.

This idea was particularly important to the alchemists who sought to uncover Nature’s secrets—She Who is Isis and Venus and Ephesian Artemis and the Anima Mundi (World Soul). Freemasons took up the idea of a veiled Isis keeping their own secrets and some even found Egyptian antecedents in their rituals.

A French occult magazine titled the Veil of Isis

The Romantic movement, which rejected what they considered the coldness of the Enlightenment, preferring emotion and imagination, was also developing at this time. For Romantics, Isis’ veil concealed not just the scientific secrets of Nature, but a deeper, unexplainable Mystery that is, at the same time, Ultimate Truth.

Philosophers took up the metaphor as well. Immanuel Kant said of the Saite inscription: “Perhaps no one has said anything more sublime, or expressed a thought more sublimely, than in that inscription on the temple of Isis (Mother Nature).” Influenced by Kant, the physician, playwright, poet, and philosopher Friedrich Schiller (what a guy!) tells a tale in which a young initiate rashly removes the Veil from a sacred image of Isis and is found nearly dead the next morning by the wiser priests; apparently, the secret was just too much for him.

Following in those mysterious footsteps, Helena Blavatsky’s 1877 book, Isis Unveiled, is a compendium of occult lore that purports to draw aside the veil of the Goddess for its readers. It continues to influence occultists to this day.

As a metaphor, the Veil of Isis was ubiquitous for centuries. Alchemists, magicians, freemasons, philosophers, scientists, poets, novelists, and visual artists all desired to life Isis’ Veil to discover the deepest secrets and truths, truths about Nature and truths about human beings in Nature.

This post barely scratches the surface of the many ways and places people were inspired by the veil of the Goddess. I’ve expressed some of my thoughts in the Offering at the beginning of this post. What is the Veil of Isis for you?

“Isis, Goddess of Life” on the Herbert Hoover National Historic site. A gift of the people of Belgium in gratitude for Hoover’s famine relief efforts for them in WWI. Engraved on the statue, in French, is,” I am that which was and is and will ever be, and no mortal has yet lifted the veil that covers me.”

* It is possible to see the daily opening and closing of the shrines that held the sacred images of the Egyptian Deities as a kind of unveiling and veiling of the images.

‘Offering to Isis’ is here

Nefertari making offering to Isis

I (almost) have my author copies of Offering to Isis! It’s been a long time coming, but it’s finally here.

The shipment is on the way from the printer to the publisher even as you read this. So, if you pre-ordered a copy, it should be on its way to you soon. If you’d like to order a copy, it’s available from Azoth Press at the Miskatonic Books website. Here’s the direct link.

I’ll do an unboxing video when I get my copies to show you more of the book. But in the meantime, here are some pics from the publisher:

I know a lot of you are familiar with Isis Magic, but maybe you haven’t yet come across Offering to Isis. I may be a bit partial, but I really like this book a lot, too.

Offering to Isis is about how we can connect with, honor, and grow our relationship with Isis through the ancient and eternal practice of making offering. Offering is one of the most important ways we human beings have always communicated with our Deities. It was vitally important in ancient Egypt and it’s just as important for those of us interested in or devoted to Isis today.

Interior “about the offering” entry

If you’ve ever wondered exactly what sort of things to offer to Isis, Offering to Isis includes in-depth explanations of 72 sacred symbols associated with Isis—symbols that make ideal offerings to Her.

We’ll also talk about the how and why of Egyptian offering practices, including the important and genuinely ancient Egyptian technique of “Invocation Offering.”

There’s information on exactly how the ka energy inherent in every offering is given to and received by Isis—and what to do with offerings once they’ve been received. You’ll also find a selection of offering rituals, from simple to complex, for a variety of purposes. Most rites are for solitary devotees, so I think you’ll find one that works just right for you.

If you’re curious and want to know exactly what’s in the book, you can download a PDF copy of the full Table of Contents by clicking on the caption under the “Contents” image.

The largest section of the book details the 72 sacred symbols of Isis. You’ll add to your knowledge of Isis and Her ancient worship by learning more about Her through Her important sacred symbols. You’ll see how each one is intimately connected with Her and how they may be used in offering rites for Her. Every entry also includes an Invocation Offering that you can use for your own offerings to Isis.

One of the things I especially like about this book is that you can just open it at random and you’ll likely find something you hadn’t known about Her, something that I hope will inspire you in your own devotions. For instance, how did the Knot of Isis come to be Her knot? What stones are associated with Her? What animals are connected with Her? Why are dreams especially important when it comes to Isis?

As it’s been a few years since this book was first published, the text has been thoroughly updated. All the hieroglyphs associated with the offerings have been re-illustrated and are much more accurate—and much more beautiful—in this new edition, too. There’s also a handy appendix in the back for quick reference in finding any offering you may need.

This is what a typical page looks like.

This new Azoth Press edition can be purchased only through the Miskatonic Books website. (If you go to Amazon, you will be ordering a 20-year-old paperback edition published by Llewellyn in 2005, which people are trying to sell at very inflated prices.)

Oh yes, and if you’d like, you can take advantage of Miskatonic’s installment plan that lets you pay over several months so it doesn’t take a big bite out of your budget. Plus, the new hardback edition is priced A LOT lower than those overpriced, out-of-print first editions that I’ve seen out there.

When you go to the Miskatonic site, you’ll find two different Azoth Press Offering to Isis editions. For the high rollers, there will be 36 copies in a gorgeous leather-bound and numbered collector’s edition. For the rest of us, there will be 650 numbered, limited edition copies in a cloth-bound hardcover. Both editions are two-color throughout, and more than 400 pages.

Thank you so much for letting me interrupt our regularly scheduled blog post to tell you about this new edition. And would you please do me a favor and share this information with anyone who you think might be interested? Feel free to ask me any questions about Offering to Isis that you’d like, too.

I’m definitely looking forward to getting my copy of this beautiful, new edition of Offering to Isis.

And while you might think it’s strange, even though I wrote the book, I still use it for reference when I’m making offering to Isis. I use the information in it as well as the Invocation Offerings. I hope this new edition will serve you well, too.

The Temple of Isis at Dendera

I finally got my interlibrary loan of Egyptologist Silvie Cauville’s Dendara: Le temple d’Isis. And the minute I starting perusing this two-volume set, I knew I wanted to own a copy. So Adam got it for me for my birthday. Yippee!

So now I get to tell you what I’ve been learning.

The remains of the temple of Isis at Dendera

The first thing to know is that, just as Isis is very present in Hathor’s great temple, so Hathor is present in Isis’ smaller Dendera temple.

And, as with many of Egypt’s temples, the current remains sit atop older structures. What we see today at Hathor’s temple is mainly Ptolemaic, while the bulk of what remains of Isis’ temple was constructed under the Ptolemies but completed and decorated during Augustus’ Roman rule.

Hathor’s worship at Dendera is much more ancient than the Ptolemaic period. There is evidence of a temple there from about 2250 BCE, during the reign of Pepi I. There’s also evidence of an 18th-dynasty temple. The Isis temple has earlier roots, too. There are vestiges of structures from the dynastic reigns of Amenemhat I (1991-1962 BCE), Thutmose III (1479-1425 BCE), and Rameses II (1279-1213 BCE). During the reign of Nectanebo I, the temple of Isis served as a mammisi for Isis as She births Horus.

The Isis temple at Dendera with the sad stumps of a hypostyle hall

One of the interesting things about the temple of Isis at Dendera is that, due to its older substructures, its current configuration has two main axes: east-west and north-south. Thus the temple opens to all four directions. The main temple entrance and hypostyle hall align with the heliacal rising in the eastern sky of the star of Isis. Sirius’ rising marked the coming of the Inundation and initiated the Egyptian New Year. Opposite, in the west, is the point of descent for Isis’ beloved, Osiris Lord of the Westerners. The north-south axis is marked by carved Hathor heads and connects that Goddess with Her father Re at Heliopolis to the north and with Her spouse Horus at Edfu to the south.

The Isis temple is shown at the bottom of this image, behind the Hathor temple; it is labeled “Isis Birth House”

Blocks from the mammisi of Nectanebo’s time were reused in the Ptolemaic/Augustan temple that we see the remains of today. This temple celebrates the birth of Isis Herself. Her mother Nuet births Her Great Daughter upon the primal Birth Mound, the First Earth. The temple (you will sometimes see it called the Iseum) also celebrates the sovereignty of Isis.

Here then, the Goddess Whose name means “Throne” is the guardian of the throne of Egypt, protectress of the king, and is Herself the regent of all of Egypt. Her Dendera temple is also the place of Her coronation as Divine Queen of the Universe. To me, this universal rulership of Isis is echoed by the temple’s four-directional doorways. Her ruling energy radiates from Her temple out to every corner of the world, if you will. And, if you recall, we learned several weeks ago that Isis’ rulership is so potent that She ruled the Two Lands even even before She was born, from within Her Great Mother’s womb.

My Per Nu with water vessels; the Nu pot is alabaster and from Egypt; the other water bowl is by a wonderful local artist

Dendera’s temple of Isis consists of three main chambers, the Per Wer, “Great House,” the Per Nu, “House of Water,” and the Per Neser, “House of Fire.” These chambers are also found in the Hathor temple, along the north-south axis. I was familiar with the Per Nu, the water sanctuary, but the fire sanctuary—the Per Neser—was new to me. There is also an offering vestibule in front of these chambers.

It pleases me no end that in our own home shrines and altars, we can easily replicate this ancient Egyptian temple structure.

My Per Neser with charcoal and incenses; are you staring at my Isis Temple ashtray? It’s masonic and was an ebay find, long ago

The altar is our Per Wer, where the sacred image or images of our Divine Ones live and receive offerings. The Per Nu is where our purifying and libation waters, cups, and other vessels are placed (mine is to the left of the altar). The Per Neser is where the candles, incense, charcoal, and lighters are kept (right side for me). My collection of sistra is also on the Per Neser side. In the House of Isis (see Isis Magic), the sistrum corresponds to Fire because of its ability to “shake things up.” In Egyptian, to “play the sistrum” is iri sakhem, “to do power.” The sistrum is thus an energy generator; very fiery.

I love all this so much that I fully intend to call these parts of Her shrine by these names from here on out.

Since there is so little left of this temple, that about wraps up our tour of the building itself. Next time, I’ll be looking into the inscriptions to see if I can find any new and interesting epithets or lore of the Goddess that I can share with you.

What about you? Do you have a special place near your altar that serves as your Per Nu and Per Neser?

Isis & Nephthys: the Mysteries of the Kites

Now, what you may already know is that the most consistent avian form that Isis and Nephthys take is the black kite. Black kites are birds of prey. They eat carrion and they hunt live prey. And one of the things I just learned is why they are called “kites.” It’s from their characteristic hunting technique in which they hover over the prey (like a paper kite does at the end of its string) and then do a swift dive to capture it. This highly successful hunting move is called “kiting.”

Isis & Nephthys with Their kite wings in a pose of protection

So today, we’re looking into the Kites, especially (but not exclusively) the Divine Kites, the Goddess Kites. We often see Them as Isis and Nephthys at the head and foot of Osiris’ mummy bier. Sometimes They are in Their bird form, sometimes fully anthropomorphic, and sometimes combining the two forms as women with wings.

In other images, we see Isis as a kite hovering (kiting!) over the erect phallus of a mummyform Osiris in order to conceive Their child Horus. We also find the Kite/s in funerary processions and in the Opening of the Mouth ritual. The Opening of the Mouth is a funerary rite; its main purpose is enlivening. It was used to give life or renewed life to everyone and everything from the mummified king to the sacred statues and images in a temple.

The magnificent black kite; yes, it’s brown as you can see in the tomb paintings as well

Egyptologist Racheli Shalomi-Hen notes that the first appearance of a Kite or Kites is in depictions of non-royal funerary processions of the late 5th dynasty of Egypt’s Old Kingdom. We know who the Kites are in these depictions because they are labeled. In Egyptian, Kite is Djeret while the Two Kites are the Djereti.

Egyptologists usually group the Kite/s in with other professional mourners (as opposed to mourners from the family of the deceased). This is probably because, once the Kites were connected with Isis and Nephthys, They were mourning Osiris. But the Kites seem to have other functions as well.

If the Kites were professionals, it must mean that their roles required special knowledge and skills. Just speculating here, but I wonder whether they were specialized priestesses of some kind. (As an aside, the Kites were also associated with another special funerary ritualist, the Demdjet. You can read about the Demdjet here.)

Shalomi-Hen suggests that the appearance of the Kite/s in these non-royal tombs is an indication that the non-royal dead were already identified with Osiris by that time—earlier that usually thought. At that time, she says, the Kites were not associated with the Goddesses; they were human funerary ritualists.

The Kite in a non-royal funeral; her title, Djeret, is above her head, with kite determinative at the end

She proposes that it was only after the king wanted to be an Osiris, too, that the Kites gained Divine and mythological status—and that this was done for the first time in the Pyramid Texts.

Other Egyptologists think that the basic Egyptian myth cycles, including the Osirian, may have been formed as early as the 2nd or 3rd dynasties—though we have nothing of length written down until the Pyramid Texts.

I’m not convinced that the Osirian myth we find in the Pyramid Texts represents the first time that this myth cycle was formulated. In the Pyramid Texts, we already see the characteristic mythological allusions that assume that scribes and educated readers (such as the priesthood concerned with funerary rites) would understand the reference to the whole myth from just the allusion. If this were the first time the myth was formulated, they would not have been able to do so. Instead, this must mean that—even before such allusions were written down in the Pyramid Texts—there was an oral tradition, and that is where the Osirian cycle first emerged.

In the illustration from one of these non-royal funerals (above), you can see that there isn’t anything particularly bird-like in the Kite’s dress or implements; indeed she has no implements and wears only the usual Old Kingdom sheath dress. Yet she is called the Kite. What then is the connection between the black kite and funeral rites?

Some scholars have suggested that the cry of the black kite may have sounded to the Egyptians like mourning women. I’ve listened to a number of recordings of black kite calls and…maybe? The closest one I’ve found is the warbling call in the last part of this video. The wavering cry sounds vaguely mournful. On the other hand, the kite also has a sharp cry, which caused another Egyptologist to suggest that the kite’s cry might have been thought to wake the dead. Yet another offers that the kite’s participation in funerals may have developed from a prehistoric hunting ritual. I wanted to look into that a bit, so I dug up that article.

In it, Egyptologist Eberhard Otto notes that the Kite is also present in some versions of the Opening of the Mouth ritual—in the part where the foreleg of the bull/bull calf is being cut off and its heart cut out. Sometimes, this female ritualist is identified simply as the Kite or the Great Kite. Sometimes there are two ritualists, the Great Kite and the Small Kite, Who later were identified with Isis and Nephthys.

The Kite (right) in the butchery scene from the Opening of the Mouth

In versions of the ritual where the Kite is present, she/She whispers into the ear of the sacrificial animal, blaming it for its own death. She says, “Your two lips have done that against you.”

Egyptologist Maria Valdesogo Martín identifies the Kite in the New Kingdom scene from the Opening of the Mouth shown here specifically as a mourner. This would be consistent with the well-known functions of the Kite at that time—as well as with the identification of the Great Kite as Isis. And mourning the slain animal is certainly an improvement over victim-blaming.

Nonetheless, this incident did remind me of the myth of the Contendings of Horus and Set in which Isis, in disguise as a maiden-in-distress, tricks Set into admitting that Osiris’ kingdom should go to Horus. Significantly, She first transforms into a kite, then flies into a tree and screeches, “Ha! Your own words have condemned You!”

The Two Sisters

Otto thinks that the Opening of the Mouth scene with the Kite is the part that may have originated in a prehistoric hunting ritual. He says the Kite is a later representation of a wild kite circling the body of a slain animal. The shrieking cries of the bird may have been interpreted as speech—which in later periods developed into the Kite blaming the animal for its death and, eventually, to mourning.

We begin to see Two Kites rather than just one in depictions of private funerary processions during the 5th dynasty, with most in the 6th dynasty. In the Pyramid Texts of the 5th and 6th dynasties, decidedly royal texts, we learn that the “Djereti of Osiris,” Who can only be Isis and Nephthys, “remove the ill” from the king as part of the preparation for his ascent to the heavens. In other words, They purify the king. What the Kites are removing is said to be poison, which is envisioned as venom from the fangs of a serpent that pours into the ground as the Kites supervise the action.

The Kites also help ferry the deceased king, as Osiris, “across the Winding Waterway” to the Horizon (Akhet) and rebirth. In tomb chapels of the same period as the Pyramid Texts, Kites are shown at the bow and stern of a boat that carries the coffin. We know that they/They are mourning for they/They make known mourning gestures in some cases and protective gestures in others. In these tomb chapels, the Djereti may or may not be identified as Isis and Nephthys.

In this model, the Goddesses’ names are followed by personal human names

We also find the Djereti represented on model boats since the Kites ferry the dead to rebirth. And here’s something really interesting.

One model boat from the Middle Kingdom includes the names of the Goddesses preceding what seem to be personal names. We see “the Nephthys Hotep-Hathor, justified” and “the Isis Hetpet, justified.” When a human name is followed by maakheru or “justified,” it means that the person is dead and has passed the judgment of Osiris. Perhaps what we are seeing here is previously deceased female relatives of the newly dead person serving as Isis and Nephthys for the deceased to help their loved one cross the Winding Waterway to rebirth.

In addition, the Kites were sometimes connected with the mummy wrappings. The Goddess of Weaving, Tayet, is sometimes identified as a Kite. Isis and Nephthys, known as the Two Weavers, are also Weaving Goddesses. There are a few Old Kingdom reliefs and paintings that show pairs of women labeled as Kites carrying boxes of offerings on their heads. In one example, we learn that they are “bringing khenit-cloth.” Khenit means “yellow” and yellow is the same as gold in Egyptian color symbolism. Thus, this cloth is solar and refers to the daily solar resurrection. Here again, we have the Kites assisting in rebirth. These cloth-bringing Djereti also sometimes have personal names attached to them, indicating that they are human Kites.

Isis & Nephthys as black kites

By removing poisons, attending to the mummy wrappings, and bringing offerings of yellow cloth, the Kites surely were part of the magical and physical preparation of the body and the tomb, just as female relatives were and are in so many societies, ancient and modern. Perhaps the professional Kites even guided or assisted the relatives of the deceased in these tasks.

Yet so far—with the exception of the kite’s cry interpreted as speech to the sacrificial victim or the possibility that their raptor-cries sounded like mourning—there doesn’t seem to be anything very kite-like or bird-like in the funerary function of the Kites.

The Sisters as Twins

But then there are those wings. Those bird wings, those kite wings.

The wings of Isis and Nephthys are Their most obvious avian attributes. As birds, the Kites fly; as birds of prey, They hunt.

As far back as the Pyramid Texts, the Two Sisters are the ones Who seek—or hunt for—Their missing brother Osiris. Their wings give Them the power to search a vast territory in a shorter period of time. Their lofty vantage point and sharp birds-of-prey vision make Them successful in their hunt.

In the Pyramid Texts, Osiris has not been dismembered, only killed. Yet when His dismemberment does become part of the myth, it isn’t much of a stretch to imagine the carrion-bird Sisters scavenging for the parts of the God’s body to re-assemble Him and make Him whole.

Isis protecting with Her wings

In the Hymn to Osiris in the Book of the Dead, Isis uses Her wings to revive Osiris enough so that She can conceive Their child and heir. “She made light with Her feathers, She created air with Her wings, and She uttered the death wail for Her brother. She raised up the inactive members of Him whose heart was still, She drew from Him His essence, She made an heir…” the text tells us.

In Egyptian lore, wings are also protective. Many are the Goddesses, wings outspread, Who protect tombs, sarcophagi, doorways, and temples. There are also a number of surviving statues of a larger Isis with a smaller image of Osiris protected between Her wings.

I remain on the lookout for more about the Kite Goddesses (as well as the human Kites). But for now we can know that Their wings are protective, Their cry can be mournful or accusatory, Their wings and vision make Them successful hunters and searchers, They can purify and prepare the dead for resurrection, and They can help “ferry” the dead toward the Horizon of Rebirth.

The Kite stands 4th from the right, bottom row; perhaps another Kite is on the top row, 6th from the left; I am assuming the family of the deceased are the people in mourning disarray on the bottom left

The World Renewed

In the Mystery of Easter, Mother and Daughter are reunited and the world is reborn. Life is renewed in springtime and the egg has for long ages been associated with this time. Ancient cultures including the Chinese, the Egyptians and the Romans decorated eggs to celebrate the coming of spring. The image shows a dyed egg traditionally pin-scratched with a design of birds in a flowering tree as a symbol of the rejuvenation of the world. Read about the High Feast of Easter and about the origin of the Easter Egg.

The World Renewed

In the Mystery of Easter, Mother and Daughter are reunited and the world is reborn. Life is renewed in springtime and the egg has for long ages been associated with this time. Ancient cultures including the Chinese, the Egyptians and the Romans decorated eggs to celebrate the coming of spring. The image shows a dyed egg traditionally pin-scratched with a design of birds in a flowering tree as a symbol of the rejuvenation of the world. Read about the High Feast of Easter and about the origin of the Easter Egg.

Is Isis “She Who Must Be Obeyed”?

We learned several weeks ago that one of the things said of Isis at Denderah is, “Life is in Her hand, health is in Her fist, one does not oppose what comes from Her mouth.” But was H. Rider Haggard’s Ayesha—of “She Who Must Be Obeyed” fame—based on Isis and/or Isis-connected literary characters?

Betty Blythe as Ayesha in She, 1925

Let’s see what we can find out.

H. Rider Haggard

First, who is Ayesha? Well, unless you are a fan of Victorian gothic novels or the British TV show Rumpole of the Bailey, you may not have heard of her.* Ayesha is the title character in the novel She: A History of Adventure by the English writer H. Rider Haggard. Haggard wrote adventure-romances set in exotic locations, mainly Africa, inspired by his having lived there for six years.

Along with King Solomon’s Mines, which introduced the character Allan Quartermain, She is Haggard’s most renowned work. It was enormously popular. First published in 1887, it has never been out of print and has sold over 100 million copies. Haggard was one of the innovators of the “lost world” genre and She is a classic example of that genre.

One of the many book covers for the novel

Ayesha is the mysterious “white queen” (I know, cringe) of an equally mysterious tribe living in the African interior. Ayesha is worshiped by her people as Hiya, She Who Must Be Obeyed, or simply She.

The novel has been studied and both praised and criticized for its depictions of female authority and power.

The Victorian and early-Edwardian era was also host to a wide-ranging male preoccupation with the “True Nature of Woman,” and mostly, in their cogitations, Woman’s True Nature tended toward the evil, perverse, and degenerate. This is where all those vampiric fin de siecle femmes fatales that populated a good portion of the art world at that time come from.

The Evil Mothers by Giovanni Segantini, 1894

“The Woman Question” was much-discussed as the rise of the more-liberated, educated, and independent New Woman terrified the traditionalists. (And why are we still and again having to have this infuriating and exhausting discourse?)

But back to Ayesha.

Sphinx by William Sergeant Kendall, 1915

Ayesha is a powerful sorceress who has discovered the secret of immortality. She’s been waiting 2,000 years for the reincarnation of her lover, who she killed when he refused to murder his wife to be with her. Yes, it’s complicated.

Our heroes, Cambridge professor Horace Holly and his adopted son Leo Vincey, travel to Africa in search of a lost civilization—and find it with Ayesha and her people. When Holly is ushered into her presence, she is veiled and warns him that the sight of her arouses both desire and fear. And this is so, for when she unveils herself, Holly falls to his knees before her, bespelled. Ayesha and her people live in the lost city of Kôr, a city of the people who predated the ancient Egyptians. Ayesha was born among the Arabs and studied the wisdom of the ancients to become a great sorceress.** In deepest Africa, She learned the secret of immortalization in the fiery Pillar of Life.

Ayesha is convinced that Holly’s adopted son is her reincarnated lover. She wants him to step into the Pillar of Life as she did so that he, too, can be immortalized. (Anybody getting Mummy movie vibes?) To prove to him it’s safe, Ayesha makes a fatal mistake, again walking into the burning Pillar herself. With her second exposure, her immortality is reversed and she dies—but with her last breath vows to return! Holly and Leo are freed from her deadly spell and hightail it home to England.

The Saitic Isis by John Knapp, 1928

We do have some Isis-themed bits here: a powerful, Goddess-like magician, secret knowledge, immortality, love, sex—all in a lost city more ancient than ancient Egypt. In a sequel to She (of course there was a sequel)—Ayesha: the Return of She—Haggard tells us that Ayesha’s name is to be pronounced “AH-sha” which is slightly reminiscent of Isis’ name in late Egyptian: Ise or Ese. The sequels also include “an ancient sistrum” and a rock formation in the form of an ankh for some clear Egyptian ambiance. Haggard’s novel fits right in with the significant case of Egyptomania Europe was giddily undergoing at the time. Haggard himself was deeply interested in Egypt and wrote another novel, Morning Star, that was set in ancient Egypt and featured a strong-willed Egyptian queen as protagonist.

In an article I’m reading by Steve Vinson, he suggests that some aspects of She, may have come from the tale of Ahwere and the Magic Book, a tale you already know has Isis connections. You’ll find those here and here. In addition to the focus on magic and some name similarities in the two tales, the dramatic power and alluring beauty of Ayesha is similar to the power and allure of Tabubu in Ahwere’s story.

Ayesha steps into the fiery Pillar of Life

You might also remember Aithiopika, the ancient Greek novel by Heliodorus, that also has Egyptian and Isis connections. Re-read those here. Vinson notes those and other similarities as well. In both novels, there’s an adventure in Africa where the young protagonists discover their true identity. In the case of She, it is Holly’s adopted son Leo who finds out that he actually IS a descendant of Ayesha’s lover, Kallikrates. Kallikrates is Greek and married to the Egyptian Amenartas, a priestess of Isis. The power of Isis protects Amenartas from the wrath of Ayesha when Kallikrates refuses to kill her. Vinson notes some similarities between the stories of Kallikrates and Aithiopika‘s Isis priest Kalisiris, as well as quite a few plot points that indicate the influence of Aithiopika on She. But those mostly don’t concern Isis, so I won’t detail them.

Vinson also finds parallels in the portrayals of Ayesha and other strong female leaders in Haggards’ stories with the character of Isis Herself, as well as with the Isis-connected protagonists in these ancient Egyptian and Greek tales.

Ayesha and Kallikrates, illustration for She by Maurice Greiffenhagen, 1888; it’s all pretty Egyptian looking

Isis was, quite simply, the most well-known Egyptian Goddess in Haggard’s time, and with Her multi-facted nature, it would be hard not to be able to find almost any type of Isis you’d like—from kindly to avenging. Isis embodies sexual power, too; see here and here, though She is not generally portrayed as a Great Seductress. Haggard had to turn to Isis-connected characters like Tabubu and Rhodopis (a courtesan in Aithiopika) for that.

Isis by Armand Point, 1909

Isis looms large in the Victorian era, with its Woman Question and Egyptomania. Ancient stories like the ones we’re talking about intrigued readers and inspired writers like Haggard and others. Translations of Plutarch’s works, including On Isis and Osiris, made Isis’ story, and Her famous veil, more widely known, while Madame Blavatsky’s opus Isis Unveiled established Her in the occult world.

As far as Europe is concerned, I don’t think it’s too much to say that Isis served as THE prime example of Feminine Divinity during this period. What’s more, as a feminine Being with both power and authority, She served as an inspiration for the New Woman of first-wave feminism. Remember Margaret Fuller?

From the world of the sciences to the arts to the occult, Isis was strongly present. Scientists worked to draw aside Her veil to reveal the secrets of Nature. Artists and writers were inspired by and wrote about Isis and Egypt. Occult groups such as the Hermetic Order of the Golden Dawn, incorporated Her prominently into their magical systems.

If any Goddess was THE Goddess in late-19th-early-20th-century Europe, it was Isis. Indeed, it would be surprising if Haggard’s Ayesha was not inspired by some aspects of the Goddess Who was so well known in his day.

*Ayesha or Aisha is also a wife of the Islamic prophet Mohammad and a well respected figure in Sunni Islam. The name Ayesha was very popular during the Ottoman Empire and it came to symbolize all-things-Arabian to 19th-century English readers. Many English novels and stories featured characters named Ayesha.

**I know. The math don’t quite math with Ayesha being over 2,000 years old and being born an Arab, but okay.

SunFest 2025: The Return of the Wandering Goddess

June 27-29, 2025 Portland Oregon area

The Myth of the Wandering Goddess is one of the two most important myths of ancient Egypt. Just about every town or region had its own version of the festival that celebrated this myth. Although different Goddesses were the “Wandering Goddess” in each local area, our festival celebrates the power of Sakhmet and the ecstasy of Hathor.

During SunFest 2025, we’ll explore this important myth in a highly immersive, highly participatory way. Each ritual, presentation, or workshop is designed to draw us into the overall myth so that—together—we will live our own version of that myth as well as celebrating the festival that surrounded it.

The festival takes place Friday through Sunday. Every ritual or event brings us into the myth/s and the ancient festival so that we can discover more about these Great Egyptian Goddesses for ourselves.

Our first ritual act is to create altars for the Goddesses and to invoke Their presence to our festival. You’re invited to bring items to add to the altar. We will create it together as part of the rite. Then, with the altars prepared, we invoke our two festival Goddesses, the Fierce Goddesses of the Solar Eye: Hathor, the Golden One, and Sakhmet, the Powerful One.

Through our desire, through our invocations, through our music, and our moving bodies, we call upon our Goddesses to be present with us during this festival.

The ancient Egyptian Ritual of Breaking Red Pots was performed to protect against enemies, physical and/or spiritual. Archeologists have found fragments of the pots that had been inscribed with curses against said enemies. In our version, we will join with Sakhmet in Her righteous anger against the injustice in the world and smash our own “red pots.” By expressing our rage, both personal and societal, we begin the Sacred Work of becoming purified and renewed.

At the end of this ritual, the Goddess Sakhmet departs from us and we are now without the powerful protection of our Goddess.

The Hathoru, sacred enticers of the Goddess Hathor, will help us get the Friday night drumming and dancing going with a calling for the absent Goddess and a chant to seduce Her to return.

I’ll present a Keynote talk to explain the importance of this myth to ancient Egypt and provide background to help us understand the rituals and activities of the festival.

At the end of the presentation, we’ll have the opportunity to experience the energies of both Sakhmet and Hathor for ourselves.

Five gallons of red beer are being ritually brewed as an offering to Sakhmet, so that we may appease Her wrath and coax Her to return to us. Without our Fierce Goddess, we, like the Sun God Re, are vulnerable. The First Servant of Sakhmet will lead us in a prayer and chant to the Goddess. Then we will pour out the blood-red beer into the fields in hopes that the Goddess will be pleased and made peaceful through it.

We’ll break into 5 groups, our “villages.” Each village will work together to create an offering for the Returning Goddess—as She has been promised by Thoth, the God of Wisdom, if She agrees to return home.

Wise Thoth has followed the Lioness Goddess to Nubia and has entertained Her with many excellent tales. He has coaxed Her to return home, promising offerings, dancing, and feasting in Her honor.

Join us at the riverbank, our isheru, where the Returning Goddess is renewed in the Deep Primordial Waters. We, like our Goddess, will be purified and renewed as well. By our rites and in these Waters, Red Sakhmet transforms Herself into Turquoise Hathor, the Intoxicating One.

Then we walk together in procession as we make music and throw flower petals in the path of the Returning Goddess—and at each other, if we’re feeling playful. The Goddess’ reed boat stops at each village and we present our offerings to Her.

We join together in the main meadow to feast with our Community and in honor of our Goddesses, Hathor and Sakhmet, and Thoth.

As the sun sets, we are called once more to gather at the Fire Circle. The Goddess will be present in 7 different forms and She will bless us in return for the offerings we created and presented to Her earlier.

There is no formal end to the ritual. We drum and dance our way into the night as we so desire.

This is the closing ritual for the festival. We pour out pure milk in thanks to Sakhmet, Hathor, and Thoth, then ritually release Their Presences by extinguishing our fiery torches in the sacred milk of the Goddess.

The rite also incorporates OWOW’s traditional gift exchange. If you wish to participate, bring a small gift with you as a thanksgiving to be given to someone in our community, and you will receive one in return.

PLUS—Other workshops on Sunday!

Other Worlds of Wonder website

Direct to the Registration form

Is Isis Calling Me?

One of the questions I regularly receive from folks who email me is, “how can I tell if Isis is calling me?”

It’s a very good question, if a somewhat difficult one to answer. Sometimes, people have had dreams with what they think could be Isiac imagery. Sometimes they’ve had a vision or some other experience during a ritual. Sometimes it’s a feeling, sometimes a wish or a hope.

What Do We Mean by “Calling”?

To try to unravel this, the first thing we need to figure out is what we mean by “calling?” In other words, if She were calling us, what would that mean? What kind of obligation, if any, comes with that calling? Because so many of us have Christianity in our personal backgrounds as well as Christianity being so prominent in our societies, we might automatically associate “a calling” with a vocation for the ministry or priesthood. It’s certainly possible. But there are other possibilities, too.

What calling means to us can also depend on where we are in our spiritual journey, as well as what we’ve been studying or reading or thinking.

For instance, let’s say you’re very interested in ancient Egypt, you’ve been reading about it, and you’re in a spiritual circle of some kind that regularly invokes Deities. Then one night, you have a powerful dream in which a beautiful, Egyptian woman seems to welcome you. You think She might be Isis. She might, indeed. She could also be one of any number of Egyptian Goddesses, which you would know about from your reading. What you intuit from your own dream will be very helpful here. If you think She’s Isis, you can follow that thread. We’ll talk about that shortly.

For another instance, let’s say you’ve never had any particular connection with ancient Egypt and you’re not on any specific spiritual path. Then one night, you have a powerful dream in which a beautiful, Egyptian woman seems to welcome you. You think She might be Isis. This may be just a dream. But if you find it exceptionally powerful, keep looking. A dream like that might be pointing out that your soul is yearning for some positive Mother or Divine Feminine energy in your life. That knowledge, in and of itself, is very valuable information. On the other hand, such a dream could be the impetus to set you on a spiritual journey as you seek to learn more.

And for a third instance, let’s say you have that same dream. But you don’t feel that you’re ready—or that you even want to—do anything about it. You absolutely don’t have to. If it’s an important knock on your spiritual door, She’ll knock again. And it’s okay to say no. You won’t hurt Her feelings and there are no negative consequences.

Dreams & Signs

So. Dreams are one way to hear Isis if She’s calling you. But if you, like me, are a crappy dreamer and neither remember them nor write them down, there are other ways to hear Her. There are usually signs. Signs can be tricky. In most cases, a sign is something unusual that catches your attention and relates to the particular Deity involved, in our case, Isis. Because She is a Bird Goddess, it might be wings and feathers. You may hear the sound of wings at an odd time. Or a bird swoops down immediately in your line of sight, startling you. Or a feather drops from the sky. Her symbols—like the Knot of Isis or a throne—might show up unexpectedly. Perhaps you overhear Her name in a passing conversation between strangers. This will happen, not just once, but many times. Be patient. Wait. And look and listen for the signs.

Now, if you’re actively wanting Her to be calling you, signs and synchronicities can ramp up. Does a breeze rustle the leaves of a tree as you pass, thinking of Her? It is Her breath. Have you found a piece of jewelry engraved with Her image? She confirms your Path. Did that hawk circle above you as you drive your car down a country road with Her name on your lips? She is guiding you. 

Is it foolish to see these signs everywhere? Is it “just my imagination?” In some cases, sure, there will be a kind of confirmation bias. But that doesn’t matter; She’s on your mind. You’re thinking of Her. It has begun.

Sometimes, there are other ways to tell. You might have an intuition of Her presence about you. Or something weird might happen. I’ve had incense burn and disappear all by itself, strangers have given me unexpected Isis gifts, very loud disembodied voices have spoken my name. What your weird thing might be, I can’t say.

Pick Up the Phone Yourself

Now. There’s also an important secret about all this that I’d like to share with you. Two, really. The first is that if you want to connect with Isis, you don’t have to wait for Her to call you. You can call Her, too. Light a candle. Say a prayer. Ask Her to come into your life. If you like ritual, use the Opening of the Ways here.

The second is that being called by Isis doesn’t necessarily mean you are being called to a lifelong relationship with Her. It doesn’t necessarily mean you’re being called to serve as Her priestess, priestex, or priest. It might mean you’re being called to learn more about Her—right now and perhaps only for a while. Perhaps you’re being called to relationship. And like any relationship, that means investing time. Spend time with Her, in meditation and prayer. Read about Her in anything and everything you can get your hands on. Get to know Her. See how She feels to you. Do you like Her energy? Does it fit with yours? That’s what I mean by following the thread…and just see where it leads you.

And if you find, after time, that this is not the relationship for you, that’s perfectly okay. You will have learned. You will have grown and your spiritual world will have been expanded.

But if you find that, like me, you are a lifetime (or at least long term) devotee of Isis, then I know you will discover for yourself Her deep love, wisdom, power, and magic.

Join Me at Spirit Northwest

Hello, all!

This is for those of you in the greater Pacific Northwest.

I’m excited to be one of the presenters at Spirit Northwest, a new conference for “Paganism, witchcraft, and natural magic” being held in Portland, Oregon. The conference is May day weekend: May 1-4, 2025.

One of the things I am loving about SPW is that they’re scheduling longer presentations—not just 45 minutes. That means we can really get into some depth with the topics. So you better believe I applied for one of those 2-hour spots asap.

Nefertari making offering to Isis

I’ll be there on Saturday, but the event goes from Thursday evening through Sunday afternoon. Check out the website here. And the whole schedule here. Rituals! Learning! Meeting new folks!

Since we have the time, for my presentation, we’ll be both talking together AND a doing a ritual. It’s called “Under the Wings of Isis: the Greater Mysteries of Making Offering.”

So first, we’ll talk about the traditions and techniques of ancient Egyptian offering rites—going into some depth about how offering really works—then we’ll participate together as we “Open the Ways” to Isis and make offering to Her, receiving Her magic and protection in return.

We’ll be doing the talk part “Hermetic Society” style, meaning that you can ask questions and make comments during the talk. It’s a bit more chaotic, but it’s also more fun, too, for me and for you. And yes, this will be a presentation with pretty pictures, because who doesn’t like to look at pictures?

A couple making offering

I wanted to let you know about this a bit early so there’s time for budgeting 🙂

And here’s some more good news: the second edition of Offering to Isis, Knowing the Goddess through Her Sacred Symbols should be/will be out by the time. It’s available for pre-order now here or click on the book cover in the sidebar.

In fact, it’s being printed even as we speak and I hope to have some books with me (fingers crossed) for the conference.

Your hosts for the conference are the creators of That Witch Life podcast, so do have a listen.

If you’re in the area, I hope you’ll come join us!

A Meditation within the Heart of Isis

The spring equinox approaches. Okay, I’m anticipating…just a tad. But winter is ending. And we continue both our work in the world and our Great Work within.

Today I’d like to share a meditation from Isis Magic, slightly modified, which I hope may offer some hope and strength. You may, as I do, find it a little challenging right now—because it opens up space for gratitude, yes, even in this terrible time.

Where to do the meditation is up to you. In front of your altar is always good or, if the weather is clement enough, outside might be even better—for we can sometimes sense Isis’ heartbeat more easily in nature.

We start with the Wings and Breath of Isis. We invoke and connect with Her as we sense Isis’ mighty heart. With our own hearts opening, opening to Her, we give voice to things for which we are grateful—anything from the warm scent of cat fur to the beauty of the day to the love of our friends and activities of our communities. And try to actually speak these gratitudes out loud if you can. The power of heka, magic, is in the word—and this is intensified when spoken.

I hope you will join me in this meditation as we begin to welcome the light of coming spring.

The Wings & Breath of Isis

Greeting the Goddess

Detail from Ancient Greece and Ancient Egypt by Gustav Klimt

Heart Joined to Heart

“My Mother. My heart. My Mother. My heart.

“I am aware in my heart. I am in power in my heart. I am aware and in power in my heart, which is the heart given to me by my human mother—and by my Great Mother Isis.

“My Mother. My heart. My Mother. My heart.

A Klimt-inspired Isis work by Brightstone

“I am intelligent in my heart. I am compassionate in my heart. I am intelligent and compassionate in my heart, which is the heart which drums in rhythm with the heart of Isis, the Radiant One.

“My Mother. My heart. My Mother. My heart.

“I am alive in my heart. I am full in my heart. I am alive and full in my heart, the center of all Being, the beginning of all Becoming. I am alive and full in my heart, and my heart knows all the joys of my life.

“In the fullness of my Being, I am Becoming joy-full. The Star of Isis arises—all will be well. Isis comes—peace returns to me. I am sitting in the Throne of Abundance bathed in Her Light. Once again, I attune my human heart to Her Divine heart.”

Thanksgiving

“I am grateful for (naming as many things as you can).”

“My Mother. My heart. My Mother. My heart. I am aware in my heart and I am grateful in my heart. You have blessed me, Isis, and I am thankful, Great Goddess, in return. Amma, Iset. Grant that it ever be so.”

Egyptian heart amulet, made of carnelian; “My Mother, My Heart”

Hymns to Isis of 10,000 Names from Denderah

One thing I learned from our Egyptian visit to the Great Temple of Hathor at Denderah, is just how very, very, very present Isis is in this entire temple complex.

Approaching the Temple of Hathor at Denderah

I knew that, just as Hathor has a small temple at Isis’ great Philae sanctuary, so Isis had a small temple at Hathor’s great sanctuary at Denderah. But I didn’t know how present Isis is within Hathor’s temple itself.

The remains of the Isis temple at Denderah

So, today I’d like to share with you some of the praises and epithets of Isis found within the great Hathor temple. They can be used and/or adapted through your own creativity for ritual use. The translations come from Egyptologist Sylvie Cauville’s Dendara: Hymnes à Hathor et à Isis. So they are my English translations (with help from Google Translate) of her French translations of the hieroglyphs. I’m awaiting an interlibrary loan of her book on all the texts from Isis’ small temple at Denderah. I’ll share those with you in the future.

But for today, let’s look at some of the ways Isis was understood at Denderah. Since most of the remains at Denderah are Ptolemaic, we won’t be surprised to find Isis expressing Herself there in many of Her ten thousand names. Here’s an example:

Isis the Great, Mother of the God, Mistress of the Birth Mound, Who takes Her place in Denderah, Lady of the Beginning of the Year, Queen of Messengers, Who appears at the New Year to open the Beautiful Year. [She is] Amunet (the Goddess counterpart of Amun) at Thebes, Menhit (a Lioness Goddess) in Heliopolis, Renpet (“Year”) is Your name in Memphis, Sothis (Sopdet, the Star Goddess) in Elephantine, Hededyt (a Scorpion Goddess) in Edfu, the Venerable Vulture (the Goddess Nekhbet), the ruler of Hierakonpolis (Nekhen), the Feminine Heliopolitan One in Denderah, Daughter of Nuet, brought into the world in the Birth Mound on the beautiful day of the Child-in-His-Nest, the One Who takes flight again towards the sky; Heqet (the Frog Goddess) in Abydos, Seshat (the Scribe Goddess) in Hermopolis, Djedet (“Word” or “Great Word,” Djedet Weret) is Your name in Busiris, the Mysterious One in Bubastis, Ipyt (a Hippopotamus Fertility Goddess) in Pe, Depet (“the One of Dep”) in Dep, Neith in Sais, Wadjet in Nebecheh (the location of a temple of Wadjet), Hathor in all the land. She is the One Who dwells in every city and in every nome with Her son Horus and Her brother Osiris.

Those of you who have seen the Oxyrhynchus aretalogy of Isis will recognize this format: give Her name and then the place in which She is called by that name (or vice versa).

“Isis of 10,000 Names” from the Isis Oracle; art by Jim Manton

On one of the pylon doorways at Denderah, where both Goddesses are invoked, we learn this of Isis’ power:

She is the Sovereign of the Palace, the Ruler, the Mistress of Writing. She announces what will happen in the future. Life is in Her hand, health is in Her fist, one does not oppose what comes from Her mouth. She takes care of the one who is not unfaithful to Her and defends the one She loves on the day of the “fight in the arena” (I assume this means during challenging times; but I supposed it could be something more specific, too). She is the irreproachable protector of those who have nothing and those who have everything. What She conceives happens forever. She comforts the unfortunate with Her word at the closing gate. She is Seshat the Great, the Primordial, the First Who Inaugurated Writing, the First Who is Brought into the World Among the Goddesses.

On the doors of the “Mysterious Corridor,” Isis is praised as the Powerful One. Re is said to shine in the horizon (akhet) when He sees Her and human beings come to Her to make Her heart joyful. In the Isis Chapel within the Hathor temple, She is called by many of the titles we have already seen, but She is also the Queen of Egypt in its Entirety, the Great One in Heaven, the Powerful One on Earth, the Primordial One Who Created the First Time (Zep Tepi) and All Good Things—which She shares with those She loves. She “dispenses the Commandments in the places of worship.” What must happen “happens when You [Isis] order it.” She is “excellent and beautiful.” She is “the Female Ibis Without Her Equal, the Mistress of Writing, the Sovereign of the Library.” She is the ruler of the orb of the sun and of the stars. As Sothis, She is the One Who Brings the Flood to “create life for the living.” She is the Eye of Re and the Unique Uraeus serpent.

Isis of Corinth by Stuart Littlejohn; purchase a copy here; I have my copy, just gotta get it framed

She is also called Horet, the Female Horus. Her favors to Her devotees are great as is Her love. She is the Hand of God with inexhaustible benevolence. And Her true name is Isis (but also The Golden). This is very reminiscent of Apuleius’ aretalogy of Isis in which the Goddess lists many of the names by which human beings know Her, but finally states that Her true name is Queen Isis.

Quite a few of the Isiac hymns in the Denderah temple repeat many of the epithets we’ve already seen, so I’m trying to pick out the ones I find interesting and that I think you may also find interesting.

For instance, epithets from the Denderah Chapel of Water and Chapel of the Crown call Isis the Great Oracle Who Arrived at the Beginning and the Oracle Who Announces What Will Happen in the Future. These would be perfect epithets to use when reading Tarot or using another divination system under Her auspices. The Chapel of Water also says that She makes the Inundation flow to “invigorate the hearts of the Guardian Gods;” so another protective function. Her Ka is praised and She is called the Living Ba. She is the Lady of East, South, West, and North.

Isis the Magician, according to WordPress AI

In the Chamber of Fabrics, Isis is identified with Tayet, the Weaving Goddess. The text says that the Divine Fabric is made for Her Ka and that She is Mistress of the White, Green, Purple/Blue, and Red fabrics.

One of the things especially celebrated at Denderah is the birth of Isis. Her birth is connected to the epagomenal days when She rises as Sirius before the sun to mark the New Year.

In the Chapel of the Sistrum, it is said that Isis “took possession of the royal office even before She left the womb; She ruled the throne from Her swaddling clothes.” I’m guessing we’ll learn more about Her birth when I get that interlibrary loan of the texts from the small Temple of Isis.

Isis the Magician, according to Roman-era Egypt

On the exterior temple walls, Isis is said to be born “in the form of a black-haired woman, full of life, Sovereign of the Ennead, Ruler of Magic.” More of Her ten thousand names are added in the pronaos of the temple: She is Amunet, Menhit, Renpet, Sothis, Nekhbet, Tanenet (a Goddess of brewing and childbirth), Isis, Seshat, Heqet, and Wadjet. She is also the One Who Loves the Embrace, the Mistress of Life, Tayet, She Who Hears Everything, the Mysterious, Pyt (possibly a variation or misspelling of Ipyt), Depet, Neith, Khensyt (a Goddess of the royal crown), and Isis in every nome. She is the Mistress of Offerings, the Feminine Disk (of the sun), Mistress of Bread, Who Prepares Beer, and Lady of Exultation and Joy. She is the One Who is Rejuvenated in the Faiyum, Mistress of Life in Metenou (couldn’t find out where that is). In Mendes, She is the One Who Speaks. In Busiris, She is the One Who Hears Everything. And She is still The Mysterious in Bubastis.

The pronaos also notes that on the birthday of Isis, joy breaks out in Denderah and in Edfu. (Remember that these two temples are connected by the love connection between Hathor and Horus.) Heavenly Nuet gives birth to Isis—the Scholar for the Ennead—so that She may give birth to Horus the Avenger. The text says that Isis “was initiated into Wisdom as the Great One” and that the Goddesses come to see Her birth, wearing the menat-necklace and bearing the sistrum, “to appease the heart of The Magician (that is, Isis).”

That’s a lot of (hopefully) new and interesting epithets to work with for today. Any one of these epithets of Isis or Her identifications with other Goddesses would be a worthy subject for invocation and meditation.

Wandering Isis

Part 3

Thoth, in the form of a baboon, lures Tefnut, in the form of a lioness, back home to Her father Re

Let’s finish up our exploration of Isis as a Wandering Goddess by looking at some additional ways Isis’ story fits in with the myth of the Wandering/Distant/Returning Goddess. Last time we saw how Isis’ lioness form and the raped-Goddess theme fit in with other Wandering and Distant Goddesses, as well as how prevalent that myth was in the Delta—the place where Isis’ worship most likely originated.

So let’s see what else we can find out.

Eye of Re

The fiery Eye of Re

In addition to being fierce and protective Lioness Goddesses, our Wandering Goddesses are also fierce and protective Eye Goddesses. Usually, They are Solar Eyes—Daughters of Re—hence Their fiery nature—though we saw that the Lioness Goddess Mehyt may be associated with the Udjat Eye, the full Lunar Eye, which in turn connects Her with the ever-so-famous Eye of Horus, son of Isis.

Isis is Herself a Divine Eye and Daughter of the Sun God Re. She is said to “emerge” from Re or “come forth” from His body. At Her Philae temple, inscriptions say that She “appears” as the Eye of Re. (On the other hand, as a Primordial Goddess, Isis is also said to give birth to Re, so there’s that.) Isis is called Re’et, the Female Re…indeed, at Denderah She is called “the Re’et of Re’ets,” that is, “Sun Goddess of Sun Goddesses,” and She is also Queen of the Re’et Goddesses. She is the Solar Eye, “the right eye of He Who shines like gold” and She is the solar disk, the Aten Itself. Hathor and Isis are the only Goddesses Who have the distinction of being identified as the solar disk itself. At Denderah, Isis is Re’et “in the dual course of the sun and the moon,” and so She encompasses both Solar and Lunar Eyes.

Eye of Re Who has No Equal in Heaven and on Earth

The Fiery Goddess strikes fear in the heart of Her, and Re’s, enemies. Her power can cause death “in this vigorous form” and She describes Herself as “She who triumphs, the companion of Re.” As the Sacred Eye, the Goddess coils as a uraeus serpent and third eye upon the Sun God’s brow, protecting Him and fighting an ongoing cosmic battle against His great opponent, the destructive Serpent Apop (Gr. Apophis). Inscriptions from Philae call Isis “Neseret-serpent on the head of Horus-Re, Eye of Re, the Unique Goddess, Uraeus” and “Eye of Re Who has No Equal in Heaven and on Earth.”

The all-seeing black kite

In addition to being a Divine Eye, we can also understand Isis as having particularly keen sight due to Her sharp raptor’s eyes. Her most prominent sacred bird is the kite hawk, whose sky-high viewpoint gives it an advantage in being able to see far distances, which could easily lead to the conclusion that it was All Seeing. In later periods of Her worship, Isis was invoked not only as “all-seeing,” but “many-eyed.”

Isidorus’ Faiyum hymns to the Goddess describe Her as gazing down on the activities of humanity and noting the individual virtues of human beings. Yet the glance of Isis’ sharp eye can have dire consequences for those who oppose Her. When the Ennead of the Gods is arguing over whether Horus or Set should receive Osiris’ throne, the Deities back down in the face of the anger and flashing eyes of Isis.

The Goddess Leaves the Premises

The next few pieces of our puzzle, I admit, are not as strong as the argument to date. We just don’t have a surviving Isis myth that’s close to Tefnut’s or Hathor/Sakhmet’s angry departure and joyful return. My guess is that Isis became so strongly associated with the Osirian myth cycle—and there were so many other Goddesses associated with the Wandering Goddess cycle—that there simply wasn’t a need for people to retain that particular myth—if there originally was one, as I think there was—in relation to Isis.

Isis wanders, finds each piece, and creates a shine for Osiris

As Isis began to break away from the Goddess pack, so to speak, and Her worship spread not only throughout Egypt, but into the entire Mediterranean region and beyond, there was less and less reason to include that theme in Her worship. Instead, the very human, heart-touching emotionalism, tragedy, and eventual triumph of the Isis-Osiris-Horus myth took over…even as She was becoming, more and more, the Goddess of 10,000 Names.

And yet, Isis does wander. She wanders throughout the length and depth of Egypt searching for the pieces of Her Beloved’s body. She creates shrines in the major cities and towns of Egypt, so that Her story is known by all. The ubiquity of the Isis-Osiris myth was so prevalent that the historian Herodotus, in the 5th century BCE, had the impression that Isis and Osiris were the only two Deities universally worshiped in Egypt. Not only that, but we can imagine that Isis’ wandering is filled with grief and mourning, yes, but also with anger. If you have ever lost someone suddenly, you will understand, on a gut level, that anger is a very familiar part of mourning.

Is Induced to Return

Horus takes His rightful place as king; Isis is in joy

Rather than being coaxed into returning home, however, Isis is more self-directed. She returns when Her task of gathering Osiris is complete and She has guided His resurrection and transformation into Lord of the Dead. Her concerns at home now turn to ensuring Horus takes His rightful place as king. And here again we see Her demonstrate the fiery power and righteous anger of the Divine Eye. Remember what we saw above regarding the Ennead backing down in the face of Her anger.

Is Pacified (and Goes on a Boat Ride)

Backing down and admitting that Horus should indeed be king, the Ennead pacifies Isis. Ah, so Our Lady did need a bit of placation after all. What’s more, at Hathor’s Denderah temple, where the two Goddesses are so, so close, we even find that Isis needed an isheru to cool Her off.

See the wavy lines indicating water on three sides of Her throne? That’s the isheru.

At Denderah, Hathor and Isis often mirror each other. In the main temple, we see Hathor on Her throne on one wall and Isis on another. Beneath Hathor’s throne we see 16 vases of Inundation water, one vase for each cubit of the ideal height for the Nile flood. The king offers Her a jar of Primordial Water, while Her son Ihy plays the sistrum and rattles the menat to sooth Her anger. On another wall in the same room, we find Isis enthroned. Beneath and around Her throne are the wavy lines that indicate water in a basin shaped roughly like an isheru. The inscription identifies it as precisely that by telling us that, “Her isheru lake is all around Her.”

This same scene, the two seated Goddesses with 16 vases beneath Hathor’s throne and an isheru surrounding that of Isis, is also found in Denderah’s so-called Chapel of Purification, the Per-Nu. And yet again, the same scene of Isis alone is found on another wall in a different room of the temple. As before, the enthroned Isis is seated over an isheru-shaped basin. The inscription reads, “Isis the Great . . . is seated/pacified in the isheru that is all around Her, Who crosses the lake within Her barque.” The inscriptions go on to describe Isis’ traveling on the isheru as a meeting with Her father Nun and tell us that He enfolds Her in His arms. Both Isis and Hathor are connected with the Inundation and the Primordial Waters. The Waters are offered by the king to Hathor since She regulates the ideal Inundation, while Isis, Who brings the Inundation, is embraced by Her father Who is said to be the primordial Watery Abyss Himself.

Detail of a fresco from the Temple of Isis in Pomeii thought to refer to the Navigium Isidis, with Isis or Her priestess in the ship

The Goddesses’ ritual travel by boat upon the isheru is known to Egyptologists as a navigation. (At Denderah, there were 9 navigations, by the way: one for each place the Goddess stopped on Her way back from Nubia.)

We might remember that Isis, too, has a rather famous navigation: the Navigium Isidis (the “ship of Isis” or “sailing of Isis”). I’m still trying to confirm the Egyptian word that was used for the “navigation” in the Hathor-Isis festival. There is an Egyptian word, khenet, which is related to other words having to do with boats, sailors, and navigation—as well as a festival of Osiris that featured a procession of boats—but I’m not sure whether the same word was used for the navigation of Isis and Hathor on the isheru.

A fanciful Italian mosaic, from the Hellenistic period, showing Egypt during Inundation

Nevertheless, it is clear that at Denderah one of the things the Return of the Goddess was about was the return of the waters of the Inundation that would bring food and prosperity to Egypt. In addition, the rising river made the Nile more navigable for a wider variety of boats and ships. Just before the flood was the time of the river’s lowest, most-difficult-to-travel water levels. The Navigium Isidis (Gk: Ta Ploiaphesia; the Launching [of the Ship of Isis]), while not concerned with the water level or Inundation of the Nile, was concerned with the navigability of the Mediterranean Sea that would mark the start of the shipping season in spring.

Then Festival Ensues

The Fierce Feline Goddess, now pacified, celebrates

We now come to the final element in the Wandering Goddess myth: Her joyful return and the Festival of Drunkenness. We have already seen evidence of such festivals for Mut, Tefnut, Bastet, Nehemant, and of course, Hathor. And I’m sure that, at Denderah, with the closeness of the Goddesses, Isis devotees would have participated with Hathor devotees during the festivals held there. There certainly were joyous festivals for Isis—She is, after all, called “the Festive Goddess.” Often, these were related to the conception and birth of Horus and the birthdays of Isis and Her siblings during the epagomenal days. What’s more, She is known as a joyful Goddess; temple inscriptions call Her the Queen of Joy, Lady of Rejoicing, and Lady of Jubilation. Deities and human beings rejoice when They/they see Her. Isis is called She Whose Heart is Open and Her joy is likened to the beauty of the full moon.

Still, we don’t have solid evidence of a full-fledged Festival of Drunkenness for Isis.

And yet.

There are these two little bits of graffiti from Her temple at Philae. They’re in bad shape. They’re from a late period. But one mentions a day of singing and drunkenness, the other notes a dedication to Hathor, a “house of greeting,” and “the place of drunkenness of the people.”

Let us celebrate the Festival of Tekh (drunkenness) that we may see the Goddess

In fact, all of this makes sense. Philae was home to a temple of Hathor—just as Denderah included a temple of Isis. Philae was also Tefnut’s first stop on Her way back from Nubia.

It was at Philae that She changed from burning lioness to peaceful Goddess. So it may well be that—in that fluid way of Egyptian Goddesses and Their festivals—Isis-Hathor-Tefnut may have been celebrated with a Festival of Drunkenness at Philae, too. Since there is no temple calendar carved on the walls at Philae, we can’t be sure, but perhaps we will learn more from other discoveries as time goes on.

So, there you have it. It may have been that Our Lady Isis participated in both of the great mythic themes of ancient Egypt: the Isis & Osiris story as well as the myths of the Wandering/Distant/Returning Goddess.

Wandering Isis

Part 3

Thoth, in the form of a baboon, lures Tefnut, in the form of a lioness, back home to Her father Re

Let’s finish up our exploration of Isis as a Wandering Goddess by looking at some additional ways Isis’ story fits in with the myth of the Wandering/Distant/Returning Goddess. Last time we saw how Isis’ lioness form and the raped-Goddess theme fit in with other Wandering and Distant Goddesses, as well as how prevalent that myth was in the Delta—the place where Isis’ worship most likely originated.

So let’s see what else we can find out.

Eye of Re

The fiery Eye of Re

In addition to being fierce and protective Lioness Goddesses, our Wandering Goddesses are also fierce and protective Eye Goddesses. Usually, They are Solar Eyes—Daughters of Re—hence Their fiery nature—though we saw that the Lioness Goddess Mehyt may be associated with the Udjat Eye, the full Lunar Eye, which in turn connects Her with the ever-so-famous Eye of Horus, son of Isis.

Isis is Herself a Divine Eye and Daughter of the Sun God Re. She is said to “emerge” from Re or “come forth” from His body. At Her Philae temple, inscriptions say that She “appears” as the Eye of Re. (On the other hand, as a Primordial Goddess, Isis is also said to give birth to Re, so there’s that.) Isis is called Re’et, the Female Re…indeed, at Denderah She is called “the Re’et of Re’ets,” that is, “Sun Goddess of Sun Goddesses,” and She is also Queen of the Re’et Goddesses. She is the Solar Eye, “the right eye of He Who shines like gold” and She is the solar disk, the Aten Itself. Hathor and Isis are the only Goddesses Who have the distinction of being identified as the solar disk itself. At Denderah, Isis is Re’et “in the dual course of the sun and the moon,” and so She encompasses both Solar and Lunar Eyes.

Eye of Re Who has No Equal in Heaven and on Earth

The Fiery Goddess strikes fear in the heart of Her, and Re’s, enemies. Her power can cause death “in this vigorous form” and She describes Herself as “She who triumphs, the companion of Re.” As the Sacred Eye, the Goddess coils as a uraeus serpent and third eye upon the Sun God’s brow, protecting Him and fighting an ongoing cosmic battle against His great opponent, the destructive Serpent Apop (Gr. Apophis). Inscriptions from Philae call Isis “Neseret-serpent on the head of Horus-Re, Eye of Re, the Unique Goddess, Uraeus” and “Eye of Re Who has No Equal in Heaven and on Earth.”

The all-seeing black kite

In addition to being a Divine Eye, we can also understand Isis as having particularly keen sight due to Her sharp raptor’s eyes. Her most prominent sacred bird is the kite hawk, whose sky-high viewpoint gives it an advantage in being able to see far distances, which could easily lead to the conclusion that it was All Seeing. In later periods of Her worship, Isis was invoked not only as “all-seeing,” but “many-eyed.”

Isidorus’ Faiyum hymns to the Goddess describe Her as gazing down on the activities of humanity and noting the individual virtues of human beings. Yet the glance of Isis’ sharp eye can have dire consequences for those who oppose Her. When the Ennead of the Gods is arguing over whether Horus or Set should receive Osiris’ throne, the Deities back down in the face of the anger and flashing eyes of Isis.

The Goddess Leaves the Premises

The next few pieces of our puzzle, I admit, are not as strong as the argument to date. We just don’t have a surviving Isis myth that’s close to Tefnut’s or Hathor/Sakhmet’s angry departure and joyful return. My guess is that Isis became so strongly associated with the Osirian myth cycle—and there were so many other Goddesses associated with the Wandering Goddess cycle—that there simply wasn’t a need for people to retain that particular myth—if there originally was one, as I think there was—in relation to Isis.

Isis wanders, finds each piece, and creates a shine for Osiris

As Isis began to break away from the Goddess pack, so to speak, and Her worship spread not only throughout Egypt, but into the entire Mediterranean region and beyond, there was less and less reason to include that theme in Her worship. Instead, the very human, heart-touching emotionalism, tragedy, and eventual triumph of the Isis-Osiris-Horus myth took over…even as She was becoming, more and more, the Goddess of 10,000 Names.

And yet, Isis does wander. She wanders throughout the length and depth of Egypt searching for the pieces of Her Beloved’s body. She creates shrines in the major cities and towns of Egypt, so that Her story is known by all. The ubiquity of the Isis-Osiris myth was so prevalent that the historian Herodotus, in the 5th century BCE, had the impression that Isis and Osiris were the only two Deities universally worshiped in Egypt. Not only that, but we can imagine that Isis’ wandering is filled with grief and mourning, yes, but also with anger. If you have ever lost someone suddenly, you will understand, on a gut level, that anger is a very familiar part of mourning.

Is Induced to Return

Horus takes His rightful place as king; Isis is in joy

Rather than being coaxed into returning home, however, Isis is more self-directed. She returns when Her task of gathering Osiris is complete and She has guided His resurrection and transformation into Lord of the Dead. Her concerns at home now turn to ensuring Horus takes His rightful place as king. And here again we see Her demonstrate the fiery power and righteous anger of the Divine Eye. Remember what we saw above regarding the Ennead backing down in the face of Her anger.

Is Pacified (and Goes on a Boat Ride)

Backing down and admitting that Horus should indeed be king, the Ennead pacifies Isis. Ah, so Our Lady did need a bit of placation after all. What’s more, at Hathor’s Denderah temple, where the two Goddesses are so, so close, we even find that Isis needed an isheru to cool Her off.

See the wavy lines indicating water on three sides of Her throne? That’s the isheru.

At Denderah, Hathor and Isis often mirror each other. In the main temple, we see Hathor on Her throne on one wall and Isis on another. Beneath Hathor’s throne we see 16 vases of Inundation water, one vase for each cubit of the ideal height for the Nile flood. The king offers Her a jar of Primordial Water, while Her son Ihy plays the sistrum and rattles the menat to sooth Her anger. On another wall in the same room, we find Isis enthroned. Beneath and around Her throne are the wavy lines that indicate water in a basin shaped roughly like an isheru. The inscription identifies it as precisely that by telling us that, “Her isheru lake is all around Her.”

This same scene, the two seated Goddesses with 16 vases beneath Hathor’s throne and an isheru surrounding that of Isis, is also found in Denderah’s so-called Chapel of Purification, the Per-Nu. And yet again, the same scene of Isis alone is found on another wall in a different room of the temple. As before, the enthroned Isis is seated over an isheru-shaped basin. The inscription reads, “Isis the Great . . . is seated/pacified in the isheru that is all around Her, Who crosses the lake within Her barque.” The inscriptions go on to describe Isis’ traveling on the isheru as a meeting with Her father Nun and tell us that He enfolds Her in His arms. Both Isis and Hathor are connected with the Inundation and the Primordial Waters. The Waters are offered by the king to Hathor since She regulates the ideal Inundation, while Isis, Who brings the Inundation, is embraced by Her father Who is said to be the primordial Watery Abyss Himself.

Detail of a fresco from the Temple of Isis in Pomeii thought to refer to the Navigium Isidis, with Isis or Her priestess in the ship

The Goddesses’ ritual travel by boat upon the isheru is known to Egyptologists as a navigation. (At Denderah, there were 9 navigations, by the way: one for each place the Goddess stopped on Her way back from Nubia.)

We might remember that Isis, too, has a rather famous navigation: the Navigium Isidis (the “ship of Isis” or “sailing of Isis”). I’m still trying to confirm the Egyptian word that was used for the “navigation” in the Hathor-Isis festival. There is an Egyptian word, khenet, which is related to other words having to do with boats, sailors, and navigation—as well as a festival of Osiris that featured a procession of boats—but I’m not sure whether the same word was used for the navigation of Isis and Hathor on the isheru.

A fanciful Italian mosaic, from the Hellenistic period, showing Egypt during Inundation

Nevertheless, it is clear that at Denderah one of the things the Return of the Goddess was about was the return of the waters of the Inundation that would bring food and prosperity to Egypt. In addition, the rising river made the Nile more navigable for a wider variety of boats and ships. Just before the flood was the time of the river’s lowest, most-difficult-to-travel water levels. The Navigium Isidis (Gk: Ta Ploiaphesia; the Launching [of the Ship of Isis]), while not concerned with the water level or Inundation of the Nile, was concerned with the navigability of the Mediterranean Sea that would mark the start of the shipping season in spring.

Then Festival Ensues

The Fierce Feline Goddess, now pacified, celebrates

We now come to the final element in the Wandering Goddess myth: Her joyful return and the Festival of Drunkenness. We have already seen evidence of such festivals for Mut, Tefnut, Bastet, Nehemant, and of course, Hathor. And I’m sure that, at Denderah, with the closeness of the Goddesses, Isis devotees would have participated with Hathor devotees during the festivals held there. There certainly were joyous festivals for Isis—She is, after all, called “the Festive Goddess.” Often, these were related to the conception and birth of Horus and the birthdays of Isis and Her siblings during the epagomenal days. What’s more, She is known as a joyful Goddess; temple inscriptions call Her the Queen of Joy, Lady of Rejoicing, and Lady of Jubilation. Deities and human beings rejoice when They/they see Her. Isis is called She Whose Heart is Open and Her joy is likened to the beauty of the full moon.

Still, we don’t have solid evidence of a full-fledged Festival of Drunkenness for Isis.

And yet.

There are these two little bits of graffiti from Her temple at Philae. They’re in bad shape. They’re from a late period. But one mentions a day of singing and drunkenness, the other notes a dedication to Hathor, a “house of greeting,” and “the place of drunkenness of the people.”

Let us celebrate the Festival of Tekh (drunkenness) that we may see the Goddess

In fact, all of this makes sense. Philae was home to a temple of Hathor—just as Denderah included a temple of Isis. Philae was also Tefnut’s first stop on Her way back from Nubia.

It was at Philae that She changed from burning lioness to peaceful Goddess. So it may well be that—in that fluid way of Egyptian Goddesses and Their festivals—Isis-Hathor-Tefnut may have been celebrated with a Festival of Drunkenness at Philae, too. Since there is no temple calendar carved on the walls at Philae, we can’t be sure, but perhaps we will learn more from other discoveries as time goes on.

So, there you have it. It may have been that Our Lady Isis participated in both of the great mythic themes of ancient Egypt: the Isis & Osiris story as well as the myths of the Wandering/Distant/Returning Goddess.

Isis as a Wandering Goddess

Part 2

Last time, we wondered whether Our Lady Isis might be one of the Wandering/Distant/Returning Goddesses of ancient Egypt. And while we don’t have myths of an angry Isian departure or a festival of drunkenness for Her, I still think there are enough traces left to connect Isis to this important Egyptian mythic theme.

Isis’ Philae temple, now on Agilika island

Let’s start at Philae, the location of Isis’ great Upper Egyptian temple, located near Egypt’s border with ancient Nubia. As you might recall, Philae was Tefnut’s first stop upon that Goddess’ return to Egypt following Her angry flight to Nubia. An inscription on Isis’ temple there says that when Tefnut arrived, there was a great flame around Her, but then She went up into the sky 10,000 cubits and immediately became peaceful.

Tefnut & Shu on a menat

Egyptologist Joachim Quack suggests an astronomical solution to the burning lioness’ aerial ascent: the heliacal rising of the star Sirius, which twinkles red close to the horizon, but as it rises higher takes on a calmer, blue-white color, and which—thousands of years ago—heralded the beginning of the vital Egyptian Inundation. The temple at Philae, in ancient Egypt’s far south, would have been one of the first places observers could have witnessed the heliacal return of the star.

Sopdet by Yliade

The star’s behavior, apparently leaving the sky for a period of about 70 days each year while it is in a too-close conjunction with the greater light of the sun, works well with the myth. The Goddess disappears for a while, then returns to the rejoicing of the people, for as She returns, She brings with Her the floods that ensure the fertility of the land. What’s more, some of these festivals for the Returning Goddess seem to have taken place around the summer solstice. Depending on when in time and where on earth you were or are, the summer solstice could coincide roughly with the rise of Sirius.

Iset-Sopdet following Sah-Osiris in Their celestial boats

So…here in Isis’ temple on the border of Nubia, we have Isis’ own grandmother Tefnut, identified with the star Sirius, which is itself personified as the Goddess Sopdet, a Goddess Who has been identified with Isis since at least the time of the Pyramid Texts. If we appreciate the Sirius solution as a possible origin for the myth of the Wandering Goddess, it’s a pretty easy, pretty clean Distant/Returning Isis connection.

Of course, if you’ve looked into Egyptian myth, you know that most of it doesn’t come in clear, narrative form. The only reason we have a narrative-ish version of the Isis and Osiris story is that the Greek priest Plutarch wrote it down like that.

As a source for the story of Tefnut as the Returning Goddess, we have the Demotic and Greek versions I mentioned last time, but mostly what we have are bits and pieces from temple walls, monuments, funerary texts, and texts like the Delta and Tebtunis mythological manuals. And while the overarching theme is the same—Goddess goes, bad; Goddess returns, good—the details are different enough that no one has tried to put together any such thing as a definitive version of the myth.

So, to track down our Wandering Isis, I’ll try to pull together some of the pieces of Her story that seem to relate to the main features of the myth/s as we know them.

“A Fierce March” by Hiren Vekaria

The Angry Goddess

One of the first things you may have noticed is that our Distant Goddesses all have a lioness form. Most people are familiar with the lioness forms of Sakhmet-Hathor and Tefnut, but the other Distant Goddesses are lionesses, too. As the pride’s main hunters, lionesses are decidedly fierce. Even lions back off in the face of an angry lioness; you’ve seen the videos.

And yes, even glittery Sopdet has a lioness form. If you’ve been following along with this blog, you already know that Isis Herself can appear as a lioness and is frequently identified with Sakhmet or Bastet, just to name two of our most prominent Feline Goddesses. Isis’ Philae temple entrance is guarded by two lion statues and She is often shown seated upon a lion-throne.

Horit (read about Her here and here) is lioness connected, too. Like Isis, She is repeatedly identified with some of our fierce feline Goddesses. One of Her children is killed by a lioness. The lioness is hunted down by Nephthys and Thoth and flayed. The remains of the child are wrapped in the lioness’ skin and the child is reborn.

Isis with the head of a lioness from the Kom Ombo temple

Another part to Horit’s myth makes Her a duplicate of Isis. One of the children She bears to Osiris is Horus of Medenu. When Osiris is killed by Seth, Horit hides Her Horus in the marshes, raising Him to be an avenger of His father Osiris—just as Isis did with Her Horus, Harsiese “Horus, son of Isis.”

Nope, not Sakhmet. It’s Isis.

Further, Horit is imprisoned in Sebennytos where She is connected with Tefnut, Sakhmet, Bastet, and Hathor. Sebennytos also had a temple of the lioness Meyht and Her consort-hunter Onuris. Just a few miles from Sebennytos is the location of the Lower Egyptian temple of Isis known (later) as Isiopolis with its focus on the resurrection of Osiris. So right here, in this part of the Egyptian Delta, we find temples and myths that incorporate both the Returning Goddess and Isis-Osiris themes. What’s more, we have a duplicate Isis—Horit—Who forms a kind of bridge between these two important motifs.

Bastet as lioness rather than cat

Another characteristic of our Distant Goddesses is that They are angry when They leave. In some cases, we know why; in others, we don’t. And while many people think of Isis as an exclusively kind and motherly Deity, She can also show an angry-burning-lioness side and be kick-yer-ass insistent from time to time.

Warning: discussion of rape in myth upcoming

You may recall that in several fragments of the myth, the reason Tefnut leaves in anger is that She has been raped by Her son Geb. Isis, too, suffers rape by Her son Horus. A stele from the Middle Kingdom refers to Horus violating Isis while He “inclined His heart toward Her”(!?!). From the Harris Magical Papyrus, we have this heart-rending account of Isis’ reaction:

Isis is weary on the water; Isis lifts Herself on the water; Her tears fall into the water. See, Horus violates his mother Isis and Her tears fall into the water.

Harris Magical Papyrus, VIII, 9-10

In Koptos, where Min has the epithet Bull of His Mother and is the consort of Isis, the God eventually came to be assimilated with Horus—again sexually pairing Isis and Horus. So much so, that They formed the very unusual cross-sex combination form of Isis-Horus. In a papyrus from the Ramesseum collection, another falcon God, Hemen, a form of Horus, has sex with Isis and impregnates Nephthys with a daughter, and we again have reason to think this was not consensual. Of course the Goddess is angry.

You do not want the hyt of Isis cast against you. Photo by OmarPhotos.com. See more work here.

Even in Plutarch’s rendition of the story of Isis and Osiris, Isis displays anger. As Isis is bringing Osiris’ body back to Egypt from Byblos by ship, the wind makes for rough sailing, so Isis dried up the river with an angry look. When She stopped to mourn Osiris, a prince of Byblos who had accompanied Her, became unwisely curious and observed Her in Her grief. She turned a terrible gaze upon him and he died instantly.

In Demotic (late Egyptian), we find a term hyt, that would be pronounced something like khyt, which could mean anything from divine inspiration and ecstasy to doom, fury, or curse. Interestingly, it was usually “cast” on or against someone or something—just as heka, magic, was (and is) cast. A graffito from Isis’ temple at Philae says that “the hyt of Isis is upon any man who will read these writings.” The person had written their name on the temple and was calling down the hyt of Isis on anyone who might remove the writing. A graffito at Aswan makes this clearer:

The hyt of Isis the Great, Chief of the Multitude/Army is upon every man on earth who will read these writings. Do not let [him] attack [the writings], to not let him disparage the writings. Every man on earth who will find these writings and erase or disparage the writings, Isis the Great, Chief of the Multitude/Army will decrease his lifetime because of it, while every man who will give praise and respond regarding them, [he will be praised(?)] before Isis the Great, the Great Goddess.”

Graffito Aswan 13, ll. 6-13; Appendix, no. 2, in Robert Ritner’s “An Eternal Curse upon the Reader of These Lines”

From Saqqara, a Demotic inscription forebodingly says that, “the hyt of Isis is upon you.” While Isis is not the only Deity having hyt (most did), we can at least see the fearsome power of Isis’ fury or curse. From the later Greek Magical Papyri, we still find a fierce Isis Who is called upon in an erotic spell of compulsion:

For Isis raised up a loud cry, and the world was thrown into confusion. She tosses and turns on her holy bed and its bonds and those of the daimon world are smashed to pieces because of the enmity and impiety of her, [name of the woman who does not desire the spell caster] whom [name of her mother] bore.

PGM XXXVI, 134-160

We’ve not come to the end of our exploration of Isis as a Wandering-Distant-Returning Goddess…but this post is long enough for now. So we’ll take it up again next time to see what else there might be to be seen.

For now, we know that Isis has a fierce lioness form, that She has reason to be angry in a manner similar to at least some of our Wandering Goddesses, and that, in Lower Egypt—around Her temple at Isiopolis—this myth was not only particularly important, prevalent, and widespread, but most of the Goddesses participated in some version of the myth in one way or another.

Is Isis a Wandering Goddess?

If your first reaction is, “Well, heck yeah; She wandered all over looking for the bits of Osiris,” you would not be wrong. But I’m thinking of a different wandering Goddess motif—and not one that is usually associated with Isis.

This mythic theme is also known as the tale of the Distant Goddess, the Wrathful Goddess, or the Returning Goddess. Most people are familiar with it from the Egyptian text known as the Book of the Heavenly Cow.

She quells the rebels

In that story, humanity has rebelled against Re and He sends Hathor—Who becomes the much-more-violent Sakhmet—to punish them. She enjoys Her work so well that Re is afraid She might wipe out all of humanity. To quell Her berserker rage, beer is colored red. Lioness Sakhmet laps it up like blood, becomes drunk…and is thus “pacified.” Egyptian festivals celebrated Her peaceful return to Her father Re with all-around drunkenness—and not a few hookups on one hand and mystical communions with the Goddess on the other.

But there are many other Goddesses Who share this mythic motif. While the details—to the extent that we have them—are different in the different tales, let’s take a brief look at Who-all-else may have been involved.

In the second most well known of these tales, it is Tefnut Who is our Wandering Goddess. We have a Demotic (late Egyptian) version of the tale and a Greek folktale-ish one. Both are spotty as the papyri are quite damaged and neither has been translated into English, so I’m working from paraphrases.

The Goddess is NOT pleased

As our story begins, Tefnut—one of the Fiery Feline Goddesses of the Eye—is angry. She is the Eye of Re, Who, in this version, is Her father. We don’t know why She is angry, but She leaves, heading south, possibly to Nubia or to some other place That Is Not Here.

Without His powerful daughter, Re is vulnerable, so He sends Shu, Tefnut’s husband and brother, and Thoth, Who is particularly clever at pacifying angry Goddesses, to fetch Her back. Eventually, They track Her down. It takes some doing, but with entertaining stories, promises of offerings and festivals, jars of beer, and the wensheb, the symbol of ordered time (and general ma’et-ness), the Fiery Goddess is persuaded to return to Egypt and Her father.

Festival musicians

The first place She stops on Her way back into Egypt is the southern Egyptian temple of Isis at Philae. There, She is purified and transforms from Her Burning Lioness form into a lovely woman. On the nearby island of Biggeh, where a tomb of Osiris and an Isis-Osiris temple were located, we find also a temple to Tefnut-Hathor, our angry/joyful Goddess. Perhaps this temple was Her starting point as She traveled from southern Egypt to northern, stopping at temples and towns along the way.

At each stop, a joyous welcome-home-and-restoration-of-order festival of music, dancing, drinking, and feasting ensues. (I am reminded that in cultures throughout the world—often—festivals of license are required in order to usher in a renewed period of order.)

Warning: references to rape in myth upcoming.

“The lance was placed in Geb’s thigh” and we all know what thigh stands in for, right?

Another of Tefnut’s Wandering Goddess myths is darker. We have bits of it from papyri found in the Faiyum and the Delta and on a naos from the 30th dynasty. From these sources, we learn that Geb has raped His mother Tefnut and taken the kingship from His father Shu, recently deceased, though we’re not sure how Shu died. Another version of the myth says Geb “hurt His father Shu as He copulated with His mother Tefnut.” In the next sentence, Tefnut leaves—surely blazing with anger, though what we have says nothing of Her state of mind. During Her absence, the text says, “the lance was placed in His [Geb’s] thigh,” in punishment. Another version has Geb taking up the royal Uraeus of Shu and placing it on His own head, but it burns Him ferociously with a wound that won’t heal. (And we recall that the royal Uraeus is yet another form of the fiery Eye Goddess.)

Goddess imprisoned

There are many confusing details in these myths that I won’t go into here. But I do want to again call out the reason why the outraged Goddess leaves, going as far away as She can: She has been raped by Her son.

In a different post, we looked at another raped-Goddess myth, the story of Horit. We don’t hear of Horit leaving for somewhere That Is Not Here. While being identified with Tefnut, She is instead imprisoned—in Sebennytos, the Lower Egyptian capital of the nome where Isis’ temple complex at Isiopolis was located. Eventually, She is freed. So, the Return of the Goddess, in this case, is a return from imprisonment…with the same joyous welcome from the people.

Mehyt

From Upper Egypt, there is the story of Mehyt and Onuris. Onuris, the desert hunter, is the consort of the Lioness Goddess Mehyt. His name means something like “Bringer of the Distant One” and Her name means something like “the Full One.” It may relate to Her identification as the Udjat Eye of Horus, that is the full Eye or the full moon. Mehyt, like all Eye Goddesses, is a protective Goddess, and protects both Osiris and Re. She is also a Fierce Goddess wielding arrows or hoards of demons as needed. As Onuris is involved in a hunt for the Eye of Horus, His heart is said to ache for the Sacred Eye, which certainly seems to make The Eye less of a thing to be procured and more of…well…a Goddess to be desired. Mehyt and Onuris were also honored in Lower Egypt; there was a temple to Them at Sebennytos.

There were many local versions of the Distant Goddess theme. Frequently, the raging Goddess goes by one name and the pacified one by another—like Sakhmet/Hathor in the Heavenly Cow. At Hermopolis, the fiery Goddess is Ai or Tai, while the peaceful one is Nehemant. Demotic inscriptions from Herakleopolis, where these Goddesses were also honored, show evidence of a festival of drunkenness for Her, as it seems there may have been for all our Returning Goddesses.

Tefnut

Inscriptions tell us that “when they are drunk, they will see . . . by means of the vessel” and that people make love before the Goddess and celebrate Her with feasts. From Tebtunis (in the Faiyum), Wenut (Who we met here) is the Raging Goddess and Nehemtua is the Returning One. Nehemant/Nehemtua (and other, similar renderings of Her name) is, predictably, identified with Tefnut, Horit, and Hathor.

Instead of Nubia, Nehemtua has fled to Naunet, the Great Goddess of the Hermopolitan Abyss, and settled Herself within Naunet. Here, we do know why She fled: because Set wants to possess Her, both sexually and as a symbol of His father Geb’s kingdom. So again, the Goddess is fleeing either post-rape or to prevent it. In this tale, it is Thoth and Nephthys Who go to bring the Goddess back.

Upon Her return, Nehemtua is said to have been “initiated” (bsi) to Shu (reinforcing Her connection to Tefnut) in the great (sacred) lake at Hermopolis. Frequently, water is required to cool down the fiery Goddess.

Temple of Mut with isheru

The Great Goddess Mut, Whose name means simply “mother,” is also associated with this theme. She is the Lady of the Isheru,* the crescent-shaped sacred lake in which the Raging Goddess is cooled and, no doubt, purified upon Her return. Part of Her ecstatic festival of return was called the Navigation of Mut and was enacted upon the cooling isheru. Some semi-recently come-to-light texts have made Mut’s festival of drunkenness rather famous. A very fragmentary text about these festivals refers to “the Distant One” and to pacification of the Goddess. We learn of singing, dancing, drinking, feasting, and “sexual bliss” in honor of Mut. Pharaoh Hatshepsut is recorded as having built a “portico of drunkenness” for Her.

Mut the Mother, Mut the Daughter

Also of note is Mut’s ability to renew Herself; She is both mother and daughter. Her consort is Amun, Who is capable of self-renewal, too, for He bears the epithet Kamutef, Bull of His Mother. And yes, the bull part refers to sex. So we have Mut and Amun (and Re, as possessor of the Eye, is in there somewhere, too) as mother and daughter and son and father to each other. The God Min of Koptos is also called Kamutef—with Isis as His mother/sexual partner. With the Isis-Horus connection so strong, Min eventually takes on the name Horus as well.

And this is by no means the end of the Egyptian Goddesses associated with the myth of the Wandering Goddess, but it is enough to get a picture of its widespread nature. Egyptologists’ explanations for its origins include: the sun’s movement southward from summer to winter; the heliacal disappearance and return of the star Sirius to herald the Inundation; the waning and waxing of the moon during its cycle; the Inundation itself as its waters quench Egyptian fields and cool the red-hot Goddess; the hunter bringing back a tamed animal to his tribe; the maintenance of royal power; the return of ma’et after a period of disorder; and a young woman’s first menstrual period—wherein she leaves as an immature girl, but returns as a sexually mature being, a possibility I find intriguing. Oh, and let’s not forget (in some cases) rape as the reason for the Goddess’ departure and the “sorry, come back home, baby” nature of the persuasions—to put another human face on it. All of these make some sense and there doesn’t have to be just one answer.

As I said in the beginning, we don’t usually connect Isis with this myth. We have no stories left to us in which Isis rages off and has to be persuaded to return, from Nubia or anywhere else. We know of no festivals of drunkenness for Her. And yet, I feel almost certain that there used to be just such a tale. We’ll talk about that next time and I’ll lay out my case.

*As you might guess, Sakhmet and Bast, both feline Deities, were known to have isheru…but Wadjet had one, too. Usually, we think of Her in the form of the Uraeus Goddess, but She also had a lioness form—and is thus among our Fierce and Fiery Felines, too.

The Taking-On of Fate

The first festival of the Easter season is the primary festival of the Daughter as Light Bringer, as She undertakes to carry the Divine Light into every corner of manifestation, even to the very Realm of Death. It signals the coming of the end of winter. Candles and snowdrops are associated with the day, reminders of the Daughter's gentle light. Read about Luciad, The Feast of Lights

The Taking-On of Fate

The first festival of the Easter season is the primary festival of the Daughter as Light Bringer, as She undertakes to carry the Divine Light into every corner of manifestation, even to the very Realm of Death. It signals the coming of the end of winter. Candles and snowdrops are associated with the day, reminders of the Daughter's gentle light. Read about Luciad, The Feast of Lights

A Prayer to Isis in a Time of Deep Pain

“In the center is a Sanctuary and I am calling you to come inside,” the Beautiful One said in a voice soft as thought.

Outside, pale prophets spoke words of doom, contagious fear spreading from their cold lips.

“Pay it no heed,” says She. “In the Sanctuary, an Incandescent Fire resides. The helpless heart is strong.”

Her words penetrate so close to my shuttered heart that I am afraid to hope. And yet I do hope.

“Enter into Sanctuary, enter into Peace,” She says. “Pain and fear cannot exist within; they are Other. Come now, you are not abandoned.”

Fear begins to fall away into pools of light, white as lightning.

“Look,” says She, “I have woven for you a Chrysalis.”

“I know,”  I say, “of Incandescent Fire, and Sanctuary is the entering within.”

The Beautiful One smiles, “Yes.”

Frankly, I do not know how we get through the Horrors with our sanity intact.

I do know that we cannot give up and we cannot give in. We must resist. And we must rest—within the wings of Our Lady Isis and in the presence of all our Divine Ones.

It is a time to take care of ourselves, both our individual selves and our community selves; to ignite and grow an inner reservoir of hope, and even joy. It is not frivolous to dance, to laugh with friends; it is soul-saving. It is powerful to make art. It is powerful to make magic. It is powerful to be in Nature, breathing the breath of the earth and the skies and the waters. It is powerful to reach out to each other, to help and to hold.

To fuel such acts of power, we stay connected—not only with ourselves and our communities, but also with the Divine. We envelop ourselves in that chrysalis of incandescent fire that She has woven from Her own wing feathers for us. It is made of transformations and miracles and strength.

And yes, we must take action. Join groups. Give money if we can. Write letters and call. Nagging can be powerful, too.

As those of you who have been following along with this blog know, its purpose has never been political. And it is not my intention for it to veer off in that direction.

So next time, we’ll return to our regular topics. I am always searching for information about Our Lady that I want to share with you. As well as new ways that we can open ourselves fully to Her, so that She—and we—may discover, nurture, and empower our Isis Hearts within. These are ways we stay in connection with Her.

Her wings uphold us. Her wings enfold us. Now in this time of pain in the presence of evil, and forever.

What is Isis Like?

Not what does She like. But what is She like.

I admit, I don’t spend as much time in Her shrine as I would like. (My guilty conscience says, “as I should.”) Yet, since Her shrine and my office are in the same room, She is always there with me, even if I’m not in active communion.

And I will further admit that, even when I am in active communion, I am often seeking inspiration from Her about how to better communicate Her love, power, wisdom, and magic to others who seek Her.

But it’s important for me—as I suggest it may be for you—to just to be with Her, to feel Her presence, to sense Her Being, to drink Her sunlight, to taste Her magic. With no other agenda.

So, I’d like to share a little of what She’s like for me in such times, and invite you to share what She’s like for you, if you wish.

Something I’ve found very interesting over the years is that the experiences people have with Her are so harmonious. Certainly many discover Her as a loving Divine Mother. It’s a form many Goddesses take for us human beings. But I was really struck, one time in particular, when someone I was talking with described Her as “noble,” a word that I have often used to describe Her to myself. Though we are all so very different people, harmonies like that let me know that, yes indeed, we are all touching the same Goddess. We are all feeling Isis. We are all intuiting beneath Her wings.

So what is She like?

As She arrives, Isis is like the rumble of thunder just after the lightning flash. I feel Her move in the sky above me, in the earth beneath me. I feel Her thunder deep in my belly, in my womb.

Isis is like the face I can’t quite see beneath an obscuring veil. For a moment—a bright moment—She shows Herself to me. And for that instant, I think I know something about Her. And then Her veil is drawn back into place, endarkening Her aspect once more. O, I love that about Her. She makes me want Her.

Sometimes, Isis is like the earth after rain, when the sun comes out suddenly and mist wisps through the grasses in the unexpected heat. Then Isis is like the late-summer sun warming the heart in my naked body. She claims Her Iset Ib, Her Isis-Heart, that is within me.

Isis is like the tears shed for me, shed for the Lost One, shed for all of us. I place myself in Her hands when I am in sorrow and She hears me.

O yes, Isis is noble, Her head uplifted. In turn, She uplifts my face in Her hands that I may look into the profound depths of Her eyes. I see there unending strength and wisdom and love and magic. She makes me aspire to all those things, though I know I am ever-so human.

Isis is sun-golden. Isis is underworld-black. Isis is star-white. Isis is serpent-green. Isis is lapis lazuli-blue. Isis is blood-red.

Isis is like the Mystery that can never be fully described. Her great wings encircle, enfold, illuminate. Each feather is a teaching. Each feather is a world. I feel Her wings brush me softly and I swoon. Her Mystery upholds me, shows me, seduces me.

Isis is the most ancient, ancient. Unknown and untouched are Her depths. She calls me. She captures me. She floods me. She fills me.

And sometimes, just sometimes, that is what Isis is like for me. What is She like for you?

Isis & the Sorcerer’s Apprentice

Did you know that the famous tale of the Sorcerer’s Apprentice is an Isis story?

Yep. And She is in Her guise as Great Magician—and a teacher of magicians.

The version you may be familiar with is Disney’s retelling of the tale with Mickey as the apprentice from the animated movie Fantasia. Before that, it was popularized by Johann Wolfgang von Goethe in a 14-stanza poem called Der Zauberlehrling.

But that’s not where it originates. The oldest-known version of this tale is from a 2nd-century CE book by Lucian of Samosatos, a Hellenized Syrian known for his satires, rhetoric, pamphlets—and his snarky style. His snark is on full display in his book of dialogs called Philopseudes, or “Lover of Lies,” in which we find the tale of the Sorcerer’s Apprentice.

The book begins with the character Tychiades asking why people are so fond of “lies.” (Tychiades means “son of Tyche;” Tyche is the Goddess of Fate and Fortune and She was assimilated with Isis in this time period; there is even an Isityche.) The lies to which he refers are the “superstitious” remedies people are suggesting for a mutual friend, Eukrates, who has fallen ill. This situation serves as a framing story for ten tales of magic and the miraculous that the gathered friends, many philosophers, tell in order to convince Tychiades that the supernatural is not a lie.

An illustration for Goethe’s poem

Lucian seems to have favored the tale of the Sorcerer’s Apprentice as he gave it the most space of any of the included ten tales, and he placed it last to serve as the climax of the entire book. This story Tychiades hears from Eukrates himself.

Eukrates explains that the events he is about to relate are his very own experiences and that when Tychiades hears him out, he will be persuaded of the truth of the tale.

Eukrates story takes place in Egypt, as many ancient tales of magic did. As a young man, Eukrates has been sent on the Grand Tour throughout the Mediterranean world by his father to further his education. He is traveling up the Nile on his way to Koptos, and from there he intends to travel to the Colossoi of Memnon. Ahh, but he never makes it there.

For during his Nile travels, he meets a learned Egyptian scribe. I’ll quote the book now, because this is the part where we find Isis.

“We happened to be accompanied on the voyage up the Nile by a man of Memphis, one of the sacred scribes. His wisdom was marvelous and he had had the full Egyptian training. It was said that he had lived underground for twenty-three years in crypts while being trained in magic by Isis.”

“You’re speaking of Pankrates,” said Arignotus, “He was my teacher: a holy man, always shaven, thoughtful, speaking his Greek with a heavy accent, long and thin, snub-nosed, with protruding lips and rather skinny legs.”

“Yes, that’s Pankrates!” he said. “At first I didn’t know who he was, but when I saw him performing all sorts of miracles every time we put to, most notably riding on crocodiles and swimming with the animals, whilst they fawned upon him and wagged their tails, I realized that he was a holy man, and by being nice to him I became a friend and comrade by gradual and imperceptible stages. As a result, he shared all his secrets with me. Eventually he persuaded me to leave all my servants behind in Memphis, and to accompany him, the two of us on our own. For, he explained, we would not want for attendants. This is how we lived thenceforth.”

And so we learn that the great holy man, Pankrates, was a fully trained Egyptian scribe magician—and trained by our Lady of Magic Herself. Thus, he is capable of all the classic Egyptian magician feats, from riding crocodiles to taming wild beasts. He could probably understand the language of animals, too.

Another illustration of Goethe’s poem

As it turned out, it was quite true that Pankrates and Eukrates did not need any servants. For anytime a task needed doing, Pankrates would take a broom or pestle, bring it to life, and it would do the task perfectly. Interestingly, Eukrates notes that the transformed broom “would look human to everyone else;” something Disney left out because living brooms were way more fun to animate, no doubt.

Of course, the power to create magical servants (ushabtis?) was the power Eukrates most craved and it was the one thing Pankrates withheld. But one night, Eukrates eavesdropped on his master and overheard the first part of the incantation—the part that could turn a broom into a person. But he never learned the second part: how to turn the servant back into a broom.

You know the rest of the story. Water, water, everywhere.

In the end, the holy man returns, restores order, then promptly disappears—giving the hapless Eukrates no further information or instruction.

Mickey screws up

At the conclusion of his tale, one of Eukrates’ friends asks whether he can still conjure magical servants. Oh yes, indeed, Eukrates answers. But he still doesn’t have the off-button and so he’d wreck his home if he actually did the magic.

In an article I’m reading about this, the author compares the story of the Sorcerer’s Apprentice with a number of other magical tales. Some are Greek, some Egyptian. All share an Egyptian setting, an ambitious young man, a search for magical knowledge, a venerable magician-priest, and often a magical book. You can read about just such an Egyptian tale here and here.

The point he makes is that the Sorcerer’s Apprentice isn’t an outlier tale as some scholars of Lucian have long suggested. Instead, it fits well within a genre of Egyptian-magic-focused tales that were very popular at the time. This is also the time period during which the worship of Isis had spread widely throughout the Mediterranean world.

For me, the enduring popularity of this tale is just another example of the extremely significant influence ancient Egypt—and our Lady Isis (for Who else could be the Great Teacher of Magicians?)—had upon their neighbors.

Being a Servant of Isis—Outward Signs & Inner Experience

A servant of the Goddess shakes the sistrum

Many of you who read this blog may have a special relationship with Isis; you may be Her priestess or priest. And perhaps you, like me, have also been searching for a gender-neutral term for that special relationship. Some in our community have adopted “priestex” based on other contemporary gender-neutral endings.

I can offer you an option from ancient Egypt as well.

Now, ancient Egyptian was a highly gendered language: Goddess—Nudjeret; God—Nudjer. As in English, where we might add -ess to feminize a word, they added “t” to the end of the word to indicate the feminine. Most Goddess’ names, in Egyptian, end in “t.” (We usually add an “e” before the “t” to make it pronounceable as in Amun/Amunet.) The Egyptian titles that we translate as priest or priestess are hem (masc.) or hemet (fem.) Nudjer/Nudjeret. More literally, these are translated in English as “servant of the God/dess.” Since “servant” has no gender in English, servant of Isis is a perfectly good, gender-neutral term for this special relationship.

Sarcophagus lid of a priestess of Isis from Carthage

Whatever title we may prefer, the relationship itself comes with responsibilities. However, unless we are part of a formal organization that specifies what those responsibilities are, each of us will have to decide for ourselves exactly what serving Isis means to us. For me, there are five main keys, which I’ve written about on this blog—from worship and gaining knowledge about Her to ritual competency and spiritual growth.

When trying to sort out decisions like these, I often look to the past. Is there anything we can learn from the experiences of ancient servants of the Goddess? Of course, we have some information about what was required of them within the temples. But what was going on in their heads and hearts?

Unfortunately, we have little left that tells us what it meant to them inwardly and spiritually. No doubt, some servants were more devout than others. Nonetheless, there is every reason to think that indeed there were inner experiences. The Egyptian reputation for religious and philosophical knowledge was immense. It would only make sense that those who were sincerely following their path would have important personal, spiritual experiences—just as people have always done.

Though records of these inner experiences are few, we do have hints. For instance, from the the reign of Thutmose III we have an inscription that indicates that priestly initiations meant something spiritually as well as professionally. A new royal vizier, who was made Prophet of Ma’et*, says of his experience:

My abilities were not as they had been: my yesterday’s nature had altered itself, since I had come forth in the accouterments of a vizier, having been promoted to be Prophet of Ma’et.

A servant of the God

This man felt truly changed by “coming forth” as a vizier and servant of Ma’et. We can assume that at least some of the servants of Isis had no less an experience than this man. Thoth also seemed to inspire warm feelings in His devotees—and as many of them were scribes, they had the ability to express it. They called Him the Lord of Friendliness and the God of Incomparable Goodness.

As late as the Greek Magical Papyri, this friendliness with Thoth remains. In PGM VIII, 1-63, Thoth is called Hermes, but we can known He is Thoth because the spell says that His images include an ibis and a baboon, that His name is great in Hermopolis (Khmunu; “City of the Eight”) and that even Isis, “the greatest of all the Gods,” calls on Him in every crisis. Part of the spell states, “For You are I, and I am You; Your name is mine, and mine is Yours. For I am Your image.” While the magic here is powerful, the sentiment is gentle and intimate.

In what is today known as the Archive of Hor, we have some records of intimate feelings for the Goddess. Hor was a priest of Isis and Thoth who came from the town of Sebennytos, the town that grew up around the Temple of Isis there, and which the Greeks called Isiopolis. He writes beautifully of Her, has prophetic dreams from Her, and calls Her by what I think is a pet name, “my Tana.” You can read his story here.

Priest of Isis holding Osiris Hydreios

Yet the closest thing we have to a personal account of spiritual experiences related to Isis is in a novel by a North African named Apuleius. They are in his book, The Golden Ass, and he writes about his initiation into the Mysteries of Isis.

It dates to the late second century CE, when Isis’ popularity was most widespread. Because it is novelized, it gives us a glimpse of the protagonist Lucius’ interior state. And while Lucius is an initiate of Isis and not a priest, one could make an argument that he would probably qualify as what we would call a priest of Isis today. He is an initiate, he remains involved with the religion—serving in its special ranks or grades—and he outwardly marks himself as an Isiac by shaving his head.

In the novel, Lucius has had a spiritual crisis. After being magically turned into an ass, he has gone through trials and tribulations and finally throws himself upon the mercy of the Moon Goddess. She reveals Herself as Isis. She says that though She is called by many names, Her true name is Queen Isis.

She tells Lucius not to fear:

But above all things beware thou doubt not nor fear of any of those things as hard or difficult to be brought to pass…

…and know this of certainty, that the residue of thy life until the hour of death shall be bound and subject to Me; and think it not an injury to be always serviceable towards Me whilst thou shalt live, since as by My means and benefit thou shalt return again to be a man. Thou shalt live blessed in this world, thou shalt live glorious by My guide and protection, and when after thy allotted space of life thou decendest to the Underworld, there thou shalt see Me in the subterranean firmament shining (as thou seest Me now) in the darkness of Acheron, and reigning in the deep profundity of Styx and thou shalt worship Me as one that hath been favorable to thee. And if I perceive that thou art obedient to My commandment and hold to my religion, meriting by thy constant chastity My divine grace, know that I alone may prolong thy days above the time that the Fates have appointed and ordained.”

As an initiate of Isis, Lucius’ life is to change. He is to be Hers forever; and in return, She will not only save him from his present difficulty, but prolong his lifespan.

Roman priestess of Isis

The priest who is overseeing his initiation tells Lucius that to take Isis’ holy orders was like a “voluntary death and slow recovery.” Yet, even if someone were on the edge of death, and had but the strength to receive Her Mysteries, that person could be made new-born and healthy once more. He advises Lucius to “accept of your own free will the yoke of service.”

The mental and emotional state of Lucius after his initiation is one of pure love and wonder. He is passionately in love with the Goddess—and he remains so throughout all the days of his life.

I’ve had an experience like that. And I have always remembered it. It is one of the many experiences with Her that has made me passionate in my love of Her and dedication to Her.

Have you had such an experience?

* I’m only looking at a translation here and don’t have the Egyptian. When Egyptologists translate “prophet,” they usually mean a high priest, thus this title may have been Hem Ma’et Tepi or chief servant of Ma’et.

Isis & My ‘Epagomenal’ Days

This year, the holidays have not touched me.

Not Thanksgiving. Not Yule. Not any of the beautiful winter holidays of Light. I am just not feeling festive. I am too deeply concerned about my own country and much of the world. I am too deeply concerned about my community and many of the individual friends and loved ones who are a part of it.

Yet today, out of nowhere—while on a simple errand—I finally felt something. I felt the epagomenal days. I sensed myself existing in a time-out-of-time, in a strange unreality. Sound seemed dampened as a soft quietness fell over everything.

And I realized that my own feeling of unfestive unease may mirror the feelings that many ancient Egyptians would have had during their own epagomenal days.

The Great Mother Nuet; artwork from the Damanhur Community, Italy

For them, the epagomenal days were the five days before the summer rising of the Star of Isis, Sopdet (Sothis in Greek, Sirius in Latin). With the rising of Her Star, the New Year began.

(The Egyptian year had 360 days, but the solar year has 365.25. So the Egyptians made up the difference by adding five epagomenal—intercalary or “inserted into the calendar”—days at the end of the year.)

These days were also considered the birthdays of Osiris, Haroeris (Horus the Elder), Set, Isis, and Nephthys. So, you would think these would have been positive days for the Egyptians. But without the protection of the confines of the calendar, the Egyptian epagomenal days were thought to be a quite dangerous time. People wore special amulets and priests might perform the ritual of Sehotep Sakhmet, or “Pacifying/Satisfying Sakhmet,” because the demonic, disease-bringing hoards of the fierce Goddess were particularly rampant at the end of the year. (See more about epagomenal amulets here.)

The beautiful Star of Isis, Sirius (Sopdet in Egyptian, Sothis in Greek) is directly overhead at the New Year

Our December is most definitely not the time of the ancient Egyptian end-of-the-year epagomenal days. However, from winter solstice to the New Year is the time I consider to be my epagomenal days, for they are the end-of-year days in our modern calendar. And they, too, are the lead-in to a little miracle that involves the Star of Isis. More on that below.

So let’s talk a bit about the epagomenal days, including some ways to celebrate our own end of the year with Isis.

Epagomenal days as birthdays of the Deities

As early as the Middle Kingdom (2050-1650 BCE), these five extra days were associated with the Divine birthdays. Birthday festivals for each of these Deities were duly celebrated during each epagomenal day. The time between the winter solstice and our New Year is longer than the Egyptian period, but if you’d like to celebrate the birthdays of the Deities, one every other day rather than one per day would work out fairly well.

An ancient Egyptian calendar from the temple of Karnak
An ancient Egyptian calendar from the temple of Karnak

On the other hand, if you wish to be more Isis-centric in your worship, you could consider the entire period as holy days of the Goddess as the miracle of Her star approaches.

We can look to some ancient calendrical inscriptions for the day of Isis’ birthday to give us clues about options for honoring Her at this time. In a papyrus known as Leyden I, She is called “The Great One, Daughter of Nuet.” She is said to be “in Khemmis,” that is, in a particular city in the delta, and She is invoked particularly for protection.

In another papyrus, Leyden II, the fourth day is said to be named “the Pure One Who is in His Field.” The masculine pronoun would seem to exclude Isis. It could allude to Osiris—or it could be a scribal error. If it should have been the Pure One Who is in Her Field, it would make a good deal of sense in connection with Isis since She was closely associated with the pure new plants that would soon be coming forth from the Egyptian fields in the New Year.

In 1943, a papyrus was purchased by the Cairo museum from an antiquities dealer. It turned out to be three ‘books’ about the Egyptian calendar. Two were extremely damaged and hard to read. The third has become known as the Cairo Calendar and includes information on which days of the year were considered auspicious and which were not. Of course, it includes the epagomenal days. In it, the fourth epagomenal day, Isis’ birthday, is said to be named “He Who Makes Terror.” It includes a formula to be recited on that day:

“O, this Isis, Daughter of Nuet, the Eldest, Mistress of Magic, Provider of the Book, Mistress Who Appeases the Two Lords, Her Face is Glorious. I am the brother and the sister. The name of this day is He Who Makes Terror.”

Another calendar notes that the fourth day is called, “the Child Who is in His Nest; the Birth of Isis.” And you’ll remember from several weeks ago that at Denderah, the child in His nest is Re, Whose rising, after the rising of Isis’ star, marks the first day of the New Year. In fact, the Denderah temples include numerous references to Isis’ connection with the New Year and the important renewal it brings. There is some evidence that Isis’ temple at Philae may have been dedicated to Her on the 4th epagomenal day as a birthday present. We also have evidence of a lamp festival for Isis on Her birthday, which you can read about here.

Thoth purifying the pharaoh from Isis' temple at Philae
Thoth purifying the pharaoh from Isis’ temple at Philae

Despite its preceding dangers, the ancient Egyptian New Year itself was a time of joy, rebirth, and renewal. Our own New Year can be the same for us. The ancient Egyptian themes are, after all, entirely in harmony with our modern New Year celebrations.

Like they did, we begin again.

We start over. We rededicate ourselves. We make resolutions to do things better. Purification is often associated with such reboots and so the epagomenal days would be a perfect time for purification prior to entering into the New Year. People participating in “Dry January” are undertaking a purification from alcohol. Lots of people start New Year’s diets then, too. We might also purify ourselves by bathing, fasting, purchasing new clothing, or purifying our sacred spaces by cleaning and straightening up our shrines—all the while invoking Isis to surround us with Her mighty wings, encircling us with Her protection.

Epagomenal days as the time of the Star of Isis

During our winter epagomenal days, we don’t witness the heliacal rising of the Star of Isis as the ancient Egyptians did. However, there is something very special that happens at this time of year for those of us in the northern hemisphere: Sirius reaches its zenith, its highest point in the night sky.

The beautiful, glittering star of Isis ascends high into the starry belly of Her mother Nuet at the stroke of midnight on January 1st—and She can be seen shimmering in that position for about the first week of January. And this year, there’s a bonus: we’ll also see Jupiter and Mars nearby and shining extra brilliantly as well.

So, just as the heliacal rising of Sirius heralded the ancient Egyptian New Year, the beautiful Star of Isis reaching its highest point in the sky can serve as a marker for our own modern New Year’s celebrations. You’ll find a small rite for celebrating here. 

For me, here in Portland, it is likely that our cloudy skies will obscure the brilliance of the celestial show above, as they so often do. Nevertheless, I will be purifying myself, asking Isis for protection and growth, and using the small ritual at the link above to welcome in the renewal of the New Year.

Do you have anything special you’ll be doing?

The Holy Child Is Born

A blessed Nativity for all!

Nativity celebrates the birth of the Divine Maid from the Most Holy Mother, Creatrix of the World. The birth of the Daughter takes place outside time and space, in the Cave of the World, the inner heart of the cosmos, and in its far-off reflection within each one of us. The image of Mother and Child here is from the Philippines. Read all about the Nativity of God the Daughter

Also read here about the relationship between Christmas and the Mother-Faith