Category Archives: witchcraft

Isis & the “Magical Mindset”

Ritual is how we DO religion.

And to do ritual, we perform a set of prescribed actions and, usually, words. Our rite may be something as simple as sitting quietly and counting our breaths or lighting a candle. Or it may be something as elaborate as an initiation ritual.

Yet just doing a set of actions and reciting specific words is not enough. Another vital component must be present in order to transform the actions and words from rote performance to real participation in the sacred. There must also be an psychospiritual component to our ritual. When the transformation from performance to participation is successful, we are taking part in sacred magic—a term particularly appropriate when it comes to Isis, She Who is Goddess of Magic par excellence. And because She is Lady of Magic—in Egyptian, Iset Nebet Hekau—I consider all Isiac ritual acts to be acts of sacred magic.

This is one of the reasons I was happy—thrilled, actually—to see the recent review of Offering to Isis by Foolish Fish. I was pleased because the reviewer had noticed that I included the ritual visualizations in the dromena, that is, the part of the rite that describes the ritual actions. Dromena might include things like purifying by sprinkling water, consecration with incense, walking a protective circle around your temple, or raising your arms in the Sign of the Wings of Isis—in addition to the breath-counting or candle-lighting already mentioned.

While the physical acts of ritual are important—and sometimes taking the action itself can help trigger the magical mindset when the dromena have been practiced extensively, it is the state of our minds, souls, and spirits—the “magical mindset,” if you will—that makes the ritual work. And by work, I mean that it connects us with the spiritual world, helps us communicate that which we wish to communicate, and helps us transform ourselves and/or our world.

What “mindset” conditions facilitate successful magic? Usually, these are a bit different for each person. Yet, I do think there are commonalities to look for.

For instance, if we can increase our sense of openness, both physically and spiritually, this will help us increase our magical perception. A feeling of expansion—in the heart, in the mind, in the spirit—all help us open ourselves to the Divine. We need to “uncramp” ourselves, loosening body, soul, and spirit. (That’s why we are so often advised to leave the cares of the outside world at the door of our ritual space.) What’s more, if we can cultivate in ourselves a feeling of expectancy and anticipation, we will be helping to create the right conditions for magic to happen.

Jeszika Le Vye’s Isis; buy a copy here.

We have the ability to attune our hearts and minds, allowing ourselves to enter into these expanded states. And when we do, the result is often a sense of connectedness. When we can take down our walls and remove our masks, we allow ourselves to become more aware of the connections that inevitably exist—connection with the natural world around us, with the symbols of the rite, with the other people who may be in ritual with us. Importantly, we can better perceive our connection with the unseen realms—and with Isis Herself.

This can be easier to describe than to achieve.

On the other hand, I know people—adepts of one tradition or another—who can tune into their magical mindset almost instantly. That’s because they’ve been practicing for many years. Most of us, most of the time, need to work at it in order to transform our everyday mindset into the magical mindset.

One way to do this is through visualization. Visualization is “seeing with the mind’s eye.” Visualization is creative imagination. And it is a powerful magical tool. In the Hermetica, the great Hermetic teacher Hermes Trismegistos (aka the Magician God Thoth) explains, “coming to be is nothing but imagination.” And you might recall that “coming into being” is one of the most common ways ancient Egyptian texts describe the creation of something new. “And so, X came into being,” texts say.

Many people are familiar with guided meditation, in which you try to imagine or “see” the scenes your guide is describing, yet you have your own reactions and experiences within the parameters of the guided visualization. But we can guide our own visualizations, too. I don’t mean just having our own free-wheeling reactions to whatever energy we’ve invoked, but actually guiding what happens and precisely imagining the energies invoked. This is not cheating; indeed, it is a key part of creating your magical mindset.

For some, visualization can be difficult. If that is the case for you, don’t be concerned. You may sense the unmanifest realms in other ways: hearing words, sensing things or simply “having a feeling.” Practice describing your perceptions to yourself in ways that make sense to you.

Nevertheless, many, even most, of us can teach ourselves to visualize. I’m probably dating myself here, but I taught myself to visualize using a book called the Silva Mind Control Method. While there are other aspects to the Silva method, to learn visualization, for 30 days in a row, you visualize an apple, each day adding more and more “reality” and sensual perceptions to the visualization. It worked for me.

But if you’re one who simply does not work that way, I’d suggest making your rituals symbol-rich. For instance, if you’re invoking the elements, have symbols of each element in the corresponding quarter of your altar—and know what the symbols mean; study them, read about them. Instead of visualizing, you can physically see and mentally contemplate the symbol, thinking about its meaning as you call-in each element. And don’t forget that words are symbols, too. The words of the ritual, as well as evocative poetry, can help transport us into the magical mindset.

For those who do visualize or would like to, I’ll share an example of how it can be used in ritual.

Let’s say we want to create those conditions of openness, expansion, and expectancy we talked about. This is precisely the purpose of the ritual of “The Opening of the Ways” in Isis Magic. It’s an all-purpose rite intended to create sacred space for communion with the Goddess, for meditation, for offering, or for any other act of sacred magic. In this ritual, we think of our own aura as a temple into which we are inviting the Presence of Isis. We visualize opening each of the directions (or “Ways”) to Isis, so that the energy and Presence of the Goddess can enter our temple.

Here’s what I often visualize:

In each direction (east, west, south, north, above, below, and heart-center) I imagine a pair of Egyptian pillars with translucent curtains closed between them. As I open each of the Ways, I will pull aside the curtains to reveal a scene beyond them.

For instance, as my physical body stands facing east with my arms before me, palms together, I prepare to Open the Ways to Isis of the East, the Lady of the Breath of Life, by making the Sign of the Opening of the Shrine.

In my mind, I see the two sculpted, Egyptian pillars, pale-yellow, sandstone colored. I sense that if I were to really look closely at them, I would see Egyptian hieroglyphs showing sails and fans and images of Deities of the Winds. But I need not always do that; for now, I simply see the pillars and the closed curtains before me. With my physical arms in front of me, I feel a bit of tension in my shoulders and arms and know that I will expend real energy when I open those curtains.

I say, “Let the Shrine of the East be opened unto Isis, only Isis,” and I open my arms out—wide—as I vibrate Her name: Iset Nef. I am sure to make this gesture fully in the physical so that I can take a deep breath and feel the openness in my own chest. At the same time, I imagine my hands pulling the curtains to the right and left so that I can now see out to the scene that lies between them.

I “see” that I am standing on a cliff where a cool, morning breeze blows softly as the sun rises in the dawning light. I breathe deeply, understanding that Isis of the Air is entering into my temple, into me, with each breath. I breathe the breath of Isis Herself, as She comes to me, comes to me. By now, I will usually feel something in my body, a tingle of energy, as the magical connection is made and I sense the Presence of Isis of the Air, the Lady of the Winds, the Queen of the Breath of Life.

I repeat the same actions, but with different visualizations and Goddess names, at each of the Quarters, above me, below me, and at my heart. (If you want to try it, the ritual is at the link above.)

When I’ve completed these ritual actions and words, along with the visualizations, I should be well on my way to achieving my magical mindset. I will feel much more open, expanded, expectant, and connected, ready to commune with Isis or do any other work of sacred magic.

Even now, just describing it to you, I am almost, almost, almost there.

Capturing Sunlight—a Rite for Isis the Radiant One

In honor of the Summer Solstice-tide (locally, our festival was delayed until this weekend, so I’m still in solstice-mode), I bring you the rite of Capturing Sunlight, and a chant for Isis as The Radiant One, the Solar Goddess, the Golden One.

Preparation for the RiteFor this rite, you’ll need a sunny day; time your rite for when the sun is high in the sky, also have some flash paper, a good-sized magnifying glass, a small brazier with very small kindling (such as wood shavings and twigs), a yellow pillar candle, and a vessel of water to douse the fire when you’re done.

Build a mound of the kindling and flash paper in the brazier so that when the flash paper ignites, it will catch the kindling on fire. Have the yellow candle ready to light from the brazier fire.

Ritualist: What Exists LIVES when SHE shines!

Ritualist: At this Summer Solstice-tide, at this hour, in the place, O Isis, Your solar fire is in its greatest strength. And so I ask a boon of the strong. I ask You to send a ray of Your soul-illuminating Light to guide me in the darkness of these times. Send Your red-gold sunlight, Goddess, and let Your magic be with me to light my way and illumine the shadows.

In Her name and by Her golden and fiery power, I invoke a ray of sunlight from the heart of the Goddess!

Ritualist: (Chanting or singing softly)

Isis, I drink Your sunlight,

Radiant One, I breathe You in.

Isis, I eat Your magic,

Radiant One, take me within.

And here’s the tune.

Ritualist: I thank You Isis for Your Light—and always for your power, wisdom, magic, and love (add your own thanks as you wish). M’den, Iset, accept it, Isis.

SunFest 2025: The Return of the Wandering Goddess

June 27-29, 2025 Portland Oregon area

The Myth of the Wandering Goddess is one of the two most important myths of ancient Egypt. Just about every town or region had its own version of the festival that celebrated this myth. Although different Goddesses were the “Wandering Goddess” in each local area, our festival celebrates the power of Sakhmet and the ecstasy of Hathor.

During SunFest 2025, we’ll explore this important myth in an immersive, participatory way. Each ritual, presentation, or workshop is designed to draw us into the overall myth so that—together—we will live our own version of that myth and celebrate the festival that surrounded it.

SunFest 2025 takes place Friday through Sunday at Camp Cedar Ridge—as we await Ffynnon’s private park status.

Our first ritual act is to create altars for the Goddesses and to invoke Their presence to our festival. You’re invited to bring items to add to the altar. We will create it together as part of the rite. Then, with the altars prepared, we invoke our two festival Goddesses, the Fierce Goddesses of the Solar Eye: Hathor, the Golden One, and Sakhmet, the Powerful One.

Through our desire, through our invocations, through our music, and our moving bodies, we call upon our Goddesses to be present with us during this festival.

The ancient Egyptian Ritual of Breaking Red Pots was performed to protect against enemies, physical and/or spiritual. Archeologists have found fragments of the pots that had been inscribed with curses against said enemies. In our version, we will join with Sakhmet in Her righteous anger against the injustice in the world and smash our own “red pots.” By expressing our rage, both personal and societal, we begin the Sacred Work of becoming purified and renewed.

At the end of this ritual, the Goddess Sakhmet departs from us and we are now without the powerful protection of our Goddess.

The Hathoru, sacred enticers of the Goddess Hathor, will help us get the Friday night drumming and dancing going with a calling for the absent Goddess and a chant to seduce Her to return.

I’ll present a talk and slide show to explain the importance of this myth to ancient Egypt and provide background to help us understand the rituals and activities of the festival.

At the end of the presentation, we’ll have the opportunity to experience the energies of both Sakhmet and Hathor for ourselves.

Five gallons of red beer are being ritually brewed as an offering to Sakhmet, so that we may appease Her wrath and coax Her to return to us. Without our Fierce Goddess, we, like the Sun God Re, are vulnerable. The First Servant of Sakhmet will lead us in a prayer and chant to the Goddess. Then we will pour out the blood-red beer into the fields in hopes that the Goddess will be pleased and made peaceful through it.

We’ll break into 5 groups, our “villages.” Each village will work together to create an offering for the Returning Goddess—as She has been promised by Thoth, the God of Wisdom, if She agrees to return home.

Wise Thoth has followed the Lioness Goddess to Nubia and has entertained Her with many excellent stories. He has coaxed Her to return home, promising offerings, dancing, and feasting in Her honor.

Join us at the riverbank, our isheru, where the Returning Goddess is renewed in the Deep Primordial Waters. We, like our Goddess, will be purified and renewed as well. By our rites and in these Waters, Red Sakhmet transforms Herself into Turquoise Hathor, the Intoxicating One.

Then we walk together in procession as we make music and throw flower petals in the path of the Returning Goddess—and at each other, if we’re feeling playful. The Goddess’ reed boat stops at each village and we present our offerings to Her.

We join together in the main meadow to feast with our Community and in honor of our Goddesses, Hathor and Sakhmet, and Thoth.

As the sun sets, we are called once more to gather at the Fire Circle. The Goddess will be present in 7 different forms and She will bless us in return for the offerings we created and presented to Her earlier.

There is no formal end to the ritual. We drum and dance our way into the night as we so desire.

This is the closing ritual for the festival. We pour out pure milk in thanks to Sakhmet, Hathor, and Thoth, then ritually release Their Presences by extinguishing our fiery torches in the sacred milk of the Goddess.

The rite also incorporates OWOW’s traditional gift exchange. If you wish to participate, bring a small gift with you as a thanksgiving to be given to someone in our community, and you will receive one in return.

PLUS—Join us for a workshop on magic and protest later on Sunday!

Other Worlds of Wonder website

Direct to the Registration form