Category Archives: Sistrum

Hymns to Isis of 10,000 Names from Denderah

One thing I learned from our Egyptian visit to the Great Temple of Hathor at Denderah, is just how very, very, very present Isis is in this entire temple complex.

Approaching the Temple of Hathor at Denderah

I knew that, just as Hathor has a small temple at Isis’ great Philae sanctuary, so Isis had a small temple at Hathor’s great sanctuary at Denderah. But I didn’t know how present Isis is within Hathor’s temple itself.

The remains of the Isis temple at Denderah

So, today I’d like to share with you some of the praises and epithets of Isis found within the great Hathor temple. They can be used and/or adapted through your own creativity for ritual use. The translations come from Egyptologist Sylvie Cauville’s Dendara: Hymnes à Hathor et à Isis. So they are my English translations (with help from Google Translate) of her French translations of the hieroglyphs. I’m awaiting an interlibrary loan of her book on all the texts from Isis’ small temple at Denderah. I’ll share those with you in the future.

But for today, let’s look at some of the ways Isis was understood at Denderah. Since most of the remains at Denderah are Ptolemaic, we won’t be surprised to find Isis expressing Herself there in many of Her ten thousand names. Here’s an example:

Isis the Great, Mother of the God, Mistress of the Birth Mound, Who takes Her place in Denderah, Lady of the Beginning of the Year, Queen of Messengers, Who appears at the New Year to open the Beautiful Year. [She is] Amunet (the Goddess counterpart of Amun) at Thebes, Menhit (a Lioness Goddess) in Heliopolis, Renpet (“Year”) is Your name in Memphis, Sothis (Sopdet, the Star Goddess) in Elephantine, Hededyt (a Scorpion Goddess) in Edfu, the Venerable Vulture (the Goddess Nekhbet), the ruler of Hierakonpolis (Nekhen), the Feminine Heliopolitan One in Denderah, Daughter of Nuet, brought into the world in the Birth Mound on the beautiful day of the Child-in-His-Nest, the One Who takes flight again towards the sky; Heqet (the Frog Goddess) in Abydos, Seshat (the Scribe Goddess) in Hermopolis, Djedet (“Word” or “Great Word,” Djedet Weret) is Your name in Busiris, the Mysterious One in Bubastis, Ipyt (a Hippopotamus Fertility Goddess) in Pe, Depet (“the One of Dep”) in Dep, Neith in Sais, Wadjet in Nebecheh (the location of a temple of Wadjet), Hathor in all the land. She is the One Who dwells in every city and in every nome with Her son Horus and Her brother Osiris.

Those of you who have seen the Oxyrhynchus aretalogy of Isis will recognize this format: give Her name and then the place in which She is called by that name (or vice versa).

“Isis of 10,000 Names” from the Isis Oracle; art by Jim Manton

On one of the pylon doorways at Denderah, where both Goddesses are invoked, we learn this of Isis’ power:

She is the Sovereign of the Palace, the Ruler, the Mistress of Writing. She announces what will happen in the future. Life is in Her hand, health is in Her fist, one does not oppose what comes from Her mouth. She takes care of the one who is not unfaithful to Her and defends the one She loves on the day of the “fight in the arena” (I assume this means during challenging times; but I supposed it could be something more specific, too). She is the irreproachable protector of those who have nothing and those who have everything. What She conceives happens forever. She comforts the unfortunate with Her word at the closing gate. She is Seshat the Great, the Primordial, the First Who Inaugurated Writing, the First Who is Brought into the World Among the Goddesses.

On the doors of the “Mysterious Corridor,” Isis is praised as the Powerful One. Re is said to shine in the horizon (akhet) when He sees Her and human beings come to Her to make Her heart joyful. In the Isis Chapel within the Hathor temple, She is called by many of the titles we have already seen, but She is also the Queen of Egypt in its Entirety, the Great One in Heaven, the Powerful One on Earth, the Primordial One Who Created the First Time (Zep Tepi) and All Good Things—which She shares with those She loves. She “dispenses the Commandments in the places of worship.” What must happen “happens when You [Isis] order it.” She is “excellent and beautiful.” She is “the Female Ibis Without Her Equal, the Mistress of Writing, the Sovereign of the Library.” She is the ruler of the orb of the sun and of the stars. As Sothis, She is the One Who Brings the Flood to “create life for the living.” She is the Eye of Re and the Unique Uraeus serpent.

Isis of Corinth by Stuart Littlejohn; purchase a copy here; I have my copy, just gotta get it framed

She is also called Horet, the Female Horus. Her favors to Her devotees are great as is Her love. She is the Hand of God with inexhaustible benevolence. And Her true name is Isis (but also The Golden). This is very reminiscent of Apuleius’ aretalogy of Isis in which the Goddess lists many of the names by which human beings know Her, but finally states that Her true name is Queen Isis.

Quite a few of the Isiac hymns in the Denderah temple repeat many of the epithets we’ve already seen, so I’m trying to pick out the ones I find interesting and that I think you may also find interesting.

For instance, epithets from the Denderah Chapel of Water and Chapel of the Crown call Isis the Great Oracle Who Arrived at the Beginning and the Oracle Who Announces What Will Happen in the Future. These would be perfect epithets to use when reading Tarot or using another divination system under Her auspices. The Chapel of Water also says that She makes the Inundation flow to “invigorate the hearts of the Guardian Gods;” so another protective function. Her Ka is praised and She is called the Living Ba. She is the Lady of East, South, West, and North.

Isis the Magician, according to WordPress AI

In the Chamber of Fabrics, Isis is identified with Tayet, the Weaving Goddess. The text says that the Divine Fabric is made for Her Ka and that She is Mistress of the White, Green, Purple/Blue, and Red fabrics.

One of the things especially celebrated at Denderah is the birth of Isis. Her birth is connected to the epagomenal days when She rises as Sirius before the sun to mark the New Year.

In the Chapel of the Sistrum, it is said that Isis “took possession of the royal office even before She left the womb; She ruled the throne from Her swaddling clothes.” I’m guessing we’ll learn more about Her birth when I get that interlibrary loan of the texts from the small Temple of Isis.

Isis the Magician, according to Roman-era Egypt

On the exterior temple walls, Isis is said to be born “in the form of a black-haired woman, full of life, Sovereign of the Ennead, Ruler of Magic.” More of Her ten thousand names are added in the pronaos of the temple: She is Amunet, Menhit, Renpet, Sothis, Nekhbet, Tanenet (a Goddess of brewing and childbirth), Isis, Seshat, Heqet, and Wadjet. She is also the One Who Loves the Embrace, the Mistress of Life, Tayet, She Who Hears Everything, the Mysterious, Pyt (possibly a variation or misspelling of Ipyt), Depet, Neith, Khensyt (a Goddess of the royal crown), and Isis in every nome. She is the Mistress of Offerings, the Feminine Disk (of the sun), Mistress of Bread, Who Prepares Beer, and Lady of Exultation and Joy. She is the One Who is Rejuvenated in the Faiyum, Mistress of Life in Metenou (couldn’t find out where that is). In Mendes, She is the One Who Speaks. In Busiris, She is the One Who Hears Everything. And She is still The Mysterious in Bubastis.

The pronaos also notes that on the birthday of Isis, joy breaks out in Denderah and in Edfu. (Remember that these two temples are connected by the love connection between Hathor and Horus.) Heavenly Nuet gives birth to Isis—the Scholar for the Ennead—so that She may give birth to Horus the Avenger. The text says that Isis “was initiated into Wisdom as the Great One” and that the Goddesses come to see Her birth, wearing the menat-necklace and bearing the sistrum, “to appease the heart of The Magician (that is, Isis).”

That’s a lot of (hopefully) new and interesting epithets to work with for today. Any one of these epithets of Isis or Her identifications with other Goddesses would be a worthy subject for invocation and meditation.

More Epithets of Isis

Parsifal by Jean Delville, but it definitely gives ‘mysteries’

Most of you reading this blog are well aware of the many epithets of Isis, Our Lady of 10,000 Names. In general, epithets are descriptions attached to the Goddess’ name that help us know more about Her. Very often, you’ll see people note that epithets are especially important in Deity invocations because they help us tune into the specific aspect of Their natures that we wish to connect with.

And that’s true.

Yet, I like to think of epithets as little Mysteries.

Each epithet of the Goddess has the possibility of revealing to us a Mystery—something about Isis we might not have known, or might not have known as deeply. In a post a couple weeks ago, one of the things we learned from the ancient Greek novel Aitheopika was that initiates of Her Mysteries called Isis the Earth and Osiris the Nile. I would not be at all surprised to learn that the revealing of additional epithets of the Goddess was a regular part of Her—and other Deities’—Mysteries. A Mystery initiation gave you insider knowledge about the Mystery Deity. Discovering new aspects of the Goddess through additional names and epithets would be some pretty solid insider information.

You’ll find epithets of Isis scattered throughout this blog. For instance, here are names and epithets honoring Isis from all over the Mediterranean world. Here are some of Her secret names from the magical papyri. There are about two hundred of Isis’ epithets listed in the appendix in Isis Magic. And Offering to Isis includes several epithets appropriate to each of the offerings—sacred symbols of the Goddess—as part of the invocation offerings.

Today, I’d like to share a few more epithets of Isis, some of which may be new to you. If you’d like to delve into the little Mysteries of these epithets for yourself, try this: Pick out a few that call to you. Open your shrine or temple in whatever manner you usually do. Invoke Isis using the epithet you chose. You can sing or chant the epithet as you call out to Her. When you sense Her presence, ask Her to reveal to you some of the Mysteries of that epithet. Then open your heart, open yourself, as you experience/intuit what She communicates to you. (Even better, jot down the things that come to your mind about that epithet for later reference. Visionary work sometimes fades rather quickly.)

In no particular order, here are some epithets of our Goddess from various parts of Egypt:

Isis in red, leading Nefertari

Isis, She Who Loves the Red Cloth; Iset Meret Ines—this epithet of Isis is found at Dendara. Interestingly enough, in representations of Isis, red is the most common color of Her clothing. The famous Knot of Isis is also usually made of red stone or painted red—and it may be meant to represent a knot tied in cloth. The ancient Egyptians associated red with fire, blood, and the sun. It could be a color of destructive power and associated with anger as well. We are used to Sakhmet being associated with red, but it turns out Isis is a Red Goddess, too.

Isis the Great Golden One; Iset Nebut Weret—while we are familiar with Isis being called, like Hathor, the Golden One, here She is the Great Golden One, an epithet She shares only with the Creator Goddess Neith. Gold is associated with the sun and Divinity. What does it mean that She is not only the Golden One, but the Great Golden One?

Isis, She of the Beautiful/Good/Perfect Face in the Barque of Eternity; Iset Noferet Hor em Wia Heh—the Barque of Eternity if the boat that travels into the Otherworld, both the underworld and the heavens. What does it mean that Isis is the beautiful-good-perfect face in that holy boat?

Isis with golden yellow skin

Isis the Lady of Awfulness; Iset Nebet Neru—this is the literal meaning of awful, as in “full of awe,” but also a designation of Her great, and sometimes scary, power. See more about this one here.

Isis the Great One in the Beginning; Iset Weret em Hat—this epithet is from Her temple at Philae and is another epithet Isis shares only with the Creator Goddess Neith. This is Isis as a Primeval Goddess, the First Goddess. Similarly, She is called the Great Goddess “of the coming into being” and is the Great Goddess “in the First Time,” the Zep Tepi. We also have inscriptions calling Isis Sha’et, “She Who Was First,” from a number of places, including Philae, Dendara, and Edfu.

The Perfect Musician

Isis the Great in the Place of Her Heart; Iset Weret em Set Ib-Es—this one is from the Horus temple at Edfu. What do you think ‘the place of Her heart’ is?

Isis, Her Years are Eternity and Everlastingness; Iset, Renput-s Neheh Djet—learn more about Neheh and Djet here and here.

Isis the Perfect Musician; Iset Khunet Noferet—from Dendara. Isis is also called “the Musician of the Spoken Words” and the Shemayet, the “Chantress.” The Chantress was a high-ranking priestess in ancient Egypt. Read more about AE priestesses and the Chantress here.

Isis and the pharaoh raising the djed pillar

Isis, She Who Makes Shadow with Her Feathers; Iset Iret Shut em Shuut-Es—from a stele now in the Louvre. We know about Her wing symbolism, but what about the shadow of Her wings?

Isis the Djed Pillar; Iset Djedet—now isn’t this interesting? Osiris is usually associated with the djed pillar. But here we have Isis as the female djed pillar. The djed represents stability, so that is likely the meaning here: Isis is strong, stable, dependable.

On the other hand, She also personifies Her own symbol, and is called Isis the Excellent Isis Knot (Iset Tiet Menkhet)…for Isis is All Things and All Things are Isis.

There are so many more, but that’s enough for now.

If, in your connections with Isis, you discover any of the Mysteries of these epithets, I hope you’ll share them here, on Facebook, or on BlueSky.

A Summer Solstice Isis Rite

We’re not quite there yet, but I thought you might like to have this small rite early in case you’d like to find a special outdoor place to celebrate the coming solstice.

In Egypt, about 3000 BCE, at the latitude of ancient Memphis, the summer solstice coincided with the heliacal rising of Sirius, the star of Isis, the beginning of the all-important inundation, and the coming of the new year. It was a time of joy as people anticipated the coming harvest and other blessings from the Divine Ones.

In this rite, we celebrate with gratitude the fullness of summer in the dawning light of our closest star, the sun. Yet we also know that the ba of Isis—in Her holy star Sirius—is also present with us, though still unseen by most of us in the northern hemisphere.

The summer solstice sunset at Karnak temple

And, of course, Isis is a Sun Goddess, too.

Stuff You’ll Need

For this rite, you’ll need Nile water and a vessel, a flowery incense and something to safely burn it in, your sistrum, and a ripe avocado or sweet, juicy fruit like a peach, and something to cut it with. You’ll be eating the fruit in offering communion with Her, so make it something you like.

Your Temple Space

Ideally, this is an outdoor space where you can see the sun rise on summer solstice. Make sure you arrive before sunrise. If not possible, you can also do this indoors, visualizing the sunrise.

Arising

Rattle your sistrum softly at your heart. As you see the sun rise, stand and open your arms like the wings of Isis.

Ritualist: (Vibrating softly) ISET-RE, ISET-SOPDET! (Speaking softly) I welcome You with open heart into Your abode (moving your hands to cross upon your heart).

Purifying the Heart

Pour the Nile water into the vessel. Sprinkle water upon your own body, paying special attention to your heart.

Ritualist: Purify, purify, purify, purify! I am purified by the Mother of Rivers, the Lady of the Living Waters. Into Her care I release al pain, all anger, all frustration, all regret—all the sorrows of my heart. (Breathe deeply and repeat until you feel that it is so.)

The temple of my heart is made new, purified and opened unto Isis, the Lady of Abundance.

Awakening the Heart

Take up the sistrum again, light the incense. Rattling the sistrum softly at your heart (so much the better if you can feel the vibrations of the sistrum), say,

Ritualist: In the name of Isis-Re, in the name of Isis-Sothis, my heart awakens. (Breathe deeply and repeat until you feel that it is so.)

Be seated comfortably. Now listen and hear. Listen to the dawn and find the heartbeat of the Great Goddess Isis. Her noble heart beats all around you. In the awakening song of birds. In the wind moving through grass and trees. In the waters. In the deep earth.

Find the heartbeat of Isis.

Now, touch a pulse point on your own body and find your heartbeat.

Attune your heartbeat to Hers, slowing or speeding up as needed. (Just do the best you can; it doesn’t have to be perfect.)

Ritualist: (Speaking softly to yourself and to the Goddess) Iset Ib, my heart’s desire. Her heart. My heart.

I am aware in my heart. I am in power in my heart. I am aware and in power in my heart, which is the heart given to me by my mother (stating the name of your human mother)—and by my Great Mother Isis. 

Iset Ib, my heart’s desire. Her heart. My heart.

I am intelligent in my heart. I am compassionate in my heart. I am intelligent and compassionate in my heart, which is the heart which drums in rhythm with the heart of Great Isis.

Iset Ib, my heart’s desire. Her heart. My heart.

I am alive in my heart. I am full in my heart. I am alive and full in my heart, the center of all Being, the beginning of all Becoming. I am alive and full in my heart, and my heart knows all the joys and pleasures of my life. 

In the fullness of my Being, I am Becoming joyful. Isis arises—all is well. Isis comes—peace returns. I am sitting in the Throne of Abundance. Once again, I attune my human heart to Her Divine heart (pausing to do this). 

Now speak aloud at least ten things for which you are grateful. If you can name more than that, do so. Let yourself feel joy, satisfaction, pleasure, or pleasant surprise as you name each thing. Take time to re-attune your heart to the Goddess’ heart between each thanksgiving. When you are finished, continue:

Ritualist: Iset Ib, my heart’s desire. Her heart. My heart. I am aware in my heart and I am grateful in my heart. You have blessed me, Isis, and I bless You. Amma, Iset. Grant that it ever be so.

Communion of the Heart of Isis

Take out the avocado (or other fruit) and look upon it.

Ritualist: This fruit is the fruit of the holy persea tree, sacred unto Isis. It is the fruit of the tree from between whose branches rises the Soul of Isis—Sothis—and the Face of Isis—the Sun. The wise say that the sacred persea bears the Heart of Isis (elevating fruit), therefore when I hold this persea fruit in my hands, I hold the Heart of the Goddess. Rich and sweet, the persea fruit is indeed the Heart of the Beautiful One, the Heart of Abundant Summer.

Cut the fruit into five pieces and lay them upon the altar like the five-rayed Star of Isis.

Ritualist: O Isis-Re, O Isis-Sothis, You shared with me Your sacred heart (eating one piece of fruit). Spirit is joined to spirit (eating another piece of fruit). Mind is joined to mind (eating another piece of fruit).  Soul is joined to soul (eating another piece of fruit). Body is joined to body (eating the last piece of fruit). Heart joined to heart (crossing your hands over your heart).

Closing

Take up the sistrum and, beginning at your heart, rattle it in the four directions, above you and below you.

Ritualist: O Isis, You have filled my heart. You are indeed the Lady of Abundance.

Take up the vessel of water. Holding it at your heart, sprinkle water in the four directions, above you and below you.

Ritualist: O Isis, I ask that my heart remain open to Your heart, this day and every day. Amma, Iset. Grant that it be so.

Face east and the rising sun and the hidden star. Open your arms like the wings of Isis, then close them over your heart. Remove all traces of your presence, then depart in peace.

NOTE: This is a shortened version of the summer solstice rite from Isis Magic. For the more complete rite, see pages 344-351 in the second edition.

The Sistrum of Isis

Hello, Isiacs! I’d like to share with you a beautiful double sistrum that one of our sisters discovered in a market in Baja. It is lovely and I’ll bet it sounds wonderful. Here’s the pic:

Why didn’t I think of that? A double sistrum! Thank you, Agnes. Here’s a repeat post about the sistrum and how this magical musical instrument can shake things up.

A priestess with the naos style of sistrum
A priestess with the naos style of sistrum

In Isis Magic, one of the key elemental implements of the priestess of Isis is the sistrum. It is one of several types of ancient Egyptian rattles that were used in the worship of the Goddesses and Gods. But it isn’t simply a musical instrument; it is also a magical instrument.

As you may already suspect, sistrum is a Latin word. In turn, it derives from a Greek term for the Egyptian rattle: seistron “that which is shaken.” The Egyptian terms are a bit more interesting. One of them is onomatopoeic, that is, the word sounds like the thing it represents. That one is sesheshet (say it out loud and you’ll see what I mean). The other is sekhem. And that one is quite interesting, for it means “power,” as in the name of the Goddess Sekhmet, the Powerful One. It is, of course, among the names of Isis as well.

A priestess shakes the sistrum to please the Goddess

The sistrum is an instrument of power. Even better, the term for “to play the sistrum” also derives from the sekhem root, so when you’re playing the sistrum, you’re “doing power.” That’s why the sistrum is the elemental Fire implement of the priestess or priest in the House of Isis.

Plutarch seems to be echoing the true Egyptian tradition when he explains in his essay “On Isis & Osiris”:

The sistrum also makes it clear that all things in existence need to be shaken, or rattled about, and never to cease from motion but, as it were, to be waked up and agitated when they grow drowsy and torpid. They say that they avert and repel Typhon by means of the sistrums, indicating thereby that when destruction constricts and checks Nature, generation releases and arouses it by means of motion. (Plutarch, Moralia, Book 5, “On Isis & Osiris,” section 63)

The vibration of the rattling sistrum is as the constant vibration of the atoms that make up all things and the activity of all living things.

The bullet casing sistrum; mine used to look just like this
The bullet-casing sistrum; mine used to look just like this

Like many modern priestesses and priests of Isis, I have a collection of sistra (which is the plural of sistrum), including both handmade and purchased versions. Since the Coptic and Ethiopian Christian churches today still use sistra, you can actually purchase sistra that flow from the ancient Egyptian religious tradition. Naturally, I wanted to add one to my collection. So I ordered an inexpensive one online and when it came, it was, as expected, not super-high quality, but kinda sweet…except for the fact that the handle appeared to have been made out of ammunition casing. Eeewww. But the rattle sounded wonderful, nice and tinkly. I purified the sistrum and began using it.

Ihy, the Sistrum Player, son of Hathor
Ihy the Sistrum Player, son of Hathor

Now here’s the part I like. Not too long after that—with no hard use of any kind—I picked up the sistrum one day to discover that the bullet-casing handle had split near where it was joined to the head of the sistrum. While I was disappointed that my new sistrum had broken, I was also somewhat relieved. Happily, I know artists—and an artist friend replaced the handle for me with copper tubing. My repristinated copper and brass Coptic sistrum has been rattling up power for Isis ever since.

In ancient Egypt, while the sistrum was used in the musical worship of all Egyptian Deities, it was especially associated with the worship of the Great Goddesses Hathor, Bast, and Isis. Generally, more priestesses than priests played the sistrum. Yet the archetypal sistrum player is Hathor’s son, Ihy, often called simply the Sistrum Player.

Isis with the sistrum from Abydos
Isis with a naos sistrum from Abydos

The creation of the sistrum is said to have developed from the polite habit of rattling the papyrus stalks before entering into the papyrus marshes. The marshes, you see, were often the dwelling places of fierce Wild Cow Goddesses, such as Hathor, and poisonous Cobra Goddesses, such as Wadjet. It was considered the wiser course of action to let Them know you were coming. (Never sneak up on a Goddess; all the myths tell us so.)

If we think of it as a polite knock on the door before coming into the presence of the Goddess, we can consider the rattling of the sistrum as an Opening of the Ways from the mundane to the sacred. It can also be used to stir up energy, in ourselves or our temple space, as well as to add emphasis and power to certain parts of a ritual. Softer rattling can be used meditatively and to bring down and sustain energy as the ancients did when they used it to “pacify” an angry Deity.

The sistrum became inextricably tied to Isis when Her worship spread into Greece and Rome. In fact, it was so commonly associated with Her in Rome that when ancient Romans saw a sistrum, they immediately thought of Isis and no one else. Even as late as the 4th century CE, Maurus Servius Honoratus, a grammarian with the contemporary reputation of being the most learned man of his generation, noted that

Isis is the genius [the spirit] of the Nile, who by the movement of her sistrum, which she carries in her right hand, signifies the access and recess [that is, the rising and falling] of the Nile… (Servius, Observations on the Aeneid, 1.8)

A naos sistrum now in the Athens Archeological Museum; it's lost most of the naos part
A naos sistrum now in the museum in Athens
A hoop sistrum, now in the Louvre
A hoop sistrum, now in the Louvre

There were two types of ancient sistra, which we know as the naos sistrum and the hoop sistrum. In a naos sistrum, the top of the rattle is shaped like a small shrine (naos in Greek); in a hoop sistrum, the top is an elongated hoop. Holes were made in the sides of the naos or hoop and metal rods were inserted horizontally so that when the sistrum was shaken, the rods rattled in the holes. Sometimes additional pieces of metal were pierced and strung on the rods to amplify the sound. (Many modern sistra have this feature.)

If you’d like to Do Power for Isis, you may purchase a variety of ready made sistra. DeTraci Regula’s Isiscraft Catalog offers a number of lovely ones. You can find versions of sistra in music stores that specialize in ethic instruments. You can also order the Coptic ones online (but they will probably come with the bullet-casing handles). And, of course, you can also make your own.

An Isis devotee of my acquaintance made some wonderful small sistra by splitting a piece of bamboo (about 1/4 inch in diameter) 2/3 of the way down. She glued ribbon around the un-split part to keep the sistrum from splitting all the way and to create a handle. Then she glued a small piece of wood between the split bamboo as a wedge to hold the two sides apart, forming a “Y.”

A bottle cap-type sistrum, but with carved wood instead of bamboo
A bottle cap-type sistrum

Finally, she strung flattened and pierced bottle caps on wire and attached the wire to both sides of the split bamboo. While I have sistra in my collection on which I’ve spent quite a bit of money, these homemade ones remain some of my favorites.

If you have made your own sistrum, I’d love to hear about it.