Category Archives: art

Missing the Memo





Last night, I had dinner (on the porch in spite of the record-breaking heat here in the mystical MidAtlantic! Of course, we did have shade, the ceiling fan, and a bottle of icy grand cru from Arnould & Fils, recommended by my brilliant friend Stoat) with a beloved magical Sister. I asked her, "You'd tell me, right? Mercury didn't unexpectedly go retrograde and I just (in retrograde Mercury fashion) missed the memo?" Because it would explain a lot. (Blogger, you fickle, evil BitchGoddess, I am looking, inter alia, at you.)

And speaking of missing the memo, I'm not sure why I am just now finding out about the amazing sculpture of Fidelma Massey. If I'd known about her sooner, I'd have planned my garden around one of her sculptures. As it is, I'm going to have to sit down w/ Landscape Guy and see where we can work one in. There's a spot he's been pointing to along the Southern boundary for a few months and saying, "Something needs to go there. You need to figure out what."

And, in true if-Mercury-isn't-retrograde-who-is? fashion, I'm not sure where I first found Ms. Massey's work. I thought it was at Sally J. Smith's site, but now I can't find it there. (And I'd love, someday, to get Sally to build one of her fairy houses in my garden for G/Son, too. He's so fascinated w/ the fairy door on the big maple in my woodland). Whoever brought Ms. Massey to my attention, many thanks!

Which of her works do you like best?

Pictures: Google "Fidelma Massey" and click on "Images".

Missing the Memo





Last night, I had dinner (on the porch in spite of the record-breaking heat here in the mystical MidAtlantic! Of course, we did have shade, the ceiling fan, and a bottle of icy grand cru from Arnould & Fils, recommended by my brilliant friend Stoat) with a beloved magical Sister. I asked her, "You'd tell me, right? Mercury didn't unexpectedly go retrograde and I just (in retrograde Mercury fashion) missed the memo?" Because it would explain a lot. (Blogger, you fickle, evil BitchGoddess, I am looking, inter alia, at you.)

And speaking of missing the memo, I'm not sure why I am just now finding out about the amazing sculpture of Fidelma Massey. If I'd known about her sooner, I'd have planned my garden around one of her sculptures. As it is, I'm going to have to sit down w/ Landscape Guy and see where we can work one in. There's a spot he's been pointing to along the Southern boundary for a few months and saying, "Something needs to go there. You need to figure out what."

And, in true if-Mercury-isn't-retrograde-who-is? fashion, I'm not sure where I first found Ms. Massey's work. I thought it was at Sally J. Smith's site, but now I can't find it there. (And I'd love, someday, to get Sally to build one of her fairy houses in my garden for G/Son, too. He's so fascinated w/ the fairy door on the big maple in my woodland). Whoever brought Ms. Massey to my attention, many thanks!

Which of her works do you like best?

Pictures: Google "Fidelma Massey" and click on "Images".

Missing the Memo





Last night, I had dinner (on the porch in spite of the record-breaking heat here in the mystical MidAtlantic! Of course, we did have shade, the ceiling fan, and a bottle of icy grand cru from Arnould & Fils, recommended by my brilliant friend Stoat) with a beloved magical Sister. I asked her, "You'd tell me, right? Mercury didn't unexpectedly go retrograde and I just (in retrograde Mercury fashion) missed the memo?" Because it would explain a lot. (Blogger, you fickle, evil BitchGoddess, I am looking, inter alia, at you.)

And speaking of missing the memo, I'm not sure why I am just now finding out about the amazing sculpture of Fidelma Massey. If I'd known about her sooner, I'd have planned my garden around one of her sculptures. As it is, I'm going to have to sit down w/ Landscape Guy and see where we can work one in. There's a spot he's been pointing to along the Southern boundary for a few months and saying, "Something needs to go there. You need to figure out what."

And, in true if-Mercury-isn't-retrograde-who-is? fashion, I'm not sure where I first found Ms. Massey's work. I thought it was at Sally J. Smith's site, but now I can't find it there. (And I'd love, someday, to get Sally to build one of her fairy houses in my garden for G/Son, too. He's so fascinated w/ the fairy door on the big maple in my woodland). Whoever brought Ms. Massey to my attention, many thanks!

Which of her works do you like best?

Pictures: Google "Fidelma Massey" and click on "Images".

Creating Beauty



Did you create some beauty today? For my part, I put together an elegant legal argument and spent some time teaching young lawyers how to think and write about the law (which is as beautiful to me as the sand is to the artist above -- and almost as malleable a medium and certainly as susceptible to changing tides). And now I'm going to spend time knitting a sweater to keep G/Son warm next year. Tell me about the beauty you created.

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Update: I see that SoBeIt and I are reading from the same book today.

Co-Creation with the Landbase Requires Deep Attention


Here's a great post by artist Sally J. Smith that shows what it's like to pay deep attention to your landbase. In a recent interview, Smith described how her art reached a turning point when she realized that she wanted to be out in nature, co-creating art with it, rather than inside a studio, making pictures of it. You can see in her post how this requires her to enter into relationship with her landbase, rather than simply live on it.
I don't know what it has been like where you live, but here it seemed winter would last forever. It was just last week that I was bundled up and huddled along the ice-bound shores of the lake waiting for the sun to rise. I still had the chance to make ice sculptures it was so cold here. The snow was deep in the woods, but it was crystallized and granular. The delicate flakes long gone, but now a coarse sugary texture. Difficult to make sculptures with as it does not stick together well. So this time of year is tricky in terms of making sculptures. But the sun is so strong now that the snows do melt, even if the temperatures can only rise to the low 40s which was all that could be managed last week. But the emerald green mosses are emerging and letting me know that soon, very soon it will be time to play with this exquisite green once more.

The combination of melting snow and icy nights makes for some fascinating sculptures to be found however! One day, while walking in a nearby field, I found these delicate polka dot creations creating an exquisite lace effect at the edge of the snow. The day was grey and the wind was cold, but the day before had been sunny. Just warm enough to create the droplets on the underside of the paper thin ice... which re-froze in the chill and still night air.

You should read the whole post for great discussions of her close connection to some local birds and the control that nature exercises over her work.

How deep is your attention to your landbase? How deep is your landbase's attention to you? Who's leading the dance?

Picture found here.

Synchronicity, You’re Soaking In It



I love the artist's discussion of how her childhood spent in Nature influences her art.

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[H]ealing the broken bond between our young and nature—is in our self-interest, not only because aesthetics or justice demands it, but also because our mental, physical, and spiritual health depends upon it. The health of the [E]arth is at stake as well. How the young respond to nature, and how they raise their own children, will shape the configurations and conditions of our cities, homes—our daily lives.

~Richard Louv
More here.

Hat tip to Margaret Roach, in A Way to Garden.

Air


Art, especially sculpture, has always spoken so deeply to my Younger Self. And I've long been a huge fan of Andrew Goldsworthy's work. Lately, I've been getting a lot of inspiration for things in my own life from two artists whose works contain echoes of Goldsworthy. One is Patrick Dougherty. Here's a short video about how he creates interesting spaces from tree branches.



Dougherty has an exhibit at the Brooklyn Botanical Garden that I'm itching to go see; like most sculpture, his work doesn't translate all the way into two dimensions.

The sculpture at BBG is woven from nonnative woody material that was collected from Ocean Breeze Park on Staten Island. The harvesting site was chosen by BBG's director of Science because of its proximity to the Garden and its large population of nonnative willow (Salix atrocinerea), which is designated an invasive species in New York State. Removal of saplings of this species helped protect the site's excellent assemblage of herbaceous plants. The park is owned by the City of New York and is targeted for restoration under the City's PlaNYC sustainability initiative.

. . .

When asked about some of the words that came to mind as he contemplated what he wanted to build in Brooklyn, Dougherty smiled and said "lairs; a place for feral children and wayward adults."


Maybe I can borrow G/Son and we can go one weekend this Spring.

The second is Sally J. Smith who blogs here. I especially like how Smith's work honors the changing seasons. Here's a short video showing some of her works for this time of year:



And here's another, with ice sculptures for the coming Winter. I love the way that Smith intentionally incorporates the Sun and Moon (yes, the real ones! and she's not alone) into her work.



What inspires you right now?

Picture found here.