Category Archives: Goddess Nephthys

The Magical Hair of Isis

We are not immune to the charms of a beautiful head of hair—and the ancient Egyptians weren’t either.

But they took appreciation for hair, especially feminine hair, to a whole new level of magnitude. For them, hair was magical. And, of course, Who would have the most magical hair of all? The Goddess of Magic: Isis Herself.

A beautiful woman with beautiful hair
The charm of beautiful hair

I have always understood that the long hair of Isis in Egyptian tradition—disarrayed and covering Her face in mourning or falling in heavy, dark locks over Her shoulders—to be the predecessor of the famous Veil of Isis of later tradition. Ah, but there is so much more.

In ancient Egypt, it was a mourning custom for Egyptian women to dishevel their hair. They wore it long and unkempt, letting it fall across their tear-stained faces, blinding them in sympathy with the blindness first experienced by the dead. As the Ultimate Divine Mourner, this was particularly true of Isis. At Koptos, where Isis was notably worshipped as a Mourning Goddess, a healing prayer made “near the hair at Koptos” is recorded. Scholars consider this a reference to Mourning Isis with Her disheveled and powerfully magical hair.

Mourners use various mourning gestures and dishevel their hair

It is in Her disheveled, mourning state, that Isis finally finds Osiris. She reassembles Him, fans life into Him, and makes love with Him. As She mounts His prone form, Her long hair falls over Their faces, concealing Them like a veil and providing at least some perceived privacy for Their final lovemaking. As the Goddess and God make love, the meaning of Isis’ hair turns from death to life. It becomes sexy—remember those big-haired “paddle doll” fertility symbols?

A mourning woman with her hair over her face from the tomb of Minnakht

This pairing of love and death is both natural and eternal. How many stories have you heard—or perhaps you have a personal one—about couples making love after a funeral? It’s so common that it’s cliché. But it makes perfect sense: in the face of death, we human beings must affirm life. We do so through the mutual pleasure of sex and, for some couples, the possibility of engendering new life that sex provides. The lovemaking of Isis and Osiris is the ultimate expression of this. Chapter 17 of the Book of Coming Forth by Day (aka the Book of the Dead), describes the disheveled hair of Isis when She comes to Osiris:

“I am Isis, you found me when I had my hair disordered over my face, and my crown was disheveled. I have conceived as Isis, I have procreated as Nephthys.” (Chapter 17; translation by Rosa Valdesogo Martín, who has extensively studied the connection of hair to funerary customs in ancient Egypt.)

There is also a variant of this chapter that has Isis apparently straightening up Her “bed head” following lovemaking:

“Isis dispels my bothers (?) [The Allen translation has “Isis does away with my guard; Nephthys puts an end to my troubles.]. My crown is disheveled; Isis has been over her secret, she has stood up and has cleaned her hair.” (Chapter 17 variant, translation by Martín, above.)

This lovemaking of Goddess and God has cosmic implications for its result is a powerful and important new life: Horus. As the new pharaoh, Horus restores order to both kingdom and cosmos following the chaos brought on by the death of the old pharaoh, Osiris.

Not only is hair symbolic of the blindness of death and the new life of lovemaking; the hair of the Goddesses is actually part of the magic of rebirth. Isis and Her sister, Nephthys, are specifically called the Two Long Haired Ones. The long hair of the Goddesses is associated with the knotting, tying, wrapping, weaving, knitting, and general assembling necessary to bring about the great Mystery of rebirth. Hair-like threads of magic are woven about the deceased who has returned to the womb of the Great Mother. The Coffin Texts give the name of part of the sacred boat of the deceased (itself a symbolic womb) as the Braided Tress of Isis.

Mourners, probably Isis and Nephthys, throw Their hair over the Osiris
Mourners, probably Isis and Nephthys, throw Their hair over the Osiris

In some Egyptian iconography, we see mourning women, as well as the Goddesses Isis and Nephthys, with hair thrown forward in what is known as the nwn gesture. Sometimes they/They actually pull a lock of hair forward, especially toward the deceased, which is called the nwn m gesture. It may be that this gesture, especially when done by Goddesses, is meant to transfer new life to the deceased, just as Isis’ bed-head hair brought new life to Osiris. It is interesting to note that the Egyptians called vegetation “the hair of the earth” and that bare land was called “bald” land, which simply reiterates the idea of hair is an expression of life.

Spell 562 of the Coffin Texts notes the ability of the hair of Isis and Nephthys to unite things, saying that the hair of the Goddesses is knotted together and that the deceased wishes to “be joined to the Two Sisters and be merged in the Two Sisters, for they will never die.”

Isis and Nephthys pull a lock of hair toward the deceased
Isis and Nephthys pull a lock of hair toward the deceased

The Pyramid Texts instruct the resurrected dead to loosen their bonds, “for they are not bonds, they are the tresses of Nephthys.” Thus the magical hair of the Goddesses is only an illusory bond. Their hair is not a bond of restraint but rather the bonding agent needed for rebirth. Like the placenta that contains and feeds the child but is no longer necessary when the child is born, the reborn one throws off the tresses of the Goddesses that had previously wrapped her or him in safety.

The Egyptian idea of Isis as the Long-Haired One carried over into Her later Roman cult, too. In Apuleius’ account of the Mysteries of Isis, he describes the Goddess as having long and beautiful hair. Her statues often show Her with long hair, and Her priestesses were known to wear their hair long in honor of their Goddess.

This is sketched from a coffin from Gebelein, 13th dynasty where either a long-haired female image or a long-haired female is spreading her hair over the deceased.
This is sketched from a coffin from Gebelein, 13th dynasty where either a long-haired female image or a long-haired female is spreading her hair over the deceased.

This little bit of research has inspired me to want experiment with the magic of hair in ritual. In Isis Magic, the binding and unbinding of the hair is part of the “Lamentations of Isis” rite (where it is very powerful, I can tell you from experience), but I want to try using it in some solitary ritual, too. I have longish hair, so that will work, but if you don’t and are, like me, inspired to experiment, try using a veil. It is most certainly in Her tradition. (See “Veil” in my Offering to Isis.)

If you want to learn more about the traditions around hair and death, please visit Rosa Valdesogo Martín’s amazing and extensive site here. That’s where most of these images come from…many of which I had not seen before. Thank you, Rosa!

I have her book on the subject on order, but the publisher has postponed its release several times. Here’s hoping it arrives sometime soonish.

Happy Autumnal Equinox 2024!

Turquoise and carnelian—perfect Egyptian colors for fall.

Here at the 45th parallel on the west coast of the US, we are perfectly situated to experience the turning of the seasons in a nearly archetypal form. Very often, the first day of autumn or winter or spring or summer turns out to be a ideal expression of the forthcoming season. Today, the first day of fall, is sunny, warmish but not hot, and the air shines with the gold that only autumn can bring. And it’s harvest time.

The crops are a bit late this year due to our weather; nonetheless, winter squash are in the farmer’s market and we’re just a few weeks away from our annual Dionysian Grape Stomp and Bacchanal, when we harvest the grapes in our own vineyard, dance them to juice, then feast and trance the night away.

Yet here, halfway from the equator to the top of the world, the seasons bear no relation to the seasons in ancient Egypt. For them, this would have been the second month of Inundation, when the Nile rose to cover the land, bringing its rich silt to Egyptian fields. Harvest time wasn’t until early Spring.

What’s an Isiac to do?

The Two Sisters, here with symbols of the Two Lands

For me, the answer is simple: when it comes to seasonal things, I celebrate locally. I am not trying to recreate the worship of Isis as it was in ancient Egypt; instead, I am inspired by those ancient roots of Her worship and yet feel perfectly free to grow from those beautiful, deep, and ancient roots new living plants. The seasons of the ancient Egyptians are not my seasons. And though this Egyptian Goddess is my Goddess, I cannot help but experience Her through my own modern cultural—and seasonal—lenses.

Thus, while the rite I will be participating in tonight, on this equinoctial evening, is not an ancient Egyptian rite, it honors one of the most important themes in ancient Egyptian life and spirit: duality. For tonight I shall make offering to the Two Sisters. Bright Isis and Dark Nephthys Who, when joined hand in hand, are an expression of the sacred magic of the equinox—the harmonious balance of light and dark, day and night.

Isis & Nephthys as sisters. See more illustrations of this artist’s work here.

The two Goddesses compliment each other in the light and dark children They bear to the same God. Osiris fathered the bright God, Horus, with Isis while with Nephthys, He fathered the dark God, Anubis. The Two Goddesses also manifest their Divine power differently. While Isis guides and sheds light on the hidden paths of the Otherworld, the Coffin Texts tell us that Nephthys speaks and they are obscured: “Hidden are the ways for those who pass by; light is perished and darkness comes into being, so says Nephthys.” While Isis summons the Barque of the Day, Nephthys is “a possessor of life in the Night-barque.”

The Twins

And yet, Isis and Nephthys are also and importantly twins. They are the Two Ladies, the Two Women, the Two Goddesses of the Hall of Truth, the Two Long-Haired Ones, the Two Uraeus Serpents, the Two Spirits, the Two Nurses, the Two Weavers, the Two Feathers, the Two Birds, the Two Cows, the Two Kites, the Two Divine Mothers, the Two Eyes of God, the Two Women, the Two Wise Ones, the Two Weepers, the Two Great, Great Ones, and ultimately, the Two Uniters. The essential balance and unity of Isis and Nephthys is expressed in the Graeco-Egyptian magical papyri by the name Isenephthys or Isis-Nephthys.

And so, in this time of perfect balance, I dance between the equal poles of night and day, teetering on the scales of Libra, and I honor the Two Ladies.

Blessed be the Ladies. Amma, Isenephthys.

Nuet, the Secret One

The Milky Way arching through the night sky; Nuet, the Secret One

While I have no declared priestesshood for Nuet, She draws me. A lot. In fact, almost anytime I do spiritual work with Her, I am overawed by Her Eternity, Her Depth, Her Beauty, and I want to lose myself in Her.

Nuet is the mother of Isis. And She is also the One Who Bears All the Gods and Goddesses, and so She is called the Mistress of All. She is the Splendid and Mighty One in the House of Her Creation. She is the Great One in Heaven and the “indestructible stars” (that is, the circumpolar stars that are always visible) are said to be in Her.

The Sky Goddess Nuet, full of stars, swallowing the Sun (my image, too, whoohoo!)

She embraces the deceased “in Her name of Sarcophagus” and “in Her name of Tomb.” She is the Mistress of the Duat (the Otherworld). She is the Glowing One (as the Milky Way) and in Her we are joined to our stars, Becoming divine. She is the one Who gives birth to us and Who welcomes us back into Her starry body at our deaths. She is Heaven and She is the Otherworld. She is the one Who is “Amid the Iset Temple in Denderah” for She is over Her daughter Isis and Her daughter is both in and of Her.

A most beautiful Nuet

As Nuet gives birth every day, She is the quintessential Mother Goddess. She births the Sun God Re each day and receives him back into Her body, by swallowing Him, each night. She also gives birth to Him yearly at the winter solstice. A cycle within a cycle within the Mother.

The decan stars, by which the ancient Egyptians kept time throughout the night, rise and set within Her heavenly body and so She is also a keeper and regulator of time. In one instance of what Egyptologists refer to as a “shadow clock,” the Hours of the Night are counted off in relation to where the sun is on/in Nuet’s body: First Hour, “hand,” Second Hour, “lip.” Third Hour, “tooth,” Fourth Hour, “throat,” and so on.

Nuet on the interior of a coffin, facing the deceased

Most ancient Egyptian painted representations of Deities show Them in profile. Yet there are a few Who come to us face-forward. The Great Goddess Hathor is famously depicted that way, as is Bes, the God Who is a protector of households, children, and mothers. Interestingly, we also find Nuet shown in this way. Like Hathor, She is a Mother Goddess and like Bes, She is a mighty protectress.

We often find Her on the inside of a coffin, stretched out over the deceased person like the sky, positioned face-to-face with them. This face-forward, face-to-face position is particularly intimate, particularly appropriate for the close relationship with a mother…or a Mother Goddess. Yet facing forward is also a protective stance. We see some of these face-forward Deities holding dangerous beasties (scorpions, snakes, crocodiles) harmlessly in Their hands, demonstrating how They can protect us from real as well as metaphorical beasties. Isis’ son, Horus the Child or Harpokrates, is often shown in this way on what are known as Cippi of Horus.

Nuet has another interesting epithet that is found in the Otherworld books known as The Book of Caverns and the Book of the Earth. Just like the more-famous Book of the Dead, these are magical texts to assist the dead in the Otherworld.

The Secret One with serpents, crocodiles, sun disk, and ram in Her hands facing Geb/Re/Osiris

In these books, there is an important Goddess known as the Secret One, the Shetait. Egyptologists generally believe that this is an epithet of Nuet. As the Secret One, Nuet can be seen, not face-forward, but standing between serpents and crocodiles that She has tamed on behalf of the Sun God (and thus the deceased). Her power over them is in the form of heat or fire. They “stay in their place due to the fire, the heat which is in this Goddess,” says the Book of the Earth. The Book of Caverns says that the Goddess “is secret of form, being in their darkness as a flame to which the gods cannot ascend.” She is thus a fiery Light in the Darkness, a flame that protects and illuminates.

And now, back from Egypt, I’m excited to have my very own photos of the illustration above. You should have heard me squeal when I recognized it in the tomb! Here it is:

The Secret One and Geb
A closer image of Himself
A closer image of Herself

The Secret One holds in Her hands a sun disk and, in this case, a ram-headed God, or sometimes a ba-bird. Either represents the Sun God, Who is in the process of being regenerated and reborn. Thus, the Secret One holds this process in Her hands.

The Book of Caverns tells us that the Secret One’s head is in the upper Duat while Her feet are in the lower Duat. The Sun God travels upon Her arms, but at the same time is hidden by Her from the Gods, the akhu (the transfigured, light-filled, potent spirits), and the dead. The process of rebirth is delicate and must be hidden until the proper time. In the Book of the Earth, it is said that “the Double Ba, He travels Her body.” The Double Ba is the conjunction of Re and Osiris—something that must also happen in the Duat in order for the sun to be reborn.

In Her Name of Sarcophagus, Nuet spreads Herself out over the deceased and then She is called Shet Pet. Shet Pet is a common epithet of Nuet’s and means “Coverer of the Sky.” With a little bit of the word play for which the ancient Egyptians were so well known, this epithet can also be interpreted as the Secrecy of the Sky (Sheta Pet) reinforcing Nuet’s identification as the Secret One.

The sun disk about to enter the Secret Place and the Secret One

With Her doubled snakes and containing the Double Ba, Nuet can also split Herself in two and become manifest as Her two daughters, Isis and Nephthys. Just as Nuet unites the east and west with the arch or Her body across the sky, so Her daughters form a unity as They position Themselves to the right and left of Osiris or They are to be found framing either side of one of the illustrated scenes in the Otherworld books.

The Secret One is, for me, a particularly potent epithet of the Goddess. It tastes of Her Mystery, the great Mystery of Life and Death and Rebirth. It speaks of Her Eternity. It breaths forth Her Depth and Her Power.

Iset Demdjet, Isis the Bone Collector

Bone Woman, Crone Woman by Joan Riise. Find her work here.

We know quite a lot about the history of the Great Goddess Isis. For instance, we know that She was already important by the time of the Pyramid Texts (Old Kingdom, 5th-6th dynasties). We know fairly clearly how Her worship spread throughout Egypt. We know how She came into Nubia and the Mediterranean. And we know how She went underground with the rise of Christianity in the Mediterranean and the West…staying alive in the magical traditions. Today there are few who do not at least know Her name.

Yet, what we don’t know for certain is where Her worship originated. So far, it is one of Her Mysteries.

Oh, there are theories. The one I am most seeing lately is that She is originally from some small city in the Egyptian delta of Lower Egypt. But strangely, no town in ancient Egypt, Upper or Lower, claimed to be Her “birthplace.” Since She became Egypt’s most famous Goddess, you would think someone would claim Her as their own.

The Egyptian delta. The arrow points to the location of Isiopolis. You can see Heliopolis above Cairo (Caire).

Others attribute Upper Egyptian origins to Her, especially given Her important Upper Egyptian temple at Philae (now on Agilkia island). However, the oldest evidence we have of Isis worship on Philae is from the 26th dynasty.

On the other hand, the consensus of researchers today is that what would become ancient Egypt was first populated by Paleolithic people moving from south to north. So if proto-Isis was already known to these people, perhaps She did come from what would eventually be Upper Egypt. And Abydos, an important Osirian cult center, is in Upper Egypt.

On the other, other hand, Isis and Osiris are incorporated into the Heliopolitan myth cycle. And Heliopolis is about 20 miles north of Cairo and in the delta. What’s more, there was another famous Isis temple right there in the middle of the delta at Isiopolis. We may eventually find that it (or its predecessor on the site) is, in fact, the oldest temple of Isis. (Yes, of course, I asked Her. She told me, “delta.” But that is decidedly UPG, “unverified personal gnosis.”)

Some very pretty skulls and bones from an Egyptian tomb

I recently came across a paper by Dr. Kelly-Anne Diamond, an Egyptologist serving as Visiting Assistant Professor in the History Department at Villanova University, that makes a new and interesting contribution to the possible origins of Isis. She focuses in on the title of a female funerary ritualist. The title is “demdjet” and the demdjet can appear as a human ritualist, but also sometimes as a Divine ritualist. We find her—very infrequently—from the Old Kingdom to the New. Egyptologists used to group this particular ritualist under the general category of “mourning women,” but it appears the demdjet or Demdjet may have had a more specific function.

The root of the word has to do with collecting or assembling. And since the title is a feminine active participle, the title demdjet is “she who collects or assembles.” If you’re at all familiar with the ancient Egyptian funerary texts, you may recall that there is quite a lot of emphasis on making sure the deceased have all their bones, bits, limbs, heads, etc. collected or assembled for them as well as ensuring none of those things are disassembled or lost. Since Isis is the collector of bits and pieces par excellence—at least when it comes to Osiris (and thus the deceased)—Diamond suggests that this ritual role may play a part in Isis’ origins.

The demdjet (top) and the kenut (bottom) offering nu pots

One of the Pyramid Texts (PT 2283) refers to a Demdjet Vulture. It says, “Osiris Neith, accept Horus’ Eye, which Seth hid—THE HIDDEN VULTURE, which he joined—THE JOINED [Demdjet] VULTURE…” This Demdjet Vulture is involved with stretching or spreading something. We cannot say whether the Demdjet Vulture is supposed to be Isis, but at least we may have an early attestation of a Divine Demdjet. Of course, Isis can take vulture form, but it is not Her most common bird form. Yet, as a winged Goddess, She is often shown stretching or spreading Her wings over the deceased.

We also find the Demdjet in the pyramid temple of Senwosret III where She gives life and protection. From the Middle Kingdom, there are demdjets in the papyrus Ramesseum E. Some scholars think that the contents of that papyrus may date back to the 3rd dynasty (there are archaisms in the text). If true, it would be the oldest mention of a demdjet.

In this papyrus, we learn that the demdjets are present throughout the funerary rites. At some point, the demdjets move simultaneously, perhaps in ritual motion or dance. They are there when the deceased is summoned to revivification. And they have speaking parts. In the New Kingdom, we have several more instances of demdjets. They are shown as two kneeling women with nu water pots and they are watering “the desert necropolis.” In one case, one woman is labeled menkenu and one demdjet. (Alan Gardiner suggests menkenu is a title of Isis, while demdjet is a title of Nephthys.) In another case, one is called demdjet and one is called kenut (menkenu and kenut may be different versions of the same title).

Same offering, different labels: The Great Kite and the Lesser Kite

But here’s where it gets more interesting for Isiacs. In the last New Kingdom example (tomb of Paheri, if you must know), we find the same scene—women kneeling with nu pots, dressed in the same way—but this time, They are labeled Djeret Weret (Great Kite) and Djeret Nedjeset (Lesser Kite). In this time period, we know Who the Great Kite and the Lesser Kite are; They are Isis and Nephthys. So, the women depicted may be human ritualists portraying the Goddesses, which we know was done in Egyptian ritual. In additional—but very damaged—scenes in two of these tombs, we see the demdjet no longer kneeling, but standing with her/Her right arm raised, elbow bent, and fist clenched while her/Her left clenched fist is placed at her/Her chest. It reminds me of the henu gesture, but standing.

The henu gesture

She is labeled Djeret Weret Demdjet, the Great Kite Demdjet. The gesture s/She makes is thought to be associated with transfiguration, the recitation of holy words, and glorifications for the dead.

In the Book of the Amduat, a Goddess named Demdjet appears in the 7th and 8th Hours of the Night where She helps protect Re and the Sun Barque as it journeys through the Otherworld. In the 7th Hour, She is with three other Goddesses: She Who Cuts, She Who Punishes, and She Who Annihilates. In the 8th Hour, Demdjet is with three other mummiform Goddesses: She Who Veils, She Who Decorates (?), and the Dark One. Interestingly, the 7th Hour is the same Hour in which Isis and the Elder Magician work Their powerful magic to subdue Apophis. So in this case, with Isis in Her Great of Magic form, it seems to me it would be a bit of a stretch to consider this Demdjet, a minor Hours Goddess, to be a form of Isis.

The Djeret Weret Demdjet making a gesture of transfiguration; we can see the feet of (probably) another demdjet (the Djeret Nedjeset Demdjet?) above this one, but this part of the tomb is damaged.

Nevertheless, with its core meaning of She Who Collects, Assembles, and Puts Together, we can find in the Demdjet an important harmony with one aspect of Great Isis: She Who searches, finds, reassembles, and gives new life to Osiris.

Some researchers have suggested that there may have been a very early Egyptian funerary custom in which important dead persons were disarticulated and then put back together for rejuvenation. It’s a highly controversial topic, but if so, perhaps the original Demdjet may have been the female ritualist who did this reassembly. Perhaps she was serving as a priestess of the Great Renewing Mother. And perhaps, just perhaps, this Great Mother Regeneratrix was the Demdjet Weret—(proto) Iset Demdjet—She Who collects our bones for us that we may be made whole in preparation for our rebirth.

Nuet, the Secret One

The Milky Way arching through the night sky; Nuet, the Secret One

While I have no declared priestesshood for Nuet, She draws me. A lot. In fact, almost anytime I do spiritual work with Her, I am overawed by Her Eternity, Her Depth, Her Beauty, and I want to lose myself in Her.

Nuet is the mother of Isis. And She is also the One Who Bears All the Gods and Goddesses, and so She is called the Mistress of All. She is the Splendid and Mighty One in the House of Her Creation. She is the Great One in Heaven and the “indestructible stars” (that is, the circumpolar stars that are always visible) are said to be in Her.

The Sky Goddess Nuet, full of stars

She embraces the deceased “in Her name of Sarcophagus” and “in Her name of Tomb.” She is the Mistress of the Duat (the Otherworld). She is the Glowing One (as the Milky Way) and in Her we are joined to our stars, Becoming divine. She is the one Who gives birth to us and Who welcomes us back into Her starry body at our deaths. She is Heaven and She is the Otherworld. She is the one Who is “Amid the Iset Temple in Denderah” for She is over Her daughter Isis and Her daughter is both in and of Her.

A most beautiful Nuet

As Nuet gives birth every day, She is the quintessential Mother Goddess. She births the Sun God Re each day and receives him back into Her body, by swallowing Him, each night. She also gives birth to Him yearly at the winter solstice. A cycle within a cycle within the Mother.

The decan stars, by which the ancient Egyptians kept time throughout the night, rise and set within Her heavenly body and so She is also a keeper and regulator of time. In one instance of what Egyptologists refer to as a “shadow clock,” the Hours of the Night are counted off in relation to where the sun is on/in Nuet’s body: First Hour, “hand,” Second Hour, “lip.” Third Hour, “tooth,” Fourth Hour, “throat,” and so on.

Nuet on the interior of a coffin, facing the deceased

Most ancient Egyptian painted representations of Deities show Them in profile. Yet there are a few Who come to us face-forward. The Great Goddess Hathor is famously depicted that way, as is Bes, the God Who is a protector of households, children, and mothers. Interestingly, we also find Nuet shown in this way. Like Hathor, She is a Mother Goddess and like Bes, She is a mighty protectress.

We often find Her on the inside of a coffin, stretched out over the deceased person like the sky, positioned face-to-face with them. This face-forward, face-to-face position is particularly intimate, particularly appropriate for the close relationship with a mother…or a Mother Goddess. Yet facing forward is also a protective stance. We see some of these face-forward Deities holding dangerous beasties (scorpions, snakes, crocodiles) harmlessly in Their hands, demonstrating how They can protect us from real as well as metaphorical beasties. Isis’ son, Horus the Child or Harpokrates, is often shown in this way on what are known as Cippi of Horus.

Nuet has another interesting epithet that is found in the Otherworld books known as The Book of Caverns and the Book of the Earth. Just like the more-famous Book of the Dead, these are magical texts to assist the dead in the Otherworld.

The Secret One with serpents, crocodiles, sun disk, and ram in Her hands facing Geb/Re/Osiris

In these books, there is an important Goddess known as the Secret One, the Shetait. Egyptologists generally believe that this is an epithet of Nuet. As the Secret One, Nuet can be seen, not face-forward, but standing between serpents and crocodiles that She has tamed on behalf of the Sun God (and thus the deceased). Her power over them is in the form of heat or fire. They “stay in their place due to the fire, the heat which is in this Goddess,” says the Book of the Earth. The Book of Caverns says that the Goddess “is secret of form, being in their darkness as a flame to which the gods cannot ascend.” She is thus a fiery Light in the Darkness, a flame that protects and illuminates.

The Secret One holds in Her hands a sun disk and a ram or sometimes a ba-bird, both representing the Sun God, Who is in the process of being regenerated and reborn. The Secret One holds this process in Her hands.

The Book of Caverns tells us that the Secret One’s head is in the upper Duat while Her feet are in the lower Duat. The Sun God travels upon Her arms, but at the same time is hidden by Her from the Gods, the akhu (the transfigured, light-filled, effective spirits), and the dead. The process of rebirth is delicate and must be hidden until the proper time. In the Book of the Earth, it is said that “the double ba, he travels Her body.” The double ba is Re when He is joined with Osiris, something that must also happen in the Otherworld in order for the sun to be reborn.

The sun disk about to enter the Secret Place and the Secret One

In Her Name of Sarcophagus, Nuet spreads Herself out over the deceased and is called Shet Pet. Shet Pet is a common epithet of Hers and means “Coverer of the Sky.” With a little bit of the word play for which the ancient Egyptians were so well known, this epithet can also be interpreted as the Secrecy of the Sky (Sheta Pet) reinforcing Nuet’s identification as the Secret One.

With Her doubled snakes and doubled bas, Nuet can also split Herself in two and become manifest as Her two daughters, Isis and Nephthys. Just as Nuet unites the east and west with the arch or Her body across the sky, so Her daughters form a unity as They position Themselves to the right and left of Osiris or They are to be found framing either side of one of the illustrated scenes in the Otherworld books.

The Secret One is, for me, a particularly potent epithet of the Goddess. It tastes of Her Mystery, the great Mystery of Life and Death and Rebirth. It speaks of Her Eternity. It breaths Her Depth and Her Power.

Iset Demdjet, the Bone Collector

Bone Woman, Crone Woman by Joan Riise. Find her work here.

We know quite a lot about the history of the Great Goddess Isis. For instance, we know that She was already important by the time of the Pyramid Texts (Old Kingdom, 5th-6th dynasties). We know fairly clearly how Her worship spread throughout Egypt. We know how She came into Nubia and the Mediterranean. And we know how She went underground with the rise of Christianity in the Mediterranean and the West…staying alive in the magical traditions. Today there are few who do not at least know Her name.

Yet, what we don’t know for certain is where Her worship originated. So far, it is one of Her Mysteries.

Oh, there are theories. The one I am most seeing lately is that She is originally from some small city in the Egyptian delta of Lower Egypt. But I’ve haven’t seen the arguments to back that up. And strangely, no town in ancient Egypt, Upper or Lower, claimed to be Her “birthplace.” Since She became Egypt’s most famous Goddess, you would think someone would claim Her as their own.

The Egyptian delta. The arrow points to the location of Isiopolis. You can see Heliopolis above Cairo (Caire).

Others attribute Upper Egyptian origins to Her, especially given Her important Upper Egyptian temple at Philae (now on Agilkia island). However, the oldest evidence we have of Isis worship on Philae is from the 26th dynasty.

On the other hand, the consensus of researchers today is that what would become ancient Egypt was first populated by Paleolithic people moving from south to north. So if proto-Isis was already known to these people, perhaps She did come from what would eventually be Upper Egypt. And Abydos, an important Osirian cult center, is in Upper Egypt.

On the other, other hand, Isis and Osiris are incorporated into the Heliopolitan myth cycle. And Heliopolis is about 20 miles north of Cairo and in the delta. What’s more, there was another famous Isis temple right there in the middle of the delta at Isiopolis. We may eventually find that it (or its predecessor on the site) is, in fact, the oldest temple of Isis. (Yes, of course, I asked Her. She told me, “delta.” But that is decidedly UPG, “unverified personal gnosis.”)

Some very pretty skulls and bones from an Egyptian tomb

I recently came across a paper by Dr. Kelly-Anne Diamond, an Egyptologist currently serving as Visiting Assistant Professor in the History Department at Villanova University, that makes a new and interesting contribution to the possible origins of Isis. She focuses in on the title of a female funerary ritualist. The title is “demdjet” and she can appear as a human ritualist, but also sometimes as a Divine ritualist. We find her—very infrequently—from the Old Kingdom to the New. Egyptologists used to group this ritualist under the general category of “mourning women,” but it appears the demdjet or Demdjet may have had a more specific function.

The root of the word has to do with collecting or assembling. And since the title is a feminine active participle, the title demdjet is “she who collects or assembles.” If you’re at all familiar with the ancient Egyptian funerary texts, you may recall that there is quite a lot of emphasis on making sure the deceased have all their bones, bits, limbs, heads, etc. collected or assembled for them as well as ensuring none of those things are disassembled or lost. Since Isis is the collector of bits and pieces par excellence, at least when it comes to Osiris (and the deceased), Diamond suggests that this ritual role may play a part in Isis’ origins.

The demdjet (top) and the kenut (bottom) offering nu pots

One of the Pyramid Texts (PT 2283) refers to a Demdjet Vulture. It says, “Osiris Neith, accept Horus’ Eye, which Seth hid—THE HIDDEN VULTURE, which he joined—THE JOINED [Demdjet] VULTURE…” This Demdjet Vulture is involved with stretching or spreading something. We cannot say whether the Demdjet Vulture is supposed to be Isis, but at least we may have an early attestation of a Divine Demdjet. Of course, Isis can take vulture form, but it is not Her most common bird form.

We also find the Demdjet in the pyramid temple of Senwosret III where She gives life and protection. From the Middle Kingdom, there are demdjets in the papyrus Ramesseum E. Some scholars think that the contents of that papyrus may date back to the 3rd dynasty (there are archaisms in the text). If true, it would be the oldest mention of a demdjet.

In this papyrus, we learn that the demdjets are present throughout the funerary rites. At some point, the demdjets move simultaneously, perhaps in ritual motion or dance. They are there when the deceased is summoned to revivification. And they have speaking parts. In the New Kingdom, we have several more instances of demdjets. They are shown as two kneeling women with nu water pots and they are watering “the desert necropolis.” In one case, one woman is labeled menkenu and one demdjet. (Alan Gardiner suggests menkenu is a title of Isis, while demdjet is a title of Nephthys.) In another case, one is called demdjet and one is called kenut (menkenu and kenut may be different versions of the same title).

Same offering, different labels: The Great Kite and the Lesser Kite

But here’s where it gets more interesting for Isiacs. In the last New Kingdom example (tomb of Paheri, if you must know), we find the same scene—women kneeling with nu pots, dressed in the same way—but this time, They are labeled Djeret Weret (Great Kite) and Djeret Nedjeset (Lesser Kite). In this time period, we know Who the Great Kite and the Lesser Kite are; They are Isis and Nephthys. So, the women depicted may be human ritualists portraying the Goddesses, which we know was done in Egyptian ritual. In additional, but very damaged, scenes in two of these tombs, we see the demdjet no longer kneeling, but standing with her/Her right arm raised, elbow bent, and fist clenched while her/Her left clenched fist is placed at her/Her chest. It reminds me of the henu gesture, but standing.

The henu gesture

She is labeled Djeret Weret Demdjet, the Great Kite Demdjet. The gesture s/She makes is thought to be associated with transfiguration, the recitation of holy words, and glorifications for the dead.

In the Book of the Amduat, a Goddess named Demdjet appears in the 7th and 8th Hours of the Night where She helps protect Re and the Sun Barque as it journeys through the Otherworld. In the 7th Hour, She is with three other Goddesses: She Who Cuts, She Who Punishes, and She Who Annihilates. In the 8th Hour, Demdjet is with three other mummiform Goddesses: She Who Veils, She Who Decorates (?), and the Dark One. Interestingly, the 7th Hour is the same Hour in which Isis and the Elder Magician work Their powerful magic to subdue Apophis. So in this case, with Isis in Her Great of Magic form, it seems to me it would be a bit of a stretch to consider this Demdjet, a minor Hours Goddess, to be a form of Isis.

The Djeret Weret Demdjet making a gesture of transfiguration; we can see the feet of (probably) another demdjet (the Djeret Nedjeset Demdjet?) above this one, but this part of the tomb is damaged

Nevertheless, with its core meaning of She Who Collects, Assembles, and Puts Together, we can find in the Demdjet an important harmony with one aspect of Great Isis: She Who searches, finds, reassembles, and gives new life to Osiris.

Some researchers have suggested that there may have been a very early Egyptian funerary custom in which important dead persons were disarticulated and then put back together for rejuvenation. It’s a highly controversial topic, but if so, perhaps the original Demdjet may have been the female ritualist who did this reassembly. Perhaps she was serving as a priestess of the Great Renewing Mother. And perhaps, just perhaps, this Great Mother Regeneratrix was the Demdjet Weret—(proto) Iset Demdjet—She Who collects our bones for us that we may be made whole in preparation for our rebirth.