Category Archives: Ancient Egypt

Isis Outside of Egypt

A statue of Isis from a private sanctuary of the Egyptian Gods near Marathon, Greece built by a Roman statesman.

How many of us were Egyptophiles from very early on in our lives, even as children? That’s true of me. You, too?

The power of ancient Egypt is magnetic, irresistible. And our Goddess Isis is perhaps THE most well known—and for some of us, most magnetic and irresistible—of the representatives of Her ancient homeland.

We are not alone in our attraction to Egypt and to Isis. We’re not alone today, and we’re not alone historically. Fascination with Egypt and devotion to Isis spread far beyond the borders of ancient Egypt. In the beginning, Isis was a local Deity. Eventually, Her worship and that of Osiris spread throughout much of Egypt. By the 5th century BCE, the Greek historian Herodotus said Theirs was the only pan-Egyptian worship. (This isn’t so, but it shows how widely their worship had spread within Egypt.)

Isis from a temple in Macedonia, 2nd century BCE

Even during archaic times (as early as 800 BCE), we see traces of devotion, such as inscriptions or votive images, outside of Egypt. By the 4th century BCE, Isis and Her family were adopted into Nubia to the south of Egypt and Greece to the north. Then, from the beginning of Ptolemaic rule in Egypt (305-30 BCE) through the Roman Empire, devotion to Isis spread very quickly.

Due to some ancient documents we still have, we can know that the first temple of Isis was built in Greece, in the Piraeus, Athens’ port city, by the late 4th century BCE. I found an article detailing how that may have come about.

The first thing we hear of it is in a legal document that the folks who had received said document had carved in stone and set up in the Piraeus. They wanted to make sure there would be no mistake that they had proper permission. The people who had it carved were from Cyprus and they had gained permission to set up an Aphrodite sanctuary. The interesting thing for Isiacs is that they had done it on the precedent of Egyptians having built a sanctuary of Isis in the same area. The document is dated to 333/2 BCE. So this means that the formal worship of Isis was established in the Athens area sometime before 333/2 BCE. On the Greek holy island of Delos, sometime about this same period, an altar dedicated to Isis is the oldest of the inscriptions related to the Egyptian Deities.

A priestess of Isis of the period — Funerary relief of Sosiba in the dress of Isis, from Attica

The person who had proposed that Athens grant this permission to the Cyrians was a guy named Lycurgus who was in charge of Athenian finances, and so was quite powerful. At least one scholar has suggested that he had something of a personal interest in the previous Isian sanctuary. His grandfather, also named Lycurgus, may have been the one who proposed that the Egyptians be allowed to build their sanctuary. If it was Lycurgus senior who was connected with the Egyptians and their sanctuary, then that would put the establishment of an Isis temple at Athens about the late 5th century BCE.

However, getting foreign sanctuaries built was not an easy thing. And in fact, Lycurgus senior was thoroughly mocked for his promotion of the Egyptian Deities. He was nicknamed “Ibis” in Aristophanes’ comedy, The Birds. An ancient scribe commenting on this nickname opined that he was called that either because he was Egyptian by birth or due to “his Egyptian ways.” A fragment from another comedian pictured Lycurgus wearing a kalasiris, the long, form-fitting sheath dress of an Egyptian woman. Yet another suggests that Lycurgus might be carrying messages home to “his fellow countrymen” in Egypt.

A reproduction of a sacred image of Isis from the private sanctuary near Marathon that is on site today

Most scholars are pretty sure Lycurgus senior wasn’t Egyptian—and are certain that he was an Athenian citizen—but it seems that he may have indeed been an Egyptophile. What we don’t know for certain is whether Lycurgus the younger was actually the grandson of Lycurgus the Ibis. So there may be no connection at all and the names merely coincidental. The author of the article I’m reading suggests that grants to both to the Isis and Aphrodite devotees may have been more political than religious. Athens had suffered some defeats during this time period. The author suggests that Lycurgus the younger was welcoming sanctuaries from other areas so that he could help build up Athens’ trade and thus its economic power. So it’s always money.

While it may have been money for Lycurgus the financial administrator, it wasn’t just money for other Isis-interested people in the Mediterranean. For instance, we see more Greek parents giving their children names that included Hers at about these same times. Scholars generally agree that when we see an upswing in what are known as theophoric names (“Deity-Bearing” names; for instance, “Isidora” is a theophoric name), we are witnessing an increase in the Deity’s popularity as well. In Greece, we see a few Isis-bearing names in the 3rd century BCE, many in the 2nd century BCE, then an absolute explosion of Isis names from the 1st century BCE through the Roman Imperial period.

Perhaps even more interesting is that people may have taken names that included Hers as a sign of their devotion. This is not so different today. My own theophoric name is a taken name that I legally changed to permanently connect me with Her. And I know I’m not the only one.

Grave stele of Mousa, daughter of Dionysios, dressed as an Isiac

Isis may have been especially important in Miletus, an ancient Greek city in what is now Turkey. There are five women, known from their funerary reliefs, who all bore the name Isias (or Eisias) and had come to Athens from Miletus. Some scholars have suggested that these women may have been former slaves who were freed in the name of Isis and therefore took the name of their deliverer. Others have suggested that they were initiates of Isis who took Her name—or that they may have been both.

Funerary relief of Alexandra in Isis dress, from Roman-era Athens

The five Isis-named women were shown on their grave reliefs in the famous “dress of Isis,” that is, the fringed mantle with Isis knot, and holding the sistrum and situla. But theirs were not the only examples. In fact, we know of 108 such Attic reliefs of women and some men with Isis attributes; the women wear the Isis-knotted dress, while the men hold the sistrum and situla. During the Roman period in Athens, this number makes up one-third of all the known (and published) grave reliefs. If that number reflects true percentages rather than just chance, that’s an awful lot of Isiacs.

In addition to the possibility that these Isis-accoutered people were initiates of Isis, it has also been suggested that they may have either been priest/esses, had a priest/essly function, or may simply have been especially enthusiastic devotees; for example, volunteers who helped maintain the sanctuaries and participated in the rites.

Or they may have been members of religious associations that were connected with the sanctuaries and served both a religious and social function. We know of one such group in particular that was connected to one of the Isis-Sarapis sanctuaries on Delos. It seems likely that enthusiasts would be members, or even founders, of such associations.

People could also stay for a time at the temples. In Apuleius’ tale of initiation into Isis’ Mysteries, prior to deciding to be initiated, his character Lucius simply spends time in Isis’ sanctuary:

I took a room in the temple precincts, and set up house there, and though serving the Goddess as layman only, as yet, I was a constant companion of the priests and a loyal devotee of the Great Deity.
Apuleius, the Golden Ass, Book XI, 19

I wish he had described what specific things he, as a layperson, was allowed to do to serve the Goddess. He does describe, in part, the morning rites to which the public seems to have been welcomed:

I waited for the doors of the shrine to open. The bright white sanctuary curtains were drawn, and we prayed to the august face of the Goddess, as a priest made his ritual rounds of the temple altars, praying and sprinkling water in libation from a chalice filled from a spring within the walls. When the service was finally complete, at the first hour of the day, just as the worshipers with loud cries were greeting the dawn light…
Apuleius, the Golden Ass, Book XI, 20

A Hellenistic bracelet with two busts of Isis, made in Egypt

From the evidence we have from Greek Isis sanctuaries, it seems that the Greeks used priest/essly titles they were familiar with, but with adaptations to fit Isis’ mythos. We have records of a hiereus, a priest, a stolistes, one who adorns the sacred image of Isis, a zakoros, an attendant, a kleidouchos, a key bearer, and a melanophoros, a bearer (or wearer) of the black garments—Isis’ black garments of mourning. We can expect that Isis received offerings of food and drink, as did native Greek Deities.

We have mentions from several Roman writers about devotions to Isis. The poets Propertius and Tibullus complain of the period of sexual abstinence their mistresses undertook for Isis. Ovid writes of the crowds of penitents at the temple of Isis. Tibullus also mentions a ritual called votivas reddere voces in which devotees could join in the singing of the virtues (aretai) of Isis in front of Her temple twice a day. (I wonder if they used any of the aretalogies of Isis we know of.)

A Renaissance statue of Isis by the sculptor Andrea Bregno, in the style of ancient Rome

Interestingly, when Isis comes to Rome, Her Roman worshipers seemed to have tried to make Her worship more “Egyptian” than did Her Greek worshipers. For instance, Roman Isis temples celebrated the rising of Sothis. They added back Egyptian symbols, such as the divine animals: crocodile, baboon, and canine. We see the development of lifelong priesthoods, something done in Egypt, but not done in Greece. Some Roman emperors may have especially appreciated the Egyptian relationship between Isis the Throne and the pharaoh. And it is in Italy that we first see priestesses of Isis rather than just priests.

For modern devotees, knowing the ways in which our spiritual ancestors—whether in Her homeland of Egypt or outside of its borders— honored Isis can inspire us in developing our own ways to honor Her. Whether we make offerings of food upon Her altar, pour libations of milk and wine, or sing of Her virtues before our shrines, we honor the Goddess Who fills our hearts and we connect with those who have gone before us.

The Mother of Isis

While Isis is Herself a Mother Goddess, She also has a Divine Mother. Isis’ mother is Nuet (Nut, Nuit), the Great Egyptian Sky Goddess.

I am not Nuet’s priestess, but O, the Secret One draws me. I am awed by Her Eternity, Her Depth, Her Beauty, and I want to lose myself in Her. And right now, on this Mother’s Day in the US, in the northern hemisphere, Our Lady Isis is Herself lost within the beautiful body of Her mother Nuet.

Right now, the star of Isis, Sirius, is hidden. Here in Portland, Oregon, She will not be seen again until pre-dawn in late August. Astronomically, that’s because the star is in conjunction with the sun. As the sun rises, its greater light makes the light of Sirius invisible to us. By late August, Sirius and the sun will move further away from each other so that, just before dawn, we can once more see the brilliance of the star in the twilight sky.

But that’s just astronomically. Mythically, Isis sojourns within the body of Her powerful mother Nuet. She Who is called the Mistress of All and the One Who bears the Gods and Goddesses. She is the Splendid and Mighty One in the House of Her Creation. She is the Great One in Heaven and the “indestructible stars” (that is, the circumpolar stars that are always visible) are said to be in Her.

Nuet embraces the deceased king and each of us “in Her name of Sarcophagus” and “in Her name of Tomb.” She is the Mistress of the Secret Duat (the Otherworld). She is the Glowing One (perhaps as the Milky Way) and in Her we are joined to our stars, Becoming Divine. She is the one Who gives birth to us and Who welcomes us back into Her starry body at our deaths. She is Heaven and She is the Otherworld. She gives birth to the Sun God Re each day and receives him back into Her body, by swallowing, each night. She is the one Who is “Amid the Iset Temple in Dendera” for She is over Her daughter and Her daughter is in Her.

Goddess Nuet overarches all things — Nuet, the Circle of Eternity, encompassing All

But now, while Isis is in Her mother’s womb, She is also in the Underworld for Nuet is the Lady of the Duat and Her body is both the Heavens and the Underworld. So now in the rising heat of the year, our Goddess is in the cool depths of Eternity. Perhaps this is the time for us, as Her devotees, to enter the Otherworld as well.

The Star of Isis — Sopdet (Sirius), the Star of Isis

We usually think of symbolically going into the Underworld during the endarkening time of the year rather than the enlightening. Yet now, with the rising of the light until summer solstice, it may be a particularly safe time to take that Underworld journey, for now we have the support of Isis Who awaits us there.

If we have scary things to face in our own personal Underworlds, now is a more supportive time to do so. The light of dawn comes more quickly now and the sunlight of Isis the Radiant One is more readily available to us after we have faced those inner darknesses that we must face in order to grow.

This may also be a good time to explore our relationships with our mothers. A strong priestess of my acquaintance, who was serving as a Priestess of Nuet at a festival a while ago, told me an interesting thing about how she perceived the relationship between Nuet and Isis. It was her distinct impression that Nuet did not get along with Her daughter. Of course, in the human realm, this is far from an uncommon thing. Mothers and daughters (and mothers and all their children, for that matter) can have issues. Now, with the light of the coming summer and the help of the Goddesses available to us, might be a time to shed some light on those issues.

Sarcophagus lid with Nuet opening Her protective wings over the deceased

But even if we don’t have mom stresses, this can be a time to honor our mothers, both human and Divine—perhaps under a star-filled sky. Since my own mother has already been enfolded in the wings of Isis, I shall plan to honor my Divine Mother Nuet and Her Starry Daughter, Isis tonight, for we are forecast a clear and starry night.

Magical Images & Isis

A female image in ivory from the early predynastic period in Badari — A female image in hippopotamus ivory from the early predynastic period from Badari

As with so many things in Egyptology, there’s controversy surrounding the many female figurines that have been found throughout Egypt and spanning its long history.

These figurines take several forms. Some are standing females, usually nude with sexual characteristics emphasized (eyes, breasts, vulva). Some are abstracted into what have been called “paddle dolls”; more on them shortly. Some show a woman lying on a bed, often with a baby or child beside her. Others show a woman nursing a child.

The old gentlemen of early Egyptology initially guessed that the nude females and paddle dolls—some of them found in tombs—were “spirit concubines” for deceased Egyptian men. Because of course they did. However, the fact that they have been found in the tombs of women and children, too, throws a significant monkey wrench into that interpretation.

There’s also the more modern controversy about whether ancient female figurines should be interpreted as images of Goddesses or even as representations of an all-encompassing Mother Goddess. In opposition are those who regard the figures as devoid of divinity altogether and more likely to have been toys, ancestor figures, tools for sex instruction, or as mentioned above, the ever-popular post mortum concubines.

While the idea of a singular worldwide Goddess cult goes farther than strict interpretation of the evidence can take us (and, in fact, that is not what most proponents of the Goddess interpretation claim), the virulence of the opposition makes me question its objectivity as well. The truth is, we just don’t know. We have no ancient texts explaining these figures for us. Yet, at the very least, the ubiquity of the female figurines as well as their greater numbers in comparison to extant male figurines indicates a keen interest in the feminine by our ancient siblings.

Female figurines in Egypt

Another cache of these images that has received study come from the temple precinct of the Great Mother Mut. Of the small handful of votive images that include inscriptions, all are requests for children. In addition to temples and tombs, these figures have also been found in ancient homes and in domestic shrine settings.

19th dynasty image of a woman and child on a bed

Many modern Egyptologists have come to the consensus that the female figurines are symbols of fertility in its the broadest sense, which includes the ideas of general health and well-being, rebirth and regeneration—in addition to concerns with human reproduction.

There are some other interesting ideas as well. One that I hadn’t come across before is the idea that the paddle dolls are related to a specific type of royal and sacred musicians and dancers.

Paddle dolls

Paddle dolls are flat images with truncated arms, no legs, an emphasized vulva, decorative painting on the body, big hair—and sometimes no head, just a large mop of beaded hair. (See more on the magical importance of Isis’ hair here.) They were first called paddle dolls because of the flat, paddle-like body shape and dolls because they were thought to be toys; some even looked to the archeologists like they had been played with by a child. The largest number of paddle dolls have been excavated from the cemeteries around Thebes in Egypt.

In a paper on the subject, Ellen F. Morris follows a variety of interesting lines of evidence to conclude that the paddle dolls were meant to be representations of the khener-women. Members of the khener were once thought to be part of the pharaoh’s harim, but now are understood to have been skilled and respected musicians and dancers.

Married women and men could also be part of a khener. The khener could be connected to the royal household, to temples of the Deities, and to mortuary temples. When associated with the temples, it seems reasonable to think of them as priest/esses of music and dance.

The story of the birth of the three kings told in the Westcar Papyrus indicates that the women of the khener might also serve as midwives. In this tale, Isis, Nephthys, Heqet, Meshkhenet, and Khumn are specifically said to be disguised as a khener when They deliver the three children of Reddjedet. By the time of the New Kingdom, we know that a khener was part of the worship of Isis.

On several of the paddle dolls and on a number of examples of the female figurines, cross-shaped marks were found on the upper body. Some researchers have correlated these cross marks to similar cross marks seen on the bodies of partially nude female mourners in some New Kingdom tomb paintings. In some of these, two of the mourners are specifically identified as Isis and Nephthys. Scholars have theorized that the partial nudity may refer to Isis’ use of Her arousing sexuality to help bring Osiris back to life. This strengthens the argument that at least some of the female figurines were tools of resurrection, imbued with the arousing power of Isis. This ability of the nude or partially nude figures to induce (male, heterosexual) arousal may hold a key to the reason why they may be considered fertility figures. For potency—in life or after life—the male must be aroused and the female must arouse him.

A particularly beautiful 12th dynasty image from Thebes

Magical images

There are other possible uses for these figurines as well. Some researchers have suggested that they were purposely generic so that they could be assigned magical roles as need be. Healing seems to have been a common use. We have a ritual text that instructs the sufferer to recite a particular spell “over a woman’s statue of clay.” The spell, in the Leiden Papyrus (3rd century CE), is to cure a bellyache. Once the spell is spoken, the papyrus says that “the affliction will be sent down from him into the Isis-statue until he is healed.” (Would you like that in Egyptian? It is repyt Iset, “a female image of Isis.”)

We also find images of Isis used in relation to healing from snakebite. A spell in the Turin Papyrus (First Intermediate Period) instructs the ritualist to use “this clay of Isis that has come forth from under the armpit of Selket” to ward off a snake. In this case the spellworker is to enclose a knife and a particular herb within the clay. We can’t be completely sure whether the “clay of Isis” was in the form of Isis or used to form an image of the Goddess. Some scholars think that it likely was in the form of the Goddess and that the spell in full should read “this clay figure of Isis.”

A Ptolemaic beeswax image of one of the sons or Horus

In addition to clay, magic workers also used beeswax to form their magical images. Figurines made of beeswax are known from the magical papyri and, in specific relation to Isis, from Diodorus Siculus (1.21, 5-6). He says that the Goddess used wax to create multiple figures of Osiris, which She then gave into the keeping of priests throughout Egypt so that Osiris could be buried in locations throughout the land and thus to be widely honored.

A number of the female figurines we’ve found are broken. Originally this was thought to have been accidental. Now scholars are more inclined to think the state is purposeful. Why? Well, if they were being used in healing spells like the one in which the bellyache “went down into” the Isis statue, then to keep the bellyache from returning, it would be reasonable to break the image, permanently obliterating the bellyache with it. Modern magic workers often do the same sort of thing. Once the magic is accomplished, the talisman is dismantled, de-charged, or destroyed.

One of the books I’ve been reading on this conjectures that, given Her role in healing and protection, many of the generic female images may have been used specifically as Isis figures. The image “became” Isis with the recitation of the spell. The crude fashioning of many of the images is to be explained by the fact that, in many cases, they were intended to be disposable. Once broken and disposed, the images were no longer Isis, but simply a container for the affliction.

A copper image from the Middle Kingdom now in Berlin; an inscriptions identifies it as Isis nursing Horus — A copper image from the Middle Kingdom now in Berlin; an inscription identifies it as Isis nursing Horus

Images of the nursing woman

The female figure of a woman nursing an infant is easily seen as Isis nursing Horus. Stephanie Budin argues, however, that we should not understand this specifically as Isis and Horus until the late New Kingdom. Before that time, the image reflected a variety of Divine Wet Nurses nourishing the king.

She also discusses the fascinating idea that images such as the nursing woman—as well as the other female figurines we have been discussing—might have been used to intensify magic and prayers. She refers to them as “potency figures.” (This idea is also discussed by Elizabeth Waraksa, who has studied these images from the Mut temple.) In other words, the images were a kind of magical battery that empowered the ritual.

I like this idea very much. It’s also excellent magical practice. Modern priest/ess magicians would call it adding “correspondences” to the rite. Colors, stones, herbs, and symbols that relate to the ritual purpose can be used to help the magic worker “tune in” to the divine powers that can assist in accomplishing the magic of the rite. In the case of the nursing woman images, our ancient Egyptian might be tuning in to the nurturing or protective powers of Isis.

Budin also suggests that, alternatively, the nursing-woman images (for example, the one now in Berlin pictured above) may have been used as prayer intensifiers when honoring Isis and Horus. In this case, the image would serve as an offering as well as a magical battery.

All of these are interesting ideas and each makes sense in certain contexts. To me, it seems likely that the answer is “all of the above.” Egypt was an image-intensive society. The images were probably used in a wide variety of ways, some of which we may have deduced, some of which, as yet, we have not.

Isis & Hathor, Twins?

The partially restored Temple of Hathor on neo-Philae (Agilkia) island

On the island of Philae, east of the Temple of Isis, stands a smaller temple to Hathor. The Hathor temple was restored, at least in part, in 2012 and reopened to the public. (Both the Isis and Hathor temples, as well as the other temples of ancient Philae are now on the Egyptian island of Agilkia, aka Agilika, where they were moved prior to the building of the Aswan Dam, which created Lake Nasser and flooded Philae.)

A lovely Hathor head, from a processional boat, now in the British Museum

Compared to the Temple of Isis on Agilkia, the Temple of Hathor is quite small. Reciprocally and interestingly, at Denderah, Hathor’s great Ptolemaic temple complex, there is a similar small Temple of Isis. Clearly, there is a relationship between these two Great Goddesses; so much so that it was required that each Goddess would have a smaller temple near the great temple of the other.

In fact, sometimes that relationship between Isis and Hathor is so close that it’s hard to tell Them apart. Beginning in the New Kingdom, we regularly see Isis wearing the Horns & Disk crown of a Cow Goddess that is emblematic of Hathor. Sometimes Isis also has a small throne on top of the Horns & Disk to indicate that She is indeed Isis rather than Hathor, sometimes She doesn’t. But guess what? Hathor sometimes borrows Isis’ headdress, too.

Again at Denderah, we find a carving of Hathor—and the hieroglyphs confirm that She IS Hathor—wearing the Horns & Disk with the throne on top. It’s a bit hard to make out in this photo, but you can see the throne sitting atop the disk in Hathor’s crown.

Both Isis and Hathor are associated with Horus, Isis as His mother, Hathor sometimes as mother, sometimes as lover. Both are Cow Goddesses and Goddesses of the Sycamore, though Hathor probably has the prior claim on both these symbols. Both are Eyes of the Divine and holy Uraeus Serpents, powerful, fiery, protective and vengeful Goddesses. Thus both can become Sekhmet, that most fierce and bloodthirsty of Goddesses. Both Isis and Hathor are Goddesses of the Otherworld, Goddesses of rebirth and resurrection, Whom the dead ones adore.

Looking just as these correspondences, Isis and Hathor seem interchangeable. Is it so?

I don’t think so. Instead, They are sister branches of the Divine Tree. They are ultimately united in the Tree’s trunk, yet there is a quite palpable difference in the energy feeling of the two Goddesses—at least out in the twigs and leaves of the Tree where we most often experience Them. As you know, I have an enduring dedication to Isis, but in another part of my spiritual life, I also have a strong connection to Hathor.

A beautiful Hathor from Hatshepsut’s mortuary temple, by Steve F-E-Cameron (own work, public domain)

Hathor’s energy always has an underlying feeling of excitation, of arousal. It may be sexual, but it doesn’t have to be. Hathor imparts the excitement of living, and thus She is the Great Lady of Love, Joy, Drunkenness, and Dance. Her symbol par excellance is the sistrum, the sacred rattle that is shaken to stir things up. In Egyptian, to “play the sistrum” is iri sekhem, to “do power.” Hathor has something of the maenad in Her, if I may draw from a different cultural metaphor; She’s a bit more wild than Isis, more likely to roar or hiss or spit. O, but She will dance you to ecstasy; She will love you to ecstasy; She will sing you to ecstasy. Perhaps She will also put a bit of Divine terror into your belly while She’s doing it. But then She will turn Those Eyes upon you, those soft, bright, deep cow’s eyes, and She will soothe you, take you in, and make you understand that Love, only Love, is at the heart of the Divine reality.

Of course, Isis, too, inspires passion. She certainly inspires it in me. But that’s not the foundation of Her energy. At Isis’ heart is strength interwoven with the numinous power of magic. Hathor’s tingle is the excitement of life and love. Isis’ tingle is the excitement of magic, of heka. Hers is a deep, sometimes overwhelming, Intelligence; flowering in my mind like stars that blossom into the depths of Space and Time.

And yet, and yet. The Mystery of these two Great Goddesses is such that They can share many or even most of Their symbols, and have a share in each other’s power.

Blessed be the Ladies.

Offering to Isis: Fall EQ 2021

The festival starts this coming Friday. The weather forecast is perfection. The ritual cast is rehearsed. We are ready to go and can’t wait to see those of you who can make it. Still time to register!

The Pacific Northwest is ON for an Isis-themed Fall Equinox Festival (Sept. 24-26, 2021). This is not the same festival we were planning for 2020. That one was much more…involved…shall we say. This one is a gentle way of coming together once again as a community. So I’d like to share with you the write up for the festival, then I’ll repost something on Making Offering in the Egyptian way that will be related…

Frederick Arthur Bridgman, A Procession in Honor of Isis or An Egyptian Procession, 1902

Offering to Isis: A Fall Equinox Celebration of the Goddess and of Community

If you asked the ancient Egyptians, the act of Making Offering was one of the things that maintained Ma’et, that which is Right and True. Offering helped keep the world in balance. Making Offering is part of the great reciprocal flow between the Divine and the human. It is one of the most important ways we communicate with our Goddesses and Gods. It is hallowed by tradition. It is empowered by magic.

As we turn the wheel at this Fall Equinox, let us come together in rituals of offering. Under the Wings of the Great Goddess Isis, let us gather in a celebration of our reentry into and reconnection with Community. In the presence of Isis Myrionymos, Myriad-Named Isis, Goddess of the Ten Thousand Names, let us gather with open hearts and generous spirits to Make Offering.

As we human beings have always done—from the First Time, the Zep Tepi—we shall give gifts to Isis and we shall receive gifts from Her.

“My body being on earth, my heart being awakened, my magic being in my mouth, O Isis, I Make Offering unto You.”

We are living through extraordinary times. Many of us have gone through intense changes. There have been painful losses. And there have been surprising gains. Through Rites of Offering, we can give thanks, mourn losses, and ask for aid. We can find Divine connection and reawaken our hearts.

The Rites of Offering

Our rituals are inspired by the Daily Offering Rites worked in ancient Egyptian temples. We will come together four times, at the cross-quarters of the Holy Day and Sacred Night, to Make Offering to the Goddess in four of Her myriad names.

Yet, as a Community, we are many different people, on many different paths, who honor many different Deities. And so the Iset Weret— the Great Throne Altar of Isis—will welcome all our Divine Ones. If you wish, you are invited to bring an image or symbol of your own Divine One/s to add to the Great Altar that They may receive Offering as well.

Now, Let’s Celebrate

This festival is intended to give us plenty of open time so that we can be together…for feasting, drumming, dancing, and just relaxing. No formal workshops are planned.

Come join us in this Fall Equinox celebration as, under the Wings of Isis, we come together as a Community once more.

Now here’s a little something about Making Offering…

****************************************

Can Isis smell the flowers we place upon Her altar? Does She eat the delicacies we so carefully arrange upon Her offering mat? Does She drink the wine we pour into a beautiful cup and lift to the smiling lips of our sacred image?

Well, no.

And, yes.

Although I have had weird phenomena happen with offerings—for instance, once an entire two-ounce packet of incense (you DO know how much two ounces of powdered incense is, right?) was apparently incinerated without leaving a whiff of scent in the air of our tiny temple space—usually, the flowers wither naturally, the food dries to inedibility, and the wine evaporates.

So did the Goddess receive Her offerings or not?

For the ancient Egyptians, the sacred images of the Deities were sacred precisely because they were filled with some measure of the Deity Her- or Himself. Offerings to Isis were received by this bit of the Goddess residing in the image, and through it to Her greater Being.

The main spiritual mechanism for the transfer of an offering from offerent to Deity was the ka, or vital, life energy. All living beings—Deities, human beings, animals, fish, plants, stars, mountains, temples—have a ka. The kas of the Goddesses and Gods are extremely powerful. In one Egyptian creation myth, the Creator Atum embraces His children, the God Shu and the Goddess Tefnut, with His ka in order to protect Them from the primordial chaos of the Nun into which They were born—and, importantly, to transfer His ka to Them, giving Them life. Ka energy exists before a being comes to birth, is joined to that being at birth, lives with them throughout life, then travels to the Otherworld after death. The tomb became known as the Place of the Ka (among many other designations) and to die was to “go to one’s ka.”

King Hor’s ka statue; beautiful and haunting

The ka “doubles” the person physically, yet the ka is not essentially personal. It is held in common with all living things—including the Deities. The ka was the ancient Egyptian’s connection to a vast pool of vitality greater than the individual person.

But that’s not the end of it. One meets one’s ka after death where it can continue to protect.

Utterance 25 of the Pyramid Texts says that the dead king “goes with his ka.” Just as a list of Deities “go with Their kas,” so does the king:

“You yourself also go with your ka.
O Unas, the arm of your ka is before you.
O Unas, the arm of your ka is behind you.
O Unas, the leg of your ka is before you.
O Unas, the leg of your ka is behind you.”

The ka statue of Amenemhet III — A ka statue of Amenemhet III

You might recognize this formulation. It is a common magical formula for invoking protection on all sides; similar to casting a circle or the Lesser Banishing Ritual of the Pentagram or part of the so-called Breastplate of St. Patrick (“Christ at my right. Christ at my left, etc.”)

Even though ancient Egyptians could experience the ka as separate from themselves, the ka also connected the person with the long line of humanity—for the ka was associated with the ancestors. In fact, the ancestors were thought to be the keepers of ka energy. Jeremy Nadler suggests that when people died, the Egyptians believed that they returned to the ka-group of ancestral energy to which each person naturally belonged. In other words, after death, the ka returns to its family.

This meant the living had several reasons for making offering to their ancestral dead. As we all do, they wanted to remember loved ones who had died. The offerings provided their ancestors’ kas with the nourishment required to keep the family spirit strong. But since the ancestors had ready access to the greater pool of beneficial ka energy and could bestow it on the living, people could also ask their ancestors to send them a blessing. A blessing of ka energy could nourish human beings, animals, and crops alike.

As usual in Egyptian society, the king was a special case. He could have multiple kas. He also had more intimate contact with the powerful ka energy of his royal ancestors than the average person had with their familial kas. The royal ka was especially connected with the power of the God Horus. By the time of the New Kingdom, the king’s ka was specifically identified as Harsiese, “Horus, son of Isis.”

Modern Balinese food offerings that look remarkably Egyptian

In Egyptian, the word ka is related to numerous words that share its root. Egyptian words for thought, speech, copulation, vagina, testicles, to be pregnant and to impregnate, as well as the Egyptian word for magic (heka), all share the ka root. And all have some bearing on the meaning of ka. Ka is also specifically the word for “bull” and “food.” Connections such as these reveal mysteries. Ka is also the bull because it is a potent, fertile energy that contains the ancestral seeds that connect us with our families. Ka is also food for it is the energy that nourishes life, in both the physical and the spiritual realms. Ka is intimately connected with offering; the plural of ka, kau, was used to mean “food offerings.” Sometimes the ka hieroglyph replaces the images of food inscribed on offering tables.

Offering table piled high with kau and other offerings

Kau, food offerings, provide life-energy for the individual ka. When the Egyptians offered food to their Deities or honored dead, they were offering the ka energy of the food to the ka of the Deities or ancestors. The ka inherent in the kau nourished the ka of the spirit being. Offering thus feeds the kas of the Deities and ancestors and the great pool of ka energy to which all enlivened things are connected. Simultaneously, the great pool of ka energy is the source of the energy found in the offerings by virtue of the ongoing, archetypal connection with it. By making and receiving offering, a great reciprocal power system was set up and could be eternally maintained. No energy was ever lost; it was continually transformed and re-activated by being offered and received, received and offered. Ka energy may be considered the food that fuels the engine of the living universe.

Since offerings are given and received ka to ka, it is no wonder that the Egyptians who made offering before the sacred images in the temples, did not expect the Deity to physically consume the food or drink offered. Instead, they expected the Deity’s ka, residing within the image, to take in the energy from the kas of the offerings. Ancient texts are explicit about this. A text from Abydos says that the pure, Divine offerings are given daily “to the kas” of the temple Deities. Sometimes the Deities are said to have been “united” with Their offerings. It is the ka of the offering and the ka of the Deity that unite. In another text from Abydos, the king asks the Deity to bring His magic, soul, power, and honor to the offering meal. Clearly, the king is not expecting a physical appearance, but a spiritual one.

It is the same with our offerings. We offer the ka of the kau to Isis and Her ka receives it. We can open our awareness to this aspect of offering by envisioning the ka, perhaps as Light, move from the offering to our sacred image of Isis (if we are using one) or to an image of Her we hold in our mind’s eye. In this way, we can know that Isis has indeed received what we offer to Her.

More Nephthys

"Nephthys" by the Popovy sisters — “Nephthys” by the Popovy sisters

Yes indeed, there is much more to say about Nephthys…

O, She is a Hidden One. In the Book of Caverns (an afterlife text), She is even described as the one Whose “head is hidden.” Yet She reveals Herself when you pay attention, when you search, when you ask.

Remember that lovely image of Nephthys by the two sister artists in last week’s post? Well, I found a couple more shots of it. Turns out the artwork is stranger and more unexpected than you would have thought having seen just the first photo.

Nephthys Herself is like that. She is stranger, more intriguing, and indeed more beautiful and powerful than you might, at first, think.

When we first read our Egyptian mythology, we see loyal Nephthys always in Her more dramatic sister’s shadow. She assists Isis with Osiris and Horus; She gets stuck with the troublesome, rowdy, and too-dry-to-be-fertile Set for a husband. As I mentioned last time, we used to think She didn’t even have Her own temples. But She did. And Her own priesthood, too.

The whole Nephthys sculpture...not what you expected? Me neither. — The whole Nephthys sculpture…not what you expected? Me neither.

When in a dyad with Isis, Nephthys is decidedly the “darker” one. The Pyramid Texts advise the king to “descend with Nephthys” in the Barque of the Night, but arise with Isis in the Barque of the Day. Nephthys speaks and the pathways of the Otherworld are obscured. The one being reborn is to “throw off the tresses of Nephthys” like he throws off his mummy wrappings at his rebirth. (I refer you back to a post on the magic of hair in Egyptian funerary ritual.) Nephthys is called Keku, Darkness itself. She is the Lady of the West, She is “in the Cemetery,” She is Lady of the Duat (the Underworld), Mourner and, like Her mother Nuet, She is called “Coffin.” She shares a number of these epithets with Isis (Who can be quite as dark as Her sister when She so desires).

Some researchers see Her darknesses and consider Sad-at-Heart Nephthys to be Death Itself and specifically the first half of the death process—the dying part, the entering into death part that does indeed make us sad at heart. Plutarch records that one side of the sistrum was decorated with Isis’ face while the other had Nephthys’ face, symbolizing creation and death respectively. (On Isis and Osiris, section 63)

It is an interesting and useful identification—and you can certainly make a good case for it. Yet it doesn’t quite satisfy me.

Not that Death isn’t a Big Thing. Death is possibly the Biggest Thing we face in our lives—outside of being born itself. But because it is so big, many of the Egyptian Deities are Death Deities. For instance, we could certainly consider Amentet to be Death Herself for Amentet means “The West,” that is, the Egyptian Land of the Dead and Amentet is often called the Beautiful West and welcomes the dead to Her realm.

Death is among the concerns of many Deities and it is indeed an intimate concern of Nepththys. But we’re not there yet. Where else can we look for Nephthys?

One place some scholars have looked is Her connection with other Deities. One of the more interesting ones is Her surprisingly close connection with Seshat, the Lady of Books, the Mistress of Builders.

Yeah, I know. Not the first one that would come to mind, is it?

As early as the Pyramid Texts (the oldest ones date from 2400-2300 BCE), Nephthys is said to have “collected all your members for you in this Her name of Seshat, Lady of Builders.” (Pyramid Texts, Utterance 364) Her much-later hymn from Komir invokes Her as “Seshat the Great, Mistress of Humanity, the Mistress of Writing, the Lady of the Entire Library. To You, Who utters divine decrees, Great of Magic, Who rules in the Mansion of Archivists.” There may be Isis-Nephthys parallelism in this spell from the Book of the Dead in which the deceased is seated beside the Great of Magic (possibly Isis) while Seshat (possibly Nephthys) is seated before the dead person: “Thou coolest thyself on the cedar tree beside the Great of Magic, while Seshat is seated before thee and Sia [Divine Perception] is the magical protection of thy body.” (Book of the Dead, Spell 169)

Seshat, Goddess of Wisdom, Knowledge, and Writing, shown with Her stylus — In Her name of Seshat, Lady of Builders

A Ptolemaic text from the Denderah temple says that Nephthys is “She who reckoneth the life-period, Lady of Years, Lady of Fate,” which Seshat does for the Pharaoh by marking notches on a palm rib. (This, of course, brings us back once again to Nephthys’ association with death.)

The Coffin Texts say, “O <name>, Horus has protected you, He has caused Nephthys to put you together, and She will put you together; She will mold you in Her name of Seshat, Mistress of Potters, for such is this great lady, a possessor of life in the Night-barque, Who raises up Horus, and She will bring to you.” (Coffin Texts, Spell 778) Texts at Edfu and Kom Ombo also record Seshat as a form of Nephthys. (However, it is well worth noting that Isis and Seshat were assimilated as well; which should remind us that, when it comes to Egyptian Deities and when it comes to spirituality, nothing is ever completely without contradiction or complication.)

The priesthoods of Nephthys and Seshat seem to have overlapped in places, too. Nephthys is married to Set and is the mother of Anubis with Osiris; interestingly, we have records of a priest of Seshat who served both Set and Anubis—and who was also in charge of “controlling the foreigners.” More on that in a minute.

The most complete discussion of Nephthys-Seshat (that’s available in English and accessible via your library, if your library is subscribed to Jstor) is in a paper by G.A. Wainwright from the 40s called “Seshat & the Pharaoh.”

A Seshat with a five-pointed star and two serpents forming Her headdress

He proposes that both Seshat and Nephthys were so old by the Old Kingdom that They were already starting to be forgotten and that Nephthys may have originally been rather Hathor-like, having been a Sky Goddess and a Love Goddess and a Victory Bringer (think Goddesses like Inanna and Ishtar, Who are involved in both love and war and are connected with the planet Venus). Plutarch, in the 2nd-century CE, noted that some called Nephthys Teleutê (“End”; more on that shortly), others Aphrodite, and some Nikê (“Victory”). (Plutarch, On Isis and Osiris, section 12) Nephthys got renewed life by being brought into the Isis-Osiris cycle, while Seshat came into the counting house of pharaoh and became connected with Thoth.

A Nephthys-Seshat connection that doesn’t seem to have been made by anyone I’ve read so far jumped out at me. So…speculation alert; here we go.

As Lady of Builders, one of Seshat’s main functions is to lay out the boundaries for new buildings, especially temples, via the ceremony of “stretching the cord,” which was a method of using a cord or rope to measure out straight foundations for a building. She is Goddess of architecture, math, and accounting, as well as being the Divine Scribe. Broadly, these are concerns of delineation, creating limits, setting boundaries, deciding what is in and what is out. Keep that in mind as we go on to the next part.

A statuette of Nephthys with Her name glyph, showing the neb basket and the temple "blueprint" — A statuette of Nephthys with Her name glyph showing the neb basket and the temple “blueprint”

Next, let’s look at Nephthys’ name. In Egyptian, it’s Nebet-Hwt, the Lady (Nebet) of the Temple (Hwt). You will also see it as Lady of the House. “House” is one translation of hwt, but that translation has, for most of us at least, connotations of the home or household—but Nephthys has little in Her of Hestia or Vesta. More usually, hwt means a mansion, temple, or even tomb. (Remember those similar meanings for Isis’ name?)

The hieroglyph for Nephthys’ name combines two other symbols: a neb bowl placed on top of the hwt sign, which is a rectangular sign with a little square or rectangle in the lower right. The neb glyph represents a wickerwork basket and conveys concepts such as “lord” (neb) or “lady” (nebet with the feminine t ending) and “all” or “every.” My guess is that because neb meant “all” it was also used to refer to the ruler of all, the lord or lady. Gardiner (Egyptian Grammer) says the hwt glyph is an “enclosure seen in plan,” in other words, we’re sort of looking down at a blueprint for a building.

What better name glyph for the Lady of Builders than one that represents the blueprint of a building? The Lady of the House—the Goddess with a blueprint in Her name—is also the architecture Goddess Who delineates the foundations of all buildings—but especially the sacred houses of the Deities, the temples.

At Denderah, we even find an ibis-headed Nephthys, which only strengthens the connection between Nephthys and the Divine Scribe, this time with the Divine Male Scribe (Sesh), Thoth, rather than the Divine Female Scribe, Seshat.

The ibis-headed Nephthys from Denderah; I'm working on finding the hieroglyph translations...but you can see Her name above Her head — The ibis-headed Nephthys from Denderah; I’m working on finding the hieroglyph translations…but you can see Her name above Her head

Now, let’s go back to Plutarch’s comments about what people in his time called Nephthys: Teleutê. In Greek, it means ending or completion. Plutarch says, “They give the name Nephthys to the ends of the earth and the regions fringing on mountains and bordering the sea. For this reason, they call Her Teleutê and say She cohabits with Typhon [Set].” (On Isis and Osiris, section 38) Later he says that Nephthys is what is “below the earth and invisible” in contrast with Isis Who “is above the earth and manifest.” (On Isis and Osiris, section 44) Both statements speak of Nephthy’s mystery and liminality. She is the border between here and there, then and now, in and out. And if She is that border, She also controls it. The priest of Seshat mentioned earlier was also “controller of the foreigners” and Nephthys’ husband Set is God of foreigners and foreign lands; thus the Goddess and God delineate or “draw the line” between us and The Other.

An Egyptian epithet of Nephthys calls Her Nebet-er-djer Em Em Netjeru, which Tamara Suida translates as “Lady to the Limit Under the Gods.” (Thank you, Tamara for your booklet on Nebt-hwt…and most especially those epithets.) There’s also a God called Neb-er-djer, which I’ve seen translated as Lord to/of the End or Lord to/of the Utmost, so we may also translate this Nephthys epithet as Lady of the End (Teluetê again!) or Lady to the Utmost Em Em (“among”) the Deities. Here again, Nephthys is the border, the line, the limit between “all of this” and whatever is beyond the End, the Limit, the Utmost.

As you probably figured out, djer in Egyptian is “end” or “limit.” Faulkner (Middle Egyptian) thinks djeri may mean an enclosing wall, a djeru is indeed a boundary, and the djerty are the Two Kites, Isis and Nephthys. This last, the Djerty, may mean nothing other than being an interesting coincidence. On the other hand, perhaps we can think of the Two Djerty circling aloft, delineating a space in the heavens—one that may be reflected on earth, for example, as They protectively encircle the body of Osiris as He awaits rebirth.

Now let us come back once more to the Lady of the Temple. What are temple walls but the boundary and the limit between sacred and profane? Thus it is Nephthys, the Lady of the Temple, Who founds and builds the temple walls, enclosing the sacred within, setting it aside as special, protected, and preserved.

Whew! I’m stopping now. I think I’ve must have worn us both out for today. I’ll have more to say about Her sometime soon. For instance, there is some doubt about that whole “adultery with Osiris” thing. We shall see.

Amma, Nebet-hwt.

Isis & Her Dark Twin, Nephthys

A stunning modern Nephthys by—appropriately—a pair of artist sisters, Katya and Lena Popovy, dollmakers — A stunning modern Nephthys by—appropriately—a pair of artist sisters, Katya and Lena Popovy

Let us have a little Nephthys today. It is early September and there is melancholy in the air. Not to mention that there is some serious s*it going down all around us. Sometimes we look to our Dark Goddesses in such times.

And sometimes, when we look to Them, we find surprising things.

For instance, older Egyptological books informed us that Nephthys was never worshipped alone and had no temples of Her own. But that was only because they hadn’t found any yet.

We now know of several Nephthys temples, a smaller New Kingdom one within a Set temple precinct at Sepermeru, halfway between Heracleopolis and Oxyrhynchus (where that huge cache of texts, including magical texts and a praise of Isis was found), and a Ptolemaic and Roman-era temple at Komir, near Esna.

In Her Komir (Egy. Pr Myr) temple, there is a lengthy hymn to Her that identifies Her with many other Goddesses, just as Isis is known by many names. She is “the Great, the Most Excellent, dwelling in the Beautiful Country—the abode of Her brother Osiris, Who comes to life again in Her, She Who renews for Him the body that once was, in Her name of Renewing of Life.” She is invoked as Meshkenet, the Birth Goddess, Hathor, Mistress of Drunkeness and Joy, Tefnut “in the moment of Her wrath,” and Seshet, Lady of Writing and “of the Entire Library.” She is Mut and Mafdet and Meret and Heket. She is the one Who “utters divine decrees, Great of Magic, who rules in the Mansion of Archivists.” She is Excellent of Kindness and unites Herself with Ma’et. She is the Mother of Amun and the Daughter of Re. She is Mighty, Formidable, Beautiful.

In a papyrus known as the Book of Hours—Ptolemaic and probably from Memphis—praises are recorded for a select group of Deities, including Nephthys. There She is called Kindly of Heart, Mistress of Women, the Valiant, the Strong-Armed, Who Begat Horus, Potent of Deeds, the Wise, the Acute of Counsel, and the Sad at Heart.

A wonderful Nephthys by Jeszika Le Vye. Get your copy here.

Interestingly, Her epithets in this papyrus do not parallel those of Isis, Who is In All that Comes Into Being at Her Command, Lady of What Exists, Sharp of Flame, Who Fills the Land with Her Governance, Who Pleases the Gods with What She Says, the Savior, Isis-Bast and Isis-Sakhmet, the Sister of the Great One, Who Comes at Call, and the Living North Wind.

As Twin Goddesses, Isis and Nephthys are often called “the two” this or that. You’ll find a list of those twosome names in a previous Isis and Nephthys post here. We often think of Isis as the Bright Twin and Nephthys as the Dark Twin. And it’s true. Sort of.

For instance, the Pyramid Texts instruct the deceased king to

Ascend and descend; descend with Nephthys, sink into darkness with the Night-barque. Ascend and descend; ascend with Isis, rise with the Day-barque.
Pyramid Text 222

The Two Goddesses bear light and dark children to the same God. Osiris fathered the bright God, Horus, with Isis while with Nephthys, He fathered the dark God, Anubis. The Two Goddesses also manifest their Divine power differently. While Isis guides and sheds light on the hidden paths of the Otherworld, the Coffin Texts tell us that Nephthys speaks and they are obscured: “Hidden are the ways for those who pass by; light is perished and darkness comes into being, so says Nephthys.”

While Isis summons the Barque of the Day, Nephthys is “a possessor of life in the Night-barque.” As in Pyramid Text 217, Nephthys is paired with Set, a God of dark moods and dark reputation and associated with Upper Egypt, while Isis is paired with the benevolent God Osiris and connected to Lower Egypt. In the tomb of Tuthmosis III, Nephthys is said to be the Lady of the Bed of Life, by which was meant the embalming table. She is also Queen of the Embalmer’s Shop. Plutach preserves the tradition that Nephthys was associated with the desert and the fringes of the earth, while Isis is that part of the earth made fertile by the Nile.

But wait. As with most Things Egyptian, it’s not that simple. It’s not that black-and-white nor dark and light.

Isis is not just about rebirth and sunrise. She is also the Great Mooring Post, the one Who calls each of us to our deaths. She is the Goddess “ruling in the perfect blackness” of the Otherworld and She has Her own wrathful and fiery moods. Nephthys, on the other hand, is not only about descent in the Night-barque. She is right there with Isis at the sunrise rebirth. And She is a Goddess for Whom festivals of drunkenness and joy were celebrated. She is the Lady of Beer and while Isis, too, can be so called, I know of no festivals of Divine inebriation celebrated for Her, even given Her close connection to Hathor, the original Queen of Divine Drunkenness.

Nephthys in Her protective stance, mirroring Isis — Nephthys in Her protective stance, a mirror of Isis

The Two Sisters are not so much opposites as complements to each other. It is interesting that Isis and Nephthys seem to have become attached to different aspects of Hathor in Their association with Her. Sad at Heart Nephthys became connected with Hathor, Lady of Joy and Divine Intoxication. Lady of Governance Isis became connected with Hathor the soft-eyed Cow Mother, the Mother of the God, and the Lady of Amentet. Yet, as always, these roles are fluid and the Two Sisters flow into one another, even as They express different aspects of Their Divinity.

People sometimes wonder whether Isis and Nephthys are two different Goddesses or one Goddess? For me, the answer is, “Yes. And no.” They are One and They are Two. In my personal work with the Two Sisters, I can’t say that Nephthys feels very much different than Isis (though there are differences), but that may be because I pay a lot of attention to Isis’ own darker aspects. That admission inspires me to take some time this weekend to honor Nephthys, Excellent of Kindness, and see what more She may wish me to know.

Isis of the Winds

Are Iset and Isis the same Goddess? — Isis, Mistress of Wind

Today, let us take a deep, cleansing breath and honor Isis as Lady of the element of Air—of Breath, of Wind, and thus of Spirit.

Indeed, many cultures associate breath, air, and wind with Spirit. For while these things are invisible, they are invisible Powers, and we are intimately touched by their influence. We breathe the air and we live. The wind fills a sail and we move. Wind, air, and breath thus can be seen as manifestations of the invisible powers of the Deities.

Perhaps that is why my favorite title for an Egyptian book of the dead is the Book of Breathings. It is the book “which Isis made for her brother Osiris, to make his ba live, to make his body live, to make young all his members” and it especially emphasizes the importance of breath for resurrection. The Lady of the Breath of Life fans Her wings and puts “wind” into Osiris’ nose. The God lives and His Divine Spirit revives when He “smells the air of Isis.”

In Isis, breath, air, and wind are one.

In the Book of Coming Forth by Day, Isis declares that She comes “with the north wind.” The Goddess and the wind were associated because both were known to bring the cooling, life-giving waters of the Inundation. It was thought that the north wind “dammed up” the Inundation, which flowed from the south, enabling the water to flood and nourish Egyptian fields. So Isis is not only the one Who heralds the Inundation and causes it to flow (as Iset-Sopdet), but Her northerly winds also keep it in place so that it will water and fertilize the fields.

A fanciful Italian mosaic, from the Hellenistic period, showing Egypt during Inundation

As Iset Mehit, Isis of the North, and Lady of the North Wind, the Goddess brings the sweet-smelling north wind and all good things. Temple texts at Edfu identify Her with the “good north wind.” In the Book of Hours, She is the “living north wind.” Isis is especially found whenever air is active, whether in beating wings or gusting winds. Some stories describe Her mourning cries for Osiris as the wailing and moaning of the winds.

Isis can be a controller of the winds, too, for it is She Who promises the king in the Pyramid Texts (Utterance 669), “the south wind shall be your wet nurse and the north wind shall be your dry nurse.” The wind or breath of Isis can also purify. In the Pyramid Texts (Utterance 510), the deceased is cleansed with a vessel “which possesses the breath of Isis the Great.” In a work by the Roman writer Lucian, Isis is invoked to send the winds.

Today, the wind provides power in Egypt; this is the Zafarana wind farm

In the myth of the Contendings of Horus and Set, when the Ennead finally rules in favor of Horus to succeed His father Osiris, Isis sends the north wind—which She both controls and personifies—to bring the good news to Osiris in the underworld.

Isis can also be connected to other directional winds. In the Book of Coming Forth by Day (Chapter 161), the four winds are attributed this way: Osiris is the north wind, Re is the south wind, Isis is the west wind, and Nephthys is the east wind. All of them enter the noses of the deceased and bring them life.

Elemental de Aire by Ades21 on Deviant Art — *Elemental de Aire* by Ades21 on Deviant Art

Isis is not the only Deity associated with the winds and air, of course. Wind is also the manifestation of Amun, the Hidden One, of Shu, the God of Air and Light, and of Atum, the Creator. In the Book of Coming Forth by Day, an otherwise unidentified “Great Goddess, Mistress of Winds” brings benefits to the deceased. In the Coffin Texts, the deceased calls himself “Mistress of the Winds in the Island of Joy.” Another tells us that the deceased receives the breath of life from four primordial Maidens associated with the four winds and Who existed “before men were born or the gods existed.” (Formula 162.)

The deceased holds a sail to catch the breath of life

The Book of Coming Forth by Day sometimes shows the deceased holding a sail to catch the breath of life. Since the dead are identified with Osiris, it would make sense that the sail is intended to help them magically catch the air fanned into the dead by the powerful wings of Isis.

In a later period, images of Isis Pharia show the Goddess Herself holding a sail. The billowing sail of Isis Pharia ensures smooth sailing on the seas as in life. Perhaps this later image harks back to Isis’ more ancient attribution as She Who fills the sails of the dead with breath and life.

In Graeco-Roman texts of about the same period as the Isis Pharia images, Isis “hast dominion over winds and thunders and lightnings and snows” and She declares in one of Her aretalogies, “I am the Queen of rivers and winds and sea.”

Isis Pharia with Her sail and the lighthouse on the right

A second-century-CE papyrus found in Oxyrhynchus, Egypt calls Isis the “true jewel of the wind and diadem of life.” A hymn at the Goddess’ Faiyum temple connects Her with the winds, too: “Whether you have journeyed to Libya or to the south wind, or whether you are dwelling the outermost regions of the north wind ever sweetly blowing, or whether you dwell in the blasts of the east wind where are the risings of the sun…”

In whichever wind She dwells, Isis is always the ancient Lady of the Living Air, Queen of the Winds, Winged Goddess of the Spirit Revivified. From Her we receive our breath and our life.

She is Risen

As it often is in Portland (especially when I want to see the rising of Her star, it seems) this morning was overcast. And so I did not witness the beautiful rising of the Star of Isis.

But She is risen nonetheless.

To locate Sirius, look to the left of Orion’s belt

That’s how it is sometimes. Right now for you, perhaps? I’ve seen a number of folks online saying they feel disconnected from their Deities. We are in particularly trying times, and it can feel like that. But They are there. In fact, remembering when we did feel connected can help us reconnect.

For instance, though I did not see Sirius rise this morning, I remember when I first saw Her through a telescope. If you have ever seen Her that way, you will never forget it, either. She scintillates. She glows. She shoots off rays of blue, green, pink, and white. Yes, really. Sirius is the brightest star in the night sky, second in illumination only to the sun. It is no wonder that we notice this brilliant and beautiful star.

And from at least the time of the Pyramid Texts, if not before, Sirius is connected with Isis.

Iset-Sopdet following Usir-Sah in Their celestial boats

In the sky, Sirius is to the lower left of the extremely easy-to-spot constellation of Orion, which has always looked to human beings like a human torso. Orion has been visualized as a Great Shepherd, Hunter, Warrior, or simply a Giant. And since every shepherd or hunter must have his hunting hound, Sirius itself, as well as the constellation in which it is the lead star, has been envisioned as a Great Dog. Interestingly, this is true in cultures throughout the world, from ancient Mesopotamia to China (where Sirius is a wolf) to Native North American tribes like the Blackfoot, who called it Dog-Face, and the Inuit, who called it the Moon Dog. (The Wikipedia article on Sirius seems to be pretty good and includes references.) Surely it was envisioning Orion as a shepherd, hunter, or warrior that led so many ancient peoples to see Sirius and its constellation as a companion dog.

Sirius cannot be seen during a period of about 70 days, from May to sometime after midsummer. At this time, Sirius and the sun are in conjunction so that the sun’s greater light blocks the visibility of Sirius. The heliacal rising of Sirius is when the star and sun are sufficiently separated so that—for the first time in 70 days—Sirius can be seen on the horizon just before dawn. In the northern hemisphere, this occurs in mid-to-late summer, the hottest part of the year. From Classical times, this period has been known as the “Dog Days” since the Dog Star of Sirius is once again visible. As those suffering through this year’s drought can attest, this hottest time of the year can be miserable. Homer knew it as a time of fevers and suffering. The Romans thought it made dogs act crazy. We think of it as a time when we’re panting like a dog because of the heat.

Sirius, the beautiful Star of Isis, photographed by Monarch with a telescope from the Canary Islands.

In contrast, ancient Egypt didn’t originally connect Sirius with dogs or wolves. It did, however, connect the star with something vitally important—the Inundation, the annual flooding that enabled farmers to grow the crops required for Egypt to feed itself. The heliacal rising of Sirius was the herald of the Nile flood and its rise marked the beginning of the New Year; thus Sirius (Sopdet in Egyptian) was called the Fair Star of the Waters and the Opener of the Year. In Egypt’s earliest written records, the Pyramid Texts, Sopdet is Isis: “Your sister Isis comes to you [Osiris] rejoicing for love of you. You have placed her on your phallus and your seed issues into her, she being ready as Sopdet, and Hor Sopd has come forth from you as Horus who is in Sothis [the Hellenized version of the Egyptian Sopdet].”

To acknowledge the Goddess’ ancient connection with Her star, some shrines and temples of Isis, including the small Isis temple at Ptolemaic-era Denderah, were oriented towards Sopdet. When Egypt came under Greek and then Roman rule, Isis got Her canine connection. In a later-period aretalogy (self-statement) from Kyme in modern Turkey, Isis says of Herself, “I am She that riseth in the Dog Star.”

Just as Orion the hunter is inseparable from his hound, so the Egyptians saw a connection between the constellation they called Sah (Orion) and the most brilliant star in the heavens, Sopdet. Sah could be identified with Osiris Himself or considered to be His ba or soul. Sopdet was identifed as Isis or as Her ba. As Orion rises before Sirius, you can see the ancient myth of Isis searching for Her lost husband played out before you as the constellation Orion appears to move through the sky ahead of the Beautiful Star.

Osiris on His back (note the position of the three belt stars) with Isis-Sopdet below (framed by the trees), upraising Him

Yet there is another interpretation of the movement of the stars through the sky that takes us to an even more important point in the Isis-Osiris myth. You see, when the Orion constellation first appears on the horizon, Osiris seems to be on his back, with Isis-Sopdet rising beneath Him. As the night passes and the constellation rises higher into the sky, He “stands up,” with Isis at His back all the while, pushing upward until the God is raised. Even more so than the myth of Isis following Osiris to pick up the pieces, we can see the rising of Orion and Sirius as Isis raising Osiris from the dead, the stellar model of the ritual of Raising the Djed Column, which the pharaoh, with the help of Isis, performed on earth.

Sirius Rising Calculator

Depending on your area’s latitude, Sirius could be rising anytime from July to August in the northern hemisphere.

Here’s link to a calculator you can use to find out when She rises in your area. You’ll need to know your latitude and elevation above sea level.

Go to http://www.culturediff.org/english/clientareatest1.php Enter your email and the password softtests.

Opening of the Ways to the Goddess Isis

There will be another post in the current series tomorrow…I’m publishing this ritual from Isis Magic so it’s easy to access for some of us who will be Offering to Isis for the local Fall EQ Festival.

About the Rite: This is the all-purpose opening ritual of the House of Isis. It can serve as a beginning of almost any other rite or it can be an entire working by itself. It is an excellent opening for personal work or communion with Isis.

Temple Arrangement & Ritual Tools: Nothing special needed.

ENTERING

Enter the temple, face East, and give the Sign of the Wings Of Isis.

Ritualist: I am a Beloved of Isis. I am a Child of the Goddess. (Repeating until you feel it to be true.)

PURIFICATION & CONSECRATION

Perform any type of purification and consecration that works for you. When this is complete, return to center of temple, facing East, and makes the Sign of the Wings of Isis.

Ritualist: Isis is all things and all things are Isis.

OPENING

Stand in the West, facing East. Again raise your arms in the Sign of the Wings Of Isis.

Ritualist: Open, O Heaven! Open, O Earth! Open, O East! Open, O West! Open, O South! Open, O North! The gates of Your temple shall be flung wide for You, Goddess Isis!

Move to the center of the temple; visualize your aura as a glowing egg completely surrounding your body. Give the Sign of Opening the Shrine.

Ritualist: Let the shrine of the East be opened unto Isis, only Isis. (Vibrating) ISET NEF.

Visualize the Eastern part of your aura becoming like a glowing net—complete, yet open to the Goddess. Next turn to the South and repeat the entire procedure.

Ritualist: (Facing South) Let the shrine of the South be opened unto Isis, only Isis. (Vibrating) ISET ASH.

(Facing West) Let the shrine of the West be opened unto Isis, only Isis. (Vibrating) ISET MU.

(Facing North) Let the shrine of the North be opened unto Isis, only Isis. (Vibrating) ISET TA.

Facing East once more, extend your arms above your head and give the Sign of the Opening of the Shrine.

Ritualist: Let the shrine of Heaven be opened unto Isis, only Isis. (Vibrating) ISET BA.

Repeat the Sign below you.

Ritualist: Let the shrine of the Earth be opened unto Isis, only Isis. (Vibrating) ISET KA.

Repeat the opening motion, starting from the heart and moving outward.

Ritualist: Let the shrine of my Heart be opened unto Isis, only Isis. (Vibrating) ISET IB.

Visualize doors opening in your heart—chains falling away, shells breaking open.

INVOCATION

Continue facing East and make the Sign of the Wings of Isis.

Ritualist: I have opened the ways for You, Goddess Isis.

Turn your arms inward to the cup posture and invoke:

Ritualist: Come, therefore, Winged One and fill this vessel. Grace me, Isis, with Your presence. Enter into Your House and be with me. O come Beloved One, Great of Magic, Beautiful of Wings, Bright of Face.

Open my eyes to Your everywhere-presence. Awaken my heart to the voice of Your beating wings. Make bare my soul to the beauty of Your Words of Power.

I arise on wings of aspiration unto You, Goddess Isis. Come, descend from above, arise from below, expand from within—and fill me. From the rising bud of the lotus, to the mighty branch of the sycamore, to the Moon and Sun which are Your eyes, to the Stars which entwine Your hair, all the Universe is Yours, Isis—as am I. O Isis, Goddess, Mother, Sister, Queen—the Ways are open unto You—I am open unto You.

I invite You—enter in now! (Vibrating) ISIS. ISIS. ISIS.

Visualize the Light of Isis filling the cup you are making with your arms. When you feel it is full enough, slowly lower your arms, letting the Light pour into your aura. Now is the time to commune with the Goddess or perform other work.

CLOSING

Face East. Begin at the heart and make the Sign of the Closing of the Shrine. Then move in reverse order as you close below, above, then in each direction.

Ritualist: Let the shrine of my Heart be closed. Let the shrine of Earth be closed. Let the shrine of Heaven be closed. Let the shrine of the North be closed. Let the shrine of the West be closed. Let the shrine of the South be closed. Let the shrine of the East be closed.

Visualize your aura as solid once more. Thank the Goddess, make the Sign of the Wings of Isis, then quit the temple.

Notes:

For the Sign of the Wings of Isis, raise your arms like wings.

For the Sign of the Opening of the Shrine, put your hands in front of you, arms straight and palms together. Slowing move them apart as if opening heavy curtains. The Sign of the Closing of the Shrine is this in reverse.

Serving Isis: a responsibility to know and to experience

The Temple of Philae; photo by Ivan Marcialis from Quartucciu, Italy and used under Wiki Creative Commons usage guidelines — The Temple of Isis, a temple of learning; photo by Ivan Marcialis, Quartucciu, Italy; used under Wiki Creative Commons usage guidelines

There is a saying in the western esoteric initiatory tradition that seems particularly apt for the ministrant of Isis: “I desire to know in order that I may serve.” In means that we are not entering into our service simply because we’re greedy for secrets or status. It means that we seek knowledge so that we can better serve the Goddess, our communities, and our world.

Since ministerial service is essentially about giving, improving our own knowledge base and experience also means we will have something valuable to give.

Knowledge

Of course, those who serve the Goddess have always been expected to have some special knowledge, for example, knowing how to properly conduct the rites required to create and maintain a relationship with Isis. But this devotion to learning goes beyond that, too. The Greek philosopher, Porphyry, in his work On Abstinence, paraphrases the Stoic philosopher Chaeremon’s observations on the Egyptian priesthood:

“But they divided the night into the observation of the celestial bodies, and sometimes devoted a part of it to offices of purification; and they distributed the day into the worship of the Gods, according to which they celebrated them with hymns thrice or four times, viz. in the morning and evening, when the sun is at his meridian altitude, and when he is declining to the west. The rest of their time they devoted to arithmetical and geometrical speculations, always laboring to effect something, and to make some new discovery, and, in short, continually exercising their skill. In winter nights also they were occupied in the same employments, being vigilantly engaged in literary pursuits…”
Porphyry, On Abstinence, book 4, section 8

Thus, being a ministrant means not only knowing the proper rites, but also pursuing knowledge of all kinds, striving always to “make some new discovery.” There can be no doubt that teaching went on in the Egyptian temples. Of course, this was knowledge only for a very select group of people. Yet it informed the work of the priesthood so that they could be more effective in their service on behalf of Egypt and the people as a whole.

The Mysteries, such as the Mysteries of Isis or the Mysteries of Eleusis, were open to a wider group of people—as long as you could afford the travel and other expenses. Here, too, the officiants were expected to have special knowledge and understanding. Furthermore, they were expected to share that information with the initiates.

It was, in part, for this special knowledge that one undertook the Mystery rites. Initiates might expect the revelation of certain secrets regarding the Deities of the Mysteries. They might learn about new aspects of the Deities or be taught secrets of myth or ritual. Many would have been given important information about how to ensure a happy afterlife, as were Orphic initiates who were instructed on the proper spring from which to drink on their journey toward rebirth. In fact, it was quite commonly expected that the ritual guides of the Mysteries guided their clients to knowledge.

You may recall that in Apuleius’ tale of initiation into the Mysteries of Isis, he was shown certain books (seemingly in hieroglyphs) that contained the instructions for his preparations for initiation. In fact, one of Isis’ late epithets is Lady of the Book. The aretalogy from Oxyrhynchus says that She was called Understanding at the town of Apis; and Isis has always been a Lady of Wisdom. Isis is a Goddess Who encourages learning and wisdom in Her devotees, and especially in Her ministrants.

Alas, modern Isiacs have no great temples in which to study or established Mysteries of our Goddess in which to serve.

As is our path in general, our course of study in Her honor must be more individualized. As one who serves Isis in this deeper capacity, there are things we should know. As far as it is possible, we should know the history of Her worship, how people honored Her in the past, what they thought and said about Her. That is one of the reasons I wrote Isis Magic. To be Her ministrant, I needed to know these things; and then, I needed to pass them on. That was one of Her tasks for me. Acquiring that knowledge formed a large part of my personal training. Even so, there is much Isis-related scholarship out there in the world and I still find out new things about Her and how people have related to Her throughout history. I try to share those new discoveries here on Isiopolis.

As a ministrant of Isis, you will likely be in a position to influence others. If you are teaching, you will need to know something in order to be able to teach it. As your students learn, you will have to continue learning so that you may always have something new to teach them. If we don’t keep on learning, we become dry vessels—not only for any thirsty students we may have the privilege to teach, but for ourselves as well. To keep our intellectual and spiritual juices flowing, we must keep learning.

And Experience

But “book learnin” is just one of the ways of knowing. The other is experience. This means we must develop our personal relationship with Isis; we must experience Her. This is a subtle kind of learning. It is different for each individual. And yet, there are commonalities. It is these subtle commonalities that let us know we’re connecting with Isis specifically.

This is even trickier when it comes to Isis because She is a Great Goddess. She has many, many aspects and different people may connect with different aspects. Still, there is a feeling commonality. I’m pretty sure that if you connected with Isis as Great Mother and I connected with Her as Great of Magic—and we could share each other’s feelings—as Her experienced ministrants, we would know that we were both experiencing Isis.

In the grand scheme of explaining things, that doesn’t help much, does it? Yet that’s what experience does. As a ministrant of Isis, you should be able to tell. On the other hand, we can’t let our experiential knowledge be used to deny someone else’s experience, even if we don’t agree with it, or to boost our own egos because we have the “right” answer. Our experience should be used to guide, and only with the permission of the guided (as in a teaching relationship).

Priest making offering — A priest purifying

The Pagan internet has been lit up in the last few years with a good deal of theological soul-searching about the nature of the Divine and our relationship to the Divine. It is very exciting that we have grown to the extent that it is time to have these discussions; I just wish we could have them without so many arguments.

Our experiences as devotees and as ministrant of Isis will lead us to find our own answers to these important questions. Our experiences can add value to the ongoing discussion about the nature of the Divine and our relationship with It. Our experiences may be used to guide others as they begin their own paths and until they find their own answers. But we must use our experiences wisely. Developing that wisdom is part of our Work as people who serve Isis.

Offering to Isis: Fall EQ 2021

Yes!

Offering to Isis: A Fall Equinox Celebration of the Goddess and of Community

As we human beings have always done—from the First Time, the Zep Tepi—we shall give gifts to Isis and we shall receive gifts from Her.

The Rites of Offering

Now, Let’s Celebrate

This festival is intended to give us plenty of open time so that we can be together…for feasting, drumming, dancing, and just relaxing. No formal workshops are planned.

Come join us in this Fall Equinox celebration as, under the Wings of Isis, we come together as a Community once more.

Now here’s a little something about Making Offering…

****************************************

Well, no.

And, yes.

So did the Goddess receive Her offerings or not?

But that’s not the end of it. One meets one’s ka after death where it can continue to protect.

Utterance 25 of the Pyramid Texts says that the dead king “goes with his ka.” Just as a list of Deities “go with Their kas,” so does the king:

Isis the Ass-Kicker

My sacred image of the Goddess in Her Wadj (Green) Temple

A little while ago, I had the opportunity to be in the same room with several other priestesses of Isis and we were talking about Her (as priestesses of Isis are wont to do).

All of us agreed with this statement: “Isis will kick your ass.” And each of us knew exactly what the others meant by that.

We had all experienced it, you see.

But just in case you haven’t yet had the opportunity to have your own sweet butt kicked by the Goddess, I’ll explain.

When you undertake a relationship with Isis, whether that be as a priestess, priest, or devotee, it is more than likely that She will ask something of you. For instance, She might want you to get your physical surroundings in order so that you can create a temple space for yourself. She might want you to quit smoking. She might want you to start a group to teach Her Mysteries. She might want you to create a ritual or a work of art. She might ask you to volunteer at a homeless center. She might insist you learn something particular—or finally see a doctor about that issue you’ve been having.

In my case, She wanted me to write for Her.

Now, I say, “She might want,” but what I really mean is, “She will demand.” Not in a whiny, naggy way, but in an insistent, just-keep-bringing-it-up-to-you way. Like a good mother teaching Her child, the Goddess makes sure that Her request just kinda seems to be in your face all the time…until you do it, or at least until you get started on it.

You remember that thing we were talking about? Well?

But that’s just the surface stuff.

The real ass kicking is what happens as you actually undertake your mission from the Goddess.

You grow—and growth can sometimes be painful. What Isis asks you to do usually has some value in terms of your earthly life (a cleaner house, cleaner lungs), but the secret is that this particular task has also been chosen by Her to help you grow spiritually. This means that it will usually bring up some soul issues (psychology is the study of the soul; you knew that, right?) that you need to deal with in order to be a competent priestess, priest, or devotee.

Lovingly, insistently, persistently, She will help you grow. Please present butt.

And while you’re trying to deal with those little tender spots in your psyche, She will also demand of you complete honesty. Honesty with yourself. You must accept your part in your own problems; and you must accept your greater part in the solution. There’s no hiding, no blaming other people, no whining. (Well, you might whine a little and, in that case, She will always, always comfort you.) This combination of Divine persistence and motherly comfort and kindness creates the space for each of us to truly grow in Her presence.

Personally, I’ve never been sorry when She kicked my ass. I think the priestesses with whom I spoke the other night would agree. How about you?

“Doing Things” for Isis

Concept art from Exodus; my Egyptian dream... — This is concept art from *Exodus*; an imagined Egyptian royal palace. It looks hot, like it is in Portland right now.

Those of you who have been following this blog for a while may be familiar with my small rants about The Old Gentlemen of Egyptology and their innate sexist attitudes. Well, today it’s time for another rant…just a little one…but this time it’s about the Even Older Gentlemen of Ancient Egypt and their innate sexist attitudes.

A Sem priest...Doing Things — A Sem priest…Doing Things

You see, I just came across a scholarly article by Carolyn Routledge entitled “Did Women ‘Do Things’ in Ancient Egypt? (c. 2600-1050 BCE)” at the same time as Academia.edu served me up a thesis by the same Carolyn Routledge about ancient Egyptian ritual practice, which was an in-depth study of two specific words having to do with ritual, one of which translates as “doing things” (iri ḫt).

Routledge explains that the Egyptians used ir ḫt (“to do things”) in several specific ways. In addition to its meaning as ritual performance, including funerary rites, it also has to do with the performance of work or duty, and even negative behavior. It was used particularly in relation to physical activity.

A priest making a ritual gesture...part of Doing Things, probably offering — A priest making a ritual gesture…part of Doing Things. In this case, he is probably offering the object in his left hand while making a right-handed gesture to honor the Deity.

Of course I’m most interested in ir ḫt meaning “to do ritual.” The kinds of ritual activities that were Done included libating and censing and making offering: “you perform rites [iri ḫt]; bread, beer, and incense upon the flame.”

Interestingly, there also seems to be some emphasis on doing these things with one’s arms and hands. Makes me wonder whether, in addition to the sheer physicality of using a sacred vessel to libate, a censer to burn incense, or employing some other ritual object, there was also supposed to have been an accompanying gesture. There also seems to have been a connection to written instructions in the performance of ritual. So the lector priest, the sacred reader, was one who definitely Did Things.

Lector priest and Sem priest, Doing Things

If one wanted to be quite specific, one could also say he was iri ḫt nṯr, “doing God’s rites” or iri ḫt nṯrt, “doing Goddess’ rites.” But notice that pronoun I just used in relation to the person doing the Doing? Yeah. He. Sadly, Routledge answers the question posed in her article title with a resounding no; women did not Do Things. At least as far as we can tell from the evidence left to us, and I must admit it seems reasonably conclusive.

A queen…obviously not Doing Things; from the tomb of Nefertari

For example, the king has the title, neb ir ḫt, “Lord of Doing Things.” It is often used in connection with the king Doing Things that maintain Ma’et, including cultic functions as well as kingly duties and activities. The queen, however, does not Do Things. She has no title, Lady of Doing Things. Instead, she “says all things and it is done for her.” I used to think that was a nice expression of queenly power; now, I’m kinda thinking it’s the opposite: an expression of the perceived inability of women to Do Things themselves.

There are only two exceptions: Sobeknefru and Hatshepsut, both women who ruled as king, not queen. In Hatshepsut’s case, about half of the references to that title are in the masculine form, half in a feminized form: nebet ir ḫt. (We have no references to Tausert, a later woman ruler, having that title.)

The exclusion of women from Doing Things is, of course, the basis of my rant. Or maybe it’s not even really a rant. More of a whine. Or an exhausted, put-upon sigh.

The king, priests, and officials of all stripes Did Things. But when it came to women, the “things” part of the important phrase was avoided. There are instances of women iri irw, “doing doings” or “performing performances,” but not iri ḫt. Routledge gives an interesting example of a husband and wife, both named Djehutynakht, both with the same funerary text on their coffins, but hers excludes the word ḫt.

It’s practically impossible not to smell the old sexist weakness-of-women, unfitness-of-women-for-important-stuff stereotypes here. But we don’t know. Routledge suggests that it may be because iri ḫt was associated with educated, literate, and highly trained people, very few of whom would have been women in ancient Egypt. True enough. But the question underlying that conclusion is “why not?” Which, of course, refers us back to the first sentence in this paragraph.

People Doing Things and Not Doing Things in the afterlife

So what can we do with this information? Why am I sharing it with you?

First, I enjoyed learning an important ancient term for doing ritual and reading about its specific connotations. Second, we sometimes tend to idealize the ancient Egyptians—we do so love their Deities, their art, their magic and mysterious ancient wisdom. It is important to know that every society—theirs, ours, everybody’s—has flaws, often significant ones, and we should not be blind to them. And in our own case today, we must work to fix them.

A new image of queen Tjye recently found at Luxor; pretty sure this woman could Do Things — An image of Queen Tjye recently found at Luxor; pretty sure this woman could Do Things

And third? Third, I hope to encourage all of us to Do Things for Isis. We all have the capacity for Doing Things in the ancient sense: with power, purpose, and effectiveness. Let us also be reminded that the physicality of ritual is important. For when we are fully engaged with what we are Doing—body, mind, soul, and spirit—ritual is far from being empty show. It is instead Right Action that can truly Open the Ways so that we may come, once more, to the Divine Heart of Isis.

Becoming Joined to Your Star

Perhaps it was coincidence or perhaps it was the hand of Isis, but twice in the past week, the idea of “being joined to one’s star” has been brought sharply to my attention. So today, let’s talk a bit of the Way of the Stars…and especially the way of our own personal star.

In Isis Magic, the Path of the Stars is the path of the Prophetess or Prophet of Isis. (In Egyptian, this would be Hem/et Nutjeret; the Servant of the Goddess.)

On this path, we deal with the important star Sirius (Sothis in Greek, Sopdet in Egyptian), which is the Star of Isis. The Goddess Herself may be seen in the star and sometimes the star is said to be the ba, the manifestation or soul, of the Goddess

We honor Isis in Her singular and beautiful star, but on the Path of Stars, we also work with the idea of a universe filled with millions and millions of stars—stars that are, like us, within the body of Nuet, the Sky Goddess and Mother of Isis.

In the Pyramid Texts, it is clear that the deceased king ascends to the heavens and becomes a star. This ascension also makes him Divine, a god among Gods. He takes his place in the otherworld as a star, sometimes called the Lone Star or the Morning Star.

An image from one of the shrines of Tutankhamon; these mummified Gods are joined to their stars and “receive the rays of Re”

In Utterance 245 of the Pyramid Texts, the Sky Goddess says to the deceased, “Open up your place in the sky among the stars of the sky, for you are the Lone Star, the companion of Hu…” (Hu is one of the great creative powers of Re, “Creative Utterance.” It may be that the Goddess is likening the king to Sia, “Perception,” for indeed he specifically declares himself to be Sia in Utterance 250.) Utterance 248 reiterates the king’s star-nature. He is “a star brilliant and far traveling,” and he has “come to his throne which is upon the Two Ladies [Isis and Nephthys or Wadjet and Nekhbet] and the king appears as a star.” A text from the tomb of Basa, a priest of Min and mayor of ancient Thebes, says of the deceased, “your star be in heaven, your ba upon the earth.”

While the Pyramid Texts are concerned with the king, as time went on, the Egyptian conception of the otherworld got more democratic; everyone could participate and have their own Divine stars.

But if you’ve read any of the Pyramid or Coffin Texts or the Book of the Dead, you’ll know that those sacred texts are not intended just for the dead. The texts tell us that the knowledge they impart is also beneficial for living human beings. “As for him who knows this spell on earth . . . he will proceed to a very happy old age” says one text. Another states that anyone who knows the spell will “complete 110 years of life,” while yet another explains, “it is beneficial for anyone who does it.”

This is an image I took of the same scene from a reproduction of Tut’s shrine that came through town pre-pandemic

The same thing applies to being conscious of or joined to your star. It is not solely a post mortum activity. If our “star” is our Divine Self, the one we will hopefully become after death, then to know our star in this life means that its light can serve as a guide as we move through our current earthly lives. What would my star self do in any given situation?

One of the Greco-Egyptian magical papyri even has a specific ritual for learning about “your star,” and which is referred to as “an initiation.” There are quite a number of preparations, but in short, you purify yourself for seven days while the moon is waning. On the night of the dark moon, you begin sleeping on the ground each night for seven nights, waking every morning to greet the sun and to name the Deities of the hours of the day. On the eighth night, you rise in the middle of the night, perform a series of invocations and magical acts, recite the account of creation, and call upon the Great God. When the God arrives, you avoid looking in His face and ask Him about your fate. “He will tell you even about your star and what kind of daimon [spirit] you have…” (PGM XIII 646-734)

It is well for us to know “even about our star.” For it illuminates the individual life and spiritual path that is uniquely ours, but it also places us in the company of the Divine Ones.

I did a meditation, not too long ago, about the Child Horus in the stillness of the womb of Isis. It came to me that it may be there and then that we are first joined to our stars. But to truly benefit from this starry relationship throughout our lives, we must continually renew, strengthen, and deepen the connection so that our star’s holy light may always inspire and guide us.

We might think of our star as our Star Self or Isis Self. But, like the Goddess Herself, it has many other names as well. It can be called the Higher Self, the Augoeides (“Shining One”), the Holy Guardian Angel, the Higher and Divine Genius, Christ Consciousness, the Atman, the True Self, the Inner Teacher, and many more. And when we are joined to it, we will be our truer and more divine selves.

Isis the Scorpion

Egyptian scorpion — An ancient Egyptian representation of a scorpion

A friend living in the desert told me she’d been stung by a scorpion and that, in her words, “it royally sucked.” No doubt. The ancient Egyptians, as you may know, had the same problem…and often with much more poisonous scorpions than the one that got my friend.

Since much of Egypt is dry desert, it has plenty of scorpions to go around. It’s true today just as it was in ancient times. In fact, the danger of scorpion sting was ever-present; and because scorpions are smaller and harder to spot, the chance of getting stung by a scorpion outweighed that of snakebite.

Whether an Egyptian’s experience of scorpion sting merely royally sucked or took them to the afterlife depended on which scorpion did the stinging as well as the size and health of the victim. For instance, one of the most poisonous scorpions in the world, the Palestine Yellow—aka The Deathstalker—is found in Egypt today. Luckily, it is small and cannot deliver enough poison to kill an adult, though that has happened.

On the other hand, scorpions were a lethal threat to children, as well as to pets, especially cats. Picture a scorpion with its scuttling movement and raised and waving tail and you’ve pretty much got an irresistible cat toy.

Not surprisingly, we have a number of ancient Egyptian healing spells against scorpion sting, including this heart-rending one for a pet cat:

O Re, come to Your daughter for a scorpion has stung her on a lonely road! Her cries have reached heaven. Come to Your daughter! The poison has entered her body and it has spread in her flesh. She has put her mouth to the ground, See, the poison has entered her body! Do come with Your power, and Your rage, with your wrath! See, it is concealed from You, now that it has entered the whole body of this cat under my fingers…”

The rest of the formula has Re come to save His daughter, the cat, by identifying the various parts of her body with the Deities. (This is the same formula that was often used for human beings, by the way.) At the end of the formula, Isis and Nephthys join in the healing and weave Their protection: “Isis has spun and Nephthys has woven against the poison.”

Goddess Serket — Serket, “She Who Causes the Throat to Breathe”

Yes, of course, we have to circle around to Isis, for Isis is a formidable Scorpion Goddess Herself. In this guise, She is called Iset Ta-Wahaet, Isis the Scorpion. In other texts, Isis is joined with Serket Hetyt, the Scorpion Goddess, “She Who Causes the Throat to Breathe,” as Isis-Serket. (It is interesting to note that, since scorpion venom is a neurotoxin, death from a scorpion sting is by asphyxiation, that is, suffocating.)

At Isis’ sanctuary at Koptos, it was said that during the time when the women ritually lamented with the Goddess, they could walk through a mass of scorpions unharmed. Late legend had it that scorpions would refuse to sting any woman—or any worshipper of Isis, for that matter—out of respect for the Goddess.

An Egyptian representation of Isis-Serket — An image of Isis-Serket in the Walters Art Museum in Baltimore, MD. An inscription that says, “Isis may give life” is preserved. (I wonder if it isn’t “May Isis give life”?)

Scorpions are the faithful companions, protectors, and guides of Isis in one of Her most famous myths.

In the tale, Isis is fleeing in an attempt to hide Her newborn child, Horus, from Set. Seven magical scorpions accompany her. In what smacks of a ritual formula, we are told that the scorpions Tefen and Befen walked behind Isis. On Her right was Mestet, on Her left, Mestetef. Before Her walk Petet, Thetet and Maatet.

Upon reaching a city at the edge of the papyrus swamps, Isis found She was weary and approached the home of the chief woman of the district for shelter. But seeing the scorpions, the woman was afraid and angry that anyone would dare approach her home with these dangerous creatures. She refused the Goddess. The scorpions became angry at the rejection and vowed revenge. While Isis found refuge with a poor woman, the scorpions gathered all their poison together and placed it in the tail of Tefen. Tefen entered the home of the chief woman and stung her young son who fell instantly from the terrible poison. But Isis took pity on the child and cured him. At this, the chief woman was ashamed of her behavior and filled the home of the poor woman who had sheltered the Goddess with beautiful gifts from her very own home.

This is a Canadian theatre group that does opera for kids. They made a show about Isis & the Scorpions.

This story about the seven scorpions and Isis is, in fact, from a healing spell to cure a scorpion sting. In another tale—also from a healing formula—the son of Isis, Horus the Child, is stung by Set in the form of a scorpion. Isis stops the Boat of the Sun in the sky so that Thoth can come down and cure the child. (It may seem odd that Isis Herself could not cure Horus, since it is She Who is called upon in other scorpion spells to do the healing—but that’s the story and I’m sticking to it. Perhaps additional magic was needed because this was no ordinary scorpion, but Set in disguise.)

Right after this story is another spell for healing a scorpion sting using seven magical knots (perhaps alluding to the seven Isiac scorpions?), and following that another one in which Isis invokes Re to heal a scorpion-stung Horus. Parts of that formula sound very much like the language used in the story of “Isis and Re” in which Isis cures Re of snakebite. There are also formulae in which Horus is the one Who cures the scorpion sting. There are yet others that are spoken to stop the scorpion from coming near by blocking or enwrapping it. I love this line from one of those spells:

A very small thing, a sister of the snake is the scorpion, a sister of Apophis [the great Enemy Serpent], sitting at a crossroads, lying in wait for someone who goes in the night, who goes in the night…

The association of Isis with the scorpion reaches far beyond ancient Egypt. Athanasius Kircher, a 17th century Jesuit scholar and philosopher, called the constellation of Scorpio “the Station of Isis” and identified the brightest star in Scorpio, the red star Antares, with the Goddess. According to a turn-of-the-century star guide by Richard Hinkley Allen, Antares was originally associated with the Scorpion Goddess, Serket.

Oh, and there’s an Isis comic book in which Isis teams up with The Black Scorpion, another female superhero, so the two Goddesses continue to be linked even in modern mythology.

The Keeper of the Pharos Lighthouse

An artist's depiction of reincarnation — An artist’s depiction of reincarnation

I don’t know whether I believe in reincarnation; at least in the usual contemporary sense. Oh, I like the idea of it…and it’s quite true that there are some amazing stories people tell of past lives.

Egyptologists, however, are almost unanimously certain that the ancient Egyptians did not believe in reincarnation; presumably, they had enough going on in their afterlives already.

On the other hand, we do have ancient Greek reports of Egyptian belief in reincarnation or the “transmigration of the soul.”

Herodotus writes,

The Egyptians say that Demeter [that is, Isis] and Dionysos [that is, Osiris] are rulers of the world below; and the Egyptians are also the first who reported the doctrine that the soul of man is immortal, and that when the body dies, the soul enters into another creature which chances then to be coming to the birth, and when it has gone the round of all the creatures of land and sea and of the air, it enters again into a human body as it comes to the birth; and that it makes this round in a period of three thousand years. This doctrine certain Hellenes adopted, some earlier and some later, as if it were of their own invention, and of these men I know the names but I abstain from recording them. (Herodotus, Histories Book II, 123)

Diodorus Siculus also reported prominent Greeks who adopted Egyptian teachings, including the transmigration of the soul:

Lycurgus also and Plato and Solon, they say, incorporated many Egyptian customs into their own legislation and Pythagoras learned from Egyptians his teachings about the gods, his geometrical propositions and theory of numbers, as well as the transmigration of the soul into every living thing. (Diodorus Siculus, Library of History, Book I, 98)

Plutarch mentions it, too:

The Egyptians, believing that Typhon was born with red hair, dedicate to sacrifice the red coloured oxen, and make the scrutiny so close that if the beast should have even a single black or white hair, they consider it unfit for sacrifice; because such beast, offered for sacrifice, is not acceptable to the gods, but the contrary (as is) whatsoever has received the souls of unholy and unjust men, that have migrated into other bodies. (Plutarch, “On Isis & Osiris,” 31)

It may be that Herodotus misinterpreted the post mortum transformations of the dead (“Becoming a Hawk of Gold,” for example) as transmigrations of the soul. It may be that Diodorus and Plutarch, writing after Herodotus, just picked up his idea.

Empedokles, a contemporary of Herodotus, refers to “polluted daimons” who are forced to wander the world in many forms “changing one toilsome path of life for another,” though he does not refer to this as being an Egyptian conception. (Empedokles, Katharmoi)

In a number of his works, Plato mentions transmigration as punishment that souls suffer for bad deeds in life. The idea entered the Roman world as well. It can be seen in Virgil’s Aeneid, where reincarnation was seen as a reward for a good soul rather than a punishment for a bad one.

For the Egyptians, the transformations of the dead were simply part of an active and happy afterlife. The dead could become a hawk, a lotus, a serpent…and godlike. Louis Zabkar (an Egyptologist who made an important study of the Isis hymns at Philae) believes that this was a way of ensuring the ba of the person had unlimited freedom to come and go at will on earth and in the otherworld.

Several pharaohs took the name Repeater of Births, which sounds like a reference to reincarnation, but probably isn’t. For Seti I, it apparently meant that he intended to usher in an Egyptian renaissance of sorts. Or it may have referred to the pharaoh’s divine rebirths, which occurred at certain festivals of renewal, or to the the king’s connection to the Sun God Re Who is reborn daily.

All that said, I’d like to share with you one of my (possible?) past life stories.

During a vacation period a while ago, I had the luxury of frequent invocation of the Goddess. While working the Opening of the Ways ritual , I “saw” a flash of a scene that had a deju vu feeling about it, so I decided to follow up on that vision with Isis. Under Her wings, I traveled back in the Boat of Millions of Years to locate the life that included the scene that had touched me. Here is that tale…

A woman of about 20 is looking out across the Alexandrian harbor. Her name is Ankesphilia and she is the priestess of the Pharos, the Lighthouse of Alexandria. Her duty is to perform something like the Opening of the Ways ritual—but for the opening of the Alexandrian harbor and for fair, “open” weather. This is done within the Pharos itself, about halfway up the structure. That’s where the scene that first caught my attention is from: halfway up the Pharos, overlooking the harbor.

And while Isis is the Goddess of the Lighthouse, it is not Isis who is in Ankesphilia’s heart. Instead, it is her duty to the city that occupies her. Ankesphilia has almost no personal freedom and must stay on Pharos Island at all times, except when there are great festivals in the city. Then she may go to see the processions. I have the feeling that she was “given” or vowed to the Pharos, though it was not her own vow; perhaps her parents? In a way, it reminds me of the later Christian anchorites.

An artist's vision of the Pharos lighthouse of Alexandria — An artist’s vision of the Pharos lighthouse of Alexandria

The priestess is from a wealthy, but not noble, family. Her parents own a shipping business, but now her father has retired to the priesthood and her mother runs the business. Her father sometimes visits Ankesphilia at the Pharos. She rarely sees her mother. She has two brothers, both in the military. Though she has had no choice in her fate, I sense no rebellion or resentment in her. I have the feeling she is perhaps not very well educated, bright, or curious. She simply does the duty that has been given to her without complaint and with conscientiousness.

Ankesphilia died in her 30s after contracting a disease that came into the harbor city from overseas.

And that’s it. Past life? Fantasy? I don’t know, but either way, it tells me something about myself.

Isis & the Ankh

The awesome scene from “The Mummy” when the statue of Isis raises the ankh to save Her reincarnated priestess from a lovestruck but murderous mummy

Of all the emblems of ancient Egypt, the hieroglyphic symbol of the ankh is probably the most familiar. Many people still wear it as an amulet and know that, in Egyptian, ankh means life.

The ankh was extremely popular in ancient Egypt, too. Egyptians made ankh-shaped vessels, fan bases, sistra, unguent jars, jewelry, mirror cases—in addition to wearing the symbol itself as an amulet. Special bouquets of flowers, formed into the shapes of ankhs and simply called Ankhs, were given as offerings to Deities and as sustenance to the dead. The ankh was carved into temple walls and used to decorate furniture.

In later times, the Coptic Christian church used it as the crux ansata, the handled or “eyed” cross, because of its resemblance to the Christian cross.

Egyptologists still aren’t sure what the familiar oval-and-cross shape originally represented. Some believe it has sexual symbolism because some ankhs have what appears to be a female pubic triangle painted just beneath the cross bar. Others believe it represents a sandal strap. Still others see it as a type of magical knot or bow—similar to the Isis Knot or Tyet, which it closely resembles. Since Egyptian magic frequently employed knots, this idea is not at all far-fetched. Indeed, in some examples of the symbol, you can see what could be folds in the fabric or rope used to tie the knot.

Yet another interpretation combines the knot concept with an idea that may have some merit since it actually connects with the meaning of the symbol itself: life. In this interpretation, the ankh is an umbilical cord that has been looped and tied to a short stick (the cross bar) to create the ankh-shaped amulet. Thus the ankh represents the way Life flows from the Divine to the human in the same way that life flows from the mother to the child through the umbilical cord. There are numerous references to Isis “cutting the navel string” of the reborn Horus. And there is even a myth that Horus recovers the birth cord of His murdered father, Osiris, in order to bury it safely. In a tale about the birth of three kings, the children’s birth cords are cut off, wrapped, and preserved. Clearly, the birth cord had significance.

Yet the life symbolized by the ankh is more than simple daily existence. It is also the sacred and ever-renewing principle of Life. It is the Eternal Life with which the Goddesses and Gods imbue humanity. It is the Life that is renewed after death. In funerary art, Deities such as Anubis and Horus pour streams of ankhs over the deceased to symbolize this eternal, regenerating life that flows from the Divine. Goddesses and Gods hold the ankh to the nose of the deceased to revive her or him in the Otherworld.

While the ankh is rightfully a symbol of every Deity, it is also especially appropriate to Isis. On an earthly level, Isis is the Great Divine Mother, the generatrix of all life on Earth. Isis is intimately connected with the fields that bring forth food, the waters that nourish and regenerate the land, and the life-giving air that fills our lungs.

Isis is a Green Goddess of Life, daughter of Earth and Sky. The Coffin Texts call Her She of Vegetation and Mistress of Herbage Who Makes the Two Lands Green. She is a Water Goddess for Her yearly tears for Osiris caused the Nile to overflow its banks, vivifying the land. She is the Queen of the Sea and the Lady Who brings rain. As a Bird Goddess, Isis is Mistress of the Skies and a Lady of Air.

Isis and Nephthys flanking the ankh, which upholds the solar disk and is supported by the djed column

On a spiritual level, Isis gives the gift of renewed life after death. Beating Her magical wings, the Goddess fans air—and ankh—into the nose and lungs of Her beloved Osiris. It is Isis’ vital breath that fills the nemset jars with which the deceased is dried after a purifying bath. And it is Isis Who brings the spiritual water that helps regenerate the dead.

As She is the Lady of Life, Isis is the Lady of Life Everlasting. She is the Green Goddess of life on Earth and She is the Divine Mother of each of us Who cuts our navel-string when we are transformed and reborn into Eternal Life.

Invocation Offerings to Isis

A king offering incense and pouring a libation

It seems we have always made offering to our Deities. Many have also honored their dead with offerings, as the ancient Egyptians did. Our ancestors offered the choicest cut of meat to the Great Hunter Who had helped them in their hunt. They gave the first handful of ripe berries to the Wild Mother Who had guided them to the mouth-watering cache. They shared their holy days and good fortune by offering feasts to their dead. They filled temples with sumptuous meals and beautiful scents for the Goddesses and Gods. They created art in enduring stone and precious metals and offered it to the Divine Houses.

From Christian tithing to Hindu puja to the stargazer lilies I grow and place upon Isis’ altar, we humans continue to make offering. Perhaps there is something of an inborn impulse to do so.

The Seattle Troll; that's a real VW Beetle in his left hand and a real bridge over his head — The Seattle Troll; that’s a real VW Beetle in his left hand and a real bridge over his head

I came across what I take as an example of that innate impulse one day when visiting the Seattle Troll. Large enough to hold a VW Beetle in one hand and staring out of a single, glassy eye, the Seattle Troll lives beneath the Aurora Bridge in Seattle’s Fremont neighborhood. He was originally a work of art funded by the city, but he has become something more. He has become a Work of Art and now receives offerings from passersby and neighborhood residents.

The day I visited—not a special day, just a weekday like any other—the Troll was supplied with an amazing array of offerings. There were fresh flowers, smoked almonds, jewelry, coins, jams, a bag of fresh cherries, a whole watermelon, a bright pink-orange slab of raw salmon, a whole Dungeness crab, a bar of soap, a pack of cigarettes, two coffee mugs, and two t-shirts. These offerings were fresh, too, the flowers and food as yet unwilted. At first, it looked like someone had temporarily left their picnic. But no. The votives were carefully arranged upon the enormous hands of the Troll. They were clearly presented, and no picnickers were to be found. The items were offerings and nothing less.

Two of the six Devas making continual offering in Hong Kong — Two of the six Devas making continual offering to the Buddha in Hong Kong

I doubt that any of those who offer to the Troll see him as a Deity—at most, he’s a quirky neighborhood spirit. Yet people leave offerings just the same.

Perhaps it’s because when we make offering we are seeking relationship. In the case of the Troll, perhaps we seek connection with the progressive spirit of the neighborhood. Maybe the Troll’s mere existence gave us a chuckle and we offer a gift of thanks, connecting with those who share our amusement or with the Troll’s artist-creators. Perhaps the offerings were intended to be discovered by someone in need, as Hekate’s Supper offerings were meant.

In a divine context, making offering can be a joyful sharing of blessings with the Deity or spirits with whom we have or seek a relationship. As an act of gift giving, offering is a universal way to create the sweet bonds of interconnection and ongoing reciprocity between giver and receiver. Offering encourages generosity in the giver. Some Tibetan Buddhists say that it is this growing generosity in ourselves that pleases the Deities, rather than the actual offerings. Offering can be a meditation, a prayer, a way to honor tradition, an act of devotion, a method of giving thanks, a path to greater openness of spirit.

Making offering was essential to the Egyptian relationship with the Divine while the relationship itself was essential to the proper functioning of the universe. The Egyptians knew that the universal order hinged upon the ongoing, interwoven relationship between Divine and human, natural and supernatural. If human beings failed to provide right worship to the Deities—a significant part of which was the act of making offering—the world would dissolve into chaos and the Goddesses and Gods would not have the energy required to maintain and renew the physical universe. The exchange of energy, the building of relationship made the act of offering an ongoing renewal of the world in partnership with the Deities.

In fact, offering was considered such a key part of the functioning of the universe that there are numerous representations of Deities making offering to each other. From Isis’ temple at Philae, we learn that the Goddess made libation offerings to Her beloved Osiris every 10 days. The temple calendar from Esna notes that She also made offering to Osiris (and to another Deity Whose name is lost) on the 10th day of the first month of the season of Inundation.

In ancient Egyptian temples, the offerings were often food and drink, flowers, incense, perfume, and even special items associated with the particular Deity: jewelry for Hathor, hawk feathers for Horus. Symbolic offerings were given too. The Eye of Horus, for example, could represent many different types of offerings and statuettes of Ma’at were given to represent the offerant’s dedication to upholding the Right and the Just and the True, which is the Being and Nature of the Goddess Ma’at.

But today, I’d like to talk about a particular type of offering, one that may be especially appropriate to Isis as Lady of Words of Power and, as She was called in Busiris, Djedet Weret, the Great Word. Egyptologists today call it an “invocation offering.” Egyptians called it peret kheru, the “going forth of the voice.”

We’ve talked many times about the power of the word in Egyptian practice. Isis conceives something in Her heart, then speaks it into existence. Words can establish, they can move magic, they can nourish and renew the spirit. A Hermetic text from the early centuries of the Common Era expressed the genuinely ancient Egyptian tradition that the quality of the speech and the very sound of the Egyptian words contain the energy of the objects of which they speak and are “sounds full of action.” This is precisely why words are powerful: they contain the energy of the objects they name, which is the energy of original Creation.

Because of their power, many of the most important words were preserved in Egypt’s great temple complexes in structures known as the Per Ankh, the House of Life. Primarily, the House of Life was a library containing information about all the things that sustained life and nourished the soul and spirit—from magic to medicine to religious mysteries.

The sacred words contained in the Houses of Life were sometimes understood as the food of the deceased as well as of the Deities, particularly of Osiris as the Divine prototype of all the dead. One of the funerary books instructs the deceased that his spiritual “hw-food” is to be found in the library and that his provisions “come into being” in the House of Life. A papyrus known as the Papyrus SALT says that the books in the House of Life at Abydos are “the emanations of Re” that keep Osiris alive. An official who claimed to have restored the House of Life at Abydos said that he “renewed the sustenance of Osiris.”

Because of the nourishing and sustaining power of the word, tomb inscriptions not only asked visitors to speak the name of the deceased, but might also ask them to recite an offering formula so that the offerings would be “renewed.” Egyptologists know this as the “appeal to the living.” The deceased assures the living that he or she need only speak the formula with the “breath of the mouth” and that doing so benefits the one who does it even more than the one who receives it.

By speaking the words and naming the offerings, the spiritual essence and magic of those offerings was re-activated and reconnected with its non-physical source so that it could once again feed the spirit of the deceased. It was as if the tomb visitor had given the offerings anew. Since both the human giver and the spirit receiver gained during this process, the act of making offering in this way reinforced and promoted the reciprocal blessings between the material and spiritual worlds.

Thus the peret kheru is an offering where no material object was given, but magically potent words were spoken. Because of the essential spiritual unity of an object, its representation, and the words that describe and name it, the Egyptians considered invocation offerings to be fully as effective and fully as valuable as physical offerings. Invocation offering is a genuine, traditional Egyptian form of offering.

Isis and the Egg

Spring! So many flowerbeds to weed... — Spring! So many flowerbeds to weed…

Many blessings of the Equinox to you.

Ahhh, light finally balances dark. Things are stirring, stirring, stirring everywhere. The flowerbeds and backyard in general are screaming for my attention.

Even in this weird time of pandemic that we are living through, I am blessed in that my Equinox is full with rituals and people…even if they are still all on zoom.

So this post is a repost about Isis and the egg. It seems right…and I still do get a bit melancholy in the spring. Hopeful, but a little bit melancholy, too.

Do you know what I mean?

Beautiful Robin's egg blue eggs — Beautiful Robin’s egg blue eggs

Sometimes, when I’m feeling like this, I’ve found that it can be a sign that I’ve drifted a bit from my core—from Her—and that what I really I need to do is to reweave our connection. Rather than expanding as the flowers of spring so beautifully urge us to do as they break forth from the dark and muddy womb of the earth, what I need to do is pull in a bit.

Fortunately, in addition to spring’s pink, yellow, and purple floral heralds, there is another springtime symbol that is almost as ubiquitous and which may be more appropriate to my inward-turning state of mind: the egg.

Like human beings always have, the ancient Egyptians knew and valued this important symbol. Indeed, one of the euphemistic names for the innermost sarcophagus (the one right next to the mummy) was “the egg.” For them, the coffin was merely the eggshell protecting human beings until they were ready to break free and be reborn as a Shining One among the Deities.

Geb, father of Isis, with the goose upon His head

As daughter of Geb (the Earth God, one of Whose symbols is the goose), Isis is called “the Egg of the Goose.” Yes, I know. God. Egg. But it is what it was, and, by tradition, Isis is the Divine Egg of Her father.

Yet Isis is a Bird Goddess Herself and has eggs of Her own, most notably Horus and the Horus-king. In the Pyramid Texts, Isis discusses with Nu, the God of the primordial abyss, how the king will be reborn by breaking out of his egg. (Remember that this is the name for the innermost sarcophagus.) First Nu states that Isis has borne and shaped the king within the egg, then asks how the Deities shall break the egg so that he can be reborn.

Isis answers, telling Nu about all the Divine help the king will get and eventually declaring, “Behold, the king is in being; behold, the king is knit together; behold, the king has broken the egg.”

An egg-filled nest from Tutankhamon's tomb — An egg-filled nest from Tutankhamun’s tomb

After breaking out of his egg, the king is reborn, flying up from the nest like a young bird beneath the watchful gaze of his mother Isis. We find these kinds of references to the deceased as a chick in the egg throughout the funerary texts.

As they are for us, eggs were a primary food for the ancient Egyptians. So naturally, eggs were given to both Deities and the dead as food offerings. We also find examples of decorated ostrich eggs in some tombs.

Even in the later period of Isis worship, eggs continued to play their part. When Apuleius describes the purification of the Isis ship during the Navigium Isidis, he says that fire, sulfur, and an egg were used.

While fire and sulfur are common instruments of purification, some scholars think the egg was added because of the importance of the egg in Egyptian symbolism.

But right now—where we are right now—the egg is not yet cracked. It lies with its spring-colored companions in the grass-filled woven nest. The chick is yet quiescent. Perhaps that chick, that Isis-kite-to-be, is me. If you like, it can be you, too.

For while everything around us seems to be breaking out of its the shell, we are still within ours, humming our pre-birth song, dreaming of our Mother, still feeling Her warmth around us.

Black kite chicks hatching from their eggs; image © Jose Luis Gomez de Francisco / naturepl.com, from Arkive.org

We breathe, slowly and carefully, our eyes closed. We put our left forefingers to our lips and let is rest there. Is this the gesture of a child sucking on its finger? Is it a gesture of silence as later devotees of the Goddess believed? It doesn’t matter. It is a gesture that brings us in and quiets us. We envision the eggshell surrounding us, protecting us, as we prepare for our own true awakening of spring.

But for now, for now, we simply float in our egg, feeling the warmth and the presence of Our Mother Isis. Her feathers cover us. She protects us. She is infinitely patient as She awaits our birth. It will take exactly as long as it takes. She has all the time in the world to wait for us.

And as we feel Her infinite patience, we are also aware of the living cord that connects us to Her, an umbilical woven of magic that is the bond between us. This is the sacred magic of the Knot of Isis, the bond that connects the Great Goddess Isis with all Her children, whether they are within the egg or have already struggled out of their shells and are emerging in all their bewildered beauty.

But at some point, for us, the time comes. We are at last ready. We shift and try to spread our wings. We peck at the eggshell about us, cracking it. Light comes forth as we break free, emerging from the warm confinement of the egg into the pale, damp-bright, flower-scented air of spring.

As we shake off the last bits of shell, Isis cries out for us: “Behold, you are in being; behold, you are knit together; behold, you have broken the egg!”

Isis’ name with the egg determinative that indicates “Goddess”

Magical Images & Our Lady of Magic

As with so many things in Egyptology, there’s controversy surrounding the many female figurines that have been found throughout Egypt and spanning its long history.

The old gentlemen of early Egyptology initially guessed that the nude females and paddle dolls, a number of them found in tombs, were “spirit concubines” for deceased Egyptian men. (However, the fact that they have been found in the tombs of women and children, too, throws a significant monkey wrench into that interpretation.)

Female figurines in Egypt

These images are also commonly interpreted as general “fertility symbols.” This makes sense due to the emphasized sexual characteristics of many figurines and the connection with the child in others, as well as the fact that a number of them seem to have been given as votive offerings to the Great Goddess Hathor, one of Whose concerns is fertility. (It should be noted that Hathor also received what one Egyptologist described as “baskets full” of clay phalluses.) Another cache of these images that has received study come from the temple precinct of the Great Mother Mut. Of the small handful of votive images that include inscriptions, all are requests for children. In addition to temples and tombs, these figures have also been found in ancient homes and in domestic shrine settings.

There are some other interesting ideas as well. One that I hadn’t come across before is the idea that the paddle dolls are related to a specific type of royal and sacred musicians and dancers.

Paddle dolls

Paddle dolls are flat images with truncated arms, no legs, an emphasized vulva, decorative painting on the body, big hair—and sometimes no head, just an abundance of beaded hair. (See more on the magical importance of Isis’ hair here.) They were first called paddle dolls because of the flat, paddle-like body shape and dolls because they were thought to be toys; some even looked to the archeologists like they had been played with by a child. The largest number of paddle dolls have been excavated from the cemeteries around Thebes in Egypt.

In a paper on the subject, Ellen F. Morris follows a variety of very interesting lines of evidence to conclude that the paddle dolls were meant to be representations of the khener-women. Members of the khener were once thought to be part of the pharaoh’s harim, but now understood to have been skilled and respected musicians and dancers. Married women and men could also be part of a khener. The khener could be connected to the royal household, to temples of the Deities, and to mortuary temples. When associated with the temples, it seems reasonable to think of them as priest/esses of music and dance.

On several of the paddle dolls and on a number of examples of the female figurines, cross-shaped marks were found on the upper body. Some researchers have correlated these cross marks to similar cross marks seen on the bodies of partially nude female mourners in some New Kingdom tomb paintings. In some of these, two of the women are specifically identified as Isis and Nephthys. Some scholars have theorized that the partial nudity may refer to Isis’ use of Her arousing sexuality to help bring Osiris back to life. This strengthens the argument that at least some of the female figurines were tools of resurrection, imbued with the arousing power of Isis. This ability of the nude or partially nude figures to induce (male, heterosexual) arousal may hold a key to the reason why they may be considered fertility figures. For potency—in life or after life—the male must be aroused and the female must arouse him.

Magical images

We also find images of Isis used in relation to healing from snakebite. A spell in the Turin Papyrus (First Intermediate Period) instructs the ritualist to use “this clay of Isis that has come forth from under the armpit of Selket” to ward off a snake. In this case the spellworker is to enclose a knife and a particular herb within the clay. We can’t be completely sure whether the “clay of Isis” was in the form of Isis or used to form an image of the Goddess. Some scholars think so and that the spell in full should read “this clay figure of Isis.”

Images of the nursing woman

It’s also excellent magical practice. Modern magicians would call it adding “correspondences” to the rite. Colors, stones, herbs, and symbols that relate to the ritual purpose can be used to help the magic worker “tune in” to the divine powers that can assist in accomplishing the magic of the rite. In the case of the nursing woman images, our ancient Egyptian might be tuning in to the nurturing or protective powers of Isis.

Isis, Our Lady of the New Year

This is a revised repost, dear Isiacs…and a little earlier than my usual Sunday posts. But don’t click away. There’s a secret here that all who love our Goddess should know.

In fact, I repost this every year because an amazing stellar event happens worldwide on our modern New Year’s Eve. And I want you to be a part of it.

You see, SHE is visible throughout the world in a striking way at New Year. So for those of us who see Isis in the light of Her beautiful star, every New Year’s Eve is special.

Why?

Because the Star of Isis reaches its highest point in the night sky at midnight on New Year’s Eve. In the Northern Hemisphere, look toward the south, and you’ll easily see Sirius shining there around midnight. In the Southern Hemisphere, look overhead or high to the north at around midnight. She will be there. Glittering and gleaming in the depths of the night sky…

This means that the Star of Isis can be our New Year’s Star just as the heliacal rising of Sirius was the Star of the New Year for the ancient Egyptians. I find this fact to be a small miracle, a gift of the Goddess that we can unwrap every New Year’s Eve. (For some Sirius science, look here.)

While some may see Isis in the pale, magical light of the moon. And others may see Her in the golden, life-giving rays of the sun. (I do find Her in both those places; oh yes, yes, yes.) But for me, the heavenly body in which I most easily see Her is the star, Her star: Sirius (Sopdet in Egyptian, Sothis in Greek).

The Star of Isis is at its highest point in the night sky right now

I can’t help it. And it isn’t just because of Her strong ancient connections with the Fair Star of the Waters, the Herald of the Inundation. It’s something about the way my particular spiritual “stuff” fits with Her particular Divine “stuff.” Her diamond starlight draws me, lures me, illuminates my heart and mind.

I fell in love with Her as Lady of the Star the first time I saw Sirius through a telescope (thank you, Alana and John). As I watched, Her brilliant star sparkled with rays of green and blue and pink and white. It was incredibly, unutterably beautiful. It was alive. And pure. And holy.

You may already know why Sirius was important to the ancient Egyptians, so I won’t repeat that here. But I would like to add a few interesting bits about Sirius that you may not know; in particular, the orientation of some Egyptian temples and shrines to Sirius at the time of their construction. For instance, the small Isis temple at Denderah and Isis’ great temple at Philae seem to have been oriented toward the rising of Sirius. Philae may even have a double stellar orientation: one axis to the rising of Sirius, one to the setting of Canopus.

Iset-Sopdet following Sah-Osiris in Their celestial boats

Overall, Egyptian temples have a variety of orientations. A survey team in 2004 to 2008 actually went to all the temples in Egypt and measured their orientations. They showed that most temples were oriented so that the main doorway faced the Nile. But not only that. It seems that the temples were also oriented toward other astronomical events, most especially the winter solstice sunrise, which makes very good sense as a symbol of rebirth.

Orientation to Sirius is rarer and harder to be certain of since the earth’s position in relation to the stars has shifted over the millennia.

A Horus temple, called the “Nest of Horus” on the summit of the highest peak of the Hills of Thebes, seems to have been oriented to the heliacal rising of Sirius around 3000-2000 BCE. Nearby, an inscription carved in rock during the 17th dynasty records the observation of just such a rising of Sirius. This high place would have been ideal for Horus in His nest to await the coming of His mother Isis. On the other hand, the archaeo-astronomers who did the survey I mentioned believe that it may also be oriented to the winter solstice sunrise, an event closely associated with Horus.

The ancient Temple of Satet at Elephantine, nestled amid the boulders

Another temple that may have a Sirius orientation is the archaic temple of the Goddess Satet on the island of Elephantine. The original temple was built amidst the great boulders on the island and really is quite simply the coolest temple ever. It seems that when it was built (around 3200 BCE) the rising of Sirius and the rising of the winter solstice sun were at the same place—so it could have been built to accommodate both important astronomical events.

After the initial study, the same team followed up with a survey (in 2008) of some temples in the Fayum that they hadn’t been able to study before as well as temples in Kush. They found generally the same results except for the Nile orientation as many of these temples were built far away from the river. They made note of a son of a Priest of Isis, Wayekiye, son of Hornakhtyotef, who was “hont-priest of Sothis (Sopdet) and wab-priest of the five living stars” (the planets) and “chief magician of the King of Kush;” this according to an inscription on Isis’ temple at Philae dating to about 227 CE. This emphasizes the importance and sacrality of the study of celestial objects and events to the kingdom and it is quite interesting that this was the work of the Chief Magician. This 2008 study revealed that the largest number of Kushite temples and pyramids were oriented to either the winter solstice sunrise or the rise of Sirius.

Sopdet rising — The star Sopdet over the head of the Goddess

Another interesting thing the study found was that by the time of the New Kingdom, in the 34 temples that were unmistakably dedicated to a Goddess—specifically Isis or a Goddess identified with Her—the most important celestial orientation point was the rising of Sirius. But, in addition to Sirius, the star Canopus was also a key orientation point. According to their data, Goddess temples in general were more frequently aligned with these very bright stars, Sirius and Canopus, while God temples were more often oriented to key solar-cycle events.

The New Year has always been a time of reorientation and renewal, of oracles, portents, and purifications. As Sopdet, the Ba or Soul of Isis, shines down on us from its highest vantage point, now is a perfect time to undertake our own personal rites of renewal and reorientation. It is a time of clarity as we bathe in Her pure starlight, a time when we may ask for Her guidance.

Whatever your favorite divination method, why not do a reading for the New Year while She rides high in the sky?

Or, if you like a more ritualized oracle, try “The Rite of Loosing the Eyes” in Isis Magic. It is a winter rite in which you purify yourself and your temple, then ask Isis and Nephthys as the Eye Goddesses Who Go Forth to bring you news of what the New Year has in store. And May They bring us good news for 2021 after the year we have all been through.

Amma, Iset. May it be so, Isis.

From the Northern Hemisphere, look toward the south, and you’ll easily see Sirius shining there at around midnight. From the Southern Hemisphere, look overhead or high to the north at around midnight.

Isis the Great Re-Enchantress

Golden Isis by Jane Marin. You can buy a copy here. — Golden Isis by Jane Marin. Jane no longer has this art on her site, but see other work here.

I missed a post last week, because like so many of us right now, frankly, I was a bit down. Yet, in times like these, when the glamour is off…well…just about everything, this, this is when we need Her more than ever. Isis, the Great Enchantress.

If you’re like me, your social feeds are filled right now with people wanting, longing—demanding even—to celebrate the magic of sad-sweet-mysterious and beautiful October. Our hearts cry out for magic. We need the re-enchantment of our world.

Yet the heart-cry for re-enchantment is not new. We human beings have long complained about the world’s disenchantment. German sociologist Max Weber famously decried it in the early 1900s and before him Freidrich Schiller in the early 1800s. No doubt the discussion goes back much farther than that, too.

I first read the term in the work of Thomas Moore, a psychotherapist, former monk, and spiritual writer. His books, Care of the Soul and The Re-Enchantment of Everyday Life, were best sellers, which tells us that there are many of us longing to bring the enchantment back. As steps toward re-enchantment, Moore calls us to get away from our self-centeredness and experience the Other, to relinquish some of our literalism to become more poetic, to get out in nature, and to seek out Mystery.

The enchantment of everything—the magic in everything, the magic OF everything—is one of the things I most admire about [probably my personal fantasy of] ancient Egypt, as least as far as we understand it. I love Jeremy Nadler’s interpretation in his book, Temple of the Cosmos, when he writes about the “interpenetrating worlds” of the ancient Egyptians. Spiritual realities are immediate and present because the spiritual world interpenetrates the earthly: “for the ancient Egyptian, a metaphysical world poured into the physical, saturating it with meaning.” Yes. Yes. YES!

My own quest for enchantment is one reason why I describe my spiritual path as Sacred Magic. In practice, this encompasses everything from simply chanting for Isis to a wide range of the expressions of modern Hermeticism (which indeed has its oldest roots in ancient Egypt), including the theurgic rites of magic that are intended to grow our souls and spirits. Of course, it also explains, at least in part, my attraction to Isis, Great of Magic and the Great Enchantress.

Who else would be the Goddess of Re-Enchanting the World but the Great Enchantress Herself? Yet when we see the title in older English translations, “Isis the Great Enchantress” usually translates Iset Werethekau, which we have discussed here. It seems to have been preferred by some of the Old Gentlemen of Egyptology who were perhaps a bit uncomfortable with the squirmy idea of magic and wanted a kinder and gentler epithet for the admirable Goddess Isis.

A badass magic-wielding Isis inspired by the game Smite; this piece is by KalaSketch.

But enchantment has a long magical history. It comes from the idea that acts of magic are often sung or chanted or accompanied by singing or chanting. To be enchanted is to be affected by the magic carried in the chant or song. About 1300 CE, the word enchantment came into English from Old French, which got it from Latin incantare, “to sing into.”

Isis often activates Her magic by voice. The “Hymn to Osiris” in the Book of Coming Forth by Day says of Isis:

She recited formulæ with the magical power of her mouth, being skilled of tongue and never halting for a word, being perfect in command and word, Isis the Magician avenged her brother.

A papyrus in the Louvre says:

Isis. . .who repels the deeds of the enchanters by the spells of her mouth.

And a healing formula in the collection of the Greco-Egyptian Magical Papyri says the spell will be successful

…according to the voice of Isis, the magician, the lady of magic, who bewitches everything, who is never bewitched in her name of Isis, the magician.”

In the second example above, Professor Robert Ritner, who has studied Egyptian magic and its vocabulary extensively, translated the Egyptian word shed-kheru as “enchanters.” “Shed” means “to enchant” and “kheru” is “coming/going forth” as in peret kheru, an invocation offering, the “going forth of the voice.” Shed-kheru then is something like “those who send forth enchantments by voice.” Shed seems to have been a specialized form of “to recite” and was used both in magical formulae and in temple ritual texts. When the Creatrix Goddess Neith spoke the cosmos into existence, She shed, “recited,” Her akhu, “spells.”

Especially on His healing cippi, Horus is sometimes called Horus-Shed, “Horus the Enchanter.” And yes, you are way ahead of me again. Of course, Isis, too, is called The Enchanter. In Her case (feminized), it is Iset ta Shetyet. In fact, we have a handful of instances of that name being applied to Isis. And so it seems that Isis is indeed The Enchantress and I shall have to retract my previous snark at the Old Gentlemen.

Chanting, singing, and music were a vital part of the worship of the ancient Egyptian Deities. By the time of the New Kingdom, the most common sacred title for women was Chantress or Singer of the Deity. These priestesses served both Goddesses and Gods, providing the songs and music that raised and channeled the energy of the sacred rites.

The Mereti, a dual form of Merit, one for upper and one for lower Egypt

The Divine archetype behind this ritual role was the Goddess Merit or Meret, Whose name means “The Beloved.” With Her song, music, and magical gestures, Merit took part in the Creation. Daily, Her song greets the dawn and in kingship rites Merit encourages the king to bring good things to his kingdom, commanding him to, “Come, bring!” In this role of speaker and singer, Merit and the priestesses who represented Her—and in some cases, bore Her name as a title—were called “Great of Praise.” This was not meant to indicate that the priestess herself was praiseworthy (though she may have been). Instead, it meant that her praise—that is, the hymns she sang and the words she spoke—were words that had effect. Just as the words of Isis, the Lady of Words of Power, are ritually efficacious, so the words of Merit are ritually efficacious.

Much of the magic of the ancient Egyptians was focused on the idea of renewal, rebirth, and reconnecting to the perfection of the First Time. For us today, perhaps we should add a fourth to those three r’s: re-enchantment. As we work to renew and restore the world around us, it may be that our inner work is to renew our own magical perception of the world, re-enchanting ourselves from the inside out. And I’m quite sure that a chanted incantation to Isis the Enchantress wouldn’t hurt either.

Isis & the Dark Night of the Soul

A depiction of the Dark Night of the Soul: Ce Que Je Suis by angelitonegro on Deviant Art

With the world seemingly crumbling about our ears, we have very good reasons to be depressed. This is a hard year. A very hard year. And it most certainly can affect our practice. Yet it is just such times as these that we need our practice. We need our Deities. We need one of the key tools of the devotee of Isis: hope. With that in mind, I am republishing this post on the Dark Night of the Soul…

I read a short blog post the other day that made me sad…and sympathetic. It was by a young woman who felt she had lost the mystery of her Pagan path. The power of the rites had flown. She doubted. Her anguish was palpable in what she wrote.

This may have been the first time that had happened to her.

Yet I can guarantee that, if we follow any spiritual path for a sufficient length of time, this same thing will happen to each of us. At some point, the mystery dries up. The excitement dies down. The thrill of discovery is not as thrilling as it once was. Usually, this doesn’t happen all of a sudden and usually not in the early part of our journey with Isis. Rather, it’s a slow erosion that we don’t even notice. We just don’t feel like tending Her shrine or meditating or making offering today. We find we have other things to do. Practice slips away. That wonderful sense of Isis being with us in every step of our lives slips away. But we hardly notice.

Isis giving sustenance to the ba in the Otherworld

Until we do. Notice, that is. Then, we might panic a bit. Especially if we have chosen a priest/essly relationship with Isis. O my Goddess, O my Goddess, O my Goddess! What happened? Where is She? What have I (not!) done?

If we’re not careful—and forget to breathe—thoughts and feelings can quickly escalate from there. Why am I even doing this? What if it’s all a lie? Where is She? Where is She? Where is She? We ask questions, but get no answers. It isn’t like it was before. We don’t seem to be who we were before, either. We may feel like strangers to ourselves just as we feel like strangers to Isis. We feel alone, cut off from the Goddess, perhaps even cut off from other human beings and from other pleasures in our lives.

The first thing we must understand about such periods in the spiritual life is that, though we feel desperately alone, we are not. Spiritual people throughout the ages have had this experience; all the way back to prehistory I’d be willing to wager. There’s even a term for it, a term you probably know. It’s the “dark night of the soul,” which is the title of a poem and a treatise written by the 16th century Christian Mystic known as Saint John of the Cross. He writes of it as a necessary part of the soul’s journey to union with God. The phrase is so perfectly evocative that it has been adopted by many spiritual traditions today.

There’s even an ancient Egyptian precedent. It’s generally known as A Man Tired of Life in Dispute with His Soul (Ba) and is found in Berlin Papyrus 3024. The papyrus itself has no title. What we have left is the last part of the work; the first part is missing. In it, a scribe is arguing with his ba, trying to convince his ba to die with him. The man berates himself and declares the world around him to be a horrible place. The ba argues that the scribe should live and die only when it truly is his time. Egyptologists consider the papyrus very obscure and difficult. As a result, there are many different translations of the papyrus and they differ widely in their interpretation.

We do not know the purpose of the papyrus or the exact period to which it is dated. Most scholars put it in the First Intermediate Period, a time of confusion between the Old and Middle Kingdoms. Some have theorized that the author’s despair is a reflection of the chaos of that Intermediate Period. Bika Reed, who is of the Schwaller de Lubicz school of Egyptology, has interpreted it as an initiatic text, essentially dealing with the dark night of the soul.

We don’t know for sure, but the point is, this happens to us—and it has always happened. But what do we do when it happens?

I can tell you that I have had more than one dark night of the ba in my life with Isis. I have learned that patience and persistence are the keys to survival (as they are in so much of life). In these dark and dry places, we must be patient with ourselves and with the Goddess; we must persist in our practice. Even if we don’t feel anything happen when we meditate with Isis or when we place flowers upon Her altar, we must continue to do so. But we must also give ourselves a break. It’s okay if we don’t feel anything right now. It doesn’t mean Isis has abandoned us. It only means we are in a period of transition, even of initiation. Some consider a dark night to be part of the process of ego death that must precede a deeper relationship with the Divine, in our case, with Isis.

We may even give ourselves another type of break. If it had been our practice to meditate daily, perhaps we do so once every few days or once a week. That’s okay, too. The important thing is not to stop altogether, even if the sense of connection isn’t there. We just persist. Eventually—in a month, or even a year—something will change. The shell surrounding our hearts will crack. Like the Child Horus, our hearts will struggle out of the egg and be born. Eventually, we will return to our practice and find that it, too, is transformed. It is deeper, richer, juicier.

Held in Her wings, we are Becoming, even when we don’t know it.

Isis Rising 2020

One of my favorite tarot images, Isis as The Star in the Ancient Egyptian Tarot by Clive Barrett — One of my favorite tarot images: Isis as The Star in the Ancient Egyptian Tarot by Clive Barrett

It is getting to be that time. That time when She rises early, early in the dawning light. This is known as the “heliacal rising of Sirius” and it’s the best thing that happens in August as far as I’m concerned. While everything else starts to crisp in the late summer heat, I am refreshed in Her rising power.

Now some of you may be saying, “wait, wait, I thought that happens in July.” It could. When you are able to see Her heliacal (“before the sun”) rising depends on where on this globe you are.

Here in Portland, Oregon in 2020, Sirius rises at 4:34 in the morning of August 22rd. Further south, She rises earlier. It all depends on your latitude, you see. You can calculate Her rising in your area with this online calculator. Then, if you’d like to celebrate Isis’ birthday, it would be two days before the rising of Sirius, in my case, August 20. So Isis is a Leo (at least at this latitude.) And well, She is Isis-Sakhmet, after all.

Of course, some people see Isis in the pale, magical light of the moon. Or in the golden, life-giving rays of the sun. I do find Her there, yes…

But for me, the heavenly body in which I most easily see Her is the star, Her star: Sirius (Sopdet in Egyptian, Sothis in Greek). And it isn’t just because of Her strong ancient connections with the Fair Star of the Waters, the Herald of the Inundation. It’s something about the way my particular spiritual “stuff” fits with Her particular Divine “stuff.” Her diamond starlight draws me, lures me, illuminates my heart and mind.

I fell in love with Her as Lady of the Star the first time I saw Sirius through a telescope. As I watched, Her brilliant star sparkled with rays of green and blue and pink and white. It was incredibly, unutterably beautiful. It was alive. And pure.

Likely, you already know why Sirius was important to the ancient Egyptians, so I won’t repeat that here. But I would like to add a few interesting bits about Sirius that you may not know about; in particular, the orientation of some Egyptian temples and shrines to Sirius at the time of their construction. For instance, the small Isis temple at Denderah and Isis’ great temple at Philae seem to have been oriented toward the rising of Sirius. Philae may even have a double stellar orientation: one axis to the rising of Sirius, one to the setting of Canopus.

Overall, Egyptian temples have a variety of orientations. A survey of temples taken between 2004 and 2008—that actually went to the temples in Egypt and measured the orientation—showed that most temples were oriented so that the main entrance faced the Nile. But not only that. It seems that the temples were also oriented toward other astronomical events, most especially the winter solstice sunrise, which of course makes very good sense as a symbol of rebirth.

Orientation to Sirius is rarer and harder to be certain of since the earth’s position in relation to the stars has shifted over the millennia.

A Horus temple, called the “Nest of Horus” on the summit of the highest peak of the Hills of Thebes, seems to have been oriented to the heliacal rising of Sirius around 3000-2000 BCE. Nearby, an inscription carved in rock during the 17th dynasty (1580-1550 BCE) records the observation of just such a rising of Sirius. This high place would have been ideal for Horus in His nest to await the coming of His mother Isis. On the other hand, the archaeoastronomers who did the survey I mentioned believe that it may also be oriented to the winter solstice sunrise, an event closely associated with Horus.

The original temple of Satet on Elephantine; made of mudbrick nestled among the natural boulders

After the initial study, the same team followed up with a survey (in 2008) of some temples in the Fayum that they hadn’t been able to study before as well as temples in Kush. They found generally the same results except for the Nile orientation since many of these temples were built far away from the river. They made note of a son of a Priest of Isis, Wayekiye, son of Hornakhtyotef, who was “hont-priest of Sopdet” and ”wab-priest of the five living stars” (the planets) and “chief magician of the King of Kush.” This is from an inscription on Isis’ temple at Philae dating to about 227 CE. It emphasizes the importance and sacrality of the study of celestial objects and events to the kingdom and it is quite interesting that this was the work of the Chief Magician. This study revealed that most Kushite temples and pyramids were oriented either to the winter solstice sunrise or the rise of Sirius.

Another interesting thing the study found was that by the time of the New Kingdom, in the 34 temples that were unmistakably dedicated to a Goddess—specifically Isis or a Goddess associated with Her—the most important celestial orientation point was the rising of Sirius. But, in addition to Sirius, the star Canopus was also a key orientation point. According to their data, Goddess temples in general were more frequently aligned with these very bright stars, Sirius and Canopus, while God temples were more often oriented to key solar-cycle events. Isn’t that interesting?

On the horizon, She rises, with Orion/Osiris above

If you are, as I am, feeling the anticipation of Her rising later this month, you might like to do some ritual. The Opening of the Ways is always good. You could use it as an invitation to Her. Or try a simple meditation, allowing yourself to yearn for Her coming. Waiting for Her and wanting Her is sometimes a very good exercise. You might set out a vessel of water (a shiny silver one is nice) on the night of Her rising, let it be charged with that rising energy in the dawn, then use it as part of your holy water for purification. I have just such star water that I use waiting in my shrine right now.

Bodies, Sexuality, Strength, and Badass Sorcery

I rarely post anything political on this blog. That’s not what it’s for. But sometimes—like when your city has been invaded by goon squads kidnapping citizens—it’s hard to write about anything else. And so, for a lead-in to today’s post about ancient Egyptian sexuality and Isis, I am proud to introduce you to “Naked Athena.”

THIS. This is why I love this city. This is the power of a vulnerable, naked human body. This is the power of Art.

Portland protestor calls out police in a stunning display of what one Twitter poster called “badass sorcery.” Damn right, it was. In confusion, the cops actually backed off after this. See more here.

Now, here’s another photo of the same kind of vulnerable power:

This is Ieshia Evans. Learn more about Evans and that protest here. (Photo info: A demonstrator protesting the shooting death of Alton Sterling is detained by law enforcement near the headquarters of the Baton Rouge Police Department in Baton Rouge, Louisiana, U.S. July 9, 2016. REUTERS/Jonathan Bachman)

What is the difference between the stories of these two photos taken four years apart? Naked Athena was not arrested for her protest (nudity is officially illegal in Portland, but court rulings have made exceptions for protests). Ieshia Evans was. It is blatantly obvious that there’s a lot of justice work to be done, folks. Ma’et calls us to it and Black Lives Matter.

Deep breath.

Of course, we do not always use our naked and vulnerable bodies for powerful protest. And so today I also bring you…

Sexuality, Sacred Sexuality & Isis, Part I

If you’ve ever looked into the topic of ancient Egyptian sexuality, you’ll know that they were pretty comfortable with sexuality. Sex was part of the great cycle of creation, life, death, and rebirth. You’ve no doubt read some of the famous ancient Egyptian love poetry with passionate lines like these:

Egyptians...having sex! — Part of an Egyptian erotic papyrus

“Your love has penetrated all within me, like honey plunged into water.” “To hear your voice is pomegranate wine to me—I draw life from hearing it.”

As well as some that are an appreciation of the sheer physical beauty of the beloved:

Of course the lotus was a symbol of sexuality — Yes, of course the lotus was a symbol of sexuality!

“Sister without rival, most beautiful of all, she looks like the star-goddess, rising at the start of the good New Year. Perfect and bright, shining skin, seductive in her eyes when she glances, sweet in her lips when she speaks, and never a word too many. Slender neck, shining body, her hair is true lapis, her arm gathers gold, her fingers are like lotus flowers, ample behind, tight waist, her thighs extend her beauty, shapely in stride when she steps on the earth.”

We have such poetic passion from the perspective of both the woman and the man. Before marriage, young men and women seem to have had freedom in their love affairs. After marriage, fidelity was expected, though it went much worse for the woman—including death—if she was caught in infidelity.

The ancient Egyptians present a puzzling picture when it comes to homosexuality. On one hand, we have copies of the negative confession in which the (male) deceased declares that he has not had sex with a boy. Because he had to declare it, can we assume that some men were having sex with boys? That I do not know. The only reference to lesbianism comes from a dream-interpretation book in which it is bad omen for a woman to dream of being with another woman. And most references to man-on-man sex refer to the rape to which a victor may subject the vanquished enemy.

Royal servants and confidents of the king...and most likely, a gay couple. — Royal servants and confidents of the king…and most likely, a gay couple.

And yet we have two instances of what seems to indicate a consensual homosexual relationship that seem to be okay: King Neferkare goes off with his general and it is implied that they do so for sex. We also have the tomb of what used to be called The Two Brothers. More modern researchers have suggested that the men, who were royal servants and confidents, were a gay couple. This is based on their tomb paintings, which show them embracing each other or in placements usually reserved for a husband and wife. The men are shown with their children, but their wives, the mothers of the children, are very de-emphasized, almost to the point of being erased. Some scholars say, yes, they probably were a gay couple, other say no.

Yet I want to talk not about ancient Egyptian sexuality in general, but about sexuality and religion, and especially sexuality in relation to Isis.

Temple Prostitution? Nope.

First, let us put the whole “temple prostitutes” thing right out of our heads when it comes to Egypt. There is no evidence of the practice in Egypt. Yes, I know. It was very exciting for the old gentlemen to contemplate the ever-so-Pagan goings on in those richly colored temples in days of old. But it may not have been quite how the old gentlemen envisioned it. (Please see my kindly rant on the old gentlemen of Egyptology here.) In fact, the one specific reference comes from the Greek geographer and historian Strabo (64 or 63 BCE-24 CE). Here’s the passage in its Loeb 1930s translation:

“…but to Zeus, whom they hold highest in honor, they dedicate a maiden of greatest beauty and most illustrious family (such maidens are called ‘pallades’ by the Greeks); and she prostitutes [or “concubines,” pallakeue] herself, and cohabits [or “has sex” synestin] with whatever men she wishes until the natural cleansing of her body takes place; and after her cleansing she is given in marriage to a man; but before she is married, after the time of her prostitution, a rite of mourning is celebrated for her.” (Strabo, Geographies, 17.1.46)

Well, it’s right there, ain’t it? But let’s take another look. The keys are the Greek word pallades that Strabo says the Greeks called such maidens, its relation to another Greek word, pallakê, and how it was translated, and the old gentlemen who did the original translating.

Pallades means simply “young women” or “maidens.” As in Pallas Athena. Virginity is often implied, but it doesn’t have to be. Pallakê originally meant the same thing; a maiden. However, pallakê had long been translated as “concubine” due to contextual evidence in some non-Egyptian texts. A highly influential scholar of near eastern and biblical texts, William Mitchell Ramsay—one of our old gentlemen, indeed—took the term to mean “sacred prostitute” and so-translated it when he first published these non-Egyptian texts in 1883. He based the translation on his own belief in ancient sacred prostitution and two Strabo passages: one about Black Sea sacred prostitutes and the one about the pallades we’re discussing. Ramsay was so influential that his definition became the reigning one. THE Greek-English dictionary, by Liddell and Scott, had “concubine for ritual purposes” as the first definition of pallakê. Now it is the second one.

"Offering to Isis" by Sir Edward john Poynter, 1866; more like our young palladê? — “Offering to Isis” by Sir Edward John Poynter, 1866; more like our young *palladê* perhaps?

A non-sexualized translation of the Strabo passage has been made by Stephanie Budin in Prostitutes and Courtesans in the Ancient World, edited by Christopher Farone and Laura McClure. Here it is:

“But for Zeus [Amun], whom they honor most, a most beautiful maiden of most illustrious family serves as priestess, [girls] whom the Greeks call ‘pallades’; and she serves as a handmaiden and accompanies whomever (or attends whatever) she wishes until the natural cleansing of her body; and after her cleansing she is given to a man (or husband); but before she is given, a rite of mourning is celebrated for her after the time of her handmaiden service.”

Sounds quite different, doesn’t it? Would it not be more likely that a highborn girl who has not yet had her period would serve as a handmaiden in the temple, attending whatever rites she wishes—perhaps even getting an education—until she proves herself marriageable by having her first period, rather than expecting an inexperienced girl to immediately start having sex with “whomever she wishes”? (And who would that be in the temple; the priests who were required to abstain from sex during their temple service?) Even the “rite of mourning” is explicable as a kind of farewell to childhood that the young woman would celebrate with her fellow handmaidens and priestesses as she left the temple to take up her married life.

What’s more, sex in an Egyptian temple was taboo. Even Herodotus knew of the prohibition against sex in Egyptian temples when he says that the Egyptians were the first to make it a matter of religion not to have sex in temples and to wash after having sex and before entering a temple. (Histories, 2.64)

Alternatively, Budin wonders whether Strabo might have been hearing stories about the Divine Adoratrice or God’s Wife of Amun, powerful and high-ranking priestesses of the centuries before Strabo’s visit. But at least in the later dynasties, these priestesses were celibate and tended to rule long past their first menstrual period.

Sacred Sexuality? Yep.

Well. This post is long enough for today—and haven’t even gotten to Isis yet. So we’ll do that next time with more on sexuality in Egyptian religion…and we will indeed get to Isis.

Big Magic: Communing with Goddess Isis

An artistic representation of Kheperu by Steffi Grant; note the human inside the figure of Horus

The Key to Egyptian Magic, Part 3

We’ve been talking about what I call (for lack of a known ancient Egyptian term for it) Kheperu, “Forms” or “Transformations.” It is a way of taking the imaginal Form or Image of a Deity upon ourselves and—for a specific, limited period—thus Transforming ourselves into the Deity; in this case, Isis.

It’s not exactly the same thing as trance possession or “being ridden” by a Loa, as in Voudon. In the case of Kheperu, the ritualist does not lose their own consciousness. Rather, consciousness is expanded. Assuming a Kheper (sing.) is more like stepping into a stream of Divine power, more like being carried than carrying.

When successfully done, Kheperu puts us in touch with a deeper wisdom that serves as guide in any act of magic, mundane or spiritual. It means no more—and no less—than placing the Divine part of ourselves in contact with a greater Divine power. In this way, we “become” the Goddess. The potential that this offers for spiritual development as well as for practical magic is immense.

Kheperu has been around for a VERY long time; this is the famous cave painting believed to be a shaman in the Kheper of a stag — Kheperu has been around for a VERY long time; this is a drawing of the famous cave painting believed to be a shaman in the Kheper of a stag. The human hands, feet, and face are the clue.

People differ in what they believe a Kheper or—as it is often known in modern ceremonial magic—a God/dessform is. Some consider it to be a purely human psychological construct. Some consider the imaginal Form to reflect an archetype, which in turn, reflects a Divine Reality. Most will consider a Kheper to be a little of both—a sacred and enlivened image to which both humanity and Divinity contribute.

I’ve seen some folks using the term “Godform” in a way that suggests that the Form is somehow the whole Divine Being; that “Godform” is just another, perhaps more technical, word for God. Nope. The Form is just that: a form. It is an interface that human beings can use to connect with some part of the Truth of a Deity. I’ve also seen some criticism of using the term “energy” to talk about what we sense in the presence of a Deity as being a bit too new age-y. However, I find it a useful metaphor, so I’m going to continue using it. Feel free to substitute your preferred term if it’s not to your liking.

To me, a Kheper is an image that interprets the Divine energy of a particular Deity or aspect of the Deity to us as human beings. Normally, it would be an image that has some history behind it, an image that has been invested with human spiritual, mental, and emotional energy for hundreds or even thousands of years. When it comes to Isis, we may picture Her in any number of ways that artists have portrayed Her during the thousands of year of Her worship.

To use Jungian terms, we can think of a Kheper as an image recorded in the Collective Unconscious. By assuming the Form, we make it conscious rather than unconscious. These images live by virtue of the energy, both Divine and human, invested in them.

Like the ancient Egyptian who dons the cloak of the Great Lady and becomes the Great Lady, we, as modern devotees, can also put on the cloak or Form of the Goddess and “become” Isis. An invocation of Isis by the technique of Kheperu is a great, sacred cycle of inflowing and outflowing energy, from human to Divine, Divine to human.

If we succeed in doing this, we will certainly know it—for the feeling is very unlike any normal state of consciousness. We may feel as if our body, soul, mind, and spirit have tapped into a stream of power coming from outside ourselves, a stream which extends beyond the physical and touches invisible realms. We may perceive ourselves as enormous, towering over the earth or suspended in space. We may have a feeling of expansion in the heart or little rushes or spasms of energy throughout the body. We will feel the intense presence of Isis and may participate in the creativity and magic that are an essential part of Her nature. Through the Kheper of Isis, we will be able to use some of the power of the Goddess Herself to initiate, empower a rite, charge a talisman, or commune with Her.

Actors do a form of the technique when they “become” their character. Masks help, too.

Big Magic Caveats

With Big Magic like this, there are always caveats. If you are reading this blog, I will assume that you have some form of devotional relationship with Isis. That’s good. If not, you might wish to develop one before doing this rite. (That’s not to say you can’t take on the Kheper of a Deity you don’t have such a relationship with, just that it will be easier and more productive if you do.)

I probably don’t have to tell you this, but we do not Become the whole Goddess with this technique; rather, we help our own divinity blossom into a little bit of Her. The great Neoplatonist teacher Iamblichus discussed this in relation to theurgy. I’m paraphrasing now, but he tells us that with this technique, we maintain a dual perspective: we are both in touch with Deity and aware of our own natural human place in the world. We know both at once—just as in the Coffin Texts example from last week.

And remember, when we’re doing ANY magical Work, we are always using the only tool we have: ourselves. We are human beings and we come with a full complement of psychological shit packed into our heads and hearts and souls. The more we are aware of our own psychology and as we work to heal what we need to heal, the more we can separate what is our own stuff from Hers. Indeed, Divine contact like this can be part of the therapeutic process. Since Isis is alway ma’et, Right and True, when we align ourselves with Her in this way, we become more ma’et, too.

What’s more, in this process, we will discover that true Divine contact, though very powerful, is humbling and does not idly flatter the ego. We may come to believe, as did the theurgists and Hermeticists of old, that the Divine Ones participate in our assumption of Their Forms not merely because of the ritual or Their harmony with the images, symbols, and names employed, but because of Their Goodness and Divine Love for us. We will see that when we expend our effort to reach out the Them, They will in turn stretch out Their hands to us, guiding us, assisting us in our magic, and most importantly, helping us grow spiritually.

Sitting in this classic Egyptian posture is perfect for taking on the Kheper of Isis

The following rite, Becoming Isis, is from Isis Magic and envisions Isis in Her role of Lady of Heaven, Earth, and the Underworld. If Kheperu is a new technique for you, Isis is an excellent choice as She will be indulgent and kindly as you learn. When you work this rite, you may or may not have success the first time. Either way, it’s okay. Just keep coming back to it. Use your sacred imagination to visualize the image and the energy. Breathe. Take your time.

Prepare yourself with a ritual bath or other purification of your choice. Make sure you have an opening and closing ritual ready. If you’re using Isis Magic, try any of the rites suggested in the rubric below. If not, do whatever you would normally do to open a ritual, such as casting a circle and calling the Quarters.

Becoming Isis

Enter the temple and face east. Still yourself by breathing the sequence of the Breath of Isis (or just breathe slowly and deeply) until you are calm and focused. Perform the Four Pillars of the Earth, the Star of Isis, or the Opening of the Ways to open the temple. At the midpoint, begin your invocation:

Ritualist: I invoke Isis, the Giver of Life, Who pours out the Inundation, She Who makes green plants grow and all people live. I call upon Isis the Ever-Living, Who offers Her abundance to all the souls of earth. I ask You, Isis, Lady of Heaven, Lady of Earth, Lady of the Otherworld, to come. O Lady of All Who brought all things into existence through what Her heart conceived and Her tongue spoke into Being, come to me. Come, You Who are the Living Soul of Everything, come to this, Your temple, and to me, Your Child. Let me take on Your Kheper, Your Form, O Goddess Isis the Great. Let me be Your garment.
(Vibrating) ISIS! ISIS! ISIS!

Be seated in a comfortable, meditative posture and close your eyes. Visualize the form of Isis as described in the speech that follows. Imagine the Goddess as very large, with Her feet in the Underworld and Her head in the Heavens. Next, visualize yourself growing larger and larger. Notice how your perceptions of the world change as you grow. When you are almost, but not quite, the same size as Isis, turn to face Isis and look into Her eyes—if you can. Bow in respect, then turn so that the Kheper of the Goddess is once again behind you.

Now, imagine stepping backward into the Kheper of Isis. The face of Isis is before your face. The wings of Isis are upon your arms. The heart of Isis surrounds your heart. The body of Isis envelops your body. The feet of Isis uphold your feet. Through an act of will, now let yourself expand to completely fill the Kheper of Isis.

Ritualist: (When ready, speaking in the Kheper of Isis, as Isis) I am Isis. My Form is that of a beautiful woman with shining Wings. I am crowned with the Crescent of the Moon and the Disk of the Sun, and above them rises a Star that rests upon the image of My Throne, for I am Queen of Heaven. In my right hand I bear the Lotus Wand with which I enliven all of nature. In my left, I bear the Ankh, for I am the Mother of Life and the Lady of Re-birth. Light pours forth from My Form.
I am the Great Goddess. I am called Isis the Divine and Lady of Words of Power. I am Isis the Magician. I am the Movement Around the Still Point. I am the Form and I am the Ritual. I am the Shaper of the Forces. I am the Goddess Throne, Maker of Kings and the Seat of All Being. Through knowledge of Me, My Devoted Ones learn to guide themselves with Wisdom.
I am the Light-giver of All. I am Isis.

Allow as much time as you desire to experience the energy and presence of Isis. You may receive a greater understanding of Her nature. You may see visions from the point of view of the Goddess. You may hear the words of the Goddess in your mind. All these things are experiences of the energy of Isis. When the experience is complete, end the vision by thanking Isis.

When you are ready, take off the Kheper of Isis by reversing the procedure for taking on the Form. Visualize yourself growing smaller so that you no longer fill the image of Isis. Step forward out of the Form, feeling your separation from the image of the Goddess. When you have fully separated, turn to face the Goddess and bow in respect. Then allow yourself to continue becoming smaller until you return to your human size. Become aware of your human size, shape, and the feeling of your own human energy. Open your eyes and come back to yourself.

Ritualist: I thank You, Isis, the Giver of Life, Who pours out the Inundation. Isis, Who is the Living Soul of Everything. I thank You for allowing me to take on Your Kheper, Lady. I thank You for letting me be Your garment and for receiving this glimpse of Your Divinity.
Be in Peace, Goddess.
Amma, Iset [Ah-MA, Ee-SET; ancient Egyptian for “Grant it, Isis”].

Close the rite in the manner appropriate for the opening, then quit the temple.

I hope you will share with me your experiences with the Kheper of Isis. Be blessed beneath Her wings.

Big Magic for Hard Times, Again…

Art seems to capture Kheperu best; this is The Lotus Soul by Frantisek Kupka, 1898. This is what the energy feels like in Kheperu

The Key to Egyptian Magic, Part 2

Last week, we talked about Kheperu or “Transformations” as the key to Egyptian magic. This is the technique by which a human magician, priest/ess, or other adept practitioner, may briefly partake of Divine powers through the use of sacred images, ritual speech, and right action. It is a way of empowering our magic.

To develop this technique, a society would need to understand that human beings could become godlike—which ancient Egypt did—and further, that human and Divine beings naturally interact with each other and mutually affect each other.

This is a magical and participatory world. In Jeremy Naydler’s book The Temple of the Cosmos, he comments that the Egyptians believed human beings depended on the Deities, but that the Deities also depended on human beings—even to the extent of relying on human action to help mobilize heka (“magic”) in the universe through the temple rites. Both Deities and humanity must uphold Ma’et (“Rightness,” “Truth”) or the universe will be thrown into chaos. Thus human beings have an innate power and influence, although we cannot hope to match that of the Goddesses and Gods. In this world view, it is theoretically possible for a human being—especially one who had acquired a lot of heka, because one can acquire it—to cause change or even chaos in the universe. If humans are part of the universal order, we can affect the universal order.

This interconnectedness is why we sometimes find threats made against the Deities in Egyptian magical formulæ. This was one of the things that freaked out Greek magic workers when they encountered it. To them, claiming godlike power was hubris—and the Gods were sure to smack you down for it rather than help you out.

Nuet, the Heavens, joined to Geb, the Earth

Yet the idea that human beings have the power to affect the universe stems from the interrelatedness and interdependence of the human and the Divine worlds in Egyptian tradition. In the same way that the Great Goddess of Magic, Isis, threatens to stop the Boat of the Sun in its tracks unless Her son Horus is healed, so the human magicians sometimes threatened the Deities with a similar upset to the cosmic order unless their desires were met. “The expertise of the magician lay in bringing together the spiritual and material levels in a deliberately engendered and powerful coalescence. Magic did not function exclusively on the physical or the psychic or the spiritual planes but on all three together,” writes Naydler. And a most effective way of joining all three worlds is through the technique of Kheperu.

Some Examples of Kheperu

"I put on the cloak of the Great Lady, and I AM the Great Lady." — “I put on the cloak of the Great Lady, and I AM the Great Lady.”

In his excellent study, Conceptions of God in Ancient Egypt, the One and the Many, Egyptologist Erik Hornung defines Egyptian Deities by three criteria: Onoma (the name of the Deity), Logos (words or knowledge about the Deity), and Eidolon (the image of the Deity). All three, combined with ritual, are also used in Kheperu as we see it expressed in Egyptian texts.

A longish passage from the Coffin Texts illustrates these principles and highlights some of the characteristics of Kheperu (CT Formula 484, Faulkner translation):

“The Sistrum-Player is in my body, the pure flesh of my mother, and the dress will enclose me. I don the dress of Hathor, my hands are under it to the width of the sky, my fingers are under it as living uraei, my nails are under it as the Two Ladies of Dep, and I kiss the earth, I worship my mistress, for I have seen her beauty. She creates the fair movements which I make when the Protector of the Land comes; the gods come to me bowing and praise is given to me by the gods, they see me at my duty, and I am initiated into what I did not know, I cross the retinue of this Great Lady to the western horizon of the sky, I speak in the Tribunal. [. . .]
“The god who protects the land comes,” say the horizon dwellers concerning me. “The god comes, having gone aboard the bark,” say they who are about the shrine, who sit in the sides of the bark, who eat their food. They see me as the Sole One with the secret seal. I don the dress, I wear the robe, I receive the wand, I adorn the Great Lady in her dignity. Her Sistrum-Player is on her lap, and he has built mansions among your great ones, he has presented offering cakes, so that he may live thereon and that he may celebrate the monthly festival in his hour in company of those who are in linen, for he has looked at his face. So says the occupant of the throne of the Great Lady concerning me.”

God-blasted; beautiful art by Andrew Gonzales; you can buy prints, yay! — God-blasted; beautiful art by Andrew Gonzales; you can buy prints like I have, yay!

We can be sure that the deceased is intended to be in the Kheper of Form of the Goddess because when he “dons the dress of Hathor,” “the Sistrum-Player is in my body,” and it is She Who “creates the fair movements which I make,” and the horizon dwellers “see me as the Sole One with the secret seal.” He employs the Onoma, the names and epithets, of Hathor in his formula. He has knowledge of Her Logos for he describes Her place in the sacred barques of the Gods. He also uses Her Eidolon, symbolized as the dress of Hathor, building up the Goddess’ image through the description in the text and putting on Her dress or image.

As in this example, Kheperu is often characterized by a multiplied consciousness. Here, the deceased perceives as a human being, as Hathor, and as Her son, the Sistrum-Player. The deceased is at once the Great Lady, Her Divine Child, and Her worshipper. So can we be both human being and Divine Being, mediating between Heaven and Earth, partaking of and blending both.

Another excellent example is a Coffin Text formula “for the Soul of Shu and for Becoming Shu” (CT Formula 228, Faulkner translation):

“I am the soul of Shu the self-created god, I have come into being from the flesh of the self-created god. I am the soul of Shu, the god invisible of shape, I have come into being from the flesh of the self-created god, I am merged in the god, I have become he.”

In the rest of this formula, the magician spends considerable time making statements that identify them with Shu. The magician recites the full myth of Shu, and beautifully ends the formula with “I am invisible of shape, I am merged in the Sunshine-God.”

In the following example, the deceased is identified with Re, quality by quality—which allows ample ritual time for visualization (Book of the Dead, Formula 181, Faulkner translation):

“His sun disk is your sun disk;
His rays are your rays;
His crown is your crown;
His greatness is your greatness;
His appearings are your appearings;
His beauty is your beauty. . .”

In Formula 78 of the Book of the Dead, the deceased says:

“Horus has invested me with his shape [. . .] I am the falcon who dwells in the sunshine, who has power through his light and his flashing. My arms are those of a divine falcon, I am one who has acquired the position of his lord, and Horus has invested me with his shape. “

And another Gonzales, because, damn beautiful

Once the Kheper is assumed, the Deity could be perceived within: “Hail to you, Khopri within my body” states Formula 460 in the Coffin Texts.

I have no doubt that if you worked these spells today—as written and while in the proper frame of mind—you could indeed assume the Form of Hathor or Shu or Re or Horus…or, importantly for us, of Isis.

This is really a huge topic and, once again, I have taken up enough of your time for today.

One of the most important things about this technique is that it persisted. From ancient Egypt to the magic of the Greco-Egyptian Magical Papyri to the Hermetica to early Christian magic to Medieval magic to Qabalah and Christian mystics to modern ceremonial magic, Kheperu is there. And it is there because it works.

Offering to Isis

Well, no.

And, yes.

So did the Goddess receive Her offerings or not?

The main spiritual mechanism for the transfer of an offering from offerent to Deity was the ka, or vital, life energy. All living beings—Deities, human beings, animals, fish, plants, stars, mountains, temples—have a ka. The kas of the Goddesses and Gods are extremely powerful. In one Egyptian creation myth, the Creator Atum embraces His children, the God Shu and the Goddess Tefnut, with His ka in order to protect Them from the primordial chaos of the Nun into which They were born—and, importantly, to transfer His ka to Them, giving Them life. Ka energy exists before a being comes to birth, is joined to that being at birth, lives with her or him throughout life, then travels to the Otherworld after death. The tomb became known as the Place of the Ka (among many other designations) and to die was to “go to one’s ka.”

But that’s not the end of it. One meets one’s ka after death where it can continue to protect.

Utterance 25 of the Pyramid Texts says that the dead king “goes with his ka.” Just as a list of Deities “go with Their kas,” so does the king:

“You yourself also go with your Ka.
O Unas, the arm of your ka is before you.
O Unas, the arm of your ka is behind you.
O Unas, the leg of your ka is before you.
O Unas, the leg of your ka is behind you.”

This meant the living had several reasons for making offering to their ancestral dead. As we all do, they wanted to remember loved ones who had died. The offerings provided their ancestor’s kas with the nourishment required to keep the family spirit strong. But since the ancestors had ready access to the greater pool of beneficial ka energy and could bestow it on the living, people could also ask their ancestors to send them a blessing. A blessing of ka energy could nourish human beings, animals, and crops alike.

A modern offering table

Breathing the Breath of Isis

Deep breath. In and out.

It helps when we are angry. Or can’t sleep. Or tired…as many of us are right now.

So today, we take a deep, cleansing breath and honor Isis as Lady of the element of Air—of Breath, of Wind, and thus of Spirit.

It’s quite true that many cultures associate breath, air, and wind with Spirit. For while these things are invisible, they are invisible Powers, and we are intimately touched by their influence. We breathe the air and we live. The wind fills a sail and we move. Wind, air, and breath thus can be seen as manifestations of the invisible powers of the Deities.

In Isis, breath, air, and wind are one.

In the Book of Coming Forth by Day, Isis declares that She comes “with the north wind.” The Goddess and the wind were associated because both were known to bring the cooling, life-giving waters of the Inundation. It was thought that the north wind “dammed up” the Inundation, which flowed from the south, enabling the water to flood and nourish Egyptian fields. Thus, Isis is the one Who heralds the Inundation and causes it to flow (as Iset-Sopdet), but also Her northerly winds keep it in place so that it will water and fertilize the fields.

A fanciful Italian mosaic, from the Hellenistic period, showing Egypt during the Inundation

As Iset Mehit, Isis of the North and Lady of the North Wind, the Goddess brings the sweet-smelling north wind and all good things. Temple texts at Edfu identify Her with the “good north wind.” In the Book of Hours, She is the “living north wind.” Isis is especially found whenever air is active, whether in beating wings or gusting winds. Some stories describe Her mourning cries for Osiris as the wailing and moaning of the winds.

Isis can also be connected to other directional winds. In the Book of Coming Forth by Day (Chapter 161), the four winds are attributed this way: Osiris is the north wind, Re is the south wind, Isis is the west wind, and Nephthys is the east wind. As the winds, these Deities enter the noses of the dead and bring them to life.

In whichever wind She dwells, Isis is always the ancient Lady of the Living Air, Queen of the Winds, Winged Goddess of the Spirit Revivified. From Her we receive our breath and our life.

Sirius Rising Calculator

ENTERING

PURIFICATION & CONSECRATION

OPENING

INVOCATION

CLOSING

Knowledge

And Experience

Becoming Isis

Simon Magus is coming to