The Exaltation of the Queen of Heaven

The final festival of the Easter cycle, falling half-way between the spring equinox and the summer solstice, celebrates the Daughter as Queen of Heaven. This ancient title reflecting Archetypal Reality has resurfaced in many times and places. This image depicts a garlanded icon of the Queen of Heaven from eastern Europe. Read more about the Exaltation of the Queen of Heaven

The Exaltation of the Queen of Heaven

The final festival of the Easter cycle, falling half-way between the spring equinox and the summer solstice, celebrates the Daughter as Queen of Heaven. This ancient title reflecting Archetypal Reality has resurfaced in many times and places. This image depicts a garlanded icon of the Queen of Heaven from eastern Europe. Read more about the Exaltation of the Queen of Heaven

The Awe-full-ness of the Goddess

I recently came across a collection of epithets of Isis in which the author translated the core concept as “awful.” In the original sense of the word— “full of awe” —awful makes complete sense as a Divine epithet. In our common understanding of the word today, it’s…oh, let’s say…uncomfortable.

So you can get a full taste of the strangeness of it, here are some of Isis’ awful epithets: She is “The Lady of Awfulness,” “The Lady of Awfulness More than the Divine Powers,” “She Whose Awfulness is Great,” and “She Whose Awfulness is Greater than the Gods.” She is awful on earth, in the heavens, among the Deities, in Egypt. She is “Great of Trembling” and “Hundreds of Thousands Tremble at Her Sight.”

Oooh, scary.

And, She is. Scary. Sometimes.

So today, let’s talk about the awfulness of Isis.

The ancient Egyptian word translated as “awful” is transliterated nrw. To be able to pronounce it, we go with neru. It is associated with the vulture and with Isis and Nephthys as two Vulture Goddesses, the Nerti. (And you recall that the word for vulture in Egyptian is mut, that is, mother.) The ner root means to be strong, to be mighty, to terrify, to strike awe, to be victorious. Neru can be The Terrible One…or the concept of strength, might, or victory. It can also be fear or dread. Neri can be to over-awe. There is a Goddess of Strength called Nerit. And ner also can have connotations of protection because of the Awful One’s strength and might and power to protect. So, I guess, “awful” may be a pretty good translation of the idea.

Iset Nerit is Isis Who Strikes Awe.*

An awe-some Isis by Ugo Sirius. Find more of his work here.

If you are just beginning your relationship with Isis, it is likely that you haven’t met Iset Nerit yet. Most often, we first meet kindly Isis, the Great Mother, the protectress. Ah, but Nerit is always there. For instance, She may come to you disguised as Isis the Ass Kicker. Or She may give you a glimpse of Her fierceness or Her fire.

But it is when Isis is at Her Most Primordial, Most Ancient, Most—ENORMOUS—that is when we are truly greeting Iset Nerit. In Her presence, my belly thrills, my spine shivers, my hair stands on end. The numinous, the holy, the strange, and the powerful is with me, before me, around me. I kneel and kiss the ground before Her beautiful face.

For some, this experience may be somewhat unsettling. I am reminded of some folks of my acquaintance who apparently thought we were playing at magic, pretending about the Goddesses and Gods. Then magic actually happened and the Goddess was really there and they were done.

If you are in the early days of your relationship with Isis, I suggest that you not seek out Iset Nerit. Not yet. Unless, of course, you like the feeling of sacred fright before the Divine. Some of us do (she admits sheepishly).

What about you? Do you know the awe-full-ness of Isis?

*For Coptic fans, Nerit is Noure (noor-ray), which is rather beautiful in the same soft way that Coptic Ise (Ee-say) is: Ise Noure.

She Will Hear You

It has now been about a month that we’ve been under a stay-at-home directive here in Oregon. And it’s working. Even though the Pacific NW had the first case of Covid-19 in the US, total cases here put us in the lower half of affected states. May that continue to be the case.

But perhaps you are wondering, “where is Isis in all this?”

She is here.

As She has always been.

And She is listening.

In fact, Isis is one of the Deities particularly known to hear our human cries, to hear our prayers. She is called the One Who Listens. In ancient texts and on temple walls, Isis is She Who Hears Petitions; Who Hears the Petitions of Millions. She is particularly known to come at the invocation of Her devotees: Isis is She Who Comes to the Calling; people Call to Her in Every Place. A graffito from Thebes says, “O you of all lands, call to Isis, the Great Goddess, She listens at every moment!”

An Egyptian votive stela asking for the Deity to hear.

Why then does She not snap Her magical fingers and make it all go away? Because that’s not how it works. This is our problem to solve and we will solve it. But She reminds us that we are each a feather in Her Wings, the blood in Her veins, the extension of the magic in Her hands.

This is a time not to neglect our connection with Her. Meditate, make offerings, chant. She invites us to let our souls fly to Her and be enfolded in Her Wings. “Bring your heart to Me,” She says. “Speak pain. Speak truth.” She will take us as we are right now.

For She listens. And She hears.

Isis & Sakhmet or Isis-Sakhmet?

I absolutely adore this beautiful modern Sakhmet by Desiree Isphording. See the artist’s statement here.

A friend was asking about Sakhmet today, and so here’s a little something about Isis and Sakhmet…

Many are the modern devotees who are attracted to Sakhmet, ancient Egypt’s fierce Lioness Goddess. Her name means The Powerful One, the Mighty One, or the Female Power. And She is powerful indeed.

Quite a few images of the Goddess remain to us, for hundreds of them were set up at the Temple of Mut at Karnak. The Vatican Museum has about a half dozen of these and has created a semi-circle of the bigger-than-human-sized Sakhmet images in an outdoor area that is part of the “profane” section of the museum. (Yes, of course, I headed straight to the profane section.) I have also been fortunate to have seen several of these beautiful statues here in Portland as part of traveling museum shows.

But it was a smaller image of Sakhmet in one of these shows that literally blew my astral hair back. All that was left was the head, about eight inches high. It was made of a yellow, semi-translucent stone and it quite simply hummed with magical power. After all these years. Still. Powerful. I was mesmerized. It’s probably a good thing the image was behind glass because I certainly would have touched it—and probably gotten tossed out on my tushie as I had already been tut-tutted at for almost touching one of the larger Sakhmets. Such is Her power.

One of the classic Sakhmet images in granite from Karnak, now in the Metropolitan Museum

If you’ve been following along, you’ll already have noted that Isis has Her fierce aspects, too. And in the typical fluid way of the ancient Egyptian Deities, Isis and Sakhmet can become One. One of the places where this is true is in the Isis temple at Philae where Isis and Sakhmet are specifically identified. Here’s one of the hymns to Isis from that temple, translated by Louis Zabkar:

Giver of Life, Lady of the Sacred Mound,

Lady and Mistress of Philae,

August and mighty one,

Lady of the southern lands;

Sakhmet, the fiery one, who destroys the enemies of her brother,

Those disaffected of heart, the enemies of Hor-ankhti;

Princess, Mistress of Upper and Lower Egypt,

Mighty one, foremost of the Goddesses;

Ruler in Heaven, queen on earth,

Sun-goddess in the circuit of the sun-disc;

Mistress of battle, Montu of combat,

One to whom one cries out on the day of encounter;

Mighty protectress without her equal,

Who saves all those she loves on the battlefield;

Whatever comes forth from her mouth is accomplished immediately,

All the gods are under her command;

Great of magic, when she is in the palace,

Great one upon whose command the king gloriously appears on the throne.

As we see here, Isis is specifically called Sakhmet, as well as being described as “mighty,” and “the mighty one,” the very meaning of Sakhmet’s name. You’ll also recall that in the Jumilhac papyrus, Isis is said to have transformed Herself “into Her mother Sakhmet.”

In this hymn, Isis appears as a strong battle leader, destroying enemies, protecting Her people and their king through Her powerful magic. For the Egyptians, this type of power was often expressed using fiery imagery. Thus, in the hymn above, Isis-Sakhmet is “the fiery one.” Elsewhere at Philae, Isis is called Lady of Flame. She is also the fiery Sun Goddess. And She is one of the fire-spitting Uraeus Goddesses Who sits on the brow of Re as one of His Eyes. As the Eye of Re, She is the fiery Power That Goes Forth and “slays Apophis in an instant,” according to another Philae hymn.

At Her great temple at Philae, we see many sides of the Great Goddess Isis. She is at once the beautiful Cow Mother, watering the sarcophagus of Osiris so that new life sprouts from His dead body, and the fierce-faced Isis-Sakhmet, Isis the Powerful One, the Great Female Power. May Her strength always protect you.

Sakhmet & Isis, together again

The Lamentations of Isis

One of the rituals that will be part of our local (Pacific NW) 2020 Fall Equinox Isia Festival is the “Lamentations of Isis.”

This rite is an adaptation of the lamentations ritual in Isis Magic.

Our festival version is non-gendered and changes have been made to allow for a larger group of participants.

If you think that you’d like to be a part of this rite, please read on so you’ll know how to prepare. For additional reading, here’s a post about Isis and lamentation.

About the Rite: Lamentation has always been a part of the honoring of Isis. We even have some of the actual scripts of the laments for Osiris that were performed in the temples, though all the surviving records date from the later Ptolemaic period. They are evocative and, in some cases, quite heartbreaking. In Imperial Rome, where Isis became enormously popular, the Isis religion was notorious for its large, highly emotional, public enactments of the lamentations of the Goddess. The cathartic value of this emotional release was one of the attractive features of the religion for worshippers who found the Roman state religion too sterile.

I have not felt the need for this rite for many years. But that has changed. And I have the feeling that I am not alone. If you would like to not be alone in your own laments, please join us for this afternoon ritual. Know that if you participate in this rite, you may face your innermost pain. Be sure that you are ready and that your heart fully consents to this Work.

This rite of lamentation allows for an emotional release that is intended to ease the pain in our souls, freeing us from that pain so that we are able, once again, to take action. During the course of the rite, we lament societal, personal, and spiritual wounds, each followed by a cleansing with water to make the catharsis tangible.

The “Lamentations of Isis” are just one part of the greater Isia Festival. This rite takes place on Friday afternoon, giving us time to lament, but also giving us time to move into a place of rebirth and renewal through the other rites and activities of The Isia.

Ritual Preparation: Sometime before you arrive at the Festival, take time to read or remember the myth of Isis and Osiris. Attempt to identify with the sufferings of Isis as She endures the murder of Her Beloved and searches for His dismembered body. Let your own sufferings rise in your mind in response to reading about the sufferings of Isis. Feel them, but do not try to analyze them to any extent.

Please arrive for the rite wearing blue or white, the colors often worn by Egyptian mourners, or come in black, the Hellenistic color of mourning and a color also worn often here in the US. Black robes came to be particularly associated with Isis as Her religion spread throughout the Greco-Roman world; She was called Melanophoros, the “Wearer of the Black,” and in at least one place, Her devotees were also called Melanophoroi. (You may wear a full-length robe or simply blue, white, or black clothing, as you see fit.) You should also bind your hair tightly to your head. If you have short hair or no hair, bind your head with cloth or scarves, turban-style. The point is to arrive at the ritual with a feeling of tightness about your head. We will be unbinding ourselves as part of the rite.

In addition, bring with you a chalice and a black Isis band (a blindfold; i.e. a strip of black cloth; it would be ideal to bless this cloth in the name of Isis before you come). Finally, also bring a white votive candle or tealight in a container.

The lamentations are guided by nine ritualists. There are three Priestesses or Priests of the Circle, who facilitate the first lament, three Priest/esses of the Triangle, who facilitate the second lament, and three Priest/esses of the Point, who facilitate the third lament. In addition to other ritual responsibilities, the Priest/esses of the Circle 3, Triangle 3, and Point 3 lead the purifications with water and the Priest/ess of the Point 1 will take on the kheper or Goddessform of Isis for the resolution of the third lament.

If you have questions about this ritual, please feel free to leave them in the comments and I’ll do my best to answer. May She keep you well and Under Her Wings, as always.

Are You there, Isis? It’s me, Isidora.

In these days of “self-isolating,” are you perhaps feeling a bit disconnected; not only from others, but from Her?

The Lotus Temple. In March…weird.

It’s pretty weird out there right now, folks. For one thing, I’m in Portland Oregon and it’s snowing. In mid-March. Politics? Don’t get me started. Oh, and then there’s the fact that every grocery store in town is out of just about everything because people are preparing to be “self-isolating” at home for a good long while. Of course, it’s not that we shouldn’t be taking this pandemic seriously. We should. And we are.

But all the crazy out there can make us feel a little, well, crazy. Which is not very conducive to experiencing our connection with Isis. It might even make us panic. Is She still there? Was She ever there? Am I “losing my faith”? What’s wrong with me? What’s wrong with Her?

If you’ve been missing Isis (or perhaps She’s been missing you?) there are things you can do about it. Without adding to your crazy.

First, give yourself a break. Have you been trying too hard, pushing too much? While having a daily practice is wonderful, if you’re doing the same thing every day, that once-lovely little ritual can become routine, even boring. Consider taking a break. If you do a daily rite, cut back to once a week. Or try a different ritual. It could be that a rite that hadn’t caught your attention before would be just right now.

This amazing Isis is by Yliade. Prints available for sale here.

On the other hand (hey, these aren’t one-size-fits-all suggestions), a boring ritual might be just what you need. If you haven’t been doing ritual, pick one and do it. At least once a week. Pour a libation. Offer flowers. Perform the “Lotus Wand of Isis” or the “Opening of the Ways” (both in Isis Magic). Oh, and don’t expect any spiritual fireworks. You might get them. Or you might not. Either way, it’s okay.

Take a trip down memory lane. Think back on what first got you excited about Isis. What was that like for you? Reminisce. Perhaps there was a particular book that inspired you? Re-read it. Was there an experience you could recreate?

Give yourself a magical task. You can define this any way you wish. You might try something like this: every time you pass through a doorway/see a hawk/wake up in the morning, say to yourself, “Isis is all things, and all things are Isis” or “I open myself to Isis” or whatever seems right to you. By thinking of Her and speaking Her name, you will reweave your connection with Her.

And this powerful Isis is by sanio. See the art here. You can buy a copy of it, too.

Don’t feel guilty about it. This happens to every person who has ever been on a spiritual journey. If it has never happened to you before, you’ve beaten the odds. But it has now, and chances are, it will happen again. And that’s okay, too. That’s why we have to be kind to ourselves during these times of spiritual emptiness. We haven’t failed because we have doubts or have fallen away from awareness or practice. We’re just a normal human person and this is just part of the path. And She will be waiting there for us when we’re ready.

Nevertheless, persist. Always take the next step on that path. Sometimes a spiritual project is a great way to reconnect with Isis. If you’re solitary, you might create an artwork for Her/of Her. Write an invocation. Choreograph a dance. Cook an Isis feast and invite Pagan friendlies to join you in eating it and honoring Her. Are you a ritualist? Create a new rite for Her. If you’re fortunate enough to have a community, gather some fellow Isiacs and come up with something together.

Pick any one of these things to try. You’ll see. Oh. And now the sun’s out here in Portland. The snow is melting. And spring is coming.

Join Us for the Isia Festival, Fall Equinox, 2020

Isis protecting Osiris

Well. We have a date, so that’s official.

We have a dozen incredible ritualists—so far—so that’s official.

I shall begin losing my mind any minute now, so that’s decidedly official.

What am I talking about? The Pacific NW Fall Equinox Festival at Ffynnon, Oregon.

If you are within reasonable distance of the area, do mark your calendars for Sept. 17-20, 2020. We will be celebrating the Festival of the Isia, a festival of the Lamentations of Isis and the Renewal of Osiris Beneath Her Wings. (And the renewal of all of us as well. I know I could use a little renewal right now. And more so as we get closer to November. You, too?)

If you are in the Portland area and would like to help, get in touch with me. Comment here, message on FB, or email me if you already have my address.

This powerful Isis is by artist Thalia Took. You can purchase prints of this art. I did.

Fall equinox is (roughly) the time of the ancient festival of Khoiak, from Egyptian ka-her-ka, “sustenance upon sustenance.” It is one of the best-attested ancient Egyptian festivals. The festival revolved around the most well-known of the myths of Isis and Osiris: the story of His death, Her mourning, and Her resurrection of Him—along with the resurrection of the grain that would be the next year’s food stores, hence “sustenance.”

The 2020 Isia Festival will be our version of these ancient rites.

We will participate in the Lamentations of Isis—and have the opportunity to make our own personal laments. We will join the Goddesses and Gods in the Search for Osiris. We will participate in the Raising of Osiris and, with Him, be renewed Under Her Wings. Each day we will open Her shrine with beautiful rites, each night we will close it. There will will be meditations, offerings, and workshops throughout the festival that we can all take part in.

This blog started 10 years ago when we celebrated the Radiant Isis festival. I am so pleased to be able to celebrate another community-wide festival for Her this year. I hope you will join me Under Her Wings.

Perfumes for Isis

At this present moment, our home is filled with flowers. Yes, I know. It’s February. That’s why it’s filled with flowers. And since oriental lilies are some of our favorites, right now, I’m smelling the sweet-dark scent of those wonderful lilies throughout the living room.

And all this leads me to think of the perfumes of ancient Egypt and, of course, the perfumes of Isis particularly. For the Goddesses and Gods of Egypt were always associated with scent. Beautiful scents have always been connected with the Divine, but in Egypt particularly, you knew that a Deity had arrived when you smelled Her or His perfume in the temple air.

Egyptian women making perfume

The Egyptians apparently blended scents appropriate for their Deities; for instance, there is a record of an unguent called “Aroma of Horus.” Surely, there was an “Aroma of Isis,” too, but alas, we have no record of it to date. Today’s magical perfumers, on the other hand, almost always have a scent for Her. Isis’ association with scent remained part of Her manifestation even after Her worship spread beyond Egypt. In Apuleius’ account of initiation into the Mysteries of Isis, his protagonist sees Isis in a vision and remarks that She breathed forth the “blessed fragrance of Arabia.”

My personal favorite scent for Isis is stargazer lily. With its deep pink, engorged-looking blossoms, stargazers are downright sexual in their showiness. Of course that is exactly what any flower is; sexual. As you may know, flowers are the sex organs of plants, which they display for all the world to see, marvel at, and enjoy. No wonder we have always given flowers as a love gift.

The stargazer lily; thus do we offer unto Isis that which is Hers

I like the blatant, vulva-pink sexual display of the stargazer to be sure. And the flower’s name reminds me of Isis’ own starry connections. But the main reason I associate them with Isis, and give them in offering to Her, is the scent. The stargazer’s soft, sweet perfume is deepened with a dark, funky musk that is almost animal-like in its pungency. The stargazer is my “jitterbug perfume.” (If you have not read Tom Robbin’s Jitterbug Perfume, oh please do!) The mixture of sweet and strange all wrapped up in an audacious package seems to me a perfect floral resumé for Isis. She offers us the sweet love of a mother one moment, then freaks us out completely with some weirdly magical happening the next. Like the flower, She is not shy; never shy. She will always tell you what you need to hear even when you don’t particularly want to hear it. Thus do I offer unto Isis that which is Hers: the beautiful stargazer lily.

The ancient Egyptians had no stargazers, alas. But they did associate a variety of other scents with Isis as well as with other Deities.

Expeditions to Punt for cinnamon, frankincense, myrrh, and other precious resins, were common throughout Egyptian history. The huge gardens attached to the temple complexes also supplied vast quantities of herbs and flowers for the creation of the gallons of scent, pounds of incense, and thousands of bouquets offered in Egyptian temples. Many temples, such as those at Edfu and Denderah, even had special laboratories for making perfume and incense. Perfume was, after all, one of Egypt’s most lucrative exports.

Egyptian women enjoying perfume

Cleopatra VII, the queen who styled herself “the New Isis,” was reputed to use a different perfume for every part of her body and was credited with writing a book on the subject. But Cleo’s perfumes would not have been the clear, alcohol-based liquids we think of as perfume today. Egyptian perfumes were oil and fat-based; similar to our solid perfumes that liquefy as they are rubbed into the skin. A number of Egyptian perfumes were quite famous, the name brands of their day.

Lily was the dominant scent in Susinon, a perfume that seems to have been made exclusively by women. Perhaps this was because the lily was connected with female sensuality and spirituality and lily oil was a common treatment for “female complaints.” Lotus oil, from the sacred blue lotus (actually a blue water lily), was a favorite essential oil and associated with rebirth. It was the fragrance most favored by Egyptian priestesses. Other Egyptian perfumes include Magaleion, a complicated, difficult-to-make scent; Mendesian, known simply as “The Egyptian,” which was a spicy, resinous perfume; Metopion, a mixture of resins, herbs, sweet wine, and honey; and Sampsuchum, a marjoram-based scent sweetened with herbs and nasturtium flowers.

And then there was Kyphi, both an incense and perfume.

Recipes for Kyphi perfume are engraved on the walls of the temple of Isis’ son, Horus, at Edfu and at Philae, Isis’ own great temple in Upper Egypt. Kyphi was used especially to welcome the Deities to Their temples. Wine-based, Kyphi also includes sweet flag, rushes, cinnamon, juniper, raisins, myrrh, frankincense, cardamom, and gum mastic. In his essay “On Isis and Osiris,” Plutarch reports 16 ingredients and says that Kyphi calms, soothes, and can lull to sleep. It is also said to sharpen the intuition and promote dreams.

A priestess friend and I once made a ridiculously huge batch of Kyphi from Plutarch’s recipe, bits of which I am still burning to this day. It has a warm smell; like spicy raisin cookies. In fact, you could eat it without harm—and I believe the Egyptians did, medicinally. Luckily for me, it seems to get better with age.

What scents do you associate with Isis? There are no wrong answers. This is a personal thing. I’d love to hear your thoughts in the comments.

A beautiful piece of stargazer lily art

Goddess in the present tense…dammit

An Isis altar at The Hallows

I do not often rant on this blog, as those of you who have been reading along well know. But you are about to read one. Okay, a tiny one. Sorry. Every now and then, this little rant gets kicked off by reading other writers…people who actually DO have a relationship with their Deities and who yet often do not use the present tense when speaking or writing about their Deities. So now you see where this is going…

If you’ve read Isis Magic or Offering to Isis, you may have noticed that—except when something actually is in the past—I always refer to the Goddess in present tense. In fact, I have been very, very, very, very conscious of doing so.

Because, you see, She IS.

She’s is not a Being Who was but is no more. She is not “just a myth,” some silly old story deserving of the past tense. Indeed, She is All that Is, and Was, and Ever Shall Be. She existed then, She exists now, and She will exist when the rugged, snowcapped mountain that, on a clear day, I can see from my rooftop has become a gentle, green hill.

And I know you know that. Which is why I am so puzzled when I sometimes see modern Pagans, Polytheists, Wiccans, Witches, and insert-your-self-definition-of-choice-here using the past tense about their Deities. The most recent one I saw, and which kicked off this rant, was a witch writing that “Hekate was…”

I am all that was, that is, that ever shall be...
I am all that was, that is, that ever shall be…

It happens most often when telling Their sacred stories, trying to offer a brief “definition” (as if that could be done!) of the Deity, or describing Their relationships with other Deities: “Isis was the Goddess of Magic.” Osiris was the husband of Isis.” Isn’t She still the Goddess of Magic? Isn’t He still Her husband? Now if you said, “To the ancient Egyptians, Isis was the Goddess of Magic and Osiris was Her husband,” that would work. No more ancient Egyptians around today, so what they considered is indeed history. To me, however, Isis IS the Goddess of Magic and Osiris IS Her beloved husband.

In writing of the history of the Isis religion and the many aspects in which She has appeared to humanity, I have always kept in mind that, to the people who worshipped Her then, as well as to those of us who do so today, Isis was and is a Living Goddess. She is not a historical curiosity. She is not a metaphor for our times. She is not feminist wish fulfillment. She is not merely a psychological archetype. She is Divine Love, Life, Magic, Mystery. She is Goddess and She is.

 Isis Magic

And speaking of myths, a myth isn’t something that is false— “oh, that’s just a myth.” No. A myth is a sacred story meant to tell us something about the Deity or Deities of the myth. Myths are “things that never happened but always are,” in the words of the 4th century CE Roman writer Sallustius. Or maybe myths are things that never happened historically, but are eternally true. Ask Joseph Campbell. Or Jean Huston. Or the many others who are doing Work with myths. And remember, just because it belongs to the corpus of the dominant monotheisms doesn’t mean it’s not mythology. Egyptian mythology is. Christian mythology is. Jewish mythology is. They are all sacred stories and they are all mythology.

Most of this, I think, comes from early and ongoing conditioning. Except for those of you young enough to have been born of Pagan parents, most of us were taught in school, from early on, that the ancient Deities were and mythology was. But let’s get over that. May we all just mind our tenses and our mythologies, please?

Can't help it...just found this and kinda love it.
I kinda love this. This was a public dance party in San Francisco, mixed by the Bulgarian artist KINK.

The Is-ness of Isis

But how do we know that Isis is? How do we know that She’s “real”? Must we simply “have faith”? Do we just choose to “believe in” Her? Can we prove Her is-ness?

We can prove Isis’ is-ness, Her reality, exactly as much as any human being can prove the reality of any Deity, which is to say, we cannot. There is no scientific proof for the Divine. There is no infallible book or teacher that holds all the answers to all the questions. Yet this—happily—means exactly nothing when it comes to the truth of Isis’ existence.

This question of belief and faith is much more vexed for those of us in non-mainstream (O how I dislike that designation!) religions. How often have you been asked by some friend or family member or (hopefully) well-meaning stranger, “Well, then, what do Isians—or Pagans or Polytheists or Wiccans or Witches or insert-your-self-definition-of-choice-here—believe?”

And how have you answered?

A powerful Madonna & Child
A powerful Madonna & Child

Many of us involved in alternative spirituality today were reared in one monotheistic religion or the other, most often, Christianity. From early on, we were taught to “believe in” God and Jesus. We were told that a particular book was the Word of God, “proved” that God was real, and explained precisely what He wanted us to do with our lives. In terms of religion, the clergy were to be our role models, the ones whose faith was strong, whose belief was true; we should have faith and believe as they do.

We got used to using those words, faith and belief, when speaking about religion. But perhaps those are not the right words.

For me, what proves that Isis is real is my experience of Her, not my faith or belief in Her. No single book is the touchstone for my spirituality, though I find spiritual truths in many, many books written by many, many wise human beings. I can’t transfer my deep knowing of Her reality to anyone else (though I admit that the exercises and rituals I share with others are attempts to at least set up the conditions that will enable others to discover their own experiences of Her). Nevertheless, experience of the Divine is an individual thing; each one of us must experience Isis for ourselves—even if we do so in a group. Clergy can facilitate. Books can show us a way. The experiences of others can strengthen us in our desire for our own experience of the Goddess. But, in the end, we will not truly know Isis for ourselves until we have our own experience of Her.

When that experience comes for the first time, it may bring awe, tears, joy, pain. When it comes again and again, throughout the many years, I can tell you that it may still bring all those things. But repeated and ongoing experience of the Goddess will also bring a true knowing, a personal gnosis, of Her. No longer operating just “on faith,” now we know Her reality because we have experienced it. No longer just believing, we have discovered Her truth for ourselves and it has become our truth.

Yes, that's it, Goddess, O yes!
Yes, Goddess, O yes!

The Sistrum of Isis

Hello, Isiacs! I’d like to share with you a beautiful double sistrum that one of our sisters discovered in a market in Baja. It is lovely and I’ll bet it sounds wonderful. Here’s the pic:

Why didn’t I think of that? A double sistrum! Thank you, Agnes. Here’s a repeat post about the sistrum and how this magical musical instrument can shake things up.

A priestess with the naos style of sistrum
A priestess with the naos style of sistrum

In Isis Magic, one of the key elemental implements of the priestess of Isis is the sistrum. It is one of several types of ancient Egyptian rattles that were used in the worship of the Goddesses and Gods. But it isn’t simply a musical instrument; it is also a magical instrument.

As you may already suspect, sistrum is a Latin word. In turn, it derives from a Greek term for the Egyptian rattle: seistron “that which is shaken.” The Egyptian terms are a bit more interesting. One of them is onomatopoeic, that is, the word sounds like the thing it represents. That one is sesheshet (say it out loud and you’ll see what I mean). The other is sekhem. And that one is quite interesting, for it means “power,” as in the name of the Goddess Sekhmet, the Powerful One. It is, of course, among the names of Isis as well.

A priestess shakes the sistrum to please the Goddess

The sistrum is an instrument of power. Even better, the term for “to play the sistrum” also derives from the sekhem root, so when you’re playing the sistrum, you’re “doing power.” That’s why the sistrum is the elemental Fire implement of the priestess or priest in the House of Isis.

Plutarch seems to be echoing the true Egyptian tradition when he explains in his essay “On Isis & Osiris”:

The sistrum also makes it clear that all things in existence need to be shaken, or rattled about, and never to cease from motion but, as it were, to be waked up and agitated when they grow drowsy and torpid. They say that they avert and repel Typhon by means of the sistrums, indicating thereby that when destruction constricts and checks Nature, generation releases and arouses it by means of motion. (Plutarch, Moralia, Book 5, “On Isis & Osiris,” section 63)

The vibration of the rattling sistrum is as the constant vibration of the atoms that make up all things and the activity of all living things.

The bullet casing sistrum; mine used to look just like this
The bullet-casing sistrum; mine used to look just like this

Like many modern priestesses and priests of Isis, I have a collection of sistra (which is the plural of sistrum), including both handmade and purchased versions. Since the Coptic and Ethiopian Christian churches today still use sistra, you can actually purchase sistra that flow from the ancient Egyptian religious tradition. Naturally, I wanted to add one to my collection. So I ordered an inexpensive one online and when it came, it was, as expected, not super-high quality, but kinda sweet…except for the fact that the handle appeared to have been made out of ammunition casing. Eeewww. But the rattle sounded wonderful, nice and tinkly. I purified the sistrum and began using it.

Ihy, the Sistrum Player, son of Hathor
Ihy the Sistrum Player, son of Hathor

Now here’s the part I like. Not too long after that—with no hard use of any kind—I picked up the sistrum one day to discover that the bullet-casing handle had split near where it was joined to the head of the sistrum. While I was disappointed that my new sistrum had broken, I was also somewhat relieved. Happily, I know artists—and an artist friend replaced the handle for me with copper tubing. My repristinated copper and brass Coptic sistrum has been rattling up power for Isis ever since.

In ancient Egypt, while the sistrum was used in the musical worship of all Egyptian Deities, it was especially associated with the worship of the Great Goddesses Hathor, Bast, and Isis. Generally, more priestesses than priests played the sistrum. Yet the archetypal sistrum player is Hathor’s son, Ihy, often called simply the Sistrum Player.

Isis with the sistrum from Abydos
Isis with a naos sistrum from Abydos

The creation of the sistrum is said to have developed from the polite habit of rattling the papyrus stalks before entering into the papyrus marshes. The marshes, you see, were often the dwelling places of fierce Wild Cow Goddesses, such as Hathor, and poisonous Cobra Goddesses, such as Wadjet. It was considered the wiser course of action to let Them know you were coming. (Never sneak up on a Goddess; all the myths tell us so.)

If we think of it as a polite knock on the door before coming into the presence of the Goddess, we can consider the rattling of the sistrum as an Opening of the Ways from the mundane to the sacred. It can also be used to stir up energy, in ourselves or our temple space, as well as to add emphasis and power to certain parts of a ritual. Softer rattling can be used meditatively and to bring down and sustain energy as the ancients did when they used it to “pacify” an angry Deity.

The sistrum became inextricably tied to Isis when Her worship spread into Greece and Rome. In fact, it was so commonly associated with Her in Rome that when ancient Romans saw a sistrum, they immediately thought of Isis and no one else. Even as late as the 4th century CE, Maurus Servius Honoratus, a grammarian with the contemporary reputation of being the most learned man of his generation, noted that

Isis is the genius [the spirit] of the Nile, who by the movement of her sistrum, which she carries in her right hand, signifies the access and recess [that is, the rising and falling] of the Nile… (Servius, Observations on the Aeneid, 1.8)

A naos sistrum now in the Athens Archeological Museum; it's lost most of the naos part
A naos sistrum now in the museum in Athens
A hoop sistrum, now in the Louvre
A hoop sistrum, now in the Louvre

There were two types of ancient sistra, which we know as the naos sistrum and the hoop sistrum. In a naos sistrum, the top of the rattle is shaped like a small shrine (naos in Greek); in a hoop sistrum, the top is an elongated hoop. Holes were made in the sides of the naos or hoop and metal rods were inserted horizontally so that when the sistrum was shaken, the rods rattled in the holes. Sometimes additional pieces of metal were pierced and strung on the rods to amplify the sound. (Many modern sistra have this feature.)

If you’d like to Do Power for Isis, you may purchase a variety of ready made sistra. DeTraci Regula’s Isiscraft Catalog offers a number of lovely ones. You can find versions of sistra in music stores that specialize in ethic instruments. You can also order the Coptic ones online (but they will probably come with the bullet-casing handles). And, of course, you can also make your own.

An Isis devotee of my acquaintance made some wonderful small sistra by splitting a piece of bamboo (about 1/4 inch in diameter) 2/3 of the way down. She glued ribbon around the un-split part to keep the sistrum from splitting all the way and to create a handle. Then she glued a small piece of wood between the split bamboo as a wedge to hold the two sides apart, forming a “Y.”

A bottle cap-type sistrum, but with carved wood instead of bamboo
A bottle cap-type sistrum

Finally, she strung flattened and pierced bottle caps on wire and attached the wire to both sides of the split bamboo. While I have sistra in my collection on which I’ve spent quite a bit of money, these homemade ones remain some of my favorites.

If you have made your own sistrum, I’d love to hear about it.

I am Isis—the Goddess & Her Aretalogies

I very much like this Cosmic Isis by artist Dahlia Khodur. Here's a link to her FB page.

I very much like this Cosmic Isis by artist Dahlia Khodur. Here’s a link to her FB page.

Let’s talk a bit about the Isis aretalogies.

The aretalogies are those first-person statements in which the Goddess details Her many accomplishments and gifts to humankind. Here’s an except from one in case you need a little reminder:

I am She that riseth in the Dog Star.
I am She that is called Goddess by women.
For me was the city of Bubastis built.
I divided the earth from the heaven.
I showed the paths of the stars. 

I ordered the course of the sun and the moon.
I devised business in the sea.
I made strong the right.
I brought together woman and man.

I appointed to women to bring their infants to birth in the tenth month.
I ordained that parents should be loved by children.
I laid punishment on those disposed without natural affection toward their parents.
I made with My brother Osiris an end to the eating of men.
I revealed mysteries unto men.

The word “aretalogy” is, as you may be able to tell, Greek. Arete means “virtues” and logy is from logos, “word,” so aretalogy is “speaking about virtues.” In aretalogy, the Deity is usually speaking in the first person about Her or His own virtues. But that’s not always so. For instance, the Aretalogy of Maronea is not spoken by the Goddess Herself, but by someone whom She healed. In Her honor, he speaks of Her virtues.

Green Isis spreads Her wings over the deceased
I am Isis. I revealed Mysteries unto humankind.

Isis is one of the few Deities for Whom we have quite a number of aretalogies. As with many Things Scholarly, there are disagreements about which of these documents should be considered aretalogies, so there’s no canonical count. But we can think in terms of six to ten. (That does not count the many, many hymns to the Goddess.)

The existing copies of these important documents are all written in Greek and date (we think) from the 2nd century BCE to the 2nd or 3rd century CE. Some of the scholars who have studied them have looked for ancient Egyptian precedents for the ideas in them, others believe them to be purely Greek in origin. Dieter Muller, a German Egyptologist who studied the texts extensively, took 56 phrases that refer to Isis in the aretalogies and tried to trace them to their sources. He concluded that nine were, in both form and content, Egyptian in origin, seven were Egyptian but expressed in a Greek way, 24 were of Greek origin, and 16 uncertain, but possibly Greek.

Another scholar, Jan Bergman, traced each of the statements to an original Egyptian concept claiming that the statements cannot be properly understood unless placed in context with Memphite religion and the relationship between the Egyptian Deities and Egyptian royalty. Louis Zabkar, an Italian-born Egyptologist who studied the hymns to Isis at Her Philae temple, believes that the Philae hymns contributed to the content of the aretalogies. In a epilog to his book about Isis’ Philae hymns, Zabkar takes another look at Muller’s work and expands the number of Egyptian-original aretalogical statements to 23, making them almost equal to the number of Greek-original statements. More recent scholars, too, have traced more and more of the self-statements to Egyptian originals.

One of two female figures at the entrance to the Egyptian Museum in Cairo; given that the museum opened in 1902, she is probably supposed to be either Cleopatra or Isis
One of two female figures flanking the entrance to the Egyptian Museum in Cairo; given that the museum opened in 1902, she is probably supposed to be either Cleopatra or Isis

Two of the aretalogies (from Kyme & Andros) state that they were copied from a stele “before the temple of Hephaestus [that is, Ptah] at Memphis.” Scholars thus sometimes refer to this as the M-text and believe that it could be the original from which all the other aretalogies were either copied or developed.

Some researchers have suggested that the thoughts of a famous Greek atheist contributed to the content of the Isis aretalogies. His name was Prodicus and he was a Greek philosopher (5th century BCE). His idea was that the gods were not divine at all, but were instead brilliant human beings from a primordial time who were so beneficial to humankind that people deified them. We usually hear of this idea tied to the name of a Greek mythographer named Euhemerus (4th century BCE). In fact, we even give it his name: euhemerism. But Euhemerus most likely got the idea from Prodicus.

Euhemerism was one of the ways the ancient Pagan Deities survived in the Christianized West. Since They (or they) were merely human beings, their myths could be retold—and even be used to teach “Christian” virtues. This definitely happened with Isis. (Isis Magic details some of the ways the story of Isis remained a part of the culture during this time.)

An elegant Isis from the 25th dynasty
An elegant Isis from the 25th dynasty

But what does all that have to do with the aretalogies? Some scholars (Fritz Graf; Albert Henrichs) suggest that this type of Prodican euhemerism—especially in relation to the cultural gifts of the Deities—was going on in the Eleusinian cults at that time. And, since Isis and Demeter were being equated, the Eleusinian euhemerism was applied to Isis and shows up in the Isis aretalogies. You can see it strongly in the Maronea aretalogy, which may be the oldest of these Isiac documents that we have. (It does not, however, explain the “I-am” structure of the Kyme aretalogy, which is very unlike Greek hymns and, in fact, has exact precedent in Egyptian sacred texts.)

Now, it’s not that the Eleusinians who took up some of Prodicus’ ideas were atheists themselves. We could say that they were merely adopting one of the memes of their day. They liked the idea of their Deity being the source of important aspects of culture and incorporated it.

Some scholars believe the Isis aretalogies were created as propaganda to help spread the gospel of Isis throughout the Mediterranean. At least to some extent, that’s probably so. But there are other ideas, too. I’m reading an article right now that argues they were read aloud as part of initiation into the Mysteries of Isis. To me, the argument isn’t persuasive due to the strict secrecy of the Mysteries. If the aretalogy was recited as part of the key epiphany of the Goddess in Her Mysteries, it would likely have been kept secret rather than carved in stone and set up before the temple of Ptah in Memphis. But it’s an intriguing idea nonetheless.

A priestess making offering; photo by Victor Keppler
A priestess making offering; photo by Victor Keppler

Interestingly, we have a dedication from the island of Delos made to Isis and Anubis by an “aretalogos.” If there was a regular priestly function as a Speaker of Aretalogies, perhaps the recitation of an aretalogy was part of the standard worship of the Goddess rather than part of Her Mysteries. Another suggestion is that they were read during Her great feasts.

Whether PR or liturgy, it seems most likely that both Egyptian and Greek elements formed the conceptual basis of the Isis aretalogies. Memphis was one of the places where Egyptian and Greek ideas came together, apparently without rancor. Here, key religious ideas of both Egyptians and Greeks blended, and could have resulted in the M-text.

But I wonder whether personal elements could have figured into the creation of the aretalogies as well. At least some of you have had Her speak to you in this way, telling you of Her arete in first person. It is a powerful experience; not likely to be forgotten. Perhaps you’ve even written it down to commemorate it. Who is to say that our ancient predecessors didn’t do the same?

For—as She has always done—Isis can speak directly to our hearts, telling us Who She Is, and especially Who She Is for us right now.

The Light of Isis

Avocado_SeedlingAs the days grow longer, a certain soft joy fills me.

By no means has winter here in my part of the Pacific Northwest been harsh. Yet I find that the increasing light releases me, urging me to draw in deep breaths that I didn’t even know I longed for.

That is what Light can do.

Many of us have spent so much of our spiritual capital in “accepting our inner darknesses,” that we can forget to take the time to accept our inner illumination as well. If truth be told (and it shall be), it can often be easier to accept the Beautiful Dark than to bathe in the Brilliance of the Light. The Light gives us nowhere to hide. We are ultimately vulnerable before It, obliterated by Its beneficence. Now that’s scary.

tumblr_m1i9xg2bvm1qc7d5ho1_500Happily, our Goddess—while She is quite at home in the dark—is also a Lady of Light. And though She is quite capable of obliterating us with beneficence, She can also offer us Her Light as the spring sun offers its warm and persuasive light to the seeds and roots that are just now awakening in the muddy earth.

Isis is associated with all the heavenly lights—as you likely know. Our Goddess is indeed a Sun Goddess. She is also seen in the light of Her holy star, Sirius, and even in the light of the moon, at least in later periods.

An oil lamp from Egypt, Roman period. It shows Isis and Harpocrates.
An oil lamp from Egypt, Roman period. It shows Isis and Harpocrates.

A festival calendar from the temple of Edfu records a summer procession of Isis the Brilliant. During that festival, the image of the radiant Goddess was carried among the people in Her sacred boat, coming to rest in Her boat-sanctuary. There, the calendar text tells us “every kind of good thing is offered to her.” Some modern Kemetic Orthodox groups celebrate this as the Aset Luminous Festival. Participants illuminate paper boats with candles and set them adrift to carry worshippers’ prayers to Isis. In accordance with the ancient traditions, offerings are also given to Isis at this time.

Isis’ temples in Italy may have been particularly well lit. Fifty-eight lamps were found in the temple at Pompeii. In that not-overly-large temple space, that many lamps would have provided a great deal of light. A personal Isis shrine in Pompeii had 20 lamps. Lamps were common votive gifts to Isis as well. In his ancient novel, The Golden Ass, Apuleius describes the lanterns, torches, candles, and “other kinds of artificial light” that were carried in a procession for Isis.

Isis as the Goddess of Light from the Thoth Tarot Deck, art by Frieda Harris.
Isis as High Priestess and Goddess of Light from the Thoth Tarot Deck, art by Frieda Harris.

Surely not all of this illumination was purely practical. Indeed, Apuleius notes that the processional lights were symbols of the heavenly light of the stars in the Goddess’ heaven. He also uses many allusions to light and radiance in telling his readers about Isis. For example, the blessings brought by Isis are described as “radiant” (inlustre). The initiating priest in Apuleius’ story says that, unlike blind Fortune, Isis sees and “illumines the other gods too with the radiance of her light.”

It is also possible that Roman-period priests of Isis may have carried lighted lamps about in daylight as a symbol of the spiritual light bestowed by their Goddess. Seneca mentions a “linen-clad old man” (Isian clergy were notorious wearers of linen) who carried around a lighted lamp in broad daylight. J. Gwyn Griffiths, one of my favorite Isis scholars, thinks this may refer to a priest of Isis.

Just as light can literally dispel darkness, it is frequently a symbol of dispelling spiritual darkness. The Light of Isis illuminates the dark corners of our souls and shines light on our paths as we seek to understand the Divine Mystery. With our ancient sisters and brothers—initiates of the Mysteries of Isis—we can understand that the Light of Isis can help us grow in the brilliant Light of Her love, wisdom, and protection.

The Magic of the Hair of Isis

A beautiful woman with beautiful hair
The charm of beautiful hair

We are not immune to the charms of a beautiful head of hair and the ancient Egyptians weren’t either.

But they took appreciation for hair, especially feminine hair, to a whole new level of magnitude. For them, hair was magical. And, of course, Who would have the most magical hair of all? The Goddess of Magic: Isis Herself.

I have always understood that the long hair of Isis in Egyptian tradition—disarrayed and covering Her face in mourning or falling in heavy, dark locks over Her shoulders—to be the predecessor of the famous Veil of Isis of later tradition. Ah, but there is so much more.

In ancient Egypt, it was a mourning custom for Egyptian women to dishevel their hair. They wore it long and unkempt, letting it fall across their tear-stained faces, blinding them in sympathy with the blindness first experienced by the dead. As the Ultimate Divine Mourner, this was particularly true of Isis. At Koptos, where Isis was notably worshipped as a Mourning Goddess, a healing prayer made “near the hair at Koptos” is recorded. Scholars consider this a reference to Mourning Isis with Her disheveled and powerfully magical hair.

Mourners using various gestures and dishevel their hair
Mourners use various mourning gestures and dishevel their hair

It is in Her disheveled, mourning state, that Isis finally finds Osiris. She reassembles Him, fans life into Him, and makes love with Him. As She mounts His prone form, Her long hair falls over Their faces, concealing Them like a veil and providing at least some perceived privacy for Their final lovemaking. As the Goddess and God make love, the meaning of Isis’ hair turns from death to life. It becomes sexy—remember those big-haired “paddle doll” fertility symbols?

minnakhtjpg1
A mourning woman with her hair over her face from the tomb of Minnakht

This pairing of love and death is both natural and eternal. How many stories have you heard—or perhaps you have a personal one—about couples making love after a funeral? It’s so common that it’s cliché. But it makes perfect sense: in the face of death, we human beings must affirm life. We do so through the mutual pleasure of sex and, for heterosexual couples, the possibility of engendering new life that sex provides. The lovemaking of Isis and Osiris is the ultimate expression of this. Chapter 17 of the Book of Coming Forth by Day (aka the Book of the Dead), describes the disheveled hair of Isis when She comes to Osiris:

“I am Isis, you found me when I had my hair disordered over my face, and my crown was disheveled. I have conceived as Isis, I have procreated as Nephthys.” (Chapter 17; translation by Rosa Valdesogo Martín, who has extensively studied the connection of hair to funerary customs in ancient Egypt.)

There is also a variant of this chapter that has Isis apparently straightening up Her “bed head” following lovemaking:

“Isis dispels my bothers (?) [The Allen translation has “Isis does away with my guard; Nephthys puts an end to my troubles.]. My crown is disheveled; Isis has been over her secret, she has stood up and has cleaned her hair.” (Chapter 17 variant, translation by Martín, above.)

This lovemaking of Goddess and God has cosmic implications for its result is a powerful and important new life: Horus. As the new pharaoh, Horus restores order to both kingdom and cosmos following the chaos brought on by the death of the old pharaoh, Osiris.

Not only is hair symbolic of the blindness of death and the new life of lovemaking; the hair of the Goddesses is actually part of the magic of rebirth. Isis and Her sister, Nephthys, are specifically called the Two Long Haired Ones. The long hair of the Goddesses is associated with the knotting, tying, wrapping, weaving, knitting, and general assembling necessary to bring about the great Mystery of rebirth. Hair-like threads of magic are woven about the deceased who has returned to the womb of the Great Mother. The Coffin Texts give the name of part of the sacred boat of the deceased (itself a symbolic womb) as the Braided Tress of Isis.

Mourners, probably Isis and Nephthys, throw Their hair over the Osiris
Mourners, probably Isis and Nephthys, throw Their hair over the Osiris

In some Egyptian iconography, we see mourning women, as well as the Goddesses Isis and Nephthys, with hair thrown forward in what is known as the nwn gesture. Sometimes they/They actually pull a lock of hair forward, especially toward the deceased, which is called the nwn m gesture. It may be that this gesture, especially when done by Goddesses, is meant to transfer new life to the deceased, just as Isis’ bed-head hair brought new life to Osiris. It is interesting to note that the Egyptians called vegetation “the hair of the earth” and that bare land was called “bald” land, which simply reiterates the idea of hair is an expression of life.

Spell 562 of the Coffin Texts notes the ability of the hair of Isis and Nephthys to unite things, saying that the hair of the Goddesses is knotted together and that the deceased has come to “be joined to the Two Sisters and be merged in the Two Sisters, for they will never die.”

Isis and Nephthys pull a lock of hair toward the deceased
Isis and Nephthys pull a lock of hair toward the deceased

The Pyramid Texts instruct the resurrected dead to loosen their bonds, “for they are not bonds, they are the tresses of Nephthys.” Thus the magical hair of the Goddesses is only an illusory bond. Their hair is not a bond of restraint but rather the bonding agent needed for rebirth. Like the placenta that contains and feeds the child but is no longer necessary when the child is born, the reborn one throws off the tresses of the Goddesses that had previously wrapped her or him in safety.

The Egyptian idea of Isis as the Long-Haired One carried over into Her later Roman cult, too. In Apuleius’ account of the Mysteries of Isis, he describes the Goddess as having long and beautiful hair. Her statues often show Her with long hair, and Her priestesses were known to wear their hair long in honor of their Goddess.

This is sketched from a coffin from Gebelein, 13th dynasty where either a long-haired female image or a long-haired female is spreading her hair over the deceased. I must find a photo of this...it is freakin' amazing!
This is sketched from a coffin found in Gebelein (now Naga-el Gheria), 13th dynasty. Either a long-haired female image or a tiny long-haired female person is spreading her hair over the deceased. I must find a photo of this…it is freakin’ amazing!

This little bit of research has inspired me to want experiment with the magic of hair in ritual. In Isis Magic, the binding and unbinding of the hair is part of the “Lamentations of Isis” rite (where it is very powerful, I can tell you from experience), but I want to try using it in some solitary ritual, too. I have longish hair, so that will work, but if you don’t and are, like me, inspired to experiment, try using a veil. It is most certainly in Her tradition. (See “Veil” in my Offering to Isis.)

If you want to learn more about the traditions around hair and death, please visit Rosa Valdesogo Martín’s amazing and extensive site here. That’s where most of these images come from…many of which I had not seen before. Thank you, Rosa!

Isis & Min

I’m so used to thinking of Isis with Osiris that I can forget She is also paired with other Gods. Today, we’ll look at one of Them: the God of the Upright Phallus, Min.

ancient-egypt-map1

Isis and Min shared a temple complex at Koptos (Gebtu in ancient Egyptian, Qift in modern). It is in Upper Egypt, near Denderah and Thebes. The site is connected to the Red Sea by the Wadi Hammamat (meaning “Valley of Many Baths), a dry riverbed. The wadi contains important 3,000-year-old petroglyphs; in ancient times, it led to major Egyptian mining areas and was a key trade route.

Koptos is also just across the Nile from Naqada, the site of the pre-dynastic culture that takes its name from the site. What is known as Naqada II (3500-3400 BCE) is the period to which the beautiful statuettes of the “Nile Goddess” or “Dancing Woman” are dated.

These statues are usually identified as Nile Goddesses, but she may be a dancing priestess with her arms upraised...perhaps in the Wings of Isis
The Nile Goddess or dancing woman of Naqada. More on Her here.

Koptos is an ancient, ancient sacred site and probably originally belonged to Min alone. Herodotus reports that the Egyptians considered Him their oldest Deity. Yet by at least the time of the New Kingdom, Isis is prominent there as well and Min becomes assimilated with Osiris. The temple to Isis and Min, the ruins of which we see today, was built under Ptolemy II, with additions made under succeeding pharaohs. There are remains of two more temples on the site. One is the Ptolemaic “middle temple” or “Osiris temple.” The other is a temple dedicated to Geb and Isis, probably begun under Nectanebo II and continued under the Ptolemies. There is literary evidence for a temple of Isis and Harpokrates, but its remains have not yet been found.

One of the interesting things about Koptos is that it was a popular oracular site. You can still see the small chamber to the rear of the Isis and Geb temple in which the entranced priest would sit to deliver the words of the Deity. This oracular chapel was built by Kleopatra VII (the famous one). The tradition of oracles at Koptos did not cease with the coming of Christianity. In a work called Theosophia, we have record of an oracle from Koptos that is ostensibly an Egyptian Pagan oracle, but since it discusses the unity of the Logos and the Father, a number of scholars think it was likely a Christian retrofit. Be that as it may, the point is that the tradition of oracles at Koptos was well established.

The so-called Colossus of Koptos...a predynastic form of Min
The so-called Colossus of Koptos…a predynastic form of Min; they found three of these at Koptos

A particular Isiac relic at Koptos seems to have been a lock of Her hair. A Greek dedication to Her says it is “to the Great Goddess, Isis of the Hair.” We also have a record of a healing prayer made “near the hair at Koptos.” Plutarch explains the tradition for us, relating that when Isis first heard of the death of Osiris, She cut off a lock of Her hair and donned mourning dress. He notes that this is why the city there is called Koptos for some derive the name from Greek koptein, meaning “to deprive.” The cutting of hair is a Greek mourning tradition; Egyptian women simply wore theirs long and unkempt. (Read more about that tradition here.) Nevertheless, among both Greeks and Egyptians, Isis of Koptos was particularly known a Mourning Goddess.

The ancient Greek travel writer, Pausanias, in his Description of Greece, mentions Koptos as the site of a tragedy that befell a man who rashly entered Isis’ sanctuary there without a specific invitation from the Goddess:

I have heard a similar story from a man of Phoenicia that the Egyptians hold the feast for Isis at a time when they say she is mourning for Osiris. At this time the Nile begins to rise, and it is a saying among many of the natives that what makes the river rise and water their fields is the tears of Isis. At that time then, so said my Phoenician, the Roman governor of Egypt bribed a man to go down into the shrine of Isis in Koptos. The man dispatched into the shrine returned indeed out of it, but after relating what he had seen, he too, so I was told, died immediately. So it appears that Homer’s verse speaks the truth when it says that it bodes no good to man to see godhead face to face. (Pausanias, Book X, 32, 10-17.)

Koptos must have had strong magical connections as well. If you recall the story of Setna and the magic book, you may remember that the magic book so coveted by Naneferkaptah was to be found at the bottom of the Nile by Koptos.

A statuette of Min
A statuette of Min

At Koptos, Isis is sometimes the mother of Min or Min-Hor, sometimes His consort. When Isis and Min are consorts, Min is the father of Hor-pa-khred, Horus the Child. Min is very much a God of male sexual prowess and thus, of course, fertility. Images of Him almost invariably show Him with an erect penis jutting out at an impressive right angle to His body. In the Coffin Texts, the deceased identified himself with “Woman-Hunting” Min to partake of His potent sexuality.

By the 18th dynasty, Min became associated with Amun and was incorporated into the festivals that were intended to revitalize the king. There is an ancient rite of Min called The Going Forth of Min and sometimes The Going Forth of Min to the Khedju, which may mean a type of ritual garden. During these festivals, the sacred image of the God was carried to a symbolic garden so that the God could bless the fields. This blessing was extended to the pharaoh; he took part in the procession as Horus, while the queen participated as Isis.

Although Min is usually shown in anthropomorphic form as a beautiful black man, at Koptos, He was also worshipped in the form of a white bull. Min is called the Beautiful Bull, the Strong Bull, and the Powerful Bull for the bull has always been a symbol of male strength and fertility.

He, Amun, and Horus are also known by the epithet, Kamutef, Bull of His Mother. The epithet has clear sexual connotations. Originally, it seems to have been an epithet of Horus, which was extended to Min when the two Gods were assimilated. It was further extended to Amun when He and Min were assimilated. It points to a primordial conception of the Divine in which the God is both son and lover of the Goddess. In a hymn to Min, a passage says:

Hail to Thee, Min, fecundating Thy mother; secret are Thy dealings with Her when the heavens are dark.

On a 13th dynasty stela, there is a similar inscription about Horus Kamutef:

Thy heart joins with the king as the heart of Horus joined with His mother Isis when He coupled with Her, flank to flank.

This ancient conception perfectly encapsulates the relationship between Isis and Min at Koptos. They are mother and son (sometimes Min is simply called “Min, Son of Isis” just as Horus is Harsiesis, “Horus, Son of Isis”) and They are lovers.

Min is usually shown with His legs tightly mummy-wrapped together but His penis exposed and ready. A flail is shown over His upraised right arm. The flail forms a “V” over His shoulder into the center of which the God places His upraised hand. Some have seen this as a sexual emblem: the vulva-triangle of the flail penetrated by the God’s penis-forearm. Sure, why not? I like it.

Cesarion offering to Isis at Koptos
Cesarion offering to Isis at Koptos

In addition to His bull epithets, Min is also known as Lord of Awe and Great of Love, just as Isis can be called Sweet of Love. (Perhaps She calls Him Lord of Awe at times when He has been particularly Great of Love.) In a hymn to Min from Koptos, He is said to love humankind and therefore He made youths (for fertile sex, of course). He is called Fair of Face and Sweet of Love. He is said to abominate the cutting short of the breath of life. He heals the sick and is “beautiful beyond the Gods.” He is also a Lunar God and Protector of the Moon.

I will admit that I have not, to date, done much to honor Min, perhaps because for me, that type of energy comes from Dionysos, to Whom I am also dedicated. Nevertheless, Isis and Min at Koptos make an intriguing pair. Isis is the Beautiful Mourner, the Goddess of the Disheveled Hair. Min is the Lord of Life Who invigorates human beings and agricultural fields alike. As Death and Life, They make a complete cycle. The Bull of His Mother brings renewal to Her in the form of Their Child. She, in turn, nurtures Him as Min, Son of Isis.

A classic image of Min
A classic image of Min

Isis & the Star of the New Year

Some people see Isis in the pale, magical light of the moon. Some see Her in the golden, life-giving rays of the sun. I do find Her there. Oh yes.

Isis as Sirius by Sirius Ugo Art

But for me, the heavenly body in which I most easily see Her is the star, Her star: Sirius (Sopdet in Egyptian, Sothis in Greek). I can’t help it. And it isn’t just because of Her strong ancient connections with the Fair Star of the Waters, the Herald of the Inundation. It’s something about the way my particular spiritual “stuff” fits with Her particular Divine “stuff.” Her diamond starlight draws me, lures me, illuminates my heart and mind.

I fell in love with Her as Lady of the Star the first time I saw Sirius through a telescope. As I watched, Her brilliant star sparkled with rays of green and blue and pink and white. It was incredibly, unutterably beautiful. It was alive. And pure.

The Star of Isis is at its highest point in the night sky right now
The Star of Isis is at its highest point in the night sky right now

The new year is a special time for those of us who find Isis in the light of Her star. Why so special? Because here in the Northern Hemisphere the Star of Isis reaches its highest point in the night sky at midnight on New Year’s Eve. This means that the Star of Isis can be our New Year’s Star just as the heliacal rising of Sirius was the Star of the New Year for the ancient Egyptians. I find that fact to be a small miracle, a gift of the Goddess that we can unwrap every New Year’s Eve. (For some Sirius science, look here.)

Likely, you already know why Sirius was important to the ancient Egyptians, so I won’t repeat that here. But I would like to add a few interesting bits about Sirius that I haven’t written about before; in particular, the orientation of some Egyptian temples and shrines to Sirius at the time of their construction. For instance, the small Isis temple at Denderah and Isis’ great temple at Philae seem to have been oriented toward the rising of Sirius. Philae may even have a double stellar orientation: one axis to the rising of Sirius, one to the setting of Canopus.

Iset-Sopdet following Sah-Osiris in Their celestial boats
Iset-Sopdet following Sah-Osiris in Their celestial boats

Overall, Egyptian temples have a variety of orientations. A survey team in 2004-2008 actually went to all the temples in Egypt and measured their orientations. They showed that most temples were oriented so that the main doorway faced the Nile. But not only that. It seems that the temples were also oriented toward other astronomical events, most especially the winter solstice sunrise, which makes very good sense as a symbol of rebirth.

Orientation to Sirius is rarer and harder to be certain of since the earth’s position in relation to the stars has shifted over the millennia.

A Horus temple, called the “Nest of Horus” on the summit of the highest peak of the Hills of Thebes, seems to have been oriented to the heliacal rising of Sirius around 3000-2000 BCE. Nearby, an inscription carved in rock during the 17th dynasty records the observation of just such a rising of Sirius. This high place would have been ideal for Horus in His nest to await the coming of His mother Isis. On the other hand, the archaeo-astronomers who did the survey I mentioned believe that it may also be oriented to the winter solstice sunrise, an event closely associated with Horus.

The ancient Temple of Satet at Elephantine, nestled amid the boulders

Another temple that may have a Sirius orientation is the archaic temple of the Goddess Satet on the island of Elephantine. The original temple was built amidst the great boulders on the island and really is quite simply the coolest temple ever. It seems that when it was built (around 3200 BCE) the rising of Sirius and the rising of the winter solstice sun were at the same place—so it could have been built to accommodate both important astronomical events.

After the initial study, the same team followed up with a survey (in 2008) of some temples in the Fayum that they hadn’t been able to study before as well as temples in Kush. They found generally the same results except for the Nile orientation as many of these temples were built far away from the river. They made note of a son of a Priest of Isis, Wayekiye, son of Hornakhtyotef, who was “hont-priest of Sothis (Sopdet) and wab-priest of the five living stars” (the planets) and “chief magician of the King of Kush;” this according to an inscription on Isis’ temple at Philae dating to about 227 CE. This emphasizes the importance and sacrality of the study of celestial objects and events to the kingdom and it is quite interesting that this was the work of the Chief Magician. This 2008 study revealed that the largest number of Kushite temples and pyramids were oriented to either the winter solstice sunrise or the rise of Sirius.

Sopdet rising
The star Sopdet over the head of the Goddess

Another interesting thing the study found was that by the time of the New Kingdom, in the 34 temples that were unmistakably dedicated to a Goddess—specifically Isis or a Goddess identified with Her—the most important celestial orientation point was the rising of Sirius. But, in addition to Sirius, the star Canopus was also a key orientation point. According to their data, Goddess temples in general were more frequently aligned with these very bright stars, Sirius and Canopus, while God temples were more often oriented to key solar-cycle events.

The New Year has always been a time of reorientation and renewal, of oracles, portents, and purifications. As Sopdet, the Ba or Soul of Isis, shines down on us from its highest vantage point, now is a perfect time to undertake our own personal rites of renewal and reorientation. It is a time of clarity as we bathe in Her pure starlight, a time when we may ask for Her guidance. Whatever your favorite divination method, why not do a reading for the New Year now? Or, if you like a more ritualized oracle, try “The Rite of Loosing the Eyes” in Isis Magic. It is a winter rite in which you purify yourself and your temple, then ask Isis and Nephthys as the Eye Goddesses Who Go Forth to bring you news of what the New Year has in store.

May the stars of the Goddesses shine upon you throughout the beautiful winter, this time of purification and becoming
From that magical moment of midnight on New Year’s Eve and for about the next week, Sirius will ride at its highest in the night sky, shining Her Light upon us. I hope you will join me in celebrating Her beautiful presence. Amma, Iset.

The Lady of Heaven is Born

Best wishes for Nativity!

After the star brings the children of earth to the cave where the Daughter is born, and the princesses present their gifts, a beautiful voice fills the air, saying:

Her Name shall be called Inanna
For She shall be Lady of Heaven

And the star vanished from the sky and yet its light remained. And the shape of the light became a vision. And the vision was a vision of the Mistress of All Things, bearing in Her arms the Holy Child.

Read all about the Nativity of God the Daughter

Discover the mystery of the Epiphany

The Lady of Heaven is Born

Best wishes for Nativity!

After the star brings the children of earth to the cave where the Daughter is born, and the princesses present their gifts, a beautiful voice fills the air, saying:

Her Name shall be called Inanna
For She shall be Lady of Heaven

And the star vanished from the sky and yet its light remained. And the shape of the light became a vision. And the vision was a vision of the Mistress of All Things, bearing in Her arms the Holy Child.

Read all about the Nativity of God the Daughter

Discover the mystery of the Epiphany

My Epigomenal Days; Isis & the Winter Solstice

A very warm, peaceful, sacred, and Happy Winter Solstice to you all.

Isis the Mother and Her Holy Child Horus
Isis the Mother and Her Holy Child Horus

This is most definitely not the time of the ancient Egyptian end-of-the-year epigomenal days. However, from winter solstice to the New Year are my epigomenal days—not only because these are the end-of-year days of our modern calendar, but also because I am on much-needed vacation from now until the beginning of next year.

That being the case, let’s talk a bit about the epigomenal days, including some ways to celebrate the end of the year with Isis.

Since today is the first day after solstice, you might invoke Isis the Mother and celebrate the birth of Her Holy Child Horus. If you missed the post about Horus’ winter solstice birth from a couple weeks ago, you can read all about that here. Since both Isis and Horus are especially known as protective Deities, you could ask Their protection for yourself and your loved ones in the coming year.

The ancient Egyptian epigomenal days were the five days before the late summer rising of the Star of Isis, Sopdet (Sothis in Greek, Sirius in Latin). With the rising of Her Star, the New Year began. The Egyptian year had only 360 days, but the solar year has 365+. So the Egyptians made up the difference by adding five epigomenal—that is, “inserted into the calendar”—days at the end of the year prior to the rising of Sopdet and the start of the new year.

Close-up_of_Sirius
The beautiful Star of Isis, Sirius (Sopdet in Egyptian, Sothis in Greek) is directly overhead at the New Year

Without the protection of the confines of the calendar, the Egyptian epigomenal days were considered a dangerous time. People wore additional amulets and priests might perform the ritual of “Pacifying Sakhmet,” since the fierce Goddess seems to have been particularly antagonistic towards humankind at the end of the year. (Another good reason to ask Isis and Horus for protection now.)

Epigomenal days as birthdays of the Deities

As early as the Middle Kingdom (2050-1650 BCE), these five extra days were also associated with the births of Osiris, Horus, Set, Isis, and Nephthys. Festivals of these Deities were duly celebrated during the epigomenal days. The time between the winter solstice and our new year is longer than the Egyptian period, but if you’d like to celebrate the birthdays of the Deities, one every other day rather than one per day would work out pretty well.

An ancient Egyptian calendar from the temple of Karnak
An ancient Egyptian calendar from the temple of Karnak

On the other hand, if you are more Isis-centric in your worship, you could consider the entire period as holy days of the Goddess. We can look to some ancient calendrical inscriptions for the day of Isis’ birthday to give us some clues about options for honoring Her at this time.

In a papyrus known as Leyden I, She is called “The Great One, Daughter of Nuet.” She is said to be “in Chemmis,” that is, in a particular city in the delta, and She is invoked particularly for protection. In another papyrus, Leyden II, the fourth day is said to be named “the pure one who is in his field.” The masculine pronoun would seem to exclude Isis. It could allude to Osiris or it could be a scribal error. If it should have been the Pure One Who is in Her Field, it would make a good deal of sense in connection with Isis since Isis was associated with the pure new plants that would soon be coming forth from the Egyptian fields with the New Year. In two calendars known as the Cairo calendars, the fourth epigomenal day is said to be named, “the one who makes terror.” Isis is also called the Goddess Who Guides the 3kt-Eye, Daughter of Nuet, Lady of Chemmis. Another calendar notes the fourth day is called, “the child who is in his nest; the Birth of Isis.” (I wonder whether this child is Horus or Isis Herself since the day is Her birthday?) There is some evidence that Isis’ temple at Philae may have been dedicated to Her on the 4th epigomenal day, as a birthday present. At Hathor’s temple of Denderah, which also had a smaller Temple of Isis, there are numerous references to Isis’ connection with the New Year and the renewal it brings. Osiris’ own birthday in this same period only reinforces the connection with rebirth and renewal. For more on Isis and a lamp festival on Her birthday, check out this post.

Thoth purifying the pharaoh from Isis' temple at Philae
Thoth purifying the pharaoh from Isis’ temple at Philae

So what can we do with all this? What hits me most strongly is, of course, the rebirth and renewal aspect—which is entirely in harmony with our modern New Year celebrations. We begin again. We start over. We rededicate ourselves. We make resolutions to do things better. Purification is often associated with such reboots and so the epigomenal days would be a perfect time for purification. We might purify ourselves via bathing, fasting, purchasing new clothing, or purify our sacred spaces by cleaning and straightening up our shrines, all the while invoking Isis by the epithets from the calendars.

If you’re looking for a more formal rite, Isis Magic includes one called The Rite of Loosing the Eyes, which involves purification and an oracle for the New Year delivered by Isis and Nephthys (pg. 353 of the new edition).

Epigomenal days as the time of the Star of Isis

During our winter epigomenal days, we don’t witness the heliacal rising of the Star of Isis as the ancient Egyptians did during their epigomenal days. However, there is something very special that happens at this time of year for those of us in the northern hemisphere: Sirius reaches its highest point in the night sky. The beautiful, glittering star of Isis reaches midheaven, directly above us, on January first and can be seen shimmering in that position for about the first week of January. Just as the heliacal rising of Sirius heralded the ancient Egyptian New Year, so the midheaven arrival of Sirius can serve as a marker for our modern New Year’s celebration. You’ll find a small rite for that purpose here. There is also a ritual for the Prophet/ess of Isis in Isis Magic called Causing Sothis to Rise (pg. 513) in the Temple, in which the Prophet/ess blesses the elements through the power of Sothis.

pyramids2
An illustration of the glittering Star of Isis over the pyramids

Personally, I look forward to doing many of these rites during my own epigomenal days. May your epigomenal days be just as blessed.

Invocation Offerings to Isis

A king offering incense and pouring a libation
A king offering incense and pouring a libation

It seems we have always made offering to our Deities. Many have also honored their dead with offerings, as the ancient Egyptians did. Our ancestors offered the choicest cut of meat to the Great Hunter Who had helped them in their hunt. They gave the first handful of ripe berries to the Wild Mother Who had guided them to the mouth-watering cache. They shared their holy days and good fortune by offering feasts to their dead. They filled temples with sumptuous meals and beautiful scents for the Goddesses and Gods. They created art in enduring stone and precious metals and offered it to the Divine Houses.

From Christian tithing to Hindu puja to the stargazer lilies I grow and place upon Isis’ altar, we humans continue to make offering. Perhaps there is something of an inborn impulse to do so.

The Seattle Troll; that's a real VW Beetle in his left hand and a real bridge over his head
The Seattle Troll; that’s a real VW Beetle in his left hand and a real bridge over his head

I came across what I take as an example of that innate impulse one day when visiting the Seattle Troll. Large enough to hold a VW Beetle in one hand and staring out of a single, glassy eye, the Seattle Troll lives beneath the Aurora Bridge in Seattle’s Fremont neighborhood. He was originally a work of art funded by the city, but he has become something more. He has become a Work of Art and now receives offerings from passersby and neighborhood residents.

The day I visited—not a special day, just a weekday like any other—the Troll was supplied with an amazing array of offerings. There were fresh flowers, smoked almonds, jewelry, coins, jams, a bag of fresh cherries, a whole watermelon, a bright pink-orange slab of raw salmon, a whole Dungeness crab, a bar of soap, a pack of cigarettes, two coffee mugs, and two t-shirts. These offerings were fresh, too, the flowers and food as yet unwilted. At first, it looked like someone had temporarily left their picnic. But no. The votives were carefully arranged upon the enormous hands of the Troll. They were clearly presented, and no picnickers were to be found. The items were offerings and nothing less.

Two of the six Devas making continual offering in Hong Kong
Two of the six Devas making continual offering to the Buddha in Hong Kong

I doubt that any of those who offer to the Troll see him as a Deity—at most, he’s a quirky neighborhood spirit. Yet people leave offerings just the same.

Perhaps it’s because when we make offering we are seeking relationship. In the case of the Troll, perhaps we seek connection with the progressive spirit of the neighborhood. Maybe the Troll’s mere existence gave us a chuckle and we offer a gift of thanks, connecting with those who share our amusement or with the Troll’s artist-creators. Perhaps the offerings were intended to be discovered by someone in need, as Hekate’s Supper offerings were meant.

In a divine context, making offering can be a joyful sharing of blessings with the Deity or spirits with whom we have or seek a relationship. As an act of gift giving, offering is a universal way to create the sweet bonds of interconnection and ongoing reciprocity between giver and receiver. Offering encourages generosity in the giver. Some Tibetan Buddhists say that it is this growing generosity in ourselves that pleases the Deities, rather than the actual offerings. Offering can be a meditation, a prayer, a way to honor tradition, an act of devotion, a method of giving thanks, a path to greater openness of spirit.

A Mongolian shaman making offering
A Mongolian shaman making offering

Making offering was essential to the Egyptian relationship with the Divine while the relationship itself was essential to the proper functioning of the universe. The Egyptians knew that the universal order hinged upon the ongoing, interwoven relationship between Divine and human, natural and supernatural. If human beings failed to provide right worship to the Deities—a significant part of which was the act of making offering—the world would dissolve into chaos and the Goddesses and Gods would not have the energy required to maintain and renew the physical universe. The exchange of energy, the building of relationship made the act of offering an ongoing renewal of the world in partnership with the Deities.

In fact, offering was considered such a key part of the functioning of the universe that there are numerous representations of Deities making offering to each other. From Isis’ temple at Philae, we learn that the Goddess made libation offerings to Her beloved Osiris every 10 days. The temple calendar from Esna notes that She also made offering to Osiris (and to another Deity Whose name is lost) on the 10th day of the first month of the season of Inundation.

Roman girl making offering
Roman girl making offering

In ancient Egyptian temples, the offerings were often food and drink, flowers, incense, perfume, and even special items associated with the particular Deity: jewelry for Hathor, hawk feathers for Horus. Symbolic offerings were given too. The Eye of Horus, for example, could represent many different types of offerings and statuettes of Ma’at were given to represent the offerant’s dedication to upholding the Right and the Just and the True, which is the Being and Nature of the Goddess Ma’at.

But today, I’d like to talk about a particular type of offering, one that may be especially appropriate to Isis as Lady of Words of Power and, as She was called in Busiris, Djedet Weret, the Great Word. Egyptologists today call it an “invocation offering.” Egyptians called it peret kheru, the “going forth of the voice.”

We’ve talked many times about the power of the word in Egyptian practice. Isis conceives something in Her heart, then speaks it into existence. Words can establish, they can move magic, they can nourish and renew the spirit. A Hermetic text from the early centuries of the Common Era expressed the genuinely ancient Egyptian tradition that the quality of the speech and the very sound of the Egyptian words contain the energy of the objects of which they speak and are “sounds full of action.” This is precisely why words are powerful: they contain the energy of the objects they name, which is the energy of original Creation.

Hebrew priest making offering
Hebrew priest making offering

Because of their power, many of the most important words were preserved in Egypt’s great temple complexes in structures known as the Per Ankh, the House of Life. Primarily, the House of Life was a library containing information about all the things that sustained life and nourished the soul and spirit—from magic to medicine to religious mysteries.

The sacred words contained in the Houses of Life were sometimes understood as the food of the deceased as well as of the Deities, particularly of Osiris as the Divine prototype of all the dead. One of the funerary books instructs the deceased that his spiritual “hw-food” is to be found in the library and that his provisions “come into being” in the House of Life. A papyrus known as the Papyrus SALT says that the books in the House of Life at Abydos are “the emanations of Re” that keep Osiris alive. An official who claimed to have restored the House of Life at Abydos said that he “renewed the sustenance of Osiris.”

An offering formula from a tomb
An offering formula from a tomb

Because of the nourishing and sustaining power of the word, tomb inscriptions not only asked visitors to speak the name of the deceased, but might also ask them to recite an offering formula so that the offerings would be “renewed.” Egyptologists know this as the “appeal to the living.” The deceased assures the living that he or she need only speak the formula with the “breath of the mouth” and that doing so benefits the one who does it even more than the one who receives it.

By speaking the words and naming the offerings, the spiritual essence and magic of those offerings was re-activated and reconnected with its non-physical source so that it could once again feed the spirit of the deceased. It was as if the tomb visitor had given the offerings anew. Since both the human giver and the spirit receiver gained during this process, the act of making offering in this way reinforced and promoted the reciprocal blessings between the material and spiritual worlds.

Thus the peret kheru is an offering where no material object was given, but magically potent words were spoken. Because of the essential spiritual unity of an object, its representation, and the words that describe and name it, the Egyptians considered invocation offerings to be fully as effective and fully as valuable as physical offerings. Invocation offering is a genuine, traditional Egyptian form of offering.

Isis Goes Medieval

When the Christian Empire forcibly forbade the worship of the Pagan Deities, the Goddesses and Gods did not die. But They did go underground.

A carving of Isis from the Aquisgrana Cathedral in Germany
An illustration of a carving depicting the Egyptian city of Alexandria, personified as Isis; from the Aachen Cathedral in Germany. Note Her Isis knot.

One place They hid was euhemerism, which is the idea that the Deities are merely historical mortals who, because of their special talents or moral worth, eventually came to be worshipped as Goddesses and Gods as Their stories became exaggerated over time. The concept is named after Euhemerus, a 3rd century BCE Greek mythographer. It wasn’t his original concept, but it is his name that became associated with it and here we are.

Euhemerism turned out to be not such an awesome idea because emerging Christianity could use it to ridicule Pagans for worshipping mere human beings. On the other hand, it did preserve the stories of the Goddesses and Gods far into the West’s Christian-ruled centuries. Since these stories were not really about Deities, you see, the stories could be told without being a threat to Christianity.

Churches and cathedrals of the Middle Ages were often decorated equally with images of Pagan Deities and Biblical characters. The sibyls of the Pagans and the prophets of the Bible were both considered people of wisdom from whom the churchgoer could learn. And while the Church wasn’t completely comfortable with this arrangement (and sometimes even railed against it) still the practice continued throughout the Middle Ages and into the Renaissance.

In these stories, Isis is often seen as a culture-bearer and philosopher. In 1508, John Trithemius, the Abbot of Spanheim, lists Isis among the “men” who devoted themselves to the study of wisdom.

Verily in these times, as it evidently appears from the Histories of the Ancients, men more earnestly applied themselves to the study of wisdom, amongst whom the last learned and most eminent men, were Mercurius, Bacchus, Omogyius, Isis, Ianachus, Argus, Apollo, Cecrops, and many more, who by their admirable inventions, both profited the world then, and posterity since. (John Trithemius, De Septem Secundeis, A0-6)

Christine de Pisan
Christine de Pisan

Allegory was another refuge of the Pagan Deities. Allegory interprets the myths or attributes of the Pagan Deities as moral tales or philosophical concepts. Again, it was a method created by Pagans themselves to find additional meaning in their myths. The Neoplatonists of the late Pagan period used allegory as a method to refute the arguments of Christians who claimed moral superiority for their religion. Pagans could point to allegorical interpretations of the myths to show how Pagan myths taught honor, chastity, fidelity, and other virtues. Eventually, the myths of the Pagan Deities came to be used at least as often as Biblical stories to teach “Christian” values.

One of the writers who learned from the story of Isis was Christine de Pisan (1364—1430 CE). De Pisan was born in Venice, but spent her life in France. Writing in the Late Middle Ages, de Pisan was an early feminist (some say the first feminist, some prefer proto-feminist); her work challenged misogyny and the gender stereotypes of her day.

dePisan Ysys
Ysys (Isis) descends from heaven to graft new branches on old trees. The Goddess cultivates trees and fields just as the knight should cultivate virtues in himself.

In a work called the Epistle of Orthea to Hector, de Pisan writes as the Goddess Orthea, a Goddess she created to represent the “Wisdom of Women,” to the young Trojan Hector, who represented the ideal knight. The Epistle consists of 100 stories meant to teach values to the young. All the stories are derived from Pagan texts from authors like Homer and Ovid. In one, de Pisan describes Isis (Ysys) as a planter and cultivator.

An illustration accompanying the text shows Isis grafting new branches on old trees. The knight is advised to follow the example of the Goddess and plant virtues in himself. The planting of these virtues is to be understood as similar to the conception of Jesus by the Blessed Virgin Mary, Whose “great bounties may be neither imagined nor said.” As was so frequently the case, here Isis is assimilated with Mary.

While we cannot claim that the worship of our Lady Isis is an uninterrupted tradition, I think we can rightfully claim that Isis never left human awareness. From the time when Her worship was forbidden to modern times when so many have returned to be sheltered in Her loving wings, Isis continued to live in myth, in allegory, in stories, in poems by first-feminist poets, in wisdom teachings, in alchemy, and in so many of the flowing streams of the Western Esoteric Tradition.

Isis is alive. The Goddess is alive. And yes, She always has been.

The Festivals of Early Winter

The early winter festivals, the Commencement of the Advent and the Conception of the Daughter, prepare for the spiritual coming of the Daughter at the Great Feast of Nativity. This is in general a time of preparation both in decorating and gathering all things in readiness in physical terms and in preparing our hearts for the joyful season. The Feast of the Conception of the Daughter marks the transition between the two halves of the Sacred Year as Nativity approaches. Read more about the Advent Read more about the Conception of God the Daughter

The Festivals of Early Winter

The early winter festivals, the Commencement of the Advent and the Conception of the Daughter, prepare for the spiritual coming of the Daughter at the Great Feast of Nativity. This is in general a time of preparation both in decorating and gathering all things in readiness in physical terms and in preparing our hearts for the joyful season. The Feast of the Conception of the Daughter marks the transition between the two halves of the Sacred Year as Nativity approaches. Read more about the Advent Read more about the Conception of God the Daughter

Idolatry and Isis

Have you ever had to answer questions explaining all those images on your altar to some members of the major monotheisms? You know. The idolatry question.

My rather image filled Isis shrine. We sacrificed a double closet to give Her this space.
My sacred image-filled Isis shrine. We sacrificed a double closet to give Her this space.

If you’ve ever found yourself in that situation, you probably ended up saying sometime like, “I don’t worship the statue. I worship the Deity represented by the statue.” It seems so simple and obvious. And it is. For the most part.

But when it comes to ancient Egyptian tradition, things do get a bit more interesting.

As you probably already know, images were extremely important in Egyptian tradition. Images, and most especially the sacred images of the Deities, could become vessels for the indwelling of the Divine presence. Once the proper rites were performed, the Deity was, in some sense, alive within the image and became a fit representation of that Deity to the worshipper.

Golden Isis
My other enlivened Isis image; She was one of my first

The sacred image provided a way for the Deity to be physically present in the material world. Jeremy Nadler, one of my favorite writers on the subject, says in his Temple of the Cosmos, “The gods could not be distinguished from their statues or images, and to have done so would have been as false to the ancients as it would be questionable for us moderns to distinguish between a person and his or her body.”

And the Egyptians weren’t the only ones. In Apuleius’ tale of initiation into the Mysteries of Isis, he tells us that he repeatedly stood before the temple statue of the Goddess and worshipped Isis in Her image. “I was wrapt in my gaze on the image of the Goddess,” he writes. Later in the story, he describes a deeply emotional experience he has had while praying before the statue. “I laid myself down at last in obeisance before the Goddess and for a long time wiped Her feet with my face. Then, with welling tears, breaking my speech with frequent sobs and swallowing my words, I addressed Her.” In describing an earlier procession of the Goddess, Lucius mentions the images carried by special bearers and which he calls “breathing effigies.” Very much in the Egyptian tradition.

The idea that a Divine spark can become attracted to and activated in a special image passed into Renaissance Europe via the Hermetic tradition; a tradition deeply rooted in Egyptian as well as Greek philosophy. The Qabalistic tradition has handed down the idea of the golem, a being made from clay that the Rabbis activated by prayer and ritual. In alchemy, the homunculus, or “little man,” is a similar concept. The idea that certain images can be enlivened or charged by the Divine comes into modern magical religions as talismanic magic in which special symbols and images (talismans) can be consecrated with Divine energy. The word talisman comes from the Greek for a perfect or completed object; thus it would be quite reasonable to think of your sacred images as talismans.

Another favorite, but this one hasn't been enlivened. Yet, anyway.
Another favorite, but this one hasn’t been enlivened. Yet, anyway.

Some cultures believe that God, the Deities, or the Divine Spirit is contained within all things. These animistic, pantheistic, or panentheistic cultures understand the world as brilliantly alive and sacred. On this subject, the Greek philosopher Plotinus wrote, “there is nothing which is without a share of soul.” Iamblichus, a Neoplatonist philosopher, joined him in finding the world alive, ensouled, and sacred declaring, “as to the first principle, that the gods dwell only in heaven, it is not true. Everything is full of them.” Many indigenous cultures, too, share this view, as do many modern Neo-Pagans, Polytheists, Wiccans, Goddess devotees, and more. If we accept this, then even the materials with which our sacred images are constructed contain a bit of the Divine within. And they will only be more powerful when specifically activated to receive an influx of the Divine.

The large image of Isis that sits upon my altar as well as the small golden one above have both been enlivened through ritual and invocation. (Isis Magic includes a ritual for enlivening your own sacred image in the Magician chapter, if you are so inclined.) As living images they serve as a focus for my meditation and prayer. I can feel Her in the image, especially if I have been spending a lot of time in the shrine with Her. I honor that spark from the heart of the Goddess that resides within this sacred image—as within All Things. The image is a focus for prayers and a conduit for the blessing of the Goddess. The spark within it lights the fire of love for the Great Goddess Isis—Whose image is at once everywhere and nowhere.

My large, enlivened Isis in Her outdoor temple
My large, enlivened Isis in Her outdoor temple