Every year, about this time, I learn from various and sundry newspapers and journals across the land, that Mother’s Day originated in the worship of the Egyptian Goddess Isis.
The idea seems to be that Mother’s Day developed from the ancient worship of Mother Goddesses. And since Isis is THE most well known of these ancient Goddesses, then Mother’s Day had to be Hers, right?
But, of course, Isis is a Mother Goddess and many, many people have grown their relationship with Isis in Her motherly aspect. So today, in honor of Mother’s Day, I’d like to share with you some lines from a particularly interesting New Kingdom hymn to the Great Goddess.
See if you can guess which Goddess the hymn praises. (When you see […] in the text, it means that the words there could not be read because the source was too damaged.)
“…great of sunlight, Who illumines [the entire land with] Her rays. She is His Eye, Who causes the land to prosper, the glorious eye of Harakhti, the Ruler of What Exists, the Great and Powerful Mistress, life being in Her possession in this Her name […]
[…] in the circuit. The Gods are in […] Great of Might. Her Eye has illumined the horizon. The Ennead, Their hearts are glad because of Her, the Mistress of Their Joy, in this Her name of Heaven.
She is in their hearts, they being glad when She ascends to Her abode, Her temple. She has appeared and has shone as the Woman of Gold […] of best pure silver. All lands give Her their divine property in Her name, and their standards of their places. They rejoice for Her and Her beauty which belongs to Her. Everyone comes into existence through Her when he is created, say the Living in this temple.
There exists no one like Her on earth. She who lives by the might of Her word.
[…] the Great One of the Throne […] She is […] of forms, Great of Property, Mistress of That Which Exists. The papyrus flourishes.”
This Goddess is also called Mistress of the Gods, Queen of Heaven, Great Goddess, Mighty Goddess, Lady of the Two Lands.
While this hymn could well have been used to praise Isis, it wasn’t. It seems that all the Great Goddesses, at one time or another, were called by each other’s epithets and even by each other’s names. Louis Zabkar, who has studied the Isis hymns at Philae extensively, traced how a number of the texts at Philae were adapted from preexisting sources to suit both the space they had available at Philae and the Goddess they were praising.
Yet this particular hymn is in praise of Mut; and it is especially interesting because it is in the form of a crossword. Known as the Crossword Hymn to Mut (obviously enough), the instructions say to read it “three ways.” Indeed, it can be read horizontally and vertically. Scholars guess that the third way might be around the edges, but the artifact is too damaged to be sure that works.
Mut’s name means simply “Mother.” It is spelled with the vulture hieroglyph, which also connects Her with one of the Two Ladies of Egypt, Nekhebet the Vulture Goddess Who was the protectress of Upper Egypt.
According to Horapollo, supposed to be an Egyptian priest or grammarian of the fourth century CE, Egyptian tradition had it that there were no male vultures. Female vultures were thought to remain virgin, but to become pregnant by exposing their vulvas to the north wind. (The north wind was associated with the coming of the inundation and thus with fertility.) Thus Mut is a Virgin Mother. In Her Crossword Hymn, we see Her both as the maiden Daughter of Re and the Great Mother, since everyone comes into existence through Her.
But Mut also has a powerful lioness aspect. In this form, She is one of the Raging and Returning Goddesses, like Sakhmet, Hathor, and Tefnut. In the Book of the Dead, Spell 164, a magical image of Mut is described as having three faces: a vulture, a woman, and a lioness. Not only that, She has a phallus and wings and lion’s claws. The Crossword Hymn shows Her as a fierce and awesome Mother when protecting the dead. Yet it also calls Her Mistress of Joy, Mistress of Peace, and the Beloved One.
Of course, Isis, too, is a Mother Goddess. Specifically and significantly, She is the mother of Horus, Mut Nutdjer, “Mother of the God.” But She also reveals Herself as Mother of the Gods and as the Great Mother of All. As a Great Mother, Isis has inspired the devoted worship of people throughout history. During the Græco-Roman period, Isis’ motherliness toward humanity was expressed in the novel The Golden Ass by Her initiate, Lucius, who declared that Isis brings “the sweet love of a mother to the trials of the unfortunate.” This conception of Isis endures today when, for many, Isis is the very model of the Mother Goddess.
It should be no surprise then that Mother Isis and the Goddess Whose name is simply “Mother” would become identified. In Isis’ Roman-era temple at Shenhur, Isis is represented in four forms: as “Isis the Great, Mother of the Gods,” as “The Great Goddess Isis,” as Mut, and as Nephthys Nebet-Ihy (a festive form of Nephthys). In Mut’s Crossword Hymn, Mut is said to be “under the king as the throne,” just as Isis’ very name means “Throne.”
As Isis the Kite protects Osiris by enfolding Him in Her wings, so in one of the Books of the Dead, a vulture-headed Mut is shown enfolding Osiris in the same way. On a pectoral found in Tutankhamon’s funerary equipment, a vulture, labeled “Isis”, guards the king.
In the Book of the Dead, the “vulture of gold” to be placed at the neck of the deceased is associated with Isis. Both Isis and Mut wear the Vulture Headdress, though Mut wears over it the combined Red and White Crowns. Both are Eye Goddesses and Uraeus Goddesses and as such are assimilated with Bast and Sakhmet. Both, as Great of Magic, take the prominent place of the divine barque to defend and protect the Sun God. And of course, both are Divine Mothers; Isis of Horus and Mut of Khonsu. Isis and Mut are considered to be the mother of the pharaoh and They ultimately mother those of us devoted to Them.
I started this post because I wanted to share with you the amazing Crossword Hymn of Mut. But as I write, I am again struck by this idea of the correspondences between the Great Goddesses of Egypt (and the Great Gods, for that matter). They share mythology. They share epithets. And They share the ability to appear as each other “in Her name of fill-in-the-blank.” This capacity, along with the ancient Egyptian idea that the Deities could combine Their identities or be the Ba-soul of another Deity points at an underlying unity of the Divine in the midst of a thriving polytheism.
This wonderful artwork is by Kaede-chama at Deviant Art. See more work here.
For those of you familiar with the Isis-verse, this is a perennial topic of conversation, discussion, and often, disagreement. There are scholars, as well as practitioners, who come down definitively on the “no” side of the question. They say that once the worship of Isis crossed out of Her native Egypt, it was reinterpreted so much that Isis of Egypt disappeared and became Hellenized Isis, Who was Some Other Goddess.
Yet, I must confess that, with more years of both study and devotion to this particular Goddess under my belt than I sometimes care to admit, I believe that “Iset” and “Isis” are indeed the same Great Goddess.
This, of course, begs several questions. What do I mean by “Goddess?” And what do I mean by “are the same?”
I talk a bit about what I mean by “Goddess” in one of my older posts, which you’ll find here. For me, ultimately, Isis is the Divine. She can express Herself as one among other Divine Beings, as She did in ancient Egypt, or She can show Herself as THE Divine Being, also as She did in ancient Egypt under the epithet Ta Uaet, the Only One (an epithet used of other Egyptian Deities as well). Isis is a flow of conscious Divinity that can dance with other holy currents or subsume them all like a great river. Nonetheless, the current that She is has a particular “flavor” or feeling that is recognizable.
For me, the flavor of Isis tastes of magic and wisdom, power and love. And yes, it has an Egyptian flavor, too. For that is where people first called Her by the name that has never been forgotten from the first time it was spoken to the present day. I am very fond of Her Egyptian-ness; it was one of the things that first drew me to Her. The culture from which She first emerged as a named Deity is an important part of Her and of my attraction to Her.
But if we believe that a Deity can only be of the culture in which She or He was first honored then, to me, we are positing a rather fragmented polytheism as the Divine reality. Certainly, there are practitioners who prefer and find truth in this kind of separation—perhaps especially those who have been to just one too many rituals in which Odin, Isis, Quan Yin, and the Greenman were all invoked together in one great holy mashup. Believe me, I feel you.
But that’s not what happened with Isis in the ancient world. They weren’t trying to reconstruct the worship of Isis or create Neo-Paganism or work out modern polytheism; they were living the worship of Isis as it existed at the time. More than anything else, the people who carried Isis into lands-other-than-Egypt were translating Her for people in other cultures. That’s why we find Isis assimilating so many other local Goddesses (and some Gods). “O, you’ll like Isis. She’s sorta like your Goddess XYZ, and not only that…” This was happening even inside of Egypt itself.
That’s because the ancient Egyptians, at least the learned priesthood, had a more fluid view of the Divine reality. Deities could be “in” each other. Their names could be joined in order to express certain spiritual concepts. One Deity could be the ba, or soul, of another one. Their polytheism was not fragmented, but interconnected. I believe that this underlying interconnection of the Divine influenced later Neoplatonism, which posits an underlying Divine Oneness, even though that unity expresses Itself in many Divine personalities, from Goddesses and Gods to the personal genius or spirit (or ba or ka) of the human being. That’s much closer to where I find myself on the whole structure-of-the-Divine-reality question.
Is is possible that this flowing Divine reality could somehow be stopped by national boundaries? Obviously, my answer is no. The Divine current most certainly can cross any such boundaries. The current Itself doesn’t change. It’s the people responding to that current who provide the variables. People will always respond in ways they are used to from their own culture. Yet our perception isn’t Her reality. The River of Isis is the same river, from the same source, whether it flows through the great halls of Egypt or a shrine on the Greek island of Delos or the temple in my backyard in Portland, Oregon.
So what do I mean by “are the same”?
Just as a great river twists, moving its channel to flow around natural features of the land, so the River of Isis turns as It moves into other cultures. Again, it it still the same river flowing from the same source, but it may look different to the casual observer. Yet if the water were chemically analyzed, there is no doubt that its true source could be detected. The River of Isis always has a little Nile mud in Its deep waters.
Often, when trying to differentiate Iset from Isis, people will point to the different personalities that Iset and Isis supposedly present to worshipers. Iset is fierce, a funerary Goddess, mother of Horus/Pharaoh, and Great of Magic; Isis is a sweet and loving Great Mother Goddess. They also point to Isis’ connection with the moon, which the Egyptian Iset did not have. I explain that here.
Yet if you look more closely at the later traditions associated with Isis, you will find that there is a great deal of continuity with Her earlier Egyptian self. I trace the history of Her worship and point out those resonances throughout Isis Magic. Indeed Isis’ Greek and Roman worshipers were concerned with maintaining Her Egyptian-ness; it was one of the things they liked about Her, too. So let’s take a quick look at some of the correspondences:
Fierceness
In the oldest Egyptian materials, Iset is ruthless in Her quest to ensure that Her son Hor inherits the throne of His father, following Usir’s (Osiris’) death and to ensure the punishment of His usurping uncle Set. She is like a mother lion protecting Her cub. Now here is the sweet Mother Goddess in a much later text from the Greek Magical Papyri:
For Isis raised up a loud cry, and the world was thrown into confusion. She tosses and turns on her holy bed and its bonds and those of the daimon world are smashed to pieces…
These papyri are dated broadly from the 2nd century BCE to the 5th century CE. In other words, they’re pretty late. And She sounds pretty fierce to me. The Greek traveler, Pausanias, writing in the 2nd century CE—at the height of Isis’ popularity in the Mediterranean region—tells several cautionary tales about those who foolishly pry into the Goddess’ Mysteries:
They say that once a profane man, who was not one of those descending into the shrine, when the pyre began to burn, entered the shrine to satisfy his rash inquisitiveness. It is said that everywhere he saw ghosts, and on returning to Tithorea and telling what he had seen he departed this life.
I have heard a similar story from a man of Phoenicia that the Egyptians hold the feast for Isis at a time when they say she is mourning for Osiris. At this time the Nile begins to rise, and it is a saying among many of the natives that what makes the river rise and water their fields is the tears of Isis. At that time then, so said my Phoenician, the Roman governor of Egypt bribed a man to go down into the shrine of Isis in Coptos. The man dispatched into the shrine returned indeed out of it, but after relating what he had seen, he too, so I was told, died immediately. So it appears that Homer’s verse speaks the truth when it says that it bodes no good to man to see godhead face to face.
Pausanias, Book X, Phocus, Ozolian Locri, 32, 10-17
Tithorea was a Greek town with an Isis sanctuary; the Coptos tale is clearly late, from Roman-occupied Egypt. Fierce then. Fierce now; just ask Her priestesses and priests about Isis, the Ass Kicker.
A Funerary Goddess
Isis is strongly associated with the Egyptian funerary and Otherworld tradition from the very beginning. And She most certainly did not lose this important connection, even as She moved into the Greek and Roman worlds. Just as Usir is glad to see Isis when He arrives in the otherworld, so the Roman initiate of the Mysteries of Isis expected to find Her in the afterlife, waiting for him:
…and when you have completed the span of your lifetime, you will pass down to the netherworld, but there also, in the very midst of the subterranean hemisphere, you shall often worship me [Isis] who you now see as one who favors you, shining in the darkness of Acheron and ruling in the Stygian depths, when you the while shall dwell in the Elysian fields.
Apuleius, Metamorphoses, Book XI, chapter 6
Indeed Her Mysteries are an initiation into death; an inoculation so that Her initiates no longer fear, but enter into the mysterious realm of death under Her protection—just as She had always protected Her Egyptian children by wrapping Her great wings about their sarcophagi.
Mother of Hor/Pharoah
The name Iset means “Throne.” Thus the Goddess Iset is the Goddess Throne. She, and just about every Egyptian Deity, was connected with Egyptian royalty in one way or another. (However, I believe the meaning of Iset’s name originally had more to do with sacred place, which is another meaning of “iset,” than it did with its later connection to the kingship.) The non-Egyptian rulers of Egypt—the Greek Ptolemies and, after them, the Romans—did not want to lose this important royal connection, especially since Isis was, in their time, an even more important and universal Goddess. So Isis was one of a handful of Deities Who became personal Ptolemaic matrons and patrons. The last Ptolemy, Kleopatra VII, considered herself an avatar of Isis. The Romans had a somewhat rockier relationship with the Goddess, which I talk a bit about here.
And while it is true that Isis showed a motherly face, even the face of a Savior Goddess, to Her children in the Greek and Roman period, She also retained Her specific identity as the mother of Horus. The images of Isis Lactans, Isis feeding Horus from Her breast with the Holy Child seated (“seat” is another meaning of “iset,” by the way) on Her lap, were extremely common in the Roman period and became one of the models for the images of Mary with Her Holy Child as Christianity took root.
Great of Magic
In ancient Egypt, heka, usually translated as “magic,” is the great Force that underlies all existence. It is the energy that enables life, the universe, and everything to operate. It is the power of Creation. All the Deities have heka, yet Iset and Djehuty, Isis and Thoth, come down to us as Egypt’s greatest Divine magicians. In the Egyptian texts, Iset uses Her magic to resurrect Usir in order to conceive Their child, to create—bringing forth “what Her mind conceived and Her tongue spoke”—to protect in this world and in the beyond, for dream divination and, perhaps most importantly, to heal.
We find Her magic working in all these same areas in later periods, too. Look through the Greek Magical Papyri and there She is. For instance, here is a divinatory working:
Great is the Lady Isis! Copy of a holy book found in the archives of Hermes: the method is that concerning the 29 letters [perhaps of the Coptic alphabet] through which letters Hermes and Isis, who was seeking Osiris, her brother and husband, found him. Call upon Helios and all the gods in the deep concerning those things for which you want to receive an omen. Take 29 leaves of a male date palm and write on each of the leaves the names of the gods. Pray and then pick them up two by two. Read the last remaining leaf and you will find your omen, how things are, and you will be answered clearly.
And a love spell:
The goddess in heaven looked down upon him, and it happened to him according to every wish of his soul… [your name] says: From the day and the hour I, [your name], do this act to you; you will love me, be fond of me, and value me [until] I die. O Lady, goddess Isis … carry out for me this perfect charm.
And a healing formula for curing an infection from a dog bite:
To be said to the bite of a dog: “My mouth being full of blood of a black dog, I spitting out the redness of a dog, I come forth from Alkhah. O this dog who is among the ten dogs which belong to Anubis, the son of his body, extract your venom, remove your saliva from me also! If you do not extract your venom and remove your saliva, I shall take you up to the forecourt of the temple of Osiris, my watchtower. I will do for you … according to the voice of Isis, the magician, the lady of magic, who bewitches everything, who is never bewitched in her name of Isis, the magician.”
Even as late as the Greek Magical Papyri, Isis the Magician, Isis the Great of Magic, is the Goddess Who “bewitches everything,” yet is never Herself compromised.
The Nile River at night
The River of Isis Flows
These examples are enough to demonstrate the continuity of the Divine current that has always existed, and which, all those thousands of years ago, came to be called by the name of Iset, Isis, Eisis, Iside. It is the same current, issuing from the same source from which it has always flowed. We can still taste the Nile mud in the water. A Deity’s worshipers will always contribute to the form that Deity takes; I discuss one of the most obvious manifestations of that phenomenon here. Yet we don’t create that image out of whole cloth. The feeling, the taste, the essence of the Deity always forms the core of our experience. The River of Isis is eternally flowing; what we human beings build along its banks is what changes with the times.
Here are some lines (though not all of them) from a particularly interesting New Kingdom hymn to the Goddess.
I have simplified some of the lacunae and made the appropriate capitalizations.
See if you can guess which Goddess the hymn praises:
“…great of sunlight, Who illumines [the entire land with] Her rays. She is His Eye, Who causes the land to prosper, the glorious eye of Harakhti, the Ruler of What Exists, the Great and Powerful Mistress, life being in Her possession in this Her name […]
[…] in the circuit. The Gods are in … Great of Might. Her Eye has illumined the horizon. The Ennead, Their hearts are glad because of Her, the Mistress of Their Joy, in this Her name of Heaven.
She is in their hearts, they being glad when She ascends to Her abode, Her temple. She has appeared and has shone as the Woman of Gold […] of best pure silver. All lands give Her their divine property in Her name, and their standards of their places. They rejoice for Her and Her beauty which belongs to Her. Everyone comes into existence through Her when he is created, say the Living in this temple.
There exists no one like Her on earth. She who lives by the might of Her word.
[…] the Great One of the Throne […] She is […] of forms, Great of Property, Mistress of That Which Exists. The papyrus flourishes.”
This Goddess is also called Mistress of the Gods, Queen of Heaven, Great Goddess, Mighty Goddess, Lady of the Two Lands.
The hymn could well be used to praise Isis. Because it seems that all the Great Goddesses, at one time or another, were called by each other’s epithets and even by each other’s names. (See how that applies to Nephthys here.) Louis Zabkar, who has studied the Isis hymns at Philae extensively, traced how a number of the texts at Philae were adapted from preexisting sources to suit both the space they had available at Philae and the Goddess they were praising.
But this particular hymn is in praise of Mut; and it is especially interesting because it is in the form of a crossword. Known as the Crossword Hymn to Mut (obviously enough), the instructions say to read it “three ways.” Indeed, it can be read horizontally and vertically. Scholars guess that the third way might be around the edges, but the artifact is too damaged to be sure that works.
Mut’s name means simply “Mother.” It is spelled with the vulture hieroglyph, which also connects Her with one of the Two Ladies of Egypt, Nekhebet the Vulture Goddess Who was the protectress of Upper Egypt.
According to Horapollo, supposed to be an Egyptian magician of the fourth century CE, Egyptian tradition had it that there were no male vultures. Female vultures were thought to remain virgin, but to become pregnant by exposing their vulvas to the north wind. Thus Mut is a Virgin Mother. In Her Crossword Hymn, we see Her both as the maiden Daughter of Re and the Great Mother, since everyone comes into existence through Her.
But Mut also has a powerful lioness aspect. In this form, She is one of the Raging and Returning Goddesses, like Sakhmet, Hathor, and Tefnut. In the Book of the Dead, Spell 164, a magical image of Mut is described as having three faces: a vulture, a woman, and a lioness. Not only that, She has a phallus and wings and lion’s claws. The Crossword Hymn shows Her as a fierce and awesome Mother when protecting the dead. Yet it also calls Her Mistress of Joy, Mistress of Peace, and the Beloved One.
It almost goes without saying that Isis is a Mother Goddess. Specifically and significantly, She is the mother of Horus, Mut Nutdjer, “Mother of the God.” But She also reveals Herself as Mother of the Gods and as the Great Mother of All. As Great Mother, Isis has inspired the devoted worship of women and men throughout history. During the Græco-Roman period, Her motherliness toward humanity was expressed in the novel The Golden Ass by Her initiate, Lucius, who declared that Isis brings “the sweet love of a mother to the trials of the unfortunate.” This conception of Isis endures today when, for many, Isis is the very model of the Mother Goddess.
It should be no surprise then that Mother Isis and the Goddess Whose name is simply “Mother” would become identified. In Isis’ Roman-era temple at Shenhur, Isis is represented in four forms: as “Isis the Great, Mother of the Gods,” as “The Great Goddess Isis,” as Mut, and as Nephthys Nebet-Ihy (a festive form of Nephthys). In Mut’s Crossword Hymn, Mut is said to be “under the king as the throne,” just as Isis’ very name means “Throne.”
As Isis the Kite protects Osiris by enfolding Him in Her wings, so in one of the Books of the Dead, a vulture-headed Mut is shown enfolding Osiris in the same way. On a pectoral found in Tutankhamon’s funerary equipment, a vulture, labeled “Isis”, guards the king. In the Book of the Dead, the “vulture of gold” to be placed at the neck of the deceased is associated with Isis. Both Isis and Mut wear the Vulture Headdress, though Mut wears over it the combined Red and White Crowns. Both are Eye Goddesses and Uraeus Goddesses and as such are assimilated with Bast and Sakhmet. Both, as Great of Magic, take the prominent place of the divine barque to defend and protect the Sun God. And of course, both are Divine Mothers; Isis of Horus and Mut of Khonsu. Isis and Mut are considered to be the mother of the pharaoh and They ultimately mother those of us devoted to Them.
I started this post because I wanted to share with you the amazing Crossword Hymn of Mut. But now I am being struck by this idea of the correspondences of the Great Goddesses (and the Great Gods, for that matter). The more I study, the more I find that They share mythology, share epithets, and share the ability to appear as each other “in Her name of fill-in-the-blank.” This capacity, along with the ancient Egyptian idea that the Deities could combine Their identities or be the Ba-soul of another Deity points at an underlying unity of the Divine, even in the midst of a thriving polytheism. Works for me.