Category Archives: Egyptian Isis

Are Isis & Iset (Aset) the same Goddess?

This wonderful artwork is by Kaede-chama at Deviant Art. See more work here.

For those of you familiar with the Isis-verse, this is a perennial topic of conversation, discussion, and often, disagreement. There are scholars, as well as practitioners, who come down definitively on the “no” side of the question. They say that once the worship of Isis crossed out of Her native Egypt, it was reinterpreted so much that Isis of Egypt disappeared and became Hellenized Isis, Who was Some Other Goddess.

Are Iset and Isis the same Goddess?

Yet, I must confess that, with more years of both study and devotion to this particular Goddess under my belt than I sometimes care to admit, I believe that “Iset” and “Isis” are indeed the same Great Goddess.

This, of course, begs several questions. What do I mean by “Goddess?” And what do I mean by “are the same?”

I talk a bit about what I mean by “Goddess” in one of my older posts, which you’ll find here. For me, ultimately, Isis is the Divine. She can express Herself as one among other Divine Beings, as She did in ancient Egypt, or She can show Herself as THE Divine Being, also as She did in ancient Egypt under the epithet Ta Uaet, the Only One (an epithet used of other Egyptian Deities as well). Isis is a flow of conscious Divinity that can dance with other holy currents or subsume them all like a great river. Nonetheless, the current that She is has a particular “flavor” or feeling that is recognizable.

A powerful Isis by Thalia Took.
Like I did, you can purchase a print here.

For me, the flavor of Isis tastes of magic and wisdom, power and love. And yes, it has an Egyptian flavor, too. For that is where people first called Her by the name that has never been forgotten from the first time it was spoken to the present day. I am very fond of Her Egyptian-ness; it was one of the things that first drew me to Her. The culture from which She first emerged as a named Deity is an important part of Her and of my attraction to Her.

But if we believe that a Deity can only be of the culture in which She or He was first honored then, to me, we are positing a rather fragmented polytheism as the Divine reality. Certainly, there are practitioners who prefer and find truth in this kind of separation—perhaps especially those who have been to just one too many rituals in which Odin, Isis, Quan Yin, and the Greenman were all invoked together in one great holy mashup. Believe me, I feel you.

A Roman image of Isis.

But that’s not what happened with Isis in the ancient world. They weren’t trying to reconstruct the worship of Isis or create Neo-Paganism or work out modern polytheism; they were living the worship of Isis as it existed at the time. More than anything else, the people who carried Isis into lands-other-than-Egypt were translating Her for people in other cultures. That’s why we find Isis assimilating so many other local Goddesses (and some Gods). “O, you’ll like Isis. She’s sorta like your Goddess XYZ, and not only that…” This was happening even inside of Egypt itself.

That’s because the ancient Egyptians, at least the learned priesthood, had a more fluid view of the Divine reality. Deities could be “in” each other. Their names could be joined in order to express certain spiritual concepts. One Deity could be the ba, or soul, of another one. Their polytheism was not fragmented, but interconnected. I believe that this underlying interconnection of the Divine influenced later Neoplatonism, which posits an underlying Divine Oneness, even though that unity expresses Itself in many Divine personalities, from Goddesses and Gods to the personal genius or spirit (or ba or ka) of the human being. That’s much closer to where I find myself on the whole structure-of-the-Divine-reality question.

The River of Isis flows through time. (Photo by Tim Laman.)

Is is possible that this flowing Divine reality could somehow be stopped by national boundaries? Obviously, my answer is no. The Divine current most certainly can cross any such boundaries. The current Itself doesn’t change. It’s the people responding to that current who provide the variables. People will always respond in ways they are used to from their own culture. Yet our perception isn’t Her reality. The River of Isis is the same river, from the same source, whether it flows through the great halls of Egypt or a shrine on the Greek island of Delos or the temple in my backyard in Portland, Oregon.

So what do I mean by “are the same”?

Just as a great river twists, moving its channel to flow around natural features of the land, so the River of Isis turns as It moves into other cultures. Again, it it still the same river flowing from the same source, but it may look different to the casual observer. Yet if the water were chemically analyzed, there is no doubt that its true source could be detected. The River of Isis always has a little Nile mud in Its deep waters.

Often, when trying to differentiate Iset from Isis, people will point to the different personalities that Iset and Isis supposedly present to worshipers. Iset is fierce, a funerary Goddess, mother of Horus/Pharaoh, and Great of Magic; Isis is a sweet and loving Great Mother Goddess. They also point to Isis’ connection with the moon, which the Egyptian Iset did not have. I explain that here.

Yet if you look more closely at the later traditions associated with Isis, you will find that there is a great deal of continuity with Her earlier Egyptian self. I trace the history of Her worship and point out those resonances throughout Isis Magic. Indeed Isis’ Greek and Roman worshipers were concerned with maintaining Her Egyptian-ness; it was one of the things they liked about Her, too. So let’s take a quick look at some of the correspondences:

A badass magic-wielding Isis inspired by the game Smite; this piece is by KalaSketch

Fierceness

In the oldest Egyptian materials, Iset is ruthless in Her quest to ensure that Her son Hor inherits the throne of His father, following Usir’s (Osiris’) death and to ensure the punishment of His usurping uncle Set. She is like a mother lion protecting Her cub. Now here is the sweet Mother Goddess in a much later text from the Greek Magical Papyri:

For Isis raised up a loud cry, and the world was thrown into confusion. She tosses and turns on her holy bed and its bonds and those of the daimon world are smashed to pieces…

These papyri are dated broadly from the 2nd century BCE to the 5th century CE. In other words, they’re pretty late. And She sounds pretty fierce to me. The Greek traveler, Pausanias, writing in the 2nd century CE—at the height of Isis’ popularity in the Mediterranean region—tells several cautionary tales about those who foolishly pry into the Goddess’ Mysteries:

They say that once a profane man, who was not one of those descending into the shrine, when the pyre began to burn, entered the shrine to satisfy his rash inquisitiveness. It is said that everywhere he saw ghosts, and on returning to Tithorea and telling what he had seen he departed this life.

I have heard a similar story from a man of Phoenicia that the Egyptians hold the feast for Isis at a time when they say she is mourning for Osiris. At this time the Nile begins to rise, and it is a saying among many of the natives that what makes the river rise and water their fields is the tears of Isis. At that time then, so said my Phoenician, the Roman governor of Egypt bribed a man to go down into the shrine of Isis in Coptos. The man dispatched into the shrine returned indeed out of it, but after relating what he had seen, he too, so I was told, died immediately. So it appears that Homer’s verse speaks the truth when it says that it bodes no good to man to see godhead face to face.

Pausanias, Book X, Phocus, Ozolian Locri, 32, 10-17

Tithorea was a Greek town with an Isis sanctuary; the Coptos tale is clearly late, from Roman-occupied Egypt. Fierce then. Fierce now; just ask Her priestesses and priests about Isis, the Ass Kicker.

Green Isis on a cartonnage sarcophagus

A Funerary Goddess

Isis is strongly associated with the Egyptian funerary and Otherworld tradition from the very beginning. And She most certainly did not lose this important connection, even as She moved into the Greek and Roman worlds. Just as Usir is glad to see Isis when He arrives in the otherworld, so the Roman initiate of the Mysteries of Isis expected to find Her in the afterlife, waiting for him:

…and when you have completed the span of your lifetime, you will pass down to the netherworld, but there also, in the very midst of the subterranean hemisphere, you shall often worship me [Isis] who you now see as one who favors you, shining in the darkness of Acheron and ruling in the Stygian depths, when you the while shall dwell in the Elysian fields.

Apuleius, Metamorphoses, Book XI, chapter 6

Indeed Her Mysteries are an initiation into death; an inoculation so that Her initiates no longer fear, but enter into the mysterious realm of death under Her protection—just as She had always protected Her Egyptian children by wrapping Her great wings about their sarcophagi.

Mother of Hor/Pharoah

The name Iset means “Throne.” Thus the Goddess Iset is the Goddess Throne. She, and just about every Egyptian Deity, was connected with Egyptian royalty in one way or another. (However, I believe the meaning of Iset’s name originally had more to do with sacred place, which is another meaning of “iset,” than it did with its later connection to the kingship.) The non-Egyptian rulers of Egypt—the Greek Ptolemies and, after them, the Romans—did not want to lose this important royal connection, especially since Isis was, in their time, an even more important and universal Goddess. So Isis was one of a handful of Deities Who became personal Ptolemaic matrons and patrons. The last Ptolemy, Kleopatra VII, considered herself an avatar of Isis. The Romans had a somewhat rockier relationship with the Goddess, which I talk a bit about here.

And while it is true that Isis showed a motherly face, even the face of a Savior Goddess, to Her children in the Greek and Roman period, She also retained Her specific identity as the mother of Horus. The images of Isis Lactans, Isis feeding Horus from Her breast with the Holy Child seated (“seat” is another meaning of “iset,” by the way) on Her lap, were extremely common in the Roman period and became one of the models for the images of Mary with Her Holy Child as Christianity took root.

Isis the Magician working Her heka;
art by Bill Bounard, “Open Your Heart”

Great of Magic

In ancient Egypt, heka, usually translated as “magic,” is the great Force that underlies all existence. It is the energy that enables life, the universe, and everything to operate. It is the power of Creation. All the Deities have heka, yet Iset and Djehuty, Isis and Thoth, come down to us as Egypt’s greatest Divine magicians. In the Egyptian texts, Iset uses Her magic to resurrect Usir in order to conceive Their child, to create—bringing forth “what Her mind conceived and Her tongue spoke”—to protect in this world and in the beyond, for dream divination and, perhaps most importantly, to heal.

We find Her magic working in all these same areas in later periods, too. Look through the Greek Magical Papyri and there She is. For instance, here is a divinatory working:

Great is the Lady Isis! Copy of a holy book found in the archives of Hermes: the method is that concerning the 29 letters [perhaps of the Coptic alphabet] through which letters Hermes and Isis, who was seeking Osiris, her brother and husband, found him. Call upon Helios and all the gods in the deep concerning those things for which you want to receive an omen. Take 29 leaves of a male date palm and write on each of the leaves the names of the gods. Pray and then pick them up two by two. Read the last remaining leaf and you will find your omen, how things are, and you will be answered clearly.

And a love spell:

The goddess in heaven looked down upon him, and it happened to him according to every wish of his soul… [your name] says: From the day and the hour I, [your name], do this act to you; you will love me, be fond of me, and value me [until] I die. O Lady, goddess Isis … carry out for me this perfect charm.

And a healing formula for curing an infection from a dog bite:

To be said to the bite of a dog: “My mouth being full of blood of a black dog, I spitting out the redness of a dog, I come forth from Alkhah. O this dog who is among the ten dogs which belong to Anubis, the son of his body, extract your venom, remove your saliva from me also! If you do not extract your venom and remove your saliva, I shall take you up to the forecourt of the temple of Osiris, my watchtower. I will do for you … according to the voice of Isis, the magician, the lady of magic, who bewitches everything, who is never bewitched in her name of Isis, the magician.”

Even as late as the Greek Magical Papyri, Isis the Magician, Isis the Great of Magic, is the Goddess Who “bewitches everything,” yet is never Herself compromised.

The Nile River at night

The River of Isis Flows

These examples are enough to demonstrate the continuity of the Divine current that has always existed, and which, all those thousands of years ago, came to be called by the name of Iset, Isis, Eisis, Iside. It is the same current, issuing from the same source from which it has always flowed. We can still taste the Nile mud in the water. A Deity’s worshipers will always contribute to the form that Deity takes; I discuss one of the most obvious manifestations of that phenomenon here. Yet we don’t create that image out of whole cloth. The feeling, the taste, the essence of the Deity always forms the core of our experience. The River of Isis is eternally flowing; what we human beings build along its banks is what changes with the times.

Iphis, Ianthe, and Isis, the LGBT-friendly Goddess

This is one of my favorite posts. It has been criticized for being a too-modern interpretation of an ancient tale. The tale itself is merely a retelling and paraphrase from a translation of Ovid; so that is as it is. And yes, my interpretation is indeed modern. But reinterpretation is itself part of our Pagan heritage. Look at how philosophers reinterpreted ancient myths so they were relevant to their own thought. In Egypt, scribes made notes in the margins of older written texts, explaining the ancient symbols and stories for their own age. Because that is the power of the tale, the power of myth, the power of story. The core of it remains the same, but when we look at it with our modern eyes and take it into our modern hearts, we discover our own interpretations, enabling ancient myth to live for us today.

Hear now the tale of Iphis and Ianthe, told by the Roman poet Ovid (43 BCE -17/18 CE):

In the Phaestos region of Crete, lived a couple named Ligdus and Telethusa. Telethusa was pregnant and near to her time. As the birth of their child approached, Ligdus told Telethusa that he wished for her two things: first, that the birth cause her no pain, and second, that the child be a boy. For if the child wasn’t a boy, he commanded Telethusa to put her to death. (Girls were too much trouble and weak, you see.) Then they both wept.

Crying herself to sleep, Telethusa dreamed. She dreamed of Isis. Accompanied by the entire Egyptian retinue, the Goddess came and spoke to Telethusa:

“O, you who belong to Me, forget your heavy cares and do not obey your husband. When Lucina [Roman Goddess of Childbirth] has eased the birth, whatever sex the child has, do not hesitate to raise it. I am the Goddess, Who, when prevailed upon, brings help and strength: you will have no cause to complain that the Divinity you worshipped lacks gratitude.”

Isis comes to Telethusa in a dream

The child, of course, was a girl. Obeying the Goddess, Telethusa kept the baby and raised her as a boy. Her father even named her after his grandfather, Iphis. As Iphis was a name appropriate for either boy or girl, the mother secretly rejoiced. As Iphis grew, her features were such that she would have been considered beautiful whether a boy or a girl.

Time passed and Iphis’ father betrothed Iphis to the lovely Ianthe. The two met when quite young and were taught by the same teachers. From very early on, Iphis and Ianthe loved each other. For her part, Ianthe anticipated marriage to her beautiful Iphis. Iphis, on the other hand, as Ovid puts it, “loved one whom she despaired of being able to have, and this itself increased her passion, a girl on fire for a girl.”

“Ianthe” by J.W. Godward

Iphis wept, railed, and lamented her love for another girl. Iphis does not understand. She calls her passion monstrous and extreme and wants to wish it away—sort of. But eventually, Iphis pulls herself together and gives herself a good talking to. After all, she has almost everything she wants. Both her parents and Ianthe’s are happy with the match, Ianthe herself is happy with the match, and certainly Iphis is happy with the match (though she is afraid of the revelation of the wedding night). So she stops complaining and prays for the wedding to come.

Her mother Telethusa, on the other hand, feared what would happen when the two girls were wed. So she kept putting off the ceremony with a whole series of excuses. Yet finally, the wedding could be delayed no more. In desperation, Telethusa takes Iphis to the Temple of Isis. She throws herself upon the Goddess altar, crying and  praying to Isis for help—for, after all, it was by the word of the Goddess Herself that Iphis lives!

Suddenly, the altar of the Goddess begins to shake. The temple doors tremble. The horns on the headdress of the statue of Isis shine like the moon and the rattling of sistra is heard throughout the temple. Heartened, mother and daughter take their leave of the Goddess. But as Telethusa turns to look at her daughter, she sees that Iphis now has a tanned, less ladylike, complexion, shorter hair, sharper features, and a longer, more masculine stride. Behold! Iphis is transformed into a boy.

In gratitude to Isis, mother and now, son, place a votive tablet in Her temple. And the next day, Iphis and Ianthe wed…and, we presume, lived happily ever after.

Ianthe and Iphis at the Temple of Isis

This story comes from a book called Metamorphoses in which Ovid tells the history of the world from Creation to Julius Caesar in a collection of myths about transformations of one kind or another. It was an immediate bestseller when first published and continues to exert influence and inspire art to this day. One of our best sources for over 250 classical myths, it was a major inspiration for Dante, Chaucer, Shakespeare, and Milton.

The story illustrates a number of things about Our Goddess. First, it demonstrates Her soteriological function; Isis is well known as a Savior Goddess in the Roman period, and She saves Iphis and her mother in their time of need. The traditional Isian theme of dream visitation is part of the tale, too. In dream, Isis makes a promise to Telethusa, who “belongs to Her,” and She keeps the promise. Her saving nature, Her communication through dream, and Her ability to be there—in an immediate, even physical way—for Her devotees were all well-known aspects of the religion of classical Isis. But perhaps most importantly, the story shows the power of Isis’ magic.

In this tale, as from the beginning, Isis is the Goddess of Magic. And transformation is specifically one of the things She does. In one of the tales in the Egyptian myth cycle known as the Contendings of Horus and Set, for example, Isis transforms Herself into a beautiful young maiden, an old woman, and Her sacred raptor, the kite (a form She takes quite often, as a matter of fact). In this case, She transforms a girl into a boy; and so Iphis becomes a transgendered Isiac.

We cannot know for certain what Ovid meant to impart by this tale and I don’t want to read too much into it. Yet I feel quite comfortable putting a modern interpretation on it and understanding in it the love of Isis for Her transgendered devotees. Modern priestesses, priests, and devotees of Isis come in all sexual orientations. We all hear the voice of the Goddess. We all feel Her strong wings. We all taste Her magic. She lives in all our hearts.

The Path of Sacred Magic & the Goddess

This is my essay published in the recent Awaken the Feminine anthology. Many of the authors are sharing their essays freely on their blogs. And so am I. Feel free to share it as you wish, too. Click the book title above to go to the Amazon.com site to see the list of authors and even to buy a copy for yourself. All authors donated their work to this book. Oh, and since this essay was written for a general, if Goddessy, audience, so some of you will probably already be familiar with some of these ideas.

What if I told you that magic was real?

Would it call to mind a popular card game? Or perhaps Harry Potter and the Hogwarts gang? Would you imagine an illusionist making elephants disappear from the Las Vegas stage? Or would you have visions of witches with poppets and pins and poisons dancing in your head? 

I can only do this on the astral.

The real magic I’m talking about is none of those things. The Path of Sacred Magic is, in fact, an ancient spiritual tradition, one that may still be followed today and which I believe has much to offer us. It is a way of opening ourselves to greater possibilities, a method of connecting intimately and personally with the Divine. It is but one of many ancient yet enduring pathways to Goddess, to God, that is being rediscovered by women and men who are no longer satisfied with the rigid spiritualities most readily offered to them. The Path of Sacred Magic is about transformation; and transformation—of ourselves, our societies, and our world—is exactly what so many of us seek today.

But before we go further, what do I mean by “magic”?

Opening to enchantment

The Replenish card from the game Magic. It lets you get all your “enchantments” back. Of course, it’s Egyptian-ish.

When we speak casually of magic today, for instance, when we say that the Yuletide season or the springtime is a magical time of year, we mean that it is out of the ordinary, special. Our senses are heightened. Lights seem brighter. Scents are more pungent and evoke memories and images. Music is clearer, more beautiful, more meaningful. The numinous seems to be with us in the faces of the people we meet, in the very earth itself.

This enhanced perception of the world, this enchantment if you will, is something we human beings crave. Indeed, we have long complained about the world’s disenchantment. German sociologist Max Weber famously decried it in the early 1900s and before him Friedrich Schiller in the early 1800s. No doubt the complaint goes back much farther than that. More recently, psychotherapist and former monk Thomas Moore’s books Care of the Soul and The Re-Enchantment of Everyday Life were best sellers, indicating just how many of us are longing for a world in which magic and mystery are alive once more. 

This is precisely what the Path of Sacred Magic can do. It can open us to the enchantment of the world that already exists. It can show us ways to participate in the Mysteries—of life, of spirit, of the Divine. It can also empower us to do something about healing the so-very-many things that desperately need healing these days. By helping us focus our attention and awaken our souls, sacred magic heightens our senses so that we perceive in a more-than-ordinary way. This state of heightened perception may be invoked by a magical ceremony, by meditation, by prayer—or it may come upon us spontaneously, often when overawed by nature. No matter how magical perception comes upon us, it expands our senses and we perceive what we ordinarily might not perceive in our day-to-day consciousness.

Such magical perception is neither fantasy nor an illusion that we are creating in our heads. It is a genuine expansion of our perceptive ability, not a diminishment. We’re not closing off the world of reality. We are instead expanding our ability to perceive more than just physical reality.

If we are of a spiritual inclination, the Path of Sacred Magic can help us reach out toward the Divine; for many of us reading this book, toward the Goddess specifically. Magical perception can help us grow in Her presence, undergo Her initiations of life and of death with greater understanding, and to more deeply explore Her holy Mystery.

Isis, Goddess of Sacred Magic

For me, magic is sacred because its source is the Divine. 

Isis-Mari by Willow Arlenea

As little as ten years ago, whenever you read anything about the Great Egyptian Goddess Isis, She was almost invariably described as a Fertility Goddess. That’s not untrue; She—along with most Egyptian Deities—are important to the fertility of the land and to the fertility of the human beings and other creatures who live upon it. Fertility is a vital and eternal human concern. But “fertility Goddess” does not get to the essence of Isis.

You’d also see Her described as a Great Mother. This, too, is true. In Egyptian tradition, She is the mother of Horus, and thus of the pharaoh; a vital concept in ancient Egypt. As Isis became more widely worshipped, She also came to be experienced as the Great Mother of the World. Yet again, to me, this does not get to the essence of Isis.

Today, I am very pleased to see Isis increasingly described as what is indeed one of Her core identities: Goddess of Magic. While Isis is a Primordial Goddess, a Great Mother, a Lady of Nature, a Queen of the Mysteries, a Goddess of Women, a Goddess of Death and Renewal, and more, each of these aspects is supported by Her central identity as Goddess of Magic.

What the ancient Egyptians meant by “magic”

To the ancient Egyptians, the essential and primordial power of the Egyptian Goddesses and Gods was the power of magic. Through magic, the Universe comes into being. Through magic, all things live. Through magic, the Deities accomplish all that is Their will.

Werethekau (“Great of Magic”) as a winged Cobra Goddess

The Egyptian word that Egyptologists translate as “magic” is heka (HAY-kah). It is a very flexible word. It can mean the power of magic, an act of magic, magic words, magical formulae, a magician, or the God Magic. As a God, Heka is said to be the first-created thing and it is because of Him that all the Deities live. Thus the ancient Egyptians conceived of magic as a living force, a primordial power, the very energy of the universe. 

They believed heka to be the essential, living energy that infuses and underlies all things, both spiritual and physical. Heka—magic—connects everything and allows the levels of Being to interpenetrate and affect each other. Magic is required to ascend to the realm of the Deities, which was every ancient Egyptian’s post mortem goal. By learning to come into harmony with the magic that is woven into all things, human beings can commune with the Deities, transform and be transformed, have increased effect in the world, and be spiritually renewed.

As Lady of Magic, the Great Goddess Isis is the patroness, embodiment, and most-potent wielder of this sacred, powerful, and living energy. The ancients called Her Iset Hekaiet, Isis the Magician; Iset Ichet, Isis the Sorceress; Nebet Heka, Lady of Magic; and my personal favorite, Great of Magic: Weret Hekau.

Out of Egypt: Mageia Hiera

As Isis’s worship spread from Her native Egypt to Greece, Rome, and beyond, Her identity as Lady of Magic followed. In the Greek Magical Papyri, a fascinating and sometimes-beautiful collection of ancient magical texts, Isis appears in healing rites, love spells, divinations, and She is associated with the mystery of the moon, of darkness, and the underworld.

Yet one of Isis’ strongest and most enduring connections is with what is often called “high magic” or spiritual magic. The association of Isis with spiritual magic was so consistent that when Plotinus, the Greek founder of Neoplatonism, agreed to a magical evocation of his guardian spirit, the Egyptian priest who conducted the ceremony declared that it could only take place in the Temple of Isis because it was the only “pure place” appropriate for the working of such high magic in all of Rome.

Just as we often do today, the ancients distinguished spellcasting from spiritual magic. In Greek, one term they used for spiritual magic is mageia hiera, “sacred magic.” In the Papyri, mageia hiera is especially associated with initiation and the magician is called an initiate. It may be that sacred magic as a personal spiritual practice grew out of the spiritual experiences of the Ancient Mysteries. In Her Mysteries, Isis is considered to be a Savior Goddess and, as She always has, offers renewal and rebirth after death.

The main shrine of the Temple of Isis in Pompeii.
Photo copyright Forrest 2009.

In his Apologia, Apuleius of Madaura, a 2nd-century-CE initiate of the Mysteries of Isis and author of our only surviving first-person account of an initiation into any of the Ancient Mysteries, defined magic as a religious tradition dealing with the Divine. He called it an art that the Deities Themselves accepted and which gave human beings knowledge of how to worship and honor the Deities. 

Sacred magic then is a spiritual path for approaching the Divine.

Another ancient term for spiritual magic is theourgia, anglicized as theurgy, and meaning “divine working.” The method of theurgy is ritual work. In other words, theurgy is ritual magic for spiritual purposes—for communion with the Divine and the spiritual growth it fosters. One of theurgy’s greatest proponents, the 4th-century-CE Neoplatonist Iamblichus, insisted that theurgy works not simply because of the mechanism of the ritual, but because of the foundation of Divine love that supports the process. The Deities respond to our invocations because They love us. I heartily agree, and most especially in the case of Isis.

There is a band named Kore Kosmou…and they have a gorgeous album cover

Isis also appears in the Corpus Hermeticum, a collection of influential spiritual teaching texts, purporting to be Egyptian (and now proving to be much more Egyptian than scholars previously thought, but that’s another story), but written in Greek in what appears to be the style of Greek philosophical dialogs. Isis is one of the key Hermetic teachers. In a text called Kore Kosmou, or Virgin of the World (2nd or 3rd century CE), Isis instructs Her son Horus that philosophy and magic sustain the soul just as medicines sustain the body. Thus magic is on a par with the high art of philosophy.

An enduring magical tradition

At the height of Her ancient religion, Isis was known throughout the Mediterranean world as the Goddess of Ten Thousand Names; She became a universal Goddess. Her universality, along with the great popularity of Her religion with highborn and lowborn people of both sexes, put Her in a unique position. For many people in the polytheistic Græco-Roman world, Isis became THE Goddess.

This is important for understanding why—even with the coming of the Christian Empire and the outlawing of all Pagan worship—Isis and Her sacred magic retained an important place in human consciousness. As The Goddess, Isis could represent the totality of the Divine Feminine, even while retaining the exotic Egyptian-ness that made Her so attractive to so many in the first place.

Christine de Pisan

While Mary became the outward, Christian face of the Goddess in the West, Isis entered into the hidden world, the occult world. There, the secret truth of the Divine Feminine was kept alive in a variety of powerful forms: in magical traditions, in alchemy, in the work of first-feminists like the 13th-century-CE Christine de Pisan, in euhemeristic stories that were often considered to be historical, in wisdom teachings, among the Rosicrucians, in the early Masonic lodges, and in the temples and lodges of late-19th, early-20th-century occultists like the magicians of the Golden Dawn and Dion Fortune. Today, Isis is still one of the most-invoked Goddesses among Goddess devotees, Neo-Pagans, Wiccans, Kemetic polytheists, Magicians of many different traditions, and others. The over-26,000-member, international Fellowship of Isis continues the tradition of honoring Isis as a universal Goddess Who can represent in some way the totality of the Divine Feminine to its members.

Isis & sacred magic today

While we cannot claim that the worship of Isis is an uninterrupted religious tradition, we can rightfully say that Isis never fully left human awareness. And neither did magic. Both merely went underground. But today, with our souls crying out for the re-enchantment of the world, our lives, and our spirits; with the eternal and deeply felt need for connection with our Divine Mother, Who IS a Sacred Magician, the Path of Mageia Hiera beckons to us. We can walk that sacred path. We can reawaken Magic and Mystery and let it flower within us once more.

But how?

For those of us attracted to Isis Great of Magic, we can begin by learning about Her religious traditions, including the sacred magical traditions. Tradition enables us to learn about Her and to discover ways to think about Her. If we know Who She was for those who went before us, perhaps we can learn Who She is for us. If we know more about the symbols traditionally associated with Her, the stories traditionally told about Her (at least the ones of which we have records), then we will find we can come into a sweet communion with that deep current of the Feminine Divine river that is Isis.

A modern offering table

Tradition can provide the roots of our devotion. It can give us an anchor for our modern love of Isis as we walk the Path of Sacred Magic. It can give us a way to feel close to Her. We can learn and interpret anew Her ancient myths. We can give Her the offerings that were traditionally given to Her. If we are of a scholarly bent, we might learn a bit about hieroglyphs so that we can write Her name in the ancient ways. We may use excerpts from the Egyptian sacred texts in our rites or sing Her traditional epithets in chant. All these, and more, are the methods of sacred magic. They are “a religious tradition dealing with things divine.” They give us ways to approach the Great Goddess Isis.

Yet tradition should not constrain us. Ancient magic is not Her only magic. Tradition may provide the anchor and roots, but not necessarily the wind in the sails of our boat or the sunlight necessary for blossoming. (Isis is perhaps the quintessential Goddess for our dizzying, technological times; for if any Goddess can lay claim to the title of Technologia, it is Isis. But that, too, is a story for another day.) 

Artist Audrey Flack titles it “Egyptian Rocket Goddess.” I like to think of Her as Isis Technologia.

Thousands of years have passed since Isis’ name was first spoken in praise by human beings. History shows us how Isis manifested Herself differently to the different people who knew Her throughout the long ages. During that time, human beings changed. We are changing right now. And we shall continue to do so. This means that our experience of Isis will never be exactly the same as our ancient sisters and brothers. So while our understanding of Isis may begin with the roots of tradition, it must continue with the flowering of our own experiences of Her. Now. And here.

Those of us who are attracted to Isis today are heirs to a powerful spiritual tradition of sacred magic that we are called upon to bring forward into the present and the future. By opening ourselves to Isis through the Mysteries and rites of mageia hiera, we experience the sacred. We grow, transforming ourselves beneath Her wings. We discover who we really are, becoming wiser and more compassionate. We learn how to live more authentically, in greater harmony with our true selves and with the Divine reality of the Goddess.

The ancient worshippers of Isis found the creative and renewing power of magic to be both natural and, in the hands of their loving Goddess, a great boon to humanity. They understood magic to be inseparable from a relationship with Isis, the Goddess of Magic and a Sacred Magician Herself. Like them, we can have the same understanding. From the compassionate magic of healing to the ecstasy of the theurgic union that renews the spirit and deepens the soul, we can know all these things as part of the Path of Sacred Magic that is now, and always has been, guided by the hand of Isis.

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