Category Archives: Spring

Co-Creation with the Landbase Requires Deep Attention


Here's a great post by artist Sally J. Smith that shows what it's like to pay deep attention to your landbase. In a recent interview, Smith described how her art reached a turning point when she realized that she wanted to be out in nature, co-creating art with it, rather than inside a studio, making pictures of it. You can see in her post how this requires her to enter into relationship with her landbase, rather than simply live on it.
I don't know what it has been like where you live, but here it seemed winter would last forever. It was just last week that I was bundled up and huddled along the ice-bound shores of the lake waiting for the sun to rise. I still had the chance to make ice sculptures it was so cold here. The snow was deep in the woods, but it was crystallized and granular. The delicate flakes long gone, but now a coarse sugary texture. Difficult to make sculptures with as it does not stick together well. So this time of year is tricky in terms of making sculptures. But the sun is so strong now that the snows do melt, even if the temperatures can only rise to the low 40s which was all that could be managed last week. But the emerald green mosses are emerging and letting me know that soon, very soon it will be time to play with this exquisite green once more.

The combination of melting snow and icy nights makes for some fascinating sculptures to be found however! One day, while walking in a nearby field, I found these delicate polka dot creations creating an exquisite lace effect at the edge of the snow. The day was grey and the wind was cold, but the day before had been sunny. Just warm enough to create the droplets on the underside of the paper thin ice... which re-froze in the chill and still night air.

You should read the whole post for great discussions of her close connection to some local birds and the control that nature exercises over her work.

How deep is your attention to your landbase? How deep is your landbase's attention to you? Who's leading the dance?

Picture found here.

Violet and Jack

It's been a cold, wet Spring so far, here in the mercurial MidAtlantic. That weather pattern has its own gifts, but does make sunshine extra special. Which made today really wonderful: sunny, warm, cloudless. I had to take a break from my work and sit out in the woodland garden. It's amazing how fast things change from one day to the next, this time of year. Yesterday, the jack-in-the-pulpits were all still curled up like an odd oragami experiment.

This afternoon, many of them are open in all their secretive, spiral, cobra-headed glory. Landscape Guy and I put these in several years ago and it's wonderful to see them thriving and spreading on their shady, little hill.

And, just as suddenly, the violets are in bloom. When I was growing up, we had a truly huge, decades-old mass of them in our yard and I loved to pick great big violet nosegays. The thing about violets is, they're going to grow where they're going to grow (the ones here seem to especially love mulched spots, oh well) and you're not going to stop them. So you might as well say, "Look! Aren't my violets doing well?" and enjoy.

Is there a bit of Earth that's special to you, a space with which you cultivate a regular relationship? What's happening in it just now? What are you doing there just now?

Photos by the author. If you copy, please link back.

Staying in One Place


I have friends who are world travelers; there's so much that's wonderful about ranging all over this perfect planet and experiencing as much of it as possible. I used to wish that I were a better traveler, that I'd managed to travel to more places, that I enjoyed travel as much as I enjoy hearing about my friends' expeditions. And, then, finally, in my forties, I realized that, with the defenses that travel requires my boundary-challenged Sun in Pisces to maintain, and with my Moon in lazy-comfort-loving Taurus, I'm never going to be much of a traveler and that's just going to have to be ok this incarnation.

There are also many rewards of staying in one place, and I've been thinking about one of those this Spring. When you live in one place for a number of years, you develop a relationship with that place. I've lived in this tiny cottage for almost eight years, and nearly all of the plants here are ones that I put into the ground myself. When the snowdrops show up in February, I think that I have a glimmer of understanding of the statement that those who had experienced the Eleusinian Mysteries had no fear of death. It's as if the very ground beneath my feet conspired to send up tiny white messages to me saying, "We will keep our pact. Winter will not last forever. All that dies is reborn." And I breathe in, and I breathe out, and my very being expands a little into the sunlight and down into the warming soil, the soil full of the roots of plants that I have planted.

I had another reminder yesterday when I caught a glimpse of my beloved, old brown rabbit. I absolutely did not expect her to survive the Winter, but there she was, and I know that it's her by that big chunk missing from her ear. Miracle of miracles, the local hawk didn't get her, and my fox didn't sup on her, and the cold and hunger didn't do her in. She's long in the haunch, but still able to show up and enjoy the newly-mown grass and, unless I miss my guess, she's managed one last priestessing of Great Rite and is now gravid with the results.

And immediately I am in that place that we Witches call "Between the World," although, for me, it's often more a case of being "Deep Within This World, The One That's Crammed With Mystical Myst." All Winter while I huddled inside, not wanting to slip and re-break the old ankle -- while I bundled up in sweaters, socks, afghans, and gloves, while I lit fires and glanced out at early sunsets, and fed myself with soups and stews -- all that time my dear friend was cowering inside her form, slowly burning the carrot tops I'd given her and waiting, as I waited, for Spring. And then, one old woman setting an example for another, she emerged as soon as possible and gave herself to the Great Rite, as simply as I give myself to the task of starting seedlings, of clearing the herb bed for new seedlings, of cleaning my altar for Spring. Well, really, her surrender to Life is larger and more unstinting than mine -- and she and I both know that. And this morning, adding my coffee grounds to the soil around the Kleim's Hardy Gardenia jasminoides, I scan the yard for her, grateful to have lived here long enough to have received her lesson of participation and surrender. I am who I am because I am in relationship with her. She is who she is because she allows herself to be fed by me. We are both who we are because our roots are here, in this bit of Earth. She is the old rabbit of this place; I am the Witch of this place. We are both each other.

Picture found here.

Monday Poetry Blogging


What to Eat, What to Drink, and What to Leave for Poison

~CAMILLE T. DUNGY

I.
Only now, in spring, can the place be named:
tulip poplar, daffodil, crab apple,
dogwood, budding pink-green, white-green, yellow
on my knowing. All winter I was lost.
Fall, I found myself here, with no texture
my fingers know. Then, worse, the white longing
that downed us deep three months. No flower heat.
That was winter. But now, in spring, the buds
flock our trees. Ten million exquisite buds,
tiny and loud, flaring their petalled wings,
bellowing from ashen branches vibrant
keys, the chords of spring’s triumph: fisted heart,
dogwood; grail, poplar; wine spray, crab apple.
The song is drink, is color. Come. Now. Taste.

II.
The song is drink, is color. Come now, taste
what the world has to offer. When you eat
you will know that music comes in guises—
bold of crepe myrtle, sweet of daffodil—
beyond sound, guises they never told you
could be true. And they aren’t. Except they are
so real now, this spring, you know them, taste them.
Green as kale, the songs of spring, bright as wine,
the music. Faces of this season grin
with clobbering wantonness—see the smiles
open on each branch?—until you, too, smile.
Wide carnival of color, carnival
of scent. We’re all lurching down streets, drunk now
from the poplar’s grail. Wine spray: crab apple.

III.
From the poplar’s grail, wine spray. Crab apple
brightens jealously to compete. But by
the crab apple’s deep stain, the tulip tree
learns modesty. Only blush, poplar learns,
lightly. Never burn such a dark-hued fire
to the core. Tulip poplar wants herself
light under leaf, never, like crab apple,
heavy under tart fruit. Never laden.
So the poplar pours just a hint of wine
in her cup, while the crab apple, wild one,
acts as if her body were a fountain.
She would pour wine onto you, just let her.
Shameless, she plants herself, and delivers,
down anyone’s street, bright invitations.

IV.
Down anyone’s street-bright invitations.
Suck ‘em. Swallow ‘em. Eat them whole. That’s right,
be greedy about it. The brightness calls
and you follow because you want to taste,
because you want to be welcomed inside
the code of that color: red for thirst; green
for hunger; pink, a kiss; and white, stain me
now. Soil me with touching. Is that right?
No? That’s not, you say, what you meant. Not what
you meant at all? Pardon. Excuse me, please.
Your hand was reaching, tugging at this shirt
of flowers and I thought, I guess I thought
you were hungry for something beautiful.
Come now. The brightness here might fill you up.

V.
Come. Now the brightness here might fill you up,
but tomorrow? Who can know what the next
day will bring. It is like that, here, in spring.
Four days ago, the dogwood was a fist
in protest. Now look. Even she unfurls
to the pleasure of the season. Don’t be
ashamed of yourself. Don’t be. This happens
to us all. We have thrown back the blanket.
We’re naked and we’ve grown to love ourselves.
I tell you, do not be ashamed. Who is
more wanton than the dancing crepe myrtle?
Is she ashamed? Why, even the dogwood,
that righteous tree of God’s, is full of lust
exploding into brightness every spring.

VI.
Exploding into brightness every spring,
I draw you close. I wonder, do you know
how long I’ve wanted to be here? Each year
you grasp me, lift me, carry me inside.
Glee is the body of the daffodil
reaching tubed fingers through the day, feeling
her own trumpeted passion choiring air
with hot, colored song. This is a texture
I love. This is life. And, too, you love me,
inhale my whole being every spring. Gone
winter, heavy clod whose icy body
fell into my bed. I must leave you, but
I’ll wait through heat, fall, freeze to hear you cry:
Daffodils are up. My God, what beauty!

VII.
Daffodils are up, my God! What beauty
concerted down on us last night. And if
I sleep again, I’ll wake to a louder
blossoming, the symphony smashing down
hothouse walls, and into the world: music.
Something like the birds’ return, each morning’s
crescendo rising toward its brightest pitch,
colors unfurling, petals alluring.
The song, the color, the rising ecstasy
of spring. My God. This beauty. This, this
is what I’ve hoped for. All my life is here
in the unnamed core—dogwood, daffodil,
tulip poplar, crab apple, crepe myrtle—
only now, in spring, can the place be named.

Picture found here.