Why Advent Comes So Soon!

From a recent blog post: We had a lovely Eve of Advent Service on Rayadi, and Honored Raya in her sermon explained something I have never understood. Why does Advent come so suddenly? Because it does, doesn’t it? Every year, even though some shops have had Nativity displays since the Feast of the Dead, we suddenly think “Golly-gosh-oh-greenies, is it Advent already? Well there really is a spiritual reason for that. I don’t know if I can explain it as well as Honored Raya, but essentially it is because Nativity, the Winter Solstice, really is the Northern Gate of the Year, where Heaven enters the realm of earth – and the birth of God the Daughter really is a Mystery and an apparent paradox (Dea coming where Dea is not). So the Coming of the Daughter really is a “surprise” in the deepest spiritual sense, and, as superficial things metaphysically reflect deep things, the Advent always tends to take us by surprise.

Why Advent Comes So Soon!

From a recent blog post: We had a lovely Eve of Advent Service on Rayadi, and Honored Raya in her sermon explained something I have never understood. Why does Advent come so suddenly? Because it does, doesn’t it? Every year, even though some shops have had Nativity displays since the Feast of the Dead, we suddenly think “Golly-gosh-oh-greenies, is it Advent already? Well there really is a spiritual reason for that. I don’t know if I can explain it as well as Honored Raya, but essentially it is because Nativity, the Winter Solstice, really is the Northern Gate of the Year, where Heaven enters the realm of earth – and the birth of God the Daughter really is a Mystery and an apparent paradox (Dea coming where Dea is not). So the Coming of the Daughter really is a “surprise” in the deepest spiritual sense, and, as superficial things metaphysically reflect deep things, the Advent always tends to take us by surprise.

Why Advent Comes So Soon!

From a recent blog post: We had a lovely Eve of Advent Service on Rayadi, and Honored Raya in her sermon explained something I have never understood. Why does Advent come so suddenly? Because it does, doesn’t it? Every year, even though some shops have had Nativity displays since the Feast of the Dead, we suddenly think “Golly-gosh-oh-greenies, is it Advent already? Well there really is a spiritual reason for that. I don’t know if I can explain it as well as Honored Raya, but essentially it is because Nativity, the Winter Solstice, really is the Northern Gate of the Year, where Heaven enters the realm of earth – and the birth of God the Daughter really is a Mystery and an apparent paradox (Dea coming where Dea is not). So the Coming of the Daughter really is a “surprise” in the deepest spiritual sense, and, as superficial things metaphysically reflect deep things, the Advent always tends to take us by surprise.

Why Advent Comes So Soon!

From a recent blog post: We had a lovely Eve of Advent Service on Rayadi, and Honored Raya in her sermon explained something I have never understood. Why does Advent come so suddenly? Because it does, doesn’t it? Every year, even though some shops have had Nativity displays since the Feast of the Dead, we suddenly think “Golly-gosh-oh-greenies, is it Advent already? Well there really is a spiritual reason for that. I don’t know if I can explain it as well as Honored Raya, but essentially it is because Nativity, the Winter Solstice, really is the Northern Gate of the Year, where Heaven enters the realm of earth – and the birth of God the Daughter really is a Mystery and an apparent paradox (Dea coming where Dea is not). So the Coming of the Daughter really is a “surprise” in the deepest spiritual sense, and, as superficial things metaphysically reflect deep things, the Advent always tends to take us by surprise.

The Advent of the Nativity of God the Daughter

In the Filianic Calendar, Astraea 1st (Nov. 28) is the first day of the one-month Advent period leading up to the Nativity of God the Daughter on the last day of the month. We decorate the house in anticipation of the coming of the Divine Light in the darkest part of the year. There is no historical reason whatever for placing the birth of Jesus at the Winter solstice. So what is the truth behind "Christmas"? It is this.

The Advent of the Nativity of God the Daughter

In the Filianic Calendar, Astraea 1st (Nov. 28) is the first day of the one-month Advent period leading up to the Nativity of God the Daughter on the last day of the month. We decorate the house in anticipation of the coming of the Divine Light in the darkest part of the year. There is no historical reason whatever for placing the birth of Jesus at the Winter solstice. So what is the truth behind "Christmas"? It is this.

The Advent of the Nativity of God the Daughter

In the Filianic Calendar, Astraea 1st (Nov. 28) is the first day of the one-month Advent period leading up to the Nativity of God the Daughter on the last day of the month. We decorate the house in anticipation of the coming of the Divine Light in the darkest part of the year. There is no historical reason whatever for placing the birth of Jesus at the Winter solstice. So what is the truth behind "Christmas"? It is this.

The Advent of the Nativity of God the Daughter

In the Filianic Calendar, Astraea 1st (Nov. 28) is the first day of the one-month Advent period leading up to the Nativity of God the Daughter on the last day of the month. We decorate the house in anticipation of the coming of the Divine Light in the darkest part of the year. There is no historical reason whatever for placing the birth of Jesus at the Winter solstice. So what is the truth behind "Christmas"? It is this.

Broken Chains

The chain is broken, the tie to the deep past lost. Heathenism is a path for which we strive, yet I, like so many of you, am a detribalized descendant of tribesmen thrown flotsam into the Roman world. It is those moments I seek, epiphanies where one can feel coherence pulling together a dissipated world into a sense of meaning that is present, that is now, that is ever and has been. Is that what a sym-bol once was, not a mere glyph, not just a sign, but a vision that threw together and glued in a knot of coherence what so much conspired to keep separated and fragmented?

Look at us, surrounded by fossils, bits of lore, the crushed glass and stone of temples. And how we cling to these pieces, hoping to sing the spirit out of the stone. But it takes a tribe to sing the spirit from the stones and make it live in flesh, on earth.

Drowning in a sea of atheism, apathy, anomie, looked upon as quaint, strangely attached to old fairy tales, as perhaps missing a bolt or two, and gorgeous upwellings of drum-beating vision are given blank stares, and fade in the wilting eyes of willfully misunderstanding strangers, strangers who call themselves my friends, call themselves my family.

When a genuine moment was found in old days, how it echoed, how it trilled and choired and swirled about the tribe. How it hummed in days to come beneath the surface. How it was recognized and seen and heads nodded in worth.

Not annihilating eyes, that look on and turn to dust, and scatter dust to wind. Not dessicating eyes, that dry and shrivel, and turn away from ancient beauty.

We are thirsty sojourners with pierced water-skins. Nothing holds. The hands lift water, and the toes are wet ; the hands hold nothing.

I am a creature running on automatic. It takes faith to live amongst the apathy and keep one's troth. Lost in the banality, one often feels nothing, cannot smell the ancestral scents, cannot feel the presence of the holy Gods. One posits. One lives as if in suspense, in the hopes of, in the projection beyond nothing, in the absurd stance of reaching towards what all deny. And sometimes one feels nothing, yet one hopes to feel.

I am sent out into a strange world. I know it well, but it has not lost its strangeness. Estranged. Not a tribe in sight to hold things together. The freeways rip my local soul away and toss it to the smoggy winds. I struggle to find a word that will hold. That word is weighed on the moneychangers' scales, who shake their heads and shrug. A word is air. Cheap, smoggy air. Yet a word was once wyrd ...

I have seen the numb eyes. Numb, electrocuted eyes. Eyes that can no longer believe. Eyes that are weary, heads that sadly shake no at any talk of magic, ears that are deaf to poetry. Ringed by people for whom soul is a word, worthless air itself, and no treasure. Language that wells from Anglish tribesmyn but it cannot bridge the gap at all. I speak words but no one understands.

Is it genocide to have flattened masses of the same bloodline bleached of their common root? Or to sing of ancestors who are always gone, because culturally, their descendants have disappeared? If their descendants were swallowed by the Roman wolf, and became bleached, stripped soldiers, do they have descendants at all? Or what does it mean to have a heritage that is all nostalgia, with few hands to carry it forward?

I walk into a hall, but the hall is empty. No cheers to greet me, no fires burn in braziers, no feast in hall. What is a vision quest when you return with a vision and everyone yawns and simply talks about the ballgame?

Broken chains.

Goldenhead Now Available

Annalinde Matichei's new book Goldenhead has launched. This follows her widely acclaimed book The Flight of the Silver Vixen. Goldenhead, while not a religious book, is set in an all-feminine reality with priestesses who serve Our Mother God and are revered by all. It is a story of the conflict between Good and Evil in a fundamentally Deanic context. It is also a much more "fantastical" book than Silver Vixen (which was mostly "science fiction" albeit with a feminine twist). It considers such subjects as the limits of imagination, the reality of "imaginary" friends and worlds, and is very much a book for those who do not feel at home in the modern patriarchal world and believe they truly belong somewhere else. A profoundly imaginative book (as is fitting for this Year of Sai Candre), expect to encounter some unexpected and challenging ideas - such as whether the anime style actually represents a mode of reality - as well as encounters with tree-spirits, the sorcerous power of music, and battles with demons who are the very incarnation of darkness. The Flight of the Silver Vixen was hailed by one critic as "this rare and exhilarating book". Goldenhead pursues themes even rarer in a manner even more exhilarating. Goldenhead is currently available only as a virtual book on the Amazon Kindle (paperback to follow), but readers are reminded that a free Kindle reader is available for Windows and Macintosh computers, as well as most mobile devices, and that digital realease allows the book to be sold for only 2.99.

Goldenhead Now Available

Annalinde Matichei's new book Goldenhead has launched. This follows her widely acclaimed book The Flight of the Silver Vixen. Goldenhead, while not a religious book, is set in an all-feminine reality with priestesses who serve Our Mother God and are revered by all. It is a story of the conflict between Good and Evil in a fundamentally Deanic context. It is also a much more "fantastical" book than Silver Vixen (which was mostly "science fiction" albeit with a feminine twist). It considers such subjects as the limits of imagination, the reality of "imaginary" friends and worlds, and is very much a book for those who do not feel at home in the modern patriarchal world and believe they truly belong somewhere else. A profoundly imaginative book (as is fitting for this Year of Sai Candre), expect to encounter some unexpected and challenging ideas - such as whether the anime style actually represents a mode of reality - as well as encounters with tree-spirits, the sorcerous power of music, and battles with demons who are the very incarnation of darkness. The Flight of the Silver Vixen was hailed by one critic as "this rare and exhilarating book". Goldenhead pursues themes even rarer in a manner even more exhilarating. Goldenhead is currently available only as a virtual book on the Amazon Kindle (paperback to follow), but readers are reminded that a free Kindle reader is available for Windows and Macintosh computers, as well as most mobile devices, and that digital realease allows the book to be sold for only 2.99.

Goldenhead Now Available

Annalinde Matichei's new book Goldenhead has launched. This follows her widely acclaimed book The Flight of the Silver Vixen. Goldenhead, while not a religious book, is set in an all-feminine reality with priestesses who serve Our Mother God and are revered by all. It is a story of the conflict between Good and Evil in a fundamentally Deanic context. It is also a much more "fantastical" book than Silver Vixen (which was mostly "science fiction" albeit with a feminine twist). It considers such subjects as the limits of imagination, the reality of "imaginary" friends and worlds, and is very much a book for those who do not feel at home in the modern patriarchal world and believe they truly belong somewhere else. A profoundly imaginative book (as is fitting for this Year of Sai Candre), expect to encounter some unexpected and challenging ideas - such as whether the anime style actually represents a mode of reality - as well as encounters with tree-spirits, the sorcerous power of music, and battles with demons who are the very incarnation of darkness. The Flight of the Silver Vixen was hailed by one critic as "this rare and exhilarating book". Goldenhead pursues themes even rarer in a manner even more exhilarating. Goldenhead is currently available only as a virtual book on the Amazon Kindle (paperback to follow), but readers are reminded that a free Kindle reader is available for Windows and Macintosh computers, as well as most mobile devices, and that digital realease allows the book to be sold for only 2.99.

Goldenhead Now Available

Annalinde Matichei's new book Goldenhead has launched. This follows her widely acclaimed book The Flight of the Silver Vixen. Goldenhead, while not a religious book, is set in an all-feminine reality with priestesses who serve Our Mother God and are revered by all. It is a story of the conflict between Good and Evil in a fundamentally Deanic context. It is also a much more "fantastical" book than Silver Vixen (which was mostly "science fiction" albeit with a feminine twist). It considers such subjects as the limits of imagination, the reality of "imaginary" friends and worlds, and is very much a book for those who do not feel at home in the modern patriarchal world and believe they truly belong somewhere else. A profoundly imaginative book (as is fitting for this Year of Sai Candre), expect to encounter some unexpected and challenging ideas - such as whether the anime style actually represents a mode of reality - as well as encounters with tree-spirits, the sorcerous power of music, and battles with demons who are the very incarnation of darkness. The Flight of the Silver Vixen was hailed by one critic as "this rare and exhilarating book". Goldenhead pursues themes even rarer in a manner even more exhilarating. Goldenhead is currently available only as a virtual book on the Amazon Kindle (paperback to follow), but readers are reminded that a free Kindle reader is available for Windows and Macintosh computers, as well as most mobile devices, and that digital realease allows the book to be sold for only 2.99.

Up to Speed

I can't believe I ever even entertained people who think that feuds are a good thing.

Of course, I've argued against that logically here.

But I can't even fathom at this point why I even bothered to argue it logically.

It's so clear that the feuding mindstate is simply the ethics of the mafioso : you bumped off someone I love, so I'll bump off someone you love, and maybe throw in a couple of others as well.

Sorry, that might be human, but it's barbaric nonsense. And all it does is set the grounds for the war of all against all.

Anyone who has studied history and anthropology knows that societies that live like this can end up having intergenerational feuds that last for centuries. It's just idiocy.

And the stories say so, if anyone were listening. At least the religious stories. Maybe not the Icelandic Sagas (although in a sense, they do, too, if you read them right), but the religious stories are all about portraying what idiocy feuds lead to. The world basically splits apart.

But again ... why would I even entertain such idiocy?

It's like entertaining racism.

Dude ... if you ran from Christianity because it was too progressive for you, what a fucking loser you are. Christianity is about one of the most reactionary religions you can find, and the Church, in general, has stood for reaction at just about every turn. Sure, the Church has "liberalled up" in the past 100 years (to some degree), but that's only to come up to speed, ie., to live in the 20th and 21st centuries. If the religion of reaction is not reactionary enough for you, oh, dude, I don't give a fucking shit whether you "worship the same Gods" as me ... I have no interest in talking with you, I have no interest in proving anything to you, and really, truly, sorry, no, we are not practicing the same religion.

See, I worship this guy named "Odin". His very name is about getting on top of the evolutionary learning curve. His very name bespeaks the opposite of reaction, because he is the master of the anti-stagnation force that drives on evolution. The slogan of Odin is "come up to speed", not "stay in the past". In fact, two of his names speak to this : Fjolsvinn,"Fully Swift", and Svipal, "Changeable, Dynamic, Mercurial".

Oh, from Urd's perspective, sure, there certainly may be nothing new under the sun. But this is Urd we're talking about. She has seen the world through multiple eons and knows what is hidden in the depths. If it's true that from her perspective, everything new is merely a new expression of old archetypes, from our perspective that means there is much to be discovered indeed, for wyrd does not mean "the past". It means "the mysterious past". So sorry, no using wyrd as an excuse for being reactionary, as if the past were all that mattered. No, nope, that's not how it works. Our ancestors by no means thought that the world was going to remain confined to what they could historically remember. They knew that the past included, particularly as one moved backwards into the mists of mythic time, much that was unknown, and these unknowns had great portent as they developed into the future. It's true that as we invent unseen-before gadgets and contraptions that these may be unfoldings of potentials laid down billions of years ago, but from our perspective, they're innovations, and they may very well be worth-while.

Our song-smiths wrote tales about all that can go wrong with feuding so their dope-headed peers, and us, could learn a thing or two from their heightened state of inspiration. Let's come up to speed.

Mani Calls the Elfin Boy

Boy! O child! O child wind-whipped hair in forlorn night, O boy! Sweet boy, O elfin youth, how silver-sheen your eyes, like mine! Yes, me, here up above! Hollow sounds my voice? I think in ivory on the wind, in pewter tones the moonbeam’s strings beharp into the lonely air below! With smooth and honeyed wine matured in months and months of ticking moon, with sliver sickle-turning tusk to fullest pearl, I lunar serenade, and sing the soft of evening’s glow to down below, the sleeping creatures! Yet seen you once, I’ve seen you twice, for second sight was gift of mine from long ago the crone and keeper of the hollow cavern’s well! For I have strolled and sailed the black-bay silent seas below, and know, O friend, a thing or two, a secret, something craved by you ...


You seek the up-above, a maiden spider-dew embroidered veil, with crepe-enpetalled blooms a crown atop her flaxen mane! But down-below, O child, you must go, for closing eyes of mine, I see through yours, what salt has burned upon your iris, knots and tangles thick within her amber, flowing locks, and these cannot be cut without a sharpened edge, without a sword so swift and subtle, wool thrown on the waves, and wandered towards its blade would cleave the yarny threads between! For one whose grain of headlands is a’knotted cannot love, nor see, but pine away in tangled dreams! And how to cut those knots, let loose the griping tangles, lest a sweeping swish of subtle fire-from-the-forge of ore-made-ice with tongs and hammers? How?


Clasped and locked in woody branches, viny gnarls nine-leagues thick, it lies, this wonder iron-of-the-shiny-tongue-of-silver, deep within a hollow housed beneath the hanging roots of hoary tree. They say a sorceror insidious sated blade with hate of fiery ice, and slipping starlight from the darkness, stolen shafts of light, he mallet-hammered into edge of awe the sweeping strike of thunder’s fire fast within its tortured ore! And subtle things, unlikely things, at edge of world’s horizon stalked, he caught, and fleeting, nimble, forced mercurial spirits in damascine steel upon his anvil! All his wicked, wild hate, a winter’s windstorm never sated, frost-enbreathèd sparkle blew into the blade! Till spirits chilled in fright! I lit the way in darkness, dwarves of deep reflecting subtle splendor mine upon their shields, to let the nether-king reconnoiter, and seize this banshee-besom of the iron bogs! For stout and doughty smiths beneath the earth, mere rumor of its edge upon the chilling wind, had woven clasps of living leather, thick, enwoven ring-mail, might of adamantine roots the mountains hold within their bosoms, so to hold it close and clasp it tight to tree, where none might free it, fell the world on falter of the fleet yet deadly sorceror-enwhisp’ring blade! A peril poured in steel, a whirring rush adrenaline-bemetalled! Yet, my lad, O youngish elf, a spell indeed in hilted ore! O hoard’s so secret sword might swift and once-for-all with scissor’s nip untangle locks florette of lovely maiden, slip between the gnarled knots, and win your prize!


O why with eyes of coiled vertigo wonder upwards towards me, lad? What will you say? How may a blade so deep and tied titanium to a trusty tree be won? Why, wonder not, observe this scythe I carry, shadowed! Bright its polished claw so curved. It cuts the cords of tangled fate, when tragic knots have formed, and so is ever sought by sires of the wyrdless ones, who wander, hovering, o’er abyss, the fall of fate to which their tangles tie! O wish is swiftly strong to attain this ghostly scimitar, a gift the daubing giant-crones below once yore-days gave to me for deeds of valor former days had seldom seen! A blade above, with bend of bow, that cuts the tangles down below, to give for blade below that may the tangles up above undo with flash of flourished sweep! For keepers of the clasps below have secret weep, a sorrow sad that burns their bones and churns their gnawed and gnashing bellies! The nether-king a daughter has, O maiden of the wondrous night, whose belly’s bud the sorceror enseeded with his seething, frosty hate, and what has blossomed is a son, whom second-sight reveals might follow fast the father’s fevered craze! And such a shadow son’d is sun enshadowed, so they weep behind a wall of frozen face. A’pace to whip the reins of antlered deer, my lad, and pull thy sleigh through northern caverns, winding down, and find thy prize below! For up above, thy prize awaits!


And why? Why, gracious me, to give you scythe of polished quicksilver? For what? A single hope, my hope-forlornèd elf : that you might bring this blade beclasped in leather still, yet sheathed, to homes of heaven where your maiden waits. Delay thee not, nor tarry : fast, as if the earth were fire feet might burn, escape, and flee, towards where the rain’s enshimmered ebb does bow, and there, I’ll lift you, lad, and give you lift upon my silver ship, to ride along the rainbow bridge to where your love in chests of ruby rims ensconces kisses for thy lips alone! But let the whispered sorrow of the sword’s enbladed shriek beguile thee not! For siren of the smith, the edge seduces men to vengeance seek, and if you falter, all might fall within your soul, and how you’ll reel, and who knows what this madness might engender in your latter days, O friend! The cycle of the feckless feud is fueled by foolish rashness, and, enswirled to might, becomes a cyclone, as a scythe or blade betwirled, that severs heads of many sires’ sons! Beware! And let thy feet be swift, boy! Better days beckon ; heed the haunts below, and keep my rede.

Svipdag Cries The Moon

I will never be anyone's beloved again, it feels. I'm banished from the places of true glamor and shining light. My words, long practiced, long polished, are for dung, so it seems. Hacks and mediocretins gain their multiple accolades, but wondrous beings won't even look my way. Cursed, cursed, cursed. I howl at the moon. I am tied in place by Halfdan's bonds. I rescued her for nothing. Nothing! The wind is more giving than her words! How its blue lips blow ice-kisses upon me more freely! What? What do you mean there's a sword in the underworld? And how would I, a wretch roped ‘round an oak, be concerned with such trivia?


O moon, if I could be as crazy as you, I might not go mad, but as it is, I stare, and my eyes lie the darkness before me, for even light is darkness without her immortal spark bespeaking blessings on my worthless charade of a life. Are these tears? Ice falls from my eyes in this blizzard, crashes, falling dust in the snow. Therein a multiple hundred times in fragments I see your shining face, O moon, see you, and wish I might fly so high and smooth like gliding white against the small pin-pointed-broken black. Your words fall out as snow crystals, strange letters, twisted, falling. I see strange patterns in the sentence-blizzard. Are you speaking to me, O moon? What strange adventures you call me on!


Who said I was an elf? Mine own glow seems to shade, self-swallowed by shame and grief, a mere mortal in the eyes of a swallowing world, engulfed. Why not implore me fall within the depths, O moon, why not? For I am there already. If you asked me how much lower I could go, why I could not begin to answer. Thus, indeed, I take your charge, and downwards thence shall go. A blade? What cuts more than this pain? A blade? The wind is sword the more for frozen slash! And mere suggestion that this blade delivered -- though how to heavens high above I'll heave I cannot fathom -- might enwoo me single kiss of she who holds the world's enchantments in her charm, the blossoms woven in her starlit hair of awesome might, pours magma, embers hot from smithy's forge, within these bones-made-ice and melts my stillness. A thousand blades I'd buy with track and tread of feet to win that single kiss -- if sole she would, if sole she'd give to me a single glance, most blossom-bosomed bursting lovely maiden of the heaven's hills!


Yet fetters, mere flax before, now woven, plaited into binding hands of twine that let their grip go not install me, frozen, to this tree. How shall I free myself? Yegads, what say ye, moon? What will and wish within, what say ye? Song within my breast? A song to dash the fetters? Yes! O yes, I say! Within my breast! Indeed! O sorrow had forgotten me this special spell implanted there so long ago by fallen mother! Then what shall say we? Flaxen fetters, or sorrow much the more? For sorrow, seems, was fetters more than flaxen plaited ever was! What binds or blinds me from my memoire, glade of silken, silver songs and dreams, is bondage deeper than a rope or iron manacle! I shall sing, and singing, flee! Flee this wretched place, adieu ... Exeunt.

Can Anything Travel Faster than Light?

Recent observations at CERN, the world's largest physics laboratory, show certain sub-atomic particles traveling faster than light. Similar observations have been made in the past, but the margin for error allowed for the particles possibly traveling at sub-light speeds. The current observations are wholly unambiguous, and CERN scientists are asking other facilities to run similar experiments to confirm or refute their findings. This is important because the entire edifice of modern physics is based on the absolute limit of light-speed in the universe. If that is disproved almost nothing done since (and including) Einstein's work is any longer certain. A while ago we discussed the manner in which some scientists who really should know better treat "science" as a sort of faith. In this particular case Professor Stephen Hawking:
"The universe is governed by science", [Prof Hawking] states. Now clearly this is nonsense. The universe is not governed by science. Science is a human activity. The word means "knowledge", or literally vision. It has been narrowed since the 17th century to mean in the popular mind "knowledge of purely material things". Science (purely material or otherwise) may develop models and theories of how the universe works and the forces described by these models and theories may or may not govern the universe. The fundamental philosophy of empiricism on which all material science is based tells us that every theory is only a probability, never a certainty.
These recent findings are simply a very telling case in point. The CERN observations may or may not be proved correct. We have no vested interest in disproving the very foundations of modern physics. Considering the metaphysical significance of Light, there is every reason why it might well represent an absolute limit to the possibilities of manifestation. But what we all need to remember is that nothing in physical science can ever be more than a probability. New findings can overturn a century of "certainty" in a week. That is the nature of physical science and of the empirical method. Certainty and Truth (with a capital T) cannot ever lie in physical findings of any sort. Truth is a metaphysical concept and only metaphysics can ever provide it. To claim that science is certain of anything is to turn it into a pseudo-metaphysics. Which is bad metaphysics and bad science.